Art Nouveau Furniture

This very nice and interesting rfireplace screen is made of bass and grilling. This is a French work from Art Nouveau period. Circa 1900

Vienes Candle Holder 1910s.

A mesmerizing Art Nouveau vase manufactured by the french pottery Pierrefonds, at the beginning of the XXth century, around 1910. Its vivid blue Crystalline Glaze and two-handled sha...

A fine antique German Jugendstil porcelain figurine. Designed by Albert Caasmann for Rosenthal in 1916. In the form of a Pierrot clown playing an acc...

Vintage Art Nouveau Deco Wrought Iron Tall Floor Candle Holder Stand Candelabra. Item featured has wrought iron construction, clean lines and...

A stunning and quality Art Nouveau Austrian or Bohemian opalescent art glass vase modeled as flower stem with a pinched flower shaped top attributed to Kralik or possibly Loetz and d...

A pair of Art Nouveau or Secessionist WMF 'Britannia metal' (pewter) and silver plate candle holders. Both marked to the interior of the base 'WMFB' and 'OX'. This finish was used be...

This 19th-century French lamp is a captivating example of sculptural artistry and functional design. The lamp features a beautifully detailed figure of a woman in a flowing gown, scu...

Set of 8 French Art Nouveau side chairs with carved walnut frames, openwork backs featuring a central upholstered section and seat upholstered in a sage green muslin. (LOUIS MAJORELL...

A stunning pair of antique English silver plated candlesticks, quite stunning with a stylized naturalistic design with a definite Art Nouveau flair dating to c.1890/1900. They com...

A beautiful Art Nouveau brass wall coat hook designed by Adolf Loos, executed by Werkstätte Hagenauer, Vienna, 1910. In good condition with charming patina.

Rene Lalique electric blue coloured glass 'Graines' Pendant. This pattern features a branch with berries. Threaded tassles and necklace. Engraved makers mark, 'Lalique'. Book referen...

Impressive round dining table with stylized carved legs having flowers and naturalistic foliate decorative motif. The carving, and quality is reminiscent of the French master Louis M...

Vase "Glycines" (Wisteria) made in multilayer purple and white cameo acid-etched glass. Molded signature. Perfect condition.  height : 33 cm

Magnificent asparagus service, composed of a shovel and a small ladle, silver-plated and vermeil metal. In the style of the art nouveau period with this beautiful cutout in the shovel.

Early 20th century, antique vanity or entrance console, oscillating entrance beveled mirror, Art Nouveau, in walnut and burl walnut, restored and polished to wax. Measures cm: H 1...

Antique La Seynie P & P Limoges 5 Piece Vanity Tray Set. The large tray is signed G. Dodge on the upper right side. The smaller tray bears the manufac...

A large and heavy sterling silver Georg Jensen oval "Cherry" centerpiece bowl. This is one of Georg Jensen's later designs, from a brief period in 1925-1926 when he lived in Paris. T...

Very Elegant Art Nouveau Oil Lamp from Böhlmarks Lampfabrik (1872-1977) in Stockholms, Sweden. Made in brass and glass during the early 20th Century in a very period design and is ...

Here we have a beautiful Bohemian mother-of-pearl glass vase, from the late 19th century art nouveau period. Has a stunning oily, iridescent finish. Most likely made by Kralik. Size...

French Majolica purple daisy plate Orchies, circa 1890.

Beautiful, graceful, Art Nouveau Period, sterling silver vase, having a trefoil-shaped base, Sheffield, England, year- hallmarked for 1903, William Mammatt and Son - makers. Measures...

Art Glass vase with pulled feather design, soft iridescent colors, footed. The vase is signed Satava Studios, Gibbons and dated 1982. Dimensions: 4 1/2" W x 9 3/4" H Condition: good,...

Aqua Turquoise Majolica Turtle Clement Massier, circa 1890.

A rare gemstone artwork in the art nouveau style modeled after Alphonse Mucha's "Spring". The painting was done on the back of glass and applied with quartz to create the iridescent background. The Goddess finely painted, delicately inlaid with natural gemstones. She wears a long mermaid...

Art Nouveau A Delbaux brass enameled catchall, vide poche, change holder, footed bowl. Hand-painted flowers, chased designs, made in France, circa 1940s.  

