Renaissance Furniture

Spectacular portuguese armchair in carved wood. Late 18th / early 19th century. Solid wooden structure and beautiful carved with lots of details. The original fabric is torn on the s...

Beautiful antique Italian solid walnut side table with four beautiful walnut cabriole carved legs and detailed by the shaped corners, beveled top and central drawer with brass handle...

19th century French carved oak cabinet vestry altar wine renaissance dining room. Direct from France, a beautiful 19th century carved cabinet, with a striking silhouette, in a versatile small size, perfect for use throughout today’s home! Clients love this size for a wine/liquor cabinet as well as for serving piece storage in a dining room or towels in a powder room. Excellent style, with carved moulding crown above three baluster columns across the cabinet front, and two recessed carved panel doors. Mid...

A exceptional and extremely high quality French 19th century Renaissance Revival st. Grand Tour Period patinated Bronze floor lamp. This richly detailed Torchière lamp is raised on a...

Antique Marquetry Inlaid Scenic Tarsia Panel of Raffigurante "Il Carro Dell'Aurora"

A single beautiful liqueur glass made in Murano Italy. Very good vintage condition, consistent with age and use. A nice addition to any table, bar or just to display in your collecti...

This listing features a set of 18th century style candle sticks.

Beautiful French Renaissance cabinet in two parts. The top part with two carved doors featuring classical figures opening to an interior fit...

16th century, Flemish storied wood tapestry Flanders Brussels The beautiful and precious tapestry, of fine workmanship and made with wool yarns, was made in the 16th century in F...

Embriachi workshop marquetry casket Northern Italy, 15th century Alla certosina inlays (bone, stained bone, pewter and wood) H 28.2 x W 18 x D 14 cm This beautiful casket of rectangular form is richly decorated with the characteristic geometric patterns of the Embriachi style. The intricate geometric patterns are fashioned by juxtaposing lighter and darker pieces of wood, (colored) bone, horn and pewter. The lid and base are framed by a broad band of horn. When ivory became scarce in Europe due to disrupted trade routes, bone was substituted. The attention to Symmetry and balance created an harmonious visual effect Enhancing the overall aesthetic appeal of the casket. The application of geometrical motifs is in Italy known as marquetry ‘alla Certosina’, named after the Certosina Church in Pavia with its famous altarpiece decorated in this way. This is ‘intarsia technique’, a term derived from the Arabic 'tarsi', which means ‘incrustation' recalling ancient mosaics made from various materials. These geometric elements not only enhance the aesthetic appeal of the caskets but also demonstrate the versatility and skill of the artisans in creating multifaceted works of art. ‘Alla Certosina’ became famous through the Northern Italian Embriachi family who achieved a particularly high standard in working in this technique. Venice in particular was known for the production of these luxurious boxes. The caskets, hexagonal or rectangular, surmounted by a lid decorated in several registers constitute the secular, albeit equally renowned component of the workshop’s production, in addition to mirror frames and various everyday objects. The method of fabrication of those objects was based on two concepts that underlay pre-industrial production: standardization and modularity, thanks to a distribution of skills according to the different phases of fabrication. even the realization of the marquetry motifs (in the form of ingots from which portions of the desired size were cut) were therefore entrusted to various specialized craftsmen, as were the assembly phase. Today better known thanks to the extensive research work recently carried out by Michele Tomasi, this workshop owes its name to its founder and owner, the Florentine Baldassare Ubriachi (or degli Embriachi), a merchant and banker established in the Tuscan capital before he settled in Venice in 1395. Together with sculptor Giovanni di Jacopo, who directed the workshop, from the last years of the fourteenth century, Baldassare oversaw a production that was truly original, and still easily recognizable today, comprising monumental altarpieces and various objects, primarily triptychs and caskets. The precise location of the workshop is unknown, except that it originated in Florence and in ca. 1431 there was apparently a workshop in Venice, in the area of S Luca. They employed local workers specializing in 'certosina' (inlay of stained woods, bone and horn), and the workshop produced items carved in bone (usually horse or ox) with wood and bone marquetry. The geometric decoration of Embriachi caskets reflects the artistic complexity and attention to detail that characterized their work. this inlaid casket is a testament to the skill and artistry of the Embriachi family and serves as a stunning example of the decorative arts of the late Middle Ages. Related Literature : E. Berger, Prunk-Kassetten: Europäischen Meisterwerke aus acht Jahrhunderten / Ornamental Caskets...

