Art Nouveau Furniture

Nice set of three benrwood bar stools in Thonet style. They were made in the 80s in Italy

Raoul Larche (1860-1912) Monumental Inwell vide pouch. 'L'Idée, Allégorie sur un Rocher' A Gilt-Bronze Inkwell, circa 1900 Figural Centerpiece, Inkwell and vide pouch. Gilt-bronze H...

Jugendstil armchairs model no 714, which were designed Style Otto Wagner, Vienna, 1902 and produced by Jacob & Josef Kohn. Documented in the company´s catalogue Kohn from 1903. The chairs were made out of mahogany stained beechwood and shellac hand polished. While the frame was made out of beechwood, the back and seat were made of perforated plywood...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Jugendstil, Art Nouveau, Liberty We have specialized in the sale of Art Deco and Art Nouveau styles since 1982..If you have any questions we are at your disposal. Pushing the button ...

Pair of Art Nouveau silvered pewter candelabras with female figures surrounded by 8 arms (Attributed to WMF) (PRICED AS Pair)

Lovely Majolica pink & purple cyclamens flowers plate signed Schultz Cilli, circa 1900, Art Nouveau.

Pair of original Tuscan walnut nightstands with drawer and pink marble. Size cm: 41 x 29 x 95/125 H Period: 1930. They will be delivered in a specific wooden case for export, packed ...

Beautiful signed French Art Nouveau Emile Gallé botanical cameo vase depicting flowers in reds over frosted clear. A good size; the oval profile vase has ...

Very nice elegant Wall Mirror . Gold Frame in a Jugendstil style . 1970s Belgium . Good quality Mirror

An exceptional and fully documented Loetz Phaenomen Vase. This example is documented as Phaenomen pattern PG 29, the colouring is called bronze and it ...

Vintage Lyon-Shaw Windflower Lattice Wrought Iron Garden Patio Dining Set 5 Pcs. Listing includes (4) dining side chairs, (1) square glass top dining table with rounded corners, ripp...

Antique set of living room furniture from the end of the 19th century, Northern Europe. Furniture in very good condition, professionally renovated. The furniture has been covered wi...

Pair of Rare Venetian Murano Bell Jar Lanterns with Etched Glass and Brass Details, circa 1900 An extraordinary and rare pair of antique Venetian bell jar lanterns, masterfully craf...

The vase by Loetz from around 1910, features white glass with a red overlay and is intricately etched with a rose motif. The leafs of the rose stand out in light pinkish to deep purp...

Beautiful, antique, early Venetian / Murano hand blown pink, blue and gold flecks Italian art glass flower vase. Created in the manner of the Salviati and Fratelli Toso companies. Th...

Large Italian double bed from the early 20th century. Fabulous quality object and gilded brass decoration. Bed decorated with plaques depicting female characters and neoclassical che...

Super early Emile Galle three colour cameo vase in the unusual combination of orange and yellow and pink featuring unusual wild flowers in bloom with a great early signature circa 18...

Model #3787. Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an op...

Unusual bentwood armchair produced by the famous company of Thonet at the end of the 19th century around 1895 in Vienna. This rare Austrian Art Nouveau armchair impresses with absout...

French Art Nouveau umbrella stand, France, ca.1900. Black and white enameled cast iron (fixture and tank). Height: 23.6"(60cm), Width: 16"(41cm), Depth: 8.2"(21cm). Marked "Cast Iron...

Jugendstil wall mirror.

