Mahogany Cabinets

Victorian mahogany 2 door side cabinet This cabinet stands upon a plinth base with turned feet Featuring 2 panelled doors which open to reveal 1 shelf We can ship to anywhere in the ...

Well carved chest on stand with gadrooned top edge of chest and gadrooned edge of plinth base, circa 1870. Plinth base has a carved shell in center of apron with Queen Ann legs that ...

Sn4337 stylish Art Nouveau mahogany and marquetry hall cabinet or side cabinet, having arched cresting above divided mirror flanked by a pair of circular platforms on downswept supports, the projecting base having finely inlaid centre panel depicting sailing ship, outlined in boxwood and flanked by a pair of leaded, glazed doors enclosing glass shelf and fitted with original handles, working locks and two keys, all standing on square legs terminating in pad feet, all united by fretwork apron. This antique mirrored cabinet...

Napoleon III period cabinet stamped "GROHE". Napoleon III period cabinet in rosewood and mahogany. Inlaid with marquetry. Gold-plated bronze fittings. Late 19th century Signed by Guillaume Grohe...

A wonderful form carved Classical Empire cellarette in mahogany with gadrooned edges, hinged top, zinc lined interior, and small brass decorative...

Michael Taylor for Baker New World ebonized cabinet with three natural mahogany sliding doors. Radius edge casement, recessed panels...

Mid-Century Modern Edward Wormley for Dunbar bachelors chest with flip-top mirror, drawers in center, flanked by two cabinet doors, in bleached mahogany, currently being refinished (...

This magnificent chest is shipped as professionally photographed and described in the listing narrative: Completely Installation Ready. A exceptional multipurpose cabinet, circa 1970. Two drawers with open compartment below. Exceptionally crafted solid mahogany case construction veneered in cane, expertly finished in black lacquer. Radiant accents in burnished bamboo...

Antique Federal Style Flame Mahogany Flip Down Secretary Breakfront Display Hutch by The Robert W. Irwin Co. This gorgeous Antique Federal Style Flame Mahogany Flip Down Secretary B...

This is a fabulous antique English Edwardian profusely inlaid corner cabinet, circa 1880 in date. The cabinet is made of rich mahogany and has satinwood inlay with garlands, swags, ...

An antique French Louis XVI vitrine offers mahogany construction in demilune form having shaped and mirrored backsplash over single do...

A high quality piece of office furniture from Niagara Furniture our Two Drawer File Cabinet is made with figured mahogany. The top of the cabinet is covered in a full grain brown lea...

A Rare Pair of Hollywood Regency Style Mahogany and Stenciled Tooled Leather front Inset with carved corners side cabinets. Versatile use to any room in you home or office. Measure 2...

Early 19th Century two-door Chippendale display case in the Chinese style. The finely carved swan neck pediment with open fretwork design sits above two astragal glazed doors that op...

A Sheraton style mahogany server with serpentine form and cantered corners. The central drawer is flanked by small drawers above a central tamboured door with deep drawers on each si...

A magnificent late 19th-century display cabinet in mahogany showcases exceptional craftsmanship and timeless elegance. This exquisite piece features intricate inlay work throughout, ...

Ole Wanscher design tall cabinet for A.J. Iversen, Denmark. High quality construction and material executed in a refined Scandinavian aesthetic. mahogany case with brass drawer pulls...

Dry bar, mahogany veneer, central glass flap door with two small drawers inside, two glass shelves on top, brass handles. Design: Ico Parisi Italy, 1948.

Tall Art Deco cabinet in solid mahogany and burr mahogany with 4 doors opening to 2 storage compartments, patinated nickel-plated metal handles. French polish. France circa 1930.

This magnificent cabinet is shipped as professionally photographed and described in the listing narrative: Meticulously professionally restored and completely installation ready A s...

Osvaldo Borsani Wall Mount Console, mahogany, brass and maple, Italy, 1950s. In the realm of luxury and design furniture, the Osvaldo Borsani wall-mounted console dating back to the...

A very useful pair of late 18th century bedside cabinets Crafted from the finest South American mahogany With curved opposing doors and raised on tapering fluted legs in the manner...

Cabinet distinct large with all structure made in solid mahogany wood. With one hanging rail and two top drawers and with one down central drawer. With two hand-carved wood handles...

Vintage Oriental Chinoiserie Asian Mahogany Hexagonal Lighted Display Curio Cabinet. Item features double sided entry and lower cabinets, bird carved details, 3 adjustable glass shel...

A pair of two-part cabinets in a Neoclassical design. The lower cabinet with oval pierced fret panel backed with fabric, concealing multiple mahogany drawers fit for cutlery and dini...

G M Ellwood for J S Henry. A fine exhibition quality 'New Art' Arts and Crafts display cabinet. A well executed design with such fine a...

A pair of mahogany tray top bedside cabinets in the Georgian style, having fretted handles on the top moulding, the cupboard below having a tambour fr...

Butler’s Desk and Etagére, circa 1825 New York, possibly by Duncan Phyfe Mahogany (secondary woods: mahogany, pine, poplar), with ormolu mounts, marble,...