19th Spanish Baroque ebonized side table with iron stretcher and carved top in walnut.

A very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...

English Renaissance style (dated 1903) framed incised wood and oil paint portrait of Queen Elizabeth against a black background in a rectangular w...

Rare, small, late-Renaissance, Nuremberg, iron, 'armada box', strongbox or travelling safe with its original, naïve, painted decoration This is a rare, s...

A very rare, 19th century carved stone Renaissance fireplace. The bracketed jambs with crouching lions, ionic capitals, carved male and female masks and basket of fruit to plinths. T...

An exceptional and rare 16th century Venetian textile, richly embroidered with 1.2 kilograms of gold metallic thread on deep red silk velvet. This beautifully preserved fabric exempl...

Wonderful pottery wine cooler Hand painted decoration Factory mark on the underside ( not identified ) Condition commensurate with the age of the piece. A few minor chips seen in ...

This Neo renaissance throne chair is a unique and elegant piece of furniture that can decorate any room. This chair was made around 1890, duri...

having a rectangular top with molded edge atop a conforming case with two doors housing interior shelving, the doors centered among tapering fluted pilasters with pronounced capitals...

Important rectangular Venetian mirror made in the strictest Murano tradition with a crest and a rich frame carefully engraved by hand on an antiqued glass. The central mosaic embelli...

From Niagara Furniture a Vintage Baker Mahogany Sideboard in excellent condition, with the top have recently been French polished to give it a straight from the showroom look. Simpl...

Great image after Guercino Fine steel engraving Published circa 1850 Unframed. Free shipping

Impressive Hand-Tinted Albumen Mammoth Plate Print of Basilica San Marco in Venice, circa 1880. Attributed to Paolo Salviati (1818-1894). Possibly the largest photographic image ...

This is a Bronze Reliquary Casket. It depicts a rectangular lidded casket/box shaped as a house with a hip roof and its walls are glasses framed wit...

A large and rare Venetian Renaissance antique fireplace mantel from the fifteenth century. This extremely rare chimneypiece is carved in Pietra d’...

Great image after Raphael Fine steel engraving Published by Fisher circa 1850 Unframed.

This marble tabletop features a centrally placed pictorial panel executed in Pietra Dura. The panel is surrounded by a frame composed of inlaid purple veined marble that is encompass...

Oval Venetian mirror, made in beautiful clear and pale yellow Murano glass which is hand engraved. Made in the traditional way with the glass mounted on a wooden frame with a natural...

This beautiful renaissance table is made in the finest quality solid European summer oak in the Netherlands around 1680 It is a typical dutch renaissance table (so called bolpoottafe...

Antique Italian Renaissance style chair. Well carved 19th century Italian Renaissance style carved walnut chair. This antique Italian Savonarola armchair or side chair is upholstered in neutral linen. This versatile Italian Gothic style chair...

An impressive dry bar / tv cabinet reclaimed from The Plaza Hotel of NYC in the 1990s. Drawing inspiration from French and Italian styling. A tall case made from mahogany with mirrored beveled hutch doors. This stately piece would have been used within one of the hotel suites. Features an ornately carved crown, chamfered stiles, applied foliate and cabriole legs. Opens via brass acorn hardware...

Pair of English Renaissance style (19th Century) walnut carved wall panels (PRICED AS Pair).

Pair of Italian Renaissance-style (19/20th Century) wrought iron exterior wall lanterns with 4 filigree panels supported by a scroll design wall ...

A panel of Cisele Velvet Venetian and dating from second half of 16th century An Ottoman Pomegranate design. The deep pile Magenta silk velvet voided to reveal a gold metallic groun...