An impressive early 20th Century American iridescent glass vase of slender form with green hearts shining through an attractive golden iridescence, signed L C Tiffany Favrile and numbered to base. ADDITIONAL INFORMATION Height: 23 cm Condition: Very Good Condition Circa: 1905 Materials: Iridescent Coloured Glass SKU: 6667 ABOUT Louis Comfort Tiffany Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is the American artist most associated with the Art Nouveau and Aesthetic movements. Tiffany was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewellery, enamels and metalwork. Early Life He was born in New York City, New York, the son of Charles Lewis Tiffany, founder of Tiffany and Company; and Harriet Olivia Avery Young. He attended school at Pennsylvania Military Academy in West Chester, Pennsylvania, and Eagleswood Military Academy in Perth Amboy, New Jersey. His first artistic training was as a painter, studying under George Inness in Eagleswood, New Jersey and Samuel Colman in Irvington, New York. He also studied at the National Academy of Design in New York City in 1866-67 and with salon painter Leon-Adolphe-Auguste Belly in 1868-69. Belly’s landscape paintings had a great influence on Tiffany. Career Louis started out as a painter, but became interested in glassmaking from about 1875 and worked at several glasshouses in Brooklyn between then and 1878. In 1879, he joined with Candace Wheeler, Samuel Colman and Lockwood de Forest to form Louis Comfort Tiffany and Associated American Artists. The business was short-lived, lasting only four years. The group made designs for wallpaper, furniture, and textiles. He later opened his own glass factory in Corona, New York, determined to provide designs that improved the quality of contemporary glass. Tiffany’s leadership and talent, as well as his father’s money and connections, led this business to thrive. In 1881 Tiffany did the interior design of the Mark Twain House in Hartford, Connecticut, which still remains, but the new firm’s most notable work came in 1882 when President Chester Alan Arthur refused to move into the White House until it had been redecorated. He commissioned Tiffany, who had begun to make a name for himself in New York society for the firm’s interior design work, to redo the state rooms, which Arthur found charmless. He worked on the East Room, the Blue Room, the Red Room, the State Dining Room and the Entrance Hall, refurnishing, repainting in decorative patterns, installing newly designed mantelpieces, changing to wallpaper with dense patterns and, of course, adding Tiffany glass to gaslight fixtures, windows and adding an opalescent floor-to-ceiling glass screen in the Entrance Hall. The Tiffany screen and other Victorian additions were all removed in the Roosevelt renovations of 1902, which restored the White House interiors to Federal style in keeping with its architecture. A desire to concentrate on art in glass led to the breakup of the firm in 1885 when Tiffany chose to establish his own glassmaking firm that same year. The first Tiffany Glass Company was incorporated December 1, 1885 and in 1902 became known as the Tiffany Studios. In the beginning of his career, he used cheap jelly jars and bottles because they had the mineral impurities that finer glass lacked. When he was unable to convince fine glassmakers to leave the impurities in, he began making his own glass. Tiffany used opalescent glass in a variety of colors and textures to create a unique style of stained glass. He developed the “copper foil” technique, which, by edging each piece of cut glass in copper foil and soldering the whole together to create his windows and lamps, made possible a level of detail previously unknown. This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, that had been the dominant method of creating stained glass for hundreds of years in Europe. (The First Presbyterian Church building of 1905 in Pittsburgh, Pennsylvania is unique in that it uses Tiffany windows that partially make use of painted glass.) Use of the colored glass itself to create stained glass pictures was motivated by the ideals of the Arts and Crafts movement and its leader William Morris in England. Fellow artists and glassmakers Oliver Kimberly and Frank Duffner, founders of the Duffner and Kimberly Company and John La Farge were Tiffany’s chief competitors in this new American style of stained glass. Tiffany, Duffner and Kimberly, along with La Farge, had learned their craft at the same glasshouses in Brooklyn in the late 1870s. In 1889 at the Paris Exposition, he is said to have been “Overwhelmed” by the glass work of Émile Gallé, French Art Nouveau artisan. He also met artist Alphonse Mucha. In 1893, Tiffany built a new factory called the Stourbridge Glass Company, later called Tiffany Glass Furnaces, which was located in Corona, Queens, New York, hiring the Englishman Arthur J. Nash to oversee it. In 1893, his company also introduced the term Favrilein conjunction with his first production of blown glass at his new glass factory. Some early examples of his lamps were exhibited in the 1893 World’s Fair in Chicago. At the Exposition Universelle (1900) in Paris, he won a gold medal with his stained glass windows The Four Seasons He trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used this word to apply to all of his glass, enamel and pottery. His first commercially produced lamps date from around 1895. Much of his company’s production was in making stained glass windows and Tiffany lamps, but his company designed a complete range of interior decorations. At its peak, his factory employed more than 300 artisans. Recent scholarship led by Rutgers professor Martin Eidelberg suggests that a team of talented single women designers – sometimes referred to as the “Tiffany Girls” – led by Clara Driscoll played a big role in designing many of the floral patterns on the famous Tiffany...

This antique Art Nouveau double-handled majolica ceramic vase features a beautifully embossed floral motif and was made by the famous French manu...

Crafted by Ludwig Vierthaler for the Josef Winhart metalwork company in Munich, this gorgeous and singular lidded canister displays the bravura repoussé work that the artist is known for. Winhart hammered elaborate Secession-style swirls and geometric patterns into the sides and lid of this piece, and enriched the lid with midnight blue and ruddy brown enamels. The entire piece has a subtle hammered finish and a streaky patina that gives the surface great depth of color. Interestingly, Vierthaler spent years as a metalsmith at Tiffany and Company in New York...

This incredibly beautiful table display case is an original from the Art Nouveau period in France in the 1900s. The exceptionally high quality of the showcase is reflected in the w...

Set of 6 French Art Nouveau side chairs with the backs having a centered carved ombelle and foliate reticulated frame (NOTE: 2 upholstered in a gold velvet damask, 4 unupholstered) (...

A stunning and fully documented Loetz Phaenomen Vase. This example is documented Phaenomen pattern PG 6893 and the colouring is called Mountain blue (green over a blue ground) - The ...

Complete set of six flawless panels, French stained glass in polychrome glass with shutters, locks, handle and original key. Beautiful stained glass from the Art Nouveau period with...

CIRCA 1890 Curved seat frame on four turned legs united by stretchers, with interlaced seat Excellent condition.

