Renaissance Furniture

This Antique Reproduction of a Late 17th Century Italian chestnut Fratino style table features solid top planks with end frames and a base with crosspieces and wood joinery pins. With is superior details including dovetail joinery, present a fine rustic antique look for use as a primitive table for display, or communal style dining or even in a contrasting modern setting. We can reproduce this antique style in any size you require. See pricing below for standard dining table sizes - made in Italy by our craftsmen. We offer finish options on aged hardwoods which may be very distressed like this antique Italian chestnut table, or formal & smooth on premium Italian walnut. Available to order with shellac color stain options. Available Options either in Walnut or Chestnut: 79”L x 39”W 84”L x 40-42”W 96”L x 40-42”W 108”L x 40-42”W 120”L x 40-42”W Larger table sizes, narrow widths, and single slab tops available by quote. Bellini’s Old World Collection...

Nice 17th century chest in brown chesnut. Hand carved facade panel with geometrics decorations. Plinth with brace decorations, dovetail assembly with wrought iron wardware. Add a re...

English Renaissance style pewter tankard (measure).

Amazingly hand carved church wall bracket with a winged angel sculpture. This stunning and all handcrafted, Gothic Revival wall bracket has the mo...

A large and impressive 17th century European cabinet. Made in two parts, both with elaborate carved decoration and burled panels and details. The upper cabinet with heavy overhanging...

Large terrestrial globe in papier maché and plaster, fixed in its wooden basket: the spindles are painted with the continents (decoratively), the complete meridian is in brass; the h...

An exceptional Renaissance style antique cabinet with imposing style and presence. Solid cabinet with a central door having a carved heraldic element flanked by two doors with carved...

This piece is a brown oak French Renaissance sideboard that dates from the 1700s. It’s made from solid oak and the ornate designs have bee...

This Italian armchair from 1680 may look like a throne, in fact it is a wonderfully patinated example of a friar’s chair–historically referred to as a “ s...

Rare monumental Hunt style Renaissance Revival cabinet by Alexander Roux 1870 museum quality piece. Carved out of solid oak with numerous rich details...

An office set from around 1910 from Germany. The furniture is in very good condition. Dimensions: Desk: height 79 cm / width 166 cm / depth 80 cm Library: height 191 cm / width 2...

Wonderful image after Leonardo Da Vinci. Fine Steel engraving. Published by London Printing And Publishing Co. circa 1850 Unframed.

A very fine German 19th century circular porcelain plaque painting of La Madonna della Seggiola or La Madonna della Sedia after Raphael Sanz...

A set of three hand painted wooden plaques, each featuring a religious portrait within a decorative frame. The center panel is a portrait of a man with shoulder length hair and a be...

Italian Renaissance Style Carved Wingback Upholstered Armchair. Item features a solid carved wood frame, carved rolled arms, original label. Circa late 20th Century. Measurements: 44...

Large rectangular Venetian mirror, made in the strictest Murano tradition, with a central glass mosaic. Finely hand-engraved on the b...

Porcelain lidded samovar, tea or coffee urn, handmade in Italy. Great decorative piece with handles and brass metal sprout. Great to use for serving hot tea or any beverage. Beautiful colorful hot water urn samovar in the Russian style. Gilt fine porcelain tea pot hand...

Russian Style Polychromed Lacquer Dry Bar/Tauntless with 2 Crystal Decanters, European, Circa 1950s This stunning Russian-style polychromed lacquer dry bar, dating from the 1950s, i...

An Italian Renaissance style walnut Fratino table from the 18th century from a private house of Milan. Born in Italy during the first half of 18th century, this exquisite solid waln...

This rare and rich decorated Renaissance dresser was made during the Dutch Golden age in the southern part of the Netherlands currently Belgium. It was made around 1670 and most likely in Antwerp. The dresser was made in the finest quality watered European oak and decorated geometric-shaped walnut veneer panels. The cabinet has two wide doors and two drawers above. The drawers are flanked by carved lion heads with brass rings. The right drawer is equipped with an authentic working lock and key. The doors are decorated with geometrical star-like walnut inlaid raised panels. The doors are flanked by large twisted Solomonic columns decorated with brass nails. The righthand door features its authentic lock and key with a brass ajour cut keyplate. The dresser has a wax finish with a great patina built up over 350 years. This piece of furniture was made by highly skilled craftsmen by the use of the best materials available. It is among the best furniture that was produced during the golden age and even now its craftsmanship is unprecedented. The dresser is highly original and in perfect shape for a piece of furniture over 350 years old. It was gently cleaned in our atelier and a new protective wax coat was applied. The Dutch golden age the 17th century was an important century for the Netherlands. The region separated from the Spanish Empire and formed its republic. Dutch merchants...

This chayère chair of beautiful proportions stands on a rectangular box base enriched by vermiculure motifs executed in flat-plane. This base is topped by a moulding of strong gadroo...

Rich Renaiscance period half-columns in Belgian Saint-Remy Marble for eclectic interior design. These 2 original antique, 16th century period, columns are mounted on a stand and has ...