Wonderful bronze plate with copper inlays and geometric decoration, created by Claude Linossier in the 1920s. Features engraved signature.

Fabulous, rare, sterling silver (.950) Art Nouveau, Martele inkstand with ball feet and hinged lid, the Gorham Manufacturing Corp., Providence, Rhode Island, circa 1905. According to the PTB mark on the underside, most probably, the Gorham silversmith who made it...

Carved wood wall mirror, Art Nouveau period. France, early 20th century.

A ca. 1920's French Art Nouveau "Epinettes" cameo glass vase by La Verre Français. The acid engraved yellow and maroon glass shows "epinettes", flowers resemb...

Maison Antoine Bastet of Lyon, France (Labelled to underside of both chairs) created these exquisite hand carved oak Hall chairs with wonderful reliefs of chestnuts, foliage and bamb...

This offer is for an antique figural tobacco jar featuring the Munich Child on a keg from Munich's famous Hofbrauhaus. The jar reads "Tabak" (german fo...

This is a classic desk or table lamp, handmade by Christopher Wray, London England. The lamp has a classic traditional design in the Art Nouveau st...

This is a Lalique Crystal Champs- Elysses medium size oval bowl vase. It depicts multiple horse chestnut leaves arranged around a circular center base. Below the base, it is the acid...

Set of two antique French majolica plates made by Salins in France around 1900. The plates in an art nouveau style feature flowers and pa...

Stunning and rare Art Nouveau file cabinet. Striking Dutch design from the 1900s. Solid oak base with original roll top door. Original patinated brass handle and lock plate. The lock...

Classic early 1910s Vienna bronze figurine. This polychromed cold painted bronze is probably something you need if you’re a Vienna bronze collector. Found at an estate sale in Vienna...

French Art Nouveau glass pitcher by Georges DE FEURE (Paris), France, ca.1910. Height : 6.9"(17.5cm), Width : 6.9"(17.5cm), Depth : 5.9"(15cm). Signed "G. de Feure" at the bottom (se...

This exquisite antique German cast iron Christmas tree stand features a charming holly and berry motif, beautifully hand-painted in green and red with...

Vintage Porcelain Coffee Pot with hand-painted, under-glazed decoration of the Blue Fluted pattern from Royal Copenhagen, Denmark. Item: Coffee / Tea Jug / Pot Medium: Glazed Porce...

Russian silver clutch or evening purse. This has repousse horse heads with outstanding detail in the left corner. The clutch is .875 fine silver. There is a glass cabochon for the cl...

Frosted glass pendant light in brass fittings. The frosted glass give a lovely, soft glow whilst the ribbed, floral design adds interest. Belgium, circa 1950s. Lighting is an inte...

Stunning and rare Art Nouveau tea cabinet. Striking Dutch design from the 1900s. Solid walnut frame with four original drop-leaf doors. All four doors have the original beveled gl...

This French rectangular silver box is heavily decorated in the typical styles of this Art Nouveau period. The box has vintage red velvet interior and the original hardware with a wor...

This French Art Nouveau enameled and etched "Fleurs et Abeilles" glass vase by Daum Nancy features an unusual and wildly undulating form that is countered neatly by the tightly executed landscape that decorates its organic curves, bulges, dips and valleys. Climbing from a deeply, darkly colored base upward to the bright, nearly translucent bright yellow rim of the vase are a field of ultra-finely rendered red orchid blooms with framing leaves...

Decanter engraved with acid with floral decoration around 1900 attributed to Daum Nancy and Victor Saglier for the setting. Signature at the bottom of the carafe. Note a slight defor...

For the residence of the Banker Dr Dietrich moldauer material patinated brass, silk, all other colours are possible. Originally manufactured at the Wiener Werkstatte Atelier, now cus...

For the appartment Gustav Pollak, in Vienna 1040 Total drop is custom made

This exquisite Art Nouveau vase by Émile Gallé in Nancy is statement pieces in the room. Signed E. Gallé. Large Flattened banjo form cabinet vase with red currant decoration in clea...

Rare Majolica pink flower wall pocket signed Delphin Massier, circa 1880.