Exceptionally rare silver overlay vase by Alvin Mfg Co. of Providence Rhode Island from the late 19th century. This vase is a tour de force of Art Nouveau silver work on glass. The intricate sterling floral base design is overlaid onto the emerald green glass and is finely etched and detailed. Then, above these swirling Art Nouveau florals which wrap around the vase, are vines sprouting three dimensional blown out poppies throughout. Even the vines are treated in three dimensions as they wrap around the central cartouche (conjoined Victorian monogram...

Thia antique mantel or table clock was made by the well known Italian born sculptor Archimede de Ranieri, who did much of his work in France and made this in approximately 1900 in th...

For FULL item description click on More Details below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and ...

Original Poster-V. McIndoe-couple-Moet-Chandon-Champagne, 1986 Moët & Chandon is a Champagne house founded in 1743 and owned today by the luxury group LVMH, avenue de Champagne in É...

Jugendstil picture frame vienna around 1908 Brass polished and stove enameled Original glass The picture is not for sell it is only for the photoshoting

A tall and elegant Austrian Viennese Art Nouveau porcelain vase hand painted with floral designs by Leonard and dating from around 1905. The vase is of tall narrow round shape with a...

Fully Fitted & PAT Tested Electrics - UK STANDARD PLUG FITTED - WILL NEED WIRING FOR USA OR OTHER INTERNATIONAL APPLICATION. From our Decorative collection, we are delighted to offer this rare original Austrian Cold Painted Bronze Galleon Lamp...

Beautiful pocket watch holder in the shape of a moon. France, around 1910.

Ó/L “Peace and the arts are worth more than the brutal glory of weapons”, Philippe Swyncop, 1903 – Belgium, Flemish School Exquisite oil on canvas si...

South Holland, Gouda. Antique and unique Art Nouveau vase in glazed ceramic with hand painted flowers. Polychrome glaze. Circa 1900. In perfect condition, with natural crazing. Mar...

Antique Rookwood Irene Bishop vase or urn featuring Art Nouveau / Arts & Crafts styling with an Autumn Oak leaf motif of browns and orange glaze. Cirac 1901. Shape 40. Signed IB f...

François-Théodore Legras (1839-1916). Tall Art Nouveau vase in frosted art glass. Winter forest landscape motif. Ca. 1930. Signed. In excellent condition. Dimensions: H 30.0 cm x D ...

French majolica vase designed by De Longwy. This is a very nice elaborated tall vase, created in France during the art nouveau period, back in the 1890's. The fabulous decorative va...

A luxurious square Art Deco stool with a fine storage room underneath the seat. Birch veenered and reupholstered a glamorous vintage fabric from the 1990s. Made by a French cabinetma...

Wohnung Dr. Otto und Auguste Stoessl, Wien XIII, Auhofstr. 235, um 1900-02 Wohnung Haberfeld Manufacturer Friedricht Otto Schmidt Lit.: Rukschcio, Schachel, Adolf Loos, S. 32 und 7...

This stunning Art Nouveau ceramic vase, attributed to Moorcroft, features an exquisite hand-painted tulip decor. The deep, glossy glaze accentuates the vibrant yellows and purples of...

Wall or ceiling lamp with opaline glass with an opening device Brass, optionally varnished or nickel-plated, all other surfaces on request, opaline-glass, hand blown. All componen...

French Art Nouveau marquetry "Aux Grenouilles" umbrella stand, by Emile Gallé. This stand for umbrellas and walking sticks incorporates frog (Grenouille) handles and feet in cast bro...

Art Nouveau table lamp with original cut-glass, circa 1908 polished and stove enameled.

A stunning French Art Nouveau pair of large vases with female figures of the era, circa 1910.

The style of design known as Art Nouveau (roughly 1890-1914), was heavily inspired by nature, resulting in lively furnishings and architecture. A stunning example from this period is...

Émile Gallé (1846-1904) French Art Nouveau Caméo Glass Vase « Anemones » circa 1900 Rare Galle French cameo glass vase in dark blue over yellow Blue Anemones flowers design Signed in cameo Gallé Émile Gallé was born in Nancy on 4 May 1846, the only son of Charles Gallé...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Exceptional Art Nouveau ceramic vase by Jan Willem Mijnlieff, founder and master ceramist of Fayence- en Tegelfabriek Holland, the iconic Utrecht factory active between 1893 and 1920...

Art Nouveau desk set by Tiffany calendar, ink dryer, box and clip Sizes: Measures: Perpetual calendar 16 x 16 cm Box 10 x 7 x 4 cm Clip 6 x 10 x 3...

Hammered jugendstil pendant with original opaline glass polished and stove enamelled

Gorgeous silver plated, 1920s small pot with a horseshoe and some horse race related items. Think it can be used at a table for paperclips, toothpicks, matchsticks or just as a open salt pot...

Table light with opaline glass shade, designed for Villa Steiner Most components according to the UL regulations, with an additional charge we will UL-list and label our fixtures. ...