An outstanding carved cabinet in the Renaissance style. The upper part consists in two stages with arcades, divided in six compartments by rich columns with Corinthian capitals, and topped by a carved entablature. The lower part opens with three doors, ornated with masks, hybrid figures and foliates, and relies on four strong feet. This cabinet, probably executed for an amateur or a collector, is a perfect model for the neo-Renaissance style, that rose in the 1830’s, in France with the designers Claude-Aimé Chenavard (1798-1838) and Michel Liénard (1810-1870). It came some years after the Gothic Revival, but met a longer success during the 19th century (at the Expositions des Produits de l’industrie in 1844 and 1849, and at the Universal Exhibitions in 1855, 1867 and 1878). Inspiration was found in the French Renaissance, more specifically in the art of Henri II’s reign, and cabinet-makers used dark carved...

Venetian mirror made in the strictest Murano tradition with a crest and a rich frame carefully engraved by hand. All assembled with crystal/gold elements handmade in the Murano furna...

This extraordinary cabinet is made of the finest oak in the tradition of the Dutch Renaissance during the “Dutch golden age” This cabinet is made in ...

A monumental 16th century sandstone Renaissance fireplace mantel. Finely sculpted with a moulded beam and colomn supports. Decorated with flower motives, guirlandes and cirkels. Lov...

Beautiful oil painting on wooden catwood panel. The painting has an almost Leonardesque background, characterized by a temple and distant mountains that recall the Holy Land. In the ...

A fine Ca. 18th c. or earlier. in dark walnut well worn. The front with pair of painted portrait medallions of a gentleman and lady in Renaissance s...

The beautifully carved front façade is not the only impressive element of this oak strongbox trunk; the interior is reinforced with an iron strapwork “cage”, strengthening the alread...

Elegant bronze mortar from the 17 century from Italy dated 1630. Really rare mortar due to his big size. In very good condition and beautiful patina.

Antique French Octagon sofa table carved oak Barley Twist Louis XIII Renaissance. Direct from France, a fabulous antique French octagon table, with im...

During the first half of the seventeenth century chairs evolve towards a new model today known as Louis XIII foreshadowing the armchair. Chairs adopt a widen and lower silhouette. Horizontal lines prevail. Cushions disappear supplanted by horse hair upholstery. This chair stands on four feet linked by an H-shaped spacer and a frontal cross-bar. Legs, spacers, cross-bar and arm-rests are all turned as rosary beads...

Antique hand-painted porcelain plaque, "Flora" after Titian signed by Rau. This beautifully executed 19th century porcelain plaque has been hand-painted with a luminous version of Renaissance painter Tiziano Vecellio's famous oil painting...

Early Arista y Cuenca tile made in Toledo. Azulejo Toledano. Alhambra tile decorated in renaissance mudejar style geometrical design. Probably made between 1550 and 1575. In very g...

Neoclassical style building element in the neoclassical taste. Antique French long segment of zinc metal architectural fragment that will make a unique wall decor...

A RARE RENAISSANCE WALNUT CABINET WITH ITS FREESTANDING CARVED COLUMNS ORIGIN : FRANCE, BURGUNDY PERIOD : 16th CENTURY Height : 218 cm Length : 152 cm Depth : 67.5 cm Walnut Thi...

19th century Italian Carved carrara Marble Figural Putti Coat of Arms Italy Mid-19th century, Apparently Unsigned A fine Italian architectural element, expertly carved in high r...

This late nineteenth century French Henri II style walnut enfilade or sideboard features four fluted half columns with scrolling capitals and a beveled walnut top. Three drawers of d...

A well-modelled, mid 19th century statuary white marble bust of Dante Alighieri, famed late 13th to early 14th century Italian philosopher, writer and poet. Originating from Italy, ...

Provenance: Oudenaarde manufacture, Flanders, Mid-16th Century Tapestry wool and silk texture Dimensions 340/330 x 340/338cm Extremely rare piece In good condition Washed and lined It is a typical Flemish tapestry "with large leaves", well preserved, woven with green, yellow and brown yarns whose colors have remained fresh and intense. The market and collectors in recent decades have greatly re-evaluated tapestries with "large leaves", appreciating their high decorative value and ability to blend in with modern furnishings. Our tapestry belongs to a very particular subcategory of the "feuille de...

Magnificent 18th-century French carved chest coffer sourced from Provence, France. Beautifully hand-crafted from solid walnut, it features an intricately hand-carved linenfold compos...

Beautiful weathered oak panel with an wonderful primitive angel figure. On the bottom of this angel you can also see two small eagle heads. France, circa 1550-1650, weathered, small...

Beautiful Renaissance two-body buffet with four doors and six drawers. On the upper part of the buffet, who hide two secrets drawers, an alternating band of three masks, represents a mythological scene: Zeus changed into a swan seduces Leda on the banks of the Eurotas. The sides of the buffet are decorated with foliage and vines. The doors cornices...

A pair of antique gilt bronze fireplace andirons in renaissance style. Coups with on top flames, flanked with ram heads, resting on lions...