This is a sterling silver Georg Jensen grapefruit spoon, item 074 in the Beaded pattern, design #7 by Georg Jensen from 1916. Additiona...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection of a historic Florentine crystal grinder that unfortunately closed recently. It is the Marcello Galgani & Sons company, whose completely manual and artisanal work has not withstood the disproportionate advance of mass-produced mechanical processes! Marcello Galgani began his craft as a grinder and restorer in 1960; as the years went by, Marcello mastered and became familiar with particular techniques and shapes, resulting in the production of objects that manage to retain the freshness of grinding and engraving, the warmth and softness of light, and the inimitable flavor of unique artifacts. After several years, his son Lorenzo, who grew up among crystals, also entered the business and immediately became passionate about this ancient craft with skill and ability. Stimulated by the aesthetic sense of the past, father and son, set up a workshop in which the shapes they researched and created themselves are mouth-blown by traditional Tuscan glassmakers in Empoli, then ground and engraved using ancient sixteenth-century techniques, with motifs born from the Galgani's inexhaustible imagination or culturally inspired by designs of objects seen and studied in Florentine museums (Uffizi, Galleria Palatina, Museo degli Argenti, etc.). Marcello and Lorenzo Galgani were also Masters in the difficult art of restoration, bringing rare and precious objects back to life. As mentioned the company recently closed and disposed of all its last production, and only Marcello's old private museum collection remained, which includes unique and special objects created over time, a collection that the craftsman made available to us for a planned sale. All of the objects were made entirely by hand with old grinding wheels, but there were mainly two tools that allowed the creation of masterpieces: the right hand and the left hand of the master craftsman. Ancient glassmaking techniques were used for all the ground and engraved products: first, the object was ground with an emery wheel fed continuously by a jet of abrasive sand and water, then re-polished with a very fine-grained sandstone wheel also fed with water; the engravings were done freehand using as many as 10-15 small stone wheels for each design (flowers, branches, animals, etc. ); then the object was polished and shined; we must make, at this point, an important clarification on these last two operations: towards the end of the 1960s acid crystal polishing was devised, the object was immersed and rotated in a solution of sulfuric acid, fluoridic acid and water and in a short time all the defects left by the previous processes were eliminated, it was a fast, industrial operation that allowed to lower costs considerably, with discrete but not excellent results. But for Galgani's products polishing is done with a cork bark wheel wet with water and pumice, to make the surfaces more transparent, and finally polishing was achieved with a felt wheel wet with a paste of water, iron oxide, and cerium oxide. This series of processes takes an average of two days of work( sometimes much longer) for each object, each engraving or grinding is the result of the creative inventiveness of the two artisans, inventiveness that transforms crystal into reality material of the highest aesthetic value and inestimable value. All the items in the entire collection have never been used; they were part of the exhibition. Large crystal vase with a black base; the decorations, purely Art Noveau, represent graceful butterflies and dragonflies in a peaceful lake landscape. The object is "one-of-a-kind" signed by the Master; it was created in Marcello Galgani's workshop in 1982 and made with the techniques (grinding, engraving, and polishing) we explained in the description; for the shape, the Master was inspired by a vase found in a painting, preserved in the Uffizi Gallery in Florence by the 16th-century painter Jacopo Ligozzi...

This exquisite early 20th-century Danish Art Nouveau pedestal in cast bronze is a striking example of the era’s organic elegance and masterful craftsmanship. Designed with a dismantl...

Art nouveau lamp circa 1900. Gilded bronze, alabaster shells. Electrified and in perfect condition. Height: 44 cm Shell diameter: 22 cm Weight: 4.5 kg French cabinetmaker and desig...

Emile Gallé glass lamp shade in mushroom form, featuring acid-etched cameo decoration with a butterfly motif on a soft yellow opaque ground. Crafted circa 1904, this exquisite piece...

Classic early 1910s Vienna bronze figurine. This polychromed cold painted bronze is probably something you need if you’re a Vienna bronze collector. Found at an estate sale in Vienna...

A beautiful Moser amethyst vase with gold gilded frieze. Hand blown purple crystal with a wide band of gold around the body, decorated with a cameo...

Beautiful and very refined alabaster bust depicting a young woman with her head slightly bowed, in a reflective or prayerful attitude, made around 1900 in France. It is part of the ...