Neoclassical Furniture

The circular top decorated with various specimen marbles including Rosso antico, serpentino, Giallo antico, Palombino, Malachite , Granito, Carrara .. ecc. Masterpiece of Italian cr...

Tall, Empire-style sterling silver candelabra with removable arms, Preisner Silver Co., Wallingford, CT., Ca. 1935. Graceful design. Each of the pair, which is weighted, measures 15 ...

This rare and exceptional George III teapot is the work of preeminent Georgian silversmith Paul Storr, it is one of his earliest works, the date mark on this pieces of the year 1793 which is the first year Storr marked items with his own initials (P S) The teapot is designed in the neoclassical taste with some Chinese influences, or Chinoiserie taste, though the decoration shows signs of later 19th century enhancement in the technique and style of the chasing. It is very hard to impossible to find works from this early period with this interesting Royalty provenance. The family crest on the front is of the Tollemache family, and dating of The teapot indicate It belonged and probably commissioned by or as a gift to William Manners Tollemache, Lord Huntingtower, William, On 12 January 1793, at the Age of 26, he was created a Baronet, of Hanby Hall in the County of Lincoln. So this teapot was commissioned to celebrate the occasion. William Manners Tollemache: Lord Huntingtower (19 May 1766 – 11 March 1833), known as Sir William Manners, Bt, between 1793 and 1821, was a British nobleman And Tory politician. Born William Manners, he was the eldest son of John Manners and Louisa Tollemache, 7th Countess of Dysart. On 12 January 1793, at the age of 26, he was Ceated a Baronet, of Hanby Hall in the County of Lincoln.On his mother's Succession to the earldom in 1821, he was styled Lord Huntingtower, and adopted The surname of Talmash or Tollemache Paul Storr: (baptised 28 October 1770 in London – 18 March 1844 in London) was an English goldsmith and silversmith working in the Neoclassical and other styles During the late eighteenth and early nineteenth centuries. His works range from Simple tableware to magnificent sculptural pieces made for royalty Paul Storr was England's most celebrated silversmith during the first half of the Nineteenth century and his legacy lives on today. His pieces historically and Currently adorn royal palaces and the finest stately homes throughout Europe and The world. Storr's reputation rests on his mastery of the grandiose neo-Classical Style developed in the Regency period. He quickly became the most prominent Silversmith of the nineteenth century, producing much of the silver purchased by King George III and King George IV. Storr entered his first mark in the first part of 1792, which reflects his short-lived partnership with William Frisbee. Soon after, he Began to use his PS mark, which he maintained throughout his career with only Minor changes. His first major work was a gold font commissioned by the Duke of Portland...

An American zinc arched pediment from the early 20th century. This antique architectural piece from American has been designed with Neoclassical inspired wreath and ribbon bow-ties within its center and has a half-moon, arched shape with flattened bottom edge. This piece is nicely aged, with zinc atop wood which has a beautiful rusty patina throughout. There is a newer wood replaced at backside. This early 20th century architectural zinc pediment...

Pair of Large Italian White Glazed Urns, Neoclassical Style ca. 1890

Pair Venetian Fruitwood and Olive Wood Bombe Chests/Nightstands, circa 1950s A pair of Venetian Fruitwood and Olive Wood Bombe Chests/Nightstands from Italy, circa 1950s. Each chest...

Early 19th century Italian terra cotta Athenienne stand, probably made by the Piranesi Factory. The design draws its inspiration from the classical incense burner which had a tripod ...

Beautiful antique Italian solid walnut side table features a round beveled top with veneer wood burl decor standing on the central beautifully carved tripod legs. This Italian walnut...

A very nice New England Cherry and Pine 19th century tavern or side table with a detachable dovetailed top. The top is held in place with four pegs through the apron. Very nice color...

A coffee set made during the early 1900s (1902-1903) in Sweden. Stamped CG Hallberg.