Embriachi workshop marquetry casket Northern Italy, 15th century Alla certosina inlays (bone, stained bone, pewter and wood) H 28.2 x W 18 x D 14 cm This beautiful casket of rectangular form is richly decorated with the characteristic geometric patterns of the Embriachi style. The intricate geometric patterns are fashioned by juxtaposing lighter and darker pieces of wood, (colored) bone, horn and pewter. The lid and base are framed by a broad band of horn. When ivory became scarce in Europe due to disrupted trade routes, bone was substituted. The attention to Symmetry and balance created an harmonious visual effect Enhancing the overall aesthetic appeal of the casket. The application of geometrical motifs is in Italy known as marquetry ‘alla Certosina’, named after the Certosina Church in Pavia with its famous altarpiece decorated in this way. This is ‘intarsia technique’, a term derived from the Arabic 'tarsi', which means ‘incrustation' recalling ancient mosaics made from various materials. These geometric elements not only enhance the aesthetic appeal of the caskets but also demonstrate the versatility and skill of the artisans in creating multifaceted works of art. ‘Alla Certosina’ became famous through the Northern Italian Embriachi family who achieved a particularly high standard in working in this technique. Venice in particular was known for the production of these luxurious boxes. The caskets, hexagonal or rectangular, surmounted by a lid decorated in several registers constitute the secular, albeit equally renowned component of the workshop’s production, in addition to mirror frames and various everyday objects. The method of fabrication of those objects was based on two concepts that underlay pre-industrial production: standardization and modularity, thanks to a distribution of skills according to the different phases of fabrication. even the realization of the marquetry motifs (in the form of ingots from which portions of the desired size were cut) were therefore entrusted to various specialized craftsmen, as were the assembly phase. Today better known thanks to the extensive research work recently carried out by Michele Tomasi, this workshop owes its name to its founder and owner, the Florentine Baldassare Ubriachi (or degli Embriachi), a merchant and banker established in the Tuscan capital before he settled in Venice in 1395. Together with sculptor Giovanni di Jacopo, who directed the workshop, from the last years of the fourteenth century, Baldassare oversaw a production that was truly original, and still easily recognizable today, comprising monumental altarpieces and various objects, primarily triptychs and caskets. The precise location of the workshop is unknown, except that it originated in Florence and in ca. 1431 there was apparently a workshop in Venice, in the area of S Luca. They employed local workers specializing in 'certosina' (inlay of stained woods, bone and horn), and the workshop produced items carved in bone (usually horse or ox) with wood and bone marquetry. The geometric decoration of Embriachi caskets reflects the artistic complexity and attention to detail that characterized their work. this inlaid casket is a testament to the skill and artistry of the Embriachi family and serves as a stunning example of the decorative arts of the late Middle Ages. Related Literature : E. Berger, Prunk-Kassetten: Europäischen Meisterwerke aus acht Jahrhunderten / Ornamental Caskets...

Wonderful signed patina bronze sculpture by Juan Clara Ayats on an onyx base of two girls playing with a chair, Spanish artist (1875-1958).   

Antique French Renaissance Dark Walnut Triple Bowed Glass China Cabinet. Item features 2 lower drawers, raised on cabriole stretcher base leg...

Fantastic reproduction of the famous saltcellar of Benvenuto Cellini, symbol of the world goldsmith's art. The master goldsmith made only very few copies of this wonderful object that makes it a unique piece in the world. 6.641 grams of solid silver. Some information on the original piece by Benvenuto Cellini: The Cellini Salt...

Early Arista y Cuenca tile made in Toledo. Azulejo Toledano. Alhambra tile decorated in renaissance mudejar style geometrical design. Probably made between 1550 and 1575. In very g...

Set of table runners made with fragments of tapestry, borders, silk brocade and chasubles. We sell them separately.   . +- 200 Pieces at various prices depending on the model, cond...

An extremely rare, so-called, Rotterdammer tile, with the decoration of a sailboat. Country: The Netherlands Place: Rotterdam Date: circa 1615 - 1620 Workshop: Claes Wijtmans This tile comes from one of the most rare and sought after tile series...

The elegant and refined One Drawer Drum Table from Niagara Furniture boasts great hardware, as well as a satinwood banded edge. The drum portion of the table is fastened to a solid m...

Peacekeeper, Mercy. Golden bronze. Possibly Rome, last third of the 16th century-first quarter of the 17th century, following the model of Michelangelo Buonarroti. Gilded bronze pla...

This stunning Renaissance style console table has so many unique wood carved details. It is truly one of a kind. Each leg of the table features the carving of a young child carrying ...

Set of two 16th century oak panels, one representing a character accompanied by a dog, the other a character in flames, probably saints. These ...

Hand Made Bespoke Pillow The front panel. 16th Century Italian Silk Velvet Dark blue on a cream silk ground Edged with antique Silver metallic tassel trim and gold metallic braid ...

Very fine pair of antique Renaissance Style surtout de table Magnum sized wine coasters in gilt and silvered bronze with mirrored plateaus. Each with a finely wrought filigree border...

A very finely cast late 19 century Grand Tour bronze replica of the renowned statue of Bartolomeo Colleoni on horseback set on a verde antico marble base after the life sized bronze statue by the Renaissance sculptor Andrea Del Verrocchio...