Renaissance Furniture

**Pair of 19th Century Allegorical Reverse Glass Paintings Depicting Saint Barbara** This remarkable pair of **19th-century allegorical reverse glass paintings** captures the vene...

Great image after Raphael Fine steel engraving Published by Fisher circa 1850 Unframed.

This is an absolutely exquisite rare Cooper-gilt ,silver-gold and three Sterling Silver angels Chalice originated from Augsburg (Germany ) in th...

Rare carved Renaissance cabinet Period : 2nd half 16th century, ca. 1570 Origin : France, Burgundy or Languedoc This cabinet embody the produ...

16th Century French Renaissance period fireback with the Arms of France. Coat of arms of the house of Bourbon, an originally French royal house that became a major dynasty in Europe....

Embriachi workshop marquetry casket Northern Italy, 15th century Alla certosina inlays (bone, stained bone, pewter and wood) H 28.2 x W 18 x D 14 cm This beautiful casket of rectangular form is richly decorated with the characteristic geometric patterns of the Embriachi style. The intricate geometric patterns are fashioned by juxtaposing lighter and darker pieces of wood, (colored) bone, horn and pewter. The lid and base are framed by a broad band of horn. When ivory became scarce in Europe due to disrupted trade routes, bone was substituted. The attention to Symmetry and balance created an harmonious visual effect Enhancing the overall aesthetic appeal of the casket. The application of geometrical motifs is in Italy known as marquetry ‘alla Certosina’, named after the Certosina Church in Pavia with its famous altarpiece decorated in this way. This is ‘intarsia technique’, a term derived from the Arabic 'tarsi', which means ‘incrustation' recalling ancient mosaics made from various materials. These geometric elements not only enhance the aesthetic appeal of the caskets but also demonstrate the versatility and skill of the artisans in creating multifaceted works of art. ‘Alla Certosina’ became famous through the Northern Italian Embriachi family who achieved a particularly high standard in working in this technique. Venice in particular was known for the production of these luxurious boxes. The caskets, hexagonal or rectangular, surmounted by a lid decorated in several registers constitute the secular, albeit equally renowned component of the workshop’s production, in addition to mirror frames and various everyday objects. The method of fabrication of those objects was based on two concepts that underlay pre-industrial production: standardization and modularity, thanks to a distribution of skills according to the different phases of fabrication. even the realization of the marquetry motifs (in the form of ingots from which portions of the desired size were cut) were therefore entrusted to various specialized craftsmen, as were the assembly phase. Today better known thanks to the extensive research work recently carried out by Michele Tomasi, this workshop owes its name to its founder and owner, the Florentine Baldassare Ubriachi (or degli Embriachi), a merchant and banker established in the Tuscan capital before he settled in Venice in 1395. Together with sculptor Giovanni di Jacopo, who directed the workshop, from the last years of the fourteenth century, Baldassare oversaw a production that was truly original, and still easily recognizable today, comprising monumental altarpieces and various objects, primarily triptychs and caskets. The precise location of the workshop is unknown, except that it originated in Florence and in ca. 1431 there was apparently a workshop in Venice, in the area of S Luca. They employed local workers specializing in 'certosina' (inlay of stained woods, bone and horn), and the workshop produced items carved in bone (usually horse or ox) with wood and bone marquetry. The geometric decoration of Embriachi caskets reflects the artistic complexity and attention to detail that characterized their work. this inlaid casket is a testament to the skill and artistry of the Embriachi family and serves as a stunning example of the decorative arts of the late Middle Ages. Related Literature : E. Berger, Prunk-Kassetten: Europäischen Meisterwerke aus acht Jahrhunderten / Ornamental Caskets...

The Mahogany Coat Rack Shelf by Niagara Furniture is a great accessory that is both useful and decorative. Created from the finest mahogany solids and ...

A well-modelled, mid 19th century statuary white marble bust of Dante Alighieri, famed late 13th to early 14th century Italian philosopher, writer and poet. Originating from Italy, ...

Rich Renaiscance period half-columns in Belgian Saint-Remy Marble for eclectic interior design. These 2 original antique, 16th century period, columns are mounted on a stand and has ...

Octagonal Venetian mirror made in the strictest Murano tradition with a crest and a rich frame carefully engraved by hand. All assembled with crystal elements handmade in the Murano ...

A wonderful and rare walnut credenza or sideboard, heavy patinated, original unrestored finish and original hardware. The hand-carved moldings and classic. Ionic swags above fluted ...