Designed by Harvey Probber, this ebonized mahogany cabinet features two large brass-trimmed medallions of rosewood on the sliding doors at top. Behind the doors are five shallow draw...

Cabinet Distinct Medium with all structure made in solid mahogany wood. With three shelves and two drawers. With two hand-carved wood handles. Al...

A display cabinet in the manner of Thomas Chippendale. Constructed in a well-figured Honduras mahogany, with carved highlights; rising from cabriole leg 'ball and claw' feet, with acanthus carving at the knees, with swept and carved corner blocks; over, a running 'egg-and-dart moulding with a central leaf carved cartouche centred about a scallop shell, are two lockable glazed doors, with astragals delineating fifteen panes enclosing a shelved interior; surmounted by a pierced swan neck pediment with paterae teminals set about a turned finial, circa 1910. Thomas Chippendale the Elder (1718-1779) Yorkshire born, a highly skilled cabinet maker and designer, published in 1754 his 'Gentleman & Cabinet Maker's Director', a volume of instantly recognisable and idiosyncratic designs, that was reprinted time and again, serving as an essential manual for cabinet makers the length and breadth of England. Working from 60-62 St Martins Lane, London his output is regarded as the ne plus ultra of 18th century...

With square top with gallery with hand holds over a drawer and pair of doors and lower drawer, raised on square legs. Bellevue Ave Newport estate.

An antique Dutch marquetry display curio cabinet offers mahogany construction with arched form with double glass doors opening to shelved interior, satinwood inlay in floral design t...

This mahogany marble top silver cabinet has geometric ebony line inlay on the drawer front and ebony edging on the door. The door has a raised molded panel of flame grained mahogany. The interior is fitted with drawers. The interior oval drawer...

French Provincial style mahogany display cabinet with four interior shelves and chicken wire door front. Decorative wood apron in front and bronze har...

Maitland-Smith tessellated stone and brass two-door cabinets with scroll design in the Hollywood Regency style. Each cabinet features an interior lined with mahogany and one removabl...

Small French bookcase from the early 20th century. Double-body inlaid furniture in rosewood, mahogany, maple, walnut and fruitwood. Sideboard with four doors, two of which are inlaid...

Influenced by the California Gold Rush, the Millionaire Safe is a statement piece designed to cause an impression. This high-end product of collectible...

Elegant Cabinet Napoleon III, One Door In Brass Boulle Marquetry Style, in a dark wood veneer background, with motifs of scrolls, interlacing, volutes, flowers and bouquets. Beautif...

A 1940s French Continental Mahogany side console cabinet with exquisite, finely detailed Marquetry works on the front and sides and with Metal and brass mounts and decorations throu...

20th century American neoclassical Art Moderne cabinet by Lorin Jackson for Grosfeld House, circa 1940. A china cabinet with four glass shelves abo...

English office cabinet or shops cabinet A fantastic Edwardian era office cabinet or called shops cabinets. The top divided into eight sections....

A good quality Regency period mahogany bowfronted Side cabinet, or side cupboard, having well figured top Over two silk panelled doors enclosing interior shelves Raised on elegant tu...

English Chippendale Mahogany bombay linen press with carved dental molding, flanking book matched molded edge doors, fitted interior adjustable shelving and lower drawers, original g...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A Vintage Henkel Harris Two Piece Breakfront brought to you by Niagara Furniture. This china closet is impressive in both it’s desig...

This remarkable corner cabinet is one of the finest inlaid examples of the Empire style that we have had the privilege to see in 40 years of international antique business. Every exe...

Mogens Koch wall unit of mahogany. Two bookcases with removable inlays. Executed by Rud Rasmussen. Reverse with paper labels ‘RUD. RASMUSSENS/...

Pair of cabinets in mahogany veneer with their asymmetrical and square handles, the base and handles in black lacquered iron. Key in golden brass. Italian work realized in the 1950s...

The large Late Empire hand-polished mahogany chatol with marquetry from the 1820s is an impressive piece of furniture that exudes an aura of elegance and historical significance. The...

Chiffonier / Dresser from the Mid-19th Century Finished with Shellac We present you this so-called 7-day dresser made of coniferous wood veneered with mahogany from mid-19th Century...

Elegant late Empire 4 doors glass and wood cabinet, bookcase in mahogany. Pair of locking paned glass doors sitting atop pair of locking wood d...

Pair of cabinets, solid mahogany with flamed mahogany veneer, French polish. One cabinet with eight solid mahogany drawers inside and the other one with two shelves, black lacquered ...

A Very Fine French 19th-20th Century Louis XV Style Ormolu and Jasperware-Mounted Rosewood, Mahogany and Kingwood Single Door Vitrine, in manner of François Linke (1855-1946). The u...

A mahogany wood campaign chest by New England furniture maker Beacon Hill Collection (labeled as piece #311) from the mid 20th century. This maho...

Antique flame mahogany 2 door cabinet from Denmark, circa 1860-1880. Made in two sections, there are 2 drawers below and 2 doors with a single ...

Lovely pair of hanging wall cabinets with glass doors and glass sides. The cabinets also have two shelves inside.

The relationship between the partitions ensures a balanced composition. The careful alignment and proportions create an equilibrium, giving a sense of coherent design. It is a one-of...