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Vladimir Kagan Credenza with Tambour Doors, 1950s
Credenza in walnut with signature splayed legs, tambour doors and black laminate top by Vladimir Kagan for Grosfeld House, American, 1950's. A beautiful Kagan design. Reference: The Complete Kagan published by Pointed Leaf Press LLC in 2004, pages 84 through 108 show photographs and drawings of numerous pieces Kagan designed for Grosfeld House in the late 1950’s. On page 98 in the middle of the page is a sketch of this model.
- CreatorVladimir Kagan (Designer)
- DimensionsHeight: 35 in. (88.9 cm)Width: 84 in. (213.36 cm)Depth: 21.5 in. (54.61 cm)
- StyleMid-Century Modern (Of the Period)
- Materials and Techniques
- Place of Origin
- Date of Manufacture1950s
- Seller LocationNew York, NY
- Reference NumberSeller: credenza471stDibs: LU783824101112
Shipping & Returns
- ShippingRates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.Ships From: New York, NY
- Return Policy
This item cannot be returned.
About the Designer
The pioneers of modern furniture design in America in the mid-20th century all had their moments of flamboyance: Charles and Ray Eames produced the startling, biomorphic La Chaise; George Nelson’s firm created the Marshmallow sofa; Edward Wormley had his decadent Listen to Me chaise. But no designer of the day steadily offered works with more verve and dynamism than Vladimir Kagan. While others, it seems, designed with suburban households in mind, Kagan aimed to suit the tastes of young, sophisticated city-dwellers. With signature designs that feature sleekly curved frames and others that have dramatic out-thrust legs, Kagan made furniture sexy. Kagan’s father was a Russian master cabinetmaker who took his family first to Germany (where Vladimir was born) and then to New York in 1938. After studying architecture at Columbia University, Kagan opened a design firm at age 22 and immediately made a splash with his long, low and sinuous Serpentine sofa. Furniture lines such as the Tri-symmetric group of glass-topped, three-legged tables and the vivacious Contours chairs soon followed. Kagan’s choices of form and materials evolved through subsequent decades, embracing lucite, aluminum and burl-wood veneers. By the late 1960s, Kagan was designing austere, asymmetrical cabinets and his Omnibus group of modular sofas and chairs. For all his aesthetic élan, Kagan said that throughout his career, his touchstone was comfort. “A lot of modern furniture was not comfortable. And so comfort is: form follows function. The function was to make it comfortable,” he once commented. “I created what I called vessels for the human body.” A diverse group of bodies have made themselves at home with Kagan designs. Among the famous names who commissioned and collected his designs are Marilyn Monroe, Gary Cooper, Andy Warhol, David Lynch, Angelina Jolie and Brad Pitt, and firms such as Gucci and Giorgio Armani. His work is in numerous museum collections, including those of the Victoria & Albert and the Metropolitan Museum of Art. Because of its idiosyncrasy, Kagan’s work did not lend itself to mass-production. Kagan never signed on with any of the major furniture-making corporations, and examples of his designs are relatively rare. As you will see from the offerings on 1stDibs, even decades after their conception, Kagan pieces still command the eye, with their freshness, energy, sensuality and wit.
About the Seller
Located in New York, NY
5 / 5
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Established in 1998
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20th Century Specialists
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