Wonderful image after Domenichino Fine steel engraving. Published by Sangster, London. circa 1850 Unframed.

Pair of ornate Italian candelabra-style lights. They feature metal framework with intricate floral and grapevine motifs, including grape clusters and vine leaves. Each lamp holds m...

Early Arista y cuenca tile made in Toledo. Tile decorated in renaissance with stylized flowers was probably made between 1550 and 1575.

An impressive dry bar / tv cabinet reclaimed from The Plaza Hotel of NYC in the 1990s. Drawing inspiration from French and Italian styling. A tall case made from mahogany with mirrored beveled hutch doors. This stately piece would have been used within one of the hotel suites. Features an ornately carved crown, chamfered stiles, applied foliate and cabriole legs. Opens via brass acorn hardware...

Dining Table in an unusual light drift walnut finish, with plank board top above a trestle end base with a stretcher. Dimensions: 63" W x 37" D x 30" H

Pair of 18th C Style Italian Giltwood Picket Candlesticks

A Renaissance Bed Valance Spain or Italy 16th century From a set of bed hangings originally part of the decor from a castle in France A long impressive ...

A beautiful bankers or merchants table that was made in Switzerland around 1750. The table has a square 1.57 inch thick top made in solid walnut. The planks were joined by steel S-sh...

Precious-shaped Venetian mirror, made in the most rigorous Murano tradition, finely hand engraved with precious decorations on all elements. It is assembled with numerous floral elem...

A museum quality piece, this is an exquisite example of a 17th century antique Flemish mythological tapestry depicting Mercury, Janus, and the Sabine Women...

18th-century Tuscan Two-Axis Walnut Fratino Table: a timeless masterpiece If you want an authentic piece of furniture that is rich in history, this 18th-century Tuscan two-axle waln...

Stunning life-size carved wood sculpture of a man's head dating from circa 1700 in the south of Europe.  

Great image after Correggio Fine steel engraving Published circa 1850 Unframed. Free shipping

A rare carved walnut wardrobe opening with four door-leaves and two drawers in the lower part. The doors bear architectural views in low reliefs, fluted pilasters and Ionic capitals. Upper Body Two door-leaves with carved architectural perspectives open the wardrobe framed by three fluted pilasters with Ionic capitals. Each door-leaf depict two semi-circular arcades whose cornice and base shows a central vanishing point. Likewise the pavement’s lines act for the artisan as a way to create depth. The vaulting instead leads us to think the vanishing point has to be situated where the handle is, between the two complementaries reliefs. The elegant moulded belt hides an internal secret space, accessible through a moveable plank in the upper body. Lower Body Two door-leaves identical to those of the upper body framed by three fluted pilasters with Doric capitals. The base of the wardrobe opens with two large drawers. The sides also bear panels depicting architectural perspectives. The external pilasters share their Ionic capital with the facade’s pilasters. Thus we can observe on the wardrobe’s sides the capital’s lateral parts with the elegant volute specific to the Ionic order. This palace wardrobe is topped by an overlapping cornice standing on three consoles for the facade and two consoles on each sides. Placed right above the pilasters each console are adorned by fully expanded leaves. During the 15th century a major interest for architecture and perspective studies arises and influences patrons tastes. The work of great theorists such as Leon Battista Alberti...

This late 17th century Spanish Renaissance writing table is constructed of solid walnut and features an impressive 30-inch wide top made from a single plank of walnut. The top joins ...

A panel of Cisele Velvet Venetian and dating from second half of 16th century An Ottoman Pomegranate design. The deep pile Magenta silk velvet voided to reveal a gold metallic groun...

This is a pair of mid-century vintage Italian hand painted pottery urns with lids. This pair of urns have beautiful hand sculpted handles on either side with sculpted leaves and my...

From Niagara Furniture a Vintage Councill Triple Dresser and Mirror in excellent, original, as found, condition. Simple yet sophisticated this beautiful Councill Mahogany Triple Dre...

The elegant and refined One Drawer Drum Table from Niagara Furniture boasts great hardware, as well as a satinwood banded edge. The drum portion of the table is fastened to a solid m...

A set of four early Arista y Cuenca tiles from Toledo, Spain, dating to circa 1550–1575. These tiles were produced during the Spanish Renaissance, a period when Toledo was a major ce...

Stunning antique Spanish Renaissance walnut bench, called "escaño" in Spain, believed to date back to the early 20th century. The piece has a deep reliefs hand-carved back that featu...