American Hitchcock rush seat side chair with a tie-on seat cushion. The chair features the original gilt and bronze powder stencil decoration on the double cornucopia back splat as w...

An oak parquetry four-door entertainment media cabinet, perfect to use as a cabinet for additional storage space or an entertainment console. It has oak ...

Neoclassical style gilt brass Chiavari chair with original claret red velvet upholstery, circa 1955. The brass has a gilt wash or gold plating giving it an extra rich and refinied ap...

Pair of two vintage Raymond Enkeboll style columns / corbels / pillars / stands. Made of composite featuring ornate lion heads, acanthus designs, and...

Finely ornamented, large Italian Neoclassic Style Italian Trumeau mirror. Patinated beige lacquer antiqued by age, combines with gold giltwood details to create a grande & impressive...

Antique Russian Kuznetsov porcelain factory tea set for 6 persons, including 6 cups, 6 saucers, and teapot with cover. Cobalt and gold, Handpainted floral design. No paint loss . Gre...

Beautiful late 18th or early 19th century Dutch Neoclassical fireplace grate. Hand forged of wrought iron. The fireplace grate is in a good condition and is fully functional.

Chapman torchiere / torch shaped table lamp crafted of ebonized wood and brushed silver tone metal, with a round base and triangular body with concav...

Pair of Swedish Neoclassical period demilune console tables with wide rounded apron standing on four carved, elegant tapered and fluted legs. Many layers of newer paint scraped to it...

Rare set of eight Michael Taylor Margot labeled dining chairs featuring a weathered and distressed finish to mimic age. The set consists of six side chairs and two host armchairs mea...

Antique Bisque Porcelain Neoclassical Figure of a Partial-Nude Classical Woman C1850 Measures- 15''H x 4.5''W x 4.5''D

French Neoclassical 18k gold snuffbox, ca 1800. Oval with straight sides; cover hinged. On cover top is garden with lush vegetation and flower baskets inhabited by an alert dog eyeing up the birds; on underside is vase. Both have leafing scroll surround. On sides same alternating with cornucopias...

Neoclassical back wood mantle clock. Strikes on hour and half hour with a deep resounding gong. With key and pendulum. Working order but clocks may ...

Early 20th century Italian majolica urn. This gorgeous Italian majolica or maiolica urn or jardiniere is hand decorated with serpents, dolphins an...

Classic rustic walnut stained console table with a shaped top with incurved ends, on square tapered legs with a long frieze drawer and shelf stretcher base. Dimensions: 60" W x 14" ...

Chest of drawers hand-made in Italy in the late 1700s using cherry and decorated with walnut and ebonised inlay veneer. The chest of drawers shows the typical straight lines of Itali...

Antique Pair French Neoclassical Ormolu Bronze Candlesticks Elegant pair of 19th century French ormolu bronze single light candle holders. The tapered fluted shafts with acanthus c...

Monumental very large vintage pair of black cast iron urns planters from England that rest on 14" square plinths. Two pieces. Hole in inte...

Elegant bed frame by French designer Jacques Adnet. Completely wrapped in black saddle leather. Characteristic stacked bamboo motif. Signature Jacques A...

Devotional pendant made in silver with a Latin cross shape, decorated on the outside with simple scrolls, spikes, pearls and other elements of classicist inspiration, as well as a ri...

A Set of Neoclassical Brass and Iron Fireplace Tools in good vintage condition. Four tools and stand.

A French Neoclassic carved-wood sofa bench with rushed seat from the 19th century. This antique bench from France has been beautifully carved with Neoclassical details, featuring a gracefully curved top rail which gives way to an open back with three widely-spaced back rests; all carved in a lyre motif. The top rail gently wraps to the sides, creating a tub-style effect. Hand-woven rushed seats give this piece a more casual comfort appeal. The wood skirt is a neat, straight line, and is raised upon four slender and curvy legs...

This refined modernist neoclassical sculpture was realized in Germany. The piece depicts a bacchanal featuring Greek goddesses; young cherubic children; and even a bear, executed in ...

The Frigate Essex, Signed Will B. Robedee Painted September 30, 1976, Oil on Canvas on Board, The large framed painting on canvas applied to board depicts the Frigate Essex. The Es...

German neoclassical two-drawer walnut veneered commode. Good old finish with rich color, circa 1790. Original hand forged locks. Drawers slide nicely.

A dark oak parquetry upholstered bench with tapered legs. Crafted with rustic oak with an upholstered seat, this bench is the perfect addition to the foot of any bed or entryway. S...

This is a 1950s hand painted French cabinet with neo-classical styling. I think my favorite feature besides the faux marble columns and wire door fronts, is it’s size. At 71” tall...

A skillfully crafted Mid-Century American Classical Maple Drop Leaf Side Table in great vintage condition. Measures 34" in width open, 14.5 in width cl...

A French Neoclassical petite console table, with marble top and carved urn finial accent at underside, from the 19th century. This antique table from France features a half-moon shap...

A beautiful all leather horse animal sculpture, in the Ralph Lauren style, circa late-20th century. This hand-crafted piece is clad in a light ...

Six-light French Empire amber crystal basket chandelier with a hexagonal gilt bronze frame. Also have matching a pair of light sconces. Measures: Diameter 19 in/ 48 cm Height 43.3 in...

An Italian neo classic mahogany occasional table, the circular crossbanded top above a plain apron and sabre legs joined by an under tier, on a circular platform base and disc feet. ...

Anonymous ca. 1790; Italy Wood panel and plaster, painted, gilt and lacquered Approximate size: 118.5 x 82.5 x 5 cm The present panel is probably of late 18th century origin,...

Pair of Vintage Italian Glazed Ceramic Urn Lamps. These white glazed ceramic lamps have new lucite bases and have been newly wired, new 3-way sockets.

Vintage dogwood mid-century modern white wrote iron outdoor table and chairs designed by Russell Woodard (circa 1956). Showcasing enameled and intricately woven wrought iron with a c...

Elegant small neoclassic two drawer chest in walnut veneer on pine with ebonized interior panels and splayed legs, all original Origin: Vienna Cond...

Beautiful corinthian column oil lamp light. Unique ribbed glass column shaft with lovely corinthian capital and brass plinth base. Cut glass oil reservo...

This very nice and decorative neoclassical style bar cart is made of brass with 2 glass trays. The top tray can be removable for service. This is a French work by Maison Jansen. Circ...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

Crafted from solid mahogany wood and finished in a warm straw wash, these nightstands are the perfect addition to any bedroom. The rich wood tones and classic design effortlessly co...

Found in England, this pair of tall black porcelain vases dates from approximately 1880s. Decorated with gilt and classical Greek or Roman figures...

One of two etching printed ancient profile print with gold leaf background hand-gilded and enhanced with a square frame made of mirrors and gilded with gouache and burnished with a s...

This outstanding piece of French Nobility history with its opulent hand painted lacquered decoration featuring classical figures and motifs, set upon a deep, dark olive green backgro...

Pre-Colombian Casas Grande Olla Pot, Arizona, c. 1150-1450 , Zoomorphic Polychrome Decoration. The Casas Olla Pot is made of clay and has a rounded, bulbous shape. It's surface is de...

An Ionic column pedestal with fluted pillar and square base in the Neoclassical Greco-Roman style, circa late-20th century, 1982. Column has a nice weight to it; it's designed from a...

Jacquard Coverlets occupy an important place in American material culture. They were used as bed covers , and they are reversible. Pillowcase does not come with an insert. Linen in ...

Biedermeier style 5 tier fruit wood etagere, late 19th century. With 5 shelves all 5 shelves are graduated in size with serpentine shaped front edges, each shelf has 4 spire shaped f...

Pair of English neoclassical style three-drawer commodes with a carved molded edge top, mahogany string inlays, figural ormolu filigree mounts with the...