Frans Franken III and aid, Adoration of the Magi Good condition The oil painting on wood, with a gold background, depicts an Adoration of the Magi. The Magi are dressed in sumptuous silk and brocade dresses; they wear precious hats and jewelery. The richness of their garments is in contrast with the humility of the Holy Family and of the other characters who, around curious, observe the scene. The hut is simple, made of wood and straw: above it shines the Comet, symbol of the divine event. In the distance, a group of wayfarers walk along a path that is lost on the horizon, blending into the gold of the bottom. The representation proposes a traditional iconography, in which the painter inserts some details that he lends himself to symbolic interpretations. Among these is the appearance of the Magi, who from the XIVth century differs iconographically: the wise astronomers represent the homage to Jesus of the then known parts of the world, namely Africa, Asia and Europe. To the right of the Magi, in the foreground, sits a monkey, considered a demonic creature and a symbol of lies and sin. It is depicted on the sidelines, as a defeat, next to a fragment of a classical column: ruin alludes to the end of paganism, of the old world that collapses with the advent of the new one, marked by the birth of Christ and liberation from the Original Sin. On the ruins he climbs the ivy, symbol of the immortality of the soul. The work is attributable to the workshop of the Flemish painter Frans Francken III...

Beautiful weathered oak panel with an wonderful primitive angel figure. On the bottom of this angel you can also see two small eagle heads. France, circa 1550-1650, weathered, small...

A tall and boldly carved, columned walnut trumeau fireplace in the Renaissance style. The upper frieze, with a central cartouche flanked by floral scrolls, is set above the main frie...

An exceptionally rare, late-Renaissance, Florentine, walnut, writing cabinet, scrittoio, escritoire or desk in two parts This striking, writing cabinet has a classical form, ornam...

Very elegant Italian Renaissance style drinks dry bar cabinet with beautiful carved walnut wood, slant central door and nicely shaped bottom pedestal stand. The piece has all around ...

Green painted pine sideboard or buffet with carved lion head accents on doors. Newer, professionally applied seafoam green paint brings fresh life to this cabinet from the late 1800...

Manner of Titian (Tiziano Vecelli - Italian, 1485-1576) An Oil on Canvas "Sleeping Cupid" within a gilt and black decorated gesso frame. A label on reve...

This late nineteenth century French Henri II vitrine is constructed of hand-carved walnut and features beveled glass on three sides. Hand carved acanthus leaves detail the sides and ...

An exquisite and very rare 16th century renaissance Silk brocade fragments mounted and artistically displayed in the Glas case on the antique linen. Both fragments are greatly preserved and originated by its design from famous Palazzo Pitti in Florence. The ornaments contain flowers, jaguars, birds and Fleur De Lis- the symbol of royalty. The colours remain vibrant and parts of golden embroidery/ threads are in very good condition considering the age. Both fabric...

A magnificent pair of large one-of-a-kind medieval Italian armorial shield church architectural elements. Dating to around the late 15th century, hand-crafted in Italy, most impressive size, standing over 6-feet tall, bow front shaped shield form, polychrome painted Memento Mori - The Wars of the...

A magnificent and impressive Italian antique walnut table with three full width shelves that can be opened from both sides with greatly carved and beveled top and beautiful carved tu...

We are offering a beautiful Renaissance buffet cabinet from France for sale. Unfortunately, the lower doors can no longer be locked. Condition: Good used condition with age-related ...

Very fine pair of antique Renaissance Style surtout de table Magnum sized wine coasters in gilt and silvered bronze with mirrored plateaus. Each with a finely wrought filigree border...

A rare and fine pair of Renaissance Walnut Cabinets in original condition. The cabinets have fine craftsmanship and feature Geometric motifs on the frames and doors with simple and c...

Child Jesus Polychrome and gilded wood Umbria, first half of the 16th century H 40 cm Entirely naked, the Child is standing, leaning on his left leg, his right leg forward; he keep...

Wonderful copper-plate engraving after Jan Luyken Published by Marten Schagen, Amