Renaissance Furniture

This 19th century painting depicts the Madonna and Child, inspired by the celebrated works of Raphael. The Virgin tenderly embraces the Child, echoing the warmth and harmony that def...

A rare carved walnut wardrobe opening with four door-leaves and two drawers in the lower part. The doors bear architectural views in low reliefs, fluted pilasters and Ionic capitals. Upper Body Two door-leaves with carved architectural perspectives open the wardrobe framed by three fluted pilasters with Ionic capitals. Each door-leaf depict two semi-circular arcades whose cornice and base shows a central vanishing point. Likewise the pavement’s lines act for the artisan as a way to create depth. The vaulting instead leads us to think the vanishing point has to be situated where the handle is, between the two complementaries reliefs. The elegant moulded belt hides an internal secret space, accessible through a moveable plank in the upper body. Lower Body Two door-leaves identical to those of the upper body framed by three fluted pilasters with Doric capitals. The base of the wardrobe opens with two large drawers. The sides also bear panels depicting architectural perspectives. The external pilasters share their Ionic capital with the facade’s pilasters. Thus we can observe on the wardrobe’s sides the capital’s lateral parts with the elegant volute specific to the Ionic order. This palace wardrobe is topped by an overlapping cornice standing on three consoles for the facade and two consoles on each sides. Placed right above the pilasters each console are adorned by fully expanded leaves. During the 15th century a major interest for architecture and perspective studies arises and influences patrons tastes. The work of great theorists such as Leon Battista Alberti...

A true masterpiece, by Bronzes Artisticos Espana, a wall plate, richly decorated over and over with mythological szenes and glass stones and procelain cartridges. This large medalli...

This exceptional 15th-century Venetian painted casket is a rare example of early decorative art from the late Medieval to early Renaissance period in the Republic of Venice, Italy. H...

Please message us with your zip code to request a more reasonable domestic U.S. shipping quote. Antique Italian Gothic Renaissance Wrought Iron Stretcher Base Potting Side Table (A)...

Precious octagonal Venetian mirror, made in the strictest Murano tradition. Finely hand-engraved on antiqued elements, the Tramonto wall mirror is assembled with numerous floral elem...

As soon as 1540 France's second Renaissance is in the making, intimately linked to the rediscovery of the Antique world. The development of the printing and engraving industry allows the spread of artworks and models in many cities and countries. The Italian influence can be perceived in every artistic field. While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form themselves to this new style. In Italy they get acquainted with the work of Leo Battista Alberti the first to theorize perspective (De Pictura, 1435-36) and architecture (De re oedificatoria, 1541). Those two publications would have a revolutionary impact on arts. Furniture is marked by the work of the most famous Italian architects of the time as well as French architects. Indeed Philibert de l'Orme competes with Alberti and by the end of his life publishes several treaties including one devoted to a theory of architecture (1567). Unfortunately he would not live to complete the second volume. In this treaty he expresses his interest for mathematical norms applied to architecture, copied from the Antique. His journeys in Italy allowed him to accumulate the most sophisticated references. Jean Bullant, another architect of great talent also theorizes his practice. He establishes rules characterizing Greco-Roman art staying faithful to Vitruvius. Following this new inspiration the structure of furniture evolves. From then on appear columns, capitals, cornices, friezes and architraves. The ornamentation uses this inspiration as well with egg-and-dart, palm leaf and rose adorning the most beautiful pieces. In Lyon, crossroad where meet merchants from everywhere those new experiments are welcomed. Lyon florishing printing industry allows the spreading of models and treaties essential to the artist's work. Thus the first publication of Vitruvius' De Architectura in France would be printed in Lyon in 1532. Artists from Lyon rediscover and familiarize themselves with the Antique knowledge very early. They adopt those new ideas and use them in their own creations. Lyon cabinet-makers re interpret Antique architecture and Italian Renaissance palaces to give their pieces a pure and harmonious architectural structure. Grooved pilasters are particularly favored. They are topped by capitals of diverse orders always respecting the sequencing with simpler ones for the lower levels and the richest ones on the higher levels. As for the ornamentation, one of the great distinctiveness of Lyon workshops remains the architectural perspective illusions, drawing inspiration from Tuscany. True masterpiece of the Second French Renaissance this important cabinet illustrates Lyon workshops' taste for fine Italian architecture inspired by Antiquity. An architectural perspective of great quality is treated in symmetry on each panel. This two-bodied cabinet without recess stands on four rectangular feet. The base comprises a molding, a palm leaf frieze and is bordered by a braid. The lower body is divided by three grooved pilasters with Tuscan capitals framing two door-leaves. The two panels are encircled by a moudled frame with palm leaves. They are finely carved with a decor of fantasized architecture depicting an Italian Renaissance palace erected symmetrically on each side of a grooved pilaster. On the ground floor a door opens through a stilted arch while the stories are opened with mullioned windows, dormers and occuli. Two large pegged-boss cladded pillars support the entablature enriched by a palm leaf frieze upon which stands an arch whose coffered intrados is centred by a rose. Behind this arch a pyramid appears, standing in front of a second facade with a window topped by a broken curvilinear pediment under a cul-de-four with a shell. The checker flooring gives depth to the low-reliefs creating vanishing points structuring the panels and guiding the eye of the observer. A thin laurel braid highlights the belt of the cabinet where are located two drawers. Their facades are adorned by palm leaves in hoops. The upper body is encircled with palm leaves. The same ternary division as in the lower body appears. However, the pilasters are topped by Ionic capitals with volutes and egg-and-dart. The door-leaves are framed with flowers. On the panels the artist has designed another architectural decor. On the foreground open two arches on top of grooved pilasters with rectangular capitals adorned with palm leaves. The arches are enriched with braids and the coffered intrados bears a decor of roses. The spandrels also bear a flower decor. In the background another arcature hosts a fluted grooved column topped with double basket acanthus capital, characteristic of Corinthian order. The triangular pediment is interrupted by a choux bourguignon. A large cornice crowns the cabinet. It stands on pilasters and forms an entablature comprising a palm leaf frieze and an egg-and-dart, triglyph and palm leaf cornice. The cabinet's sides have also been carefully considered. The lower body's panels are enriched with an arch rising above a broken pediment portico hosting a twisted column. Flowers garnish the spandrels. An architectural facade completes the decor. The upper body's panels present two arches supported by a facade opened with dormers and mullioned windows as well as cartouches (one bears the inscription 1580 dating the cabinet) suggesting the interior of an Italian Renaissance palace, confirmed by the chandeliers. The flooring leads our gaze to a second arch with a broken curvilinear pediment where stands a flower vase. This arch opens onto a perspective of another facade along a road. Inside the cabinet, on the lower body door-leaves appear two designs. On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross. In the bottom part is inscribed « Dure uiator abis nihil haec spectacula curas / Pendenti cum sis unica cura Deo. / Tota suo moriente dolet natura Magistro. / Nil qui solus eras caussa dolenda doles. ». The signature [Christoff Swartz Monachiensis pinx[it] / Ioa[nnes] Sadeler sculp[it]] tells us it was made by Johan Sadeler I (1550-1600) after Christoph Schwartz (1548-1592). This engraving belongs to an ensemble depicting the Passion of Christ Johan Sadeler executed in 1589 after an altar piece painted by Christoph Schwartz for the private chapel of Renée of Loraine, wife of Duke William V of Bavaria. This altar piece made of nine copper panels has been destroyed during the 19th century. The Crucifixion panel once in the centre of the altar piece is the only one that survived and is today kept in Munich's Alte Pinakothek. On the left door appears Saint Francis receiving the stigmata. The inscription says : « Signastidomine Servum Tuum. Franciscum. Signis Redemptionis Nostrae ». This Renaissance cabinet with an architectural decor appearing as much in the structure faithful to Antique rules...

Antique French Octagon sofa table carved oak Barley Twist Louis XIII Renaissance. Direct from France, a fabulous antique French octagon table, with im...

A charming oriental-style side table featuring a carved base with details of dragons and mythological figures. The round top is finished with a decorative frame and features a glass ...

An exceptional and rare 16th century Venetian textile, richly embroidered with 1.2 kilograms of gold metallic thread on deep red silk velvet. This beautifully preserved fabric exempl...

An extraordinarily rare and visually striking 16th-century Venetian iron treasure coffer, showcasing the height of Renaissance artistry and engineering. Crafted in the early to mid-1...

19th century Italian frame in Renaissance style wood marquetry. 19th century Italian Renaissance style wood marquetry frame. Frame: H: 25.5cm, W: 20cm, D: 1cm Interior view: H: 14,...

Whereas many pieces of furniture during the Italian Renaissance were heavily painted or inlaid with decorative motifs, French examples utilized hand-sculpted elements as the predomin...

A rare enamel, gold and rock crystal figure of Emperor Maximilian I by Reinhold Vasters, Aachen, In the Renaissance style, circa 1870. The g...

Antique Marquetry Inlaid Scenic Tarsia Panel of Raffigurante "Il Carro Dell'Aurora"

Original lock and key This piece of furniture shows no recess on its upper part. It opens with four folding-doors and two drawers within the belt. The key bears the date 1524 above cross motifs. Burgundy and Lyon regions subordinated themselves to architecture in a different manner than the other french schools. Rather than using particularly columns and pediments pieces of furniture from Lyon borrow architecture’s organization principles and rigorous designs. On the upper body a strong feeling of balance and symmetry appears with the folding doors reliefs. Swags of flowers and fruits held with knot cloth centered by a man seating on his arms. Here profiles, masks and chou de Bourgogne mingle with the structuring scrolls. The two lateral terms wear draperies and the goddess Diana in the center wears a belt of fruits similar to Hugue Sambin’s designs (Termes de Diane et de Venus, 1554, BNF). The two palm-leaves enriched drawers and the alternating scrolls belt balance the weight of the cornice with its alternatings consoles and tops. The lower body is also adorned by three terms with a feminine one in the center, all three are wearing fruits on their heads. The folding doors are centered upon a motif of cut cuirs by a mask in high relief. Wearing a feathered tiara...

An exceptional monumental antique French Renaissance bookcase cabinet In the manner of R.J. Horner & Co. France, Circa 1900 Ornate carved walnut with female busts, faces, and foli...

The elegant and refined Round Mahogany Pineapple Table from Niagara Furniture boasts a fantastic base carved to resemble the shape of a pineapple as well as a beautiful mahogany skir...

10 English Renaissance-style (20th Century) pewter tankards with lid. (PRICED EACH)

"Medieval Iron Pauldron (shoulder Armor) C. 1480–1520" Late Medieval Iron Spaulder (Shoulder Defence) with Brass Edge & Rotating Button, c. 1480–1520 Authentic-looking late medieval...

19th century French Carved Oak Dolphin Library Table Petite Desk Renaissance. Direct from France, an elegant, and petite, antique French carved sofa...

Pair Renaissance Style Plaster Figural Wall Mounts Sculptures, manufactured from plaster with a faux bronze patina finish. Measure 5.5" in width, 3.5" in depth and and stand 22" tal...

A rare and evocative 16th-century German Executioner’s Sword (Richtschwert), forged in Passau, one of the preeminent centers of Renaissance blade craftsmanship. Passau was renowned f...

One of twelve in a series of Belgian Medieval jacquard wall tapestries depicting the "Hunts of Maximilian." Representing the month of March with a center top roundel of a ram, the c...

The cabinet’s upper body, slightly recessed is topped by an overlapping entablature and cornice supported both in the front and the rear by four fluted columns. The lower body stands on four squared feet and a moulded base. Each door-leaf’s panel is centred by a low-relief carving presenting one of the four evangelists...

English Renaissance style horizontal tapestry of seated English Lord with standing noblemen and other figures Antique condition, fading and wear - hangs by a combination of stagger...

A fine and rectangular tapestry woven in tan and rust tones with green. In the center is a forest landscape. Made of wool and silk.

Beautiful Renaissance two-body buffet with four doors and six drawers. On the upper part of the buffet, who hide two secrets drawers, an alternating band of three masks, represents a mythological scene: Zeus changed into a swan seduces Leda on the banks of the Eurotas. The sides of the buffet are decorated with foliage and vines. The doors cornices...

Precious octagonal Venetian mirror, made in the most rigorous Murano tradition, finely hand-engraved with precious decorations on all side elements. It is assembled with numerous cry...

This very fine table made in Rome in the very late 19th or early 20th century is of dramatic design and using costly material. The base carved from solid travertine is in a Renaissan...

ORIGIN : ITALY, TUSCANY PERIOD : 16th CENTURY DIMENSIONS : Height : 73 cm Length : 180 cm Depth: 57 cm Good condition Walnut wood This significant Florentine cassone in the shape of a sarcophagus features a beautiful front panel flanked at the corners by two mascarons surrounded by voluted acanthus leaves. It rests on two lion's paw feet at the front. The decoration includes a beautiful frieze of scales at the bottom, which continues on the sides. Above this, in the center, a scrollwork cartouche once bore coats of arms. On either side, there is an abundant vegetal decor with vine branches and sumptuous grape clusters. The domed top lid is adorned around its edge with a wide frieze featuring a scale motif, harmoniously matching the lower cornice. This beautiful cassone is interesting for several reasons. The choice of ornamentation is not random. Grapes have numerous meanings and are often associated with fertility, especially when represented on a wedding cassone...

Exceptional neo Renaissance bookcase forming desk. This monumental piece consists in a lower part forming drop-front desk supported by two pillars with drawers. The lateral parts each open with a moulded door. The bookcase occupies the upper part, opening by four windows...

Superb 19th century Antique French Dark Oak “Hunt Cabinet”, Bookcase, Vitrine or Display Cabinet! Direct from France, and one of several exquisite glass door bookcase/cabinets from...

With flat hinged top opening to a open compartment. The curved case carved with a crest and figures and various designs. Bracket feet with trefoil form apro...

A Rare and Important Renaissance "Judaica" Carved Oak Wood Cabinet, circa 1680 We are pleased to present a rare and important Renaissance Judaica c...

ELEGANTLY Carved Antique French Honey Oak Cabinet with Double Doors and Drawer~~c. early 20th century Beautiful, canted corners and carved double doors with full length upp...

19th Century French Renaissance Barley Twist Armoire was crafted by master artisans from solid, old-growth indigenous oak during the late Napoleon III Period, and features a heraldic...

English Renaissance embroidery of gold eagle on blue velvet in a gold frame.

Designed in the French Renaissance style this ornate pattern has nature inspired motifs including the popular acanthus leaf. Stunning Richelieu by International...

A marble wall fountain with dolphin pedestal. The Campana shaped body of the basin is supported by the dauphin grotesque pedestal which is placed on a raised square foot. The fountai...

Beautiful antique Italian solid walnut side table, features hexagonal top with beveled edges over six beautifully bobbin turned legs, connected to one another with star shaped centra...

A fine Italian carved limestone and wrought iron wishing well head from the Veneto area. Great decoration for your garden. It may also be used as a...

This decorative hand-painted wooden panel is executed in the Renaissance style, featuring an elegant vertical composition of floral and ornamental motifs. Delicate scrollwork, classi...

Italian Renaissance style (20th Cent) gilt framed oil still life painting of fruit, jug, and basket

Italy / 16th Century / Cabinet / walnut / Renaissance / Antique Rare 16th Century Italian Renaissance cabinet in walnut with hand carved decorations of 3 heads and floral patterns f...

Condition: Original Vintage Condition Style: Italian Renaissance This exquisite Italian Renaissance–style carved mahogany desk showcases the dramatic craftsmanship and sculptural detail that defined the finest early 20th-century revival furniture. Its deeply carved scrollwork, acanthus motifs, and architectural pedestal bases highlight the artistry associated with Italian design traditions of the 1920s. Constructed from solid mahogany, the piece carries a strong presence, beautifully aged with warm patina throughout. The desk retains its original vintage condition, offering an authentic representation of its era while remaining structurally sound and visually striking. Sold originally through Bullock’s in Los Angeles—one of California’s most prestigious luxury retailers—it reflects the store’s reputation for offering European-inspired furnishings to complement the region’s Mediterranean and Spanish Revival homes. Fun Historical Fact: Bullock’s Los Angeles was famous in the early 20th century for importing and commissioning Italian and Spanish Revival furniture...

Large Antique Silver on Bronze Conquistador Figural Table Lamp

Sterling silver bi-color chessboard and chess game in "Florence" style. The chessboard is in molten silver with red jasper and white color marble The work was engraved with the anc...

Nice carved wooden chest from the Renaissance period, late 16th early 17th century. The lower part is decorated with a carved frieze composed of g...

Beautiful authentic Italian metal and wood portable tabernacle in style of Antonio da Sangallo the Younger. A civil and military architect, Antonio da Sangallo the Younger was tr...

16th Century French Renaissance period fireback with the Arms of France. Coat of arms of the house of Bourbon, an originally French royal house that became a major dynasty in Europe....

A Renaissance inspired four-panel gilded screen with Roman arches. Transform your living space into a haven of historical artistry with this four-panel folding screen, an exquisite h...

Display case on lion's paws, Germany, early 19th century of the twentieth century. Very good condition. Wood: walnut dimensions height 171 cm width 149 cm depth 42 cm

An unusual pair of Grotto tables, the rounded 'D' shaped flame mahogany and rosewood crossbanded top above a gilt metal cast base of a giant clamshell ...

White Carrara marble wall fountain with projecting lion face. ▪ Made in Italy dimensions 51 h x 43 x 24 cm weight 26 kg italian manufacturing certified by the Lazio region The sculp...

A rare French/Brittany carved oak bench from the late 19th century, fitted with original carved French Renaissance portrait panels from circa, 1560. The bench was constructed in Brit...

A finely rendered octagonal sided wooden model of a Renaissance Baptistry or Church of very good proportions & scale, showing distinctive Islamic influences as observed in the ei...

Exterior Dimension 20” diameter 14.5”H Interior Dimensions 15” diameter 6” H This item is a Renaissance style stone and weathered garden planter, often referred to as a garden ur...

Wall fountain made of hand-chiseled, antique-patinated natural stone with a curved back panel and central rosette spout. The semi-circular basin and slender design offer elegant prop...

18th Century Italian Majolica Albarello Pharmacy Jar. Jar is in a cylindrical shape with flared rim and foot. Jar features blue and white pattern with the word "Charitas" in an oval ...