Provenance : Chabrières Arlès collection then through descent Under the reign of Henry II, during the French Renaissance, the rigour of composi...

lovely little chest of drawers in walnut from the Italian Renaissance - 17th century Very beautiful chest of drawers made up of 4 drawers. They each have their original locks which ...

Add Italian visual drama into your home with this elegant antique colorful Cassapanca bench. Crafted in Italy, circa 1820 features a tall, commanding back and intricately carved apro...

A high quality Small Mahogany Banded Console table from Niagara Furniture which makes elaborate use of hand cut inlays. The mahogany top is banded with satinwood, the four legs at th...

This monumental Italian wall fountain was hand-carved in verona rossa marble in the early 1900’s. Truly the work of a master mason, the fountain is comprised of four thick pieces of richly carved marble, with each piece weighing several hundred pounds. The marble has lovely salmon color with cream inclusions that has developed a soft patina. The 3 ¼” deep back wall is adorned with a repetitive C-scroll border. A winged lion mascaron hovers above a geometric panel filled with nondescript interlaced carvings. Below the panel is a scalloped shell with sprawling barbed rinceaux that flows between a pair of volute scrolls on the edge of the wall. The shell has a small, incised circle where a spout or tap can be placed, depending on the desired use. Beneath the vertical wall is an 8 ½” thick sinuous bowl embellished with thick quarter round molding. The front façade has a stylized coat of arms consisting of a shaped shield emblazoned with a fleur de lys. Inside the basin, the back wall has been carved with a pair of volute C-scrolls surrounding bundled leaves. At the base of the leaves is a small drainage hole. Three volutes highlight the luxurious column that sits on a rectangular plinth with two canted corners. All three volutes are in the traditional S-shape, with two of them flanking the larger channeled scroll. A small fleur de lys graces the front of the plinth, which has gently sloped top edges. There is a thin grooved molding near the base. A natural conversation piece for any courtyard or garden setting, the Renaissance style Italian wall fountain can be used indoors or outside. It could also be used as a large sink...

ANTIQUE AUSTRIAN DECANTER AND CORDIAL GLASSES Hand-blown pinched clear glass decanter and four matching cordial glasses. Profusely decorated by ha...

A stunning and very high quality French 19th century Renaissance st. Ormolu and patinated Bronze chandelier. This impressive twelve arm chandelier is centered around a topie shaped b...

Likely Italian or French, 18th century. An impressive and large mortar carved from a single block of white marble. Showing phenomenal antique patina - this piece was heavily used du...

Sold as a PAIR. Over three centuries in age and hailing from Italy, this exquisite pair of Corinthian columns has been handcrafted and conscientiously rendered as pure representation...

AN EXCEPTIONAL MUSEUM QUALITY, ITALIAN, RENAISANCE WALNUT CASSETTONE WITH A FITTED BUREAU IN THE UPPER PART & EXCEPTIONAL BAMBOCCI CARVING, LOMBARDY - This exceptionally rare, museum quality, piece of early furniture was conceived and crafted as an artwork of the finest quality of its time. Throughout time it has been a luxurious, statement piece which has protected it, and fortunately it has survived in virtually, original condition. - This magnificent cassettone exudes the character and quality of the finest, late-Renaissance furniture. Northern Italian Renaissance furniture often had the sides, legs or angles, 'a Bambocci', incorporating carved figures which were considered unique sculptures in their own right. - The putti on this cassettone are beautifully carved and of sculptural quality. Each angel has one arm raised to heaven, a poignant touch. - The lion’s paw feet are a classical feature and make a great statement. - This cassettone was conceived to have visual impact through the quality of the carving, as well as being very practical with the writing compartment fitted in the top part. - It has survived in very original condition with a few small repairs and losses, and the colour and patina are warm and lustrous. - This cassettone is illustrated Illustrated in C. Alberici, Il Mobile Lombardo, Milan, 1969, p. 45, one of the seminal works on Lombardy furniture, and has been in two renowned collections. The hinged top in two sections faced with a solid moulded edge. The front part has a fall front and opens to reveal a writing compartment. The fall front retains its original lock and is concealed with a false drawer which is above three drawers. All with moulded panels, escutcheons and retaining the original iron handles. The front ends have exceptional, bambocci, carved putti raising their arms to heaven above trailing foliage. Standing on magnificent lion's-head carved feet. The sides are panelled. Exceptional original colour and patina. Literature : Illustrated in C. Alberici, Il Mobile Lombardo, Milan, 1969, p. 45. A Gonzalez-Palacois, Il mobile in Liguria, Genova, 1996 illustrates related pieces Measures: Length 147 ½ cm. 58 in, height 104 cm. 41 in, depth 75 cm. 29½ in, Provenance: Coll. Private Azzate The Collection of Sandro and Lidia Orsi, Ca’ Mera, Varese. Regarded as one of the most beautiful homes in Lombardy, Ca’ Mera, the country house of Sandro and Lidia Orsi was filled with beautiful objects from many different epochs. A renowned antiquarian from Milan, over his lifetime Sandro and his wife Lidia revived the Renaissance and Baroque character of the house and instilled their own unique vision into the interiors, which culminated with the creation of a Kunst – or Wunderkammer. “I have never seen such an example of poetical taste”, Sir John Pope...

Antique Neo-Renaissance Revival writing desk. Made of walnut featuring Neoclassical styling with high relief figural carvings of cher...

Beautiful authentic Italian metal and wood portable tabernacle in style of Antonio da Sangallo the Younger. A civil and military architect, Antonio da Sangallo the Younger was tr...

After Raphael's Grand Duke's Madonna Grand Duke's Madonna after Raphael, a stunning 19th-century oil painting from the renowned Berkley Collection. This remarkable artwork, inspire...

A striking pair of French 19th century Renaissance st. patinated bronze and ormolu lamps. Each lamp is raised by an elegant stepped and mottled base with handsome paw feet and a socl...

Antique hand-painted porcelain plaque, "Flora" after Titian signed by Rau. This beautifully executed 19th century porcelain plaque has been hand-painted with a luminous version of Renaissance painter Tiziano Vecellio's famous oil painting...

A terracotta bust "Ecce Homo" Florence, 15th century 53 x 44 x 31 cm

Important antique Renaissance style fireplace made ouf ot carved walnut. The hood is adorned with a large oil on canvas depicting a Renaissance ball scene after the Italian-Swiss painter Giovanni Andrea Casella (see inscriptions found on the back). Casella was born in Lugano, Switzerland, in 1619. He is active in the Italian Piedmont where he is a student of Pietro Da Cortona. He is famous from 1642 and realizes masterpieces for the Castello di Rivoli, the Royal Palace of Turin and the Duomo of Turin (Cathedral of the city). For the Duomo, he performed the painting of Saint-Côme and Saint-Damien on the sixth altar. He is also very active in Switzerland, his native country, where he works with his nephew Giacomo. Both painted in 1662 the two lateral frescoes of the choir of the Church of St. Roch in Lugano. This chimney is composed of old carved walnut elements dating from the 17th century, which were reassembled during the 19th century. The jambs are decorated with carved terms...

This outstanding Tonnerre stone fireplace is a masterpiece of the first French Renaissance. It was sculpted in 1534, under the reign of King François the 1st for Philippe Merlan (1503-1546), Baron of Montpont, Lord of Jully-lez-Arnay-le-Duc. This monumental fireplace...

Monumental Italian Renaissance-style (19/20th century) globe of world on 6 spool leg base.

Antique late 19th century patinated bronze sculptures of Mercury and Fortuna after the original models by Giambologna (1529-1608), aka Giovanni da Bologna (Italian) and Jean de Bolo...

Great image after Annibale Carracci Fine steel engraving Published circa 1850 Unframed. Free shipping

An exceptionally fine example of an early 17th Century Spanish renaissance walnut vargueno / bargueno escritorio writing desk on trestle stand. Sp...

A Renaissance Bed Valance Spain or Italy 16th century From a set of bed hangings originally part of the decor from a castle in France A long impressive ...

This is a fabulous pair of continental , glazed ceramic wall brackets, 20th century, most probably Italian. Each one shaped as a mermaid, in the grand tradition of Italian majolica. ...

Oval metal-clad mirror. Measures: H 26" x (66cm) x W 19" (48cm). Oval bevelled mirror in centre. Clear mirror. Aged looking metal-clad. Slightly aged look to tin metal-clad. Ba...

Hand Carved Poplar Mirror Renaissance Style Frame H. 53" x W. 41"

We designed and produced this Sheraton style Two Drawer Console Table as a matching item to sell along with our ever popular NSI087 Sheraton style stand and NSI118 Four Drawer Console Table...

This listing features a set of 18th century style candle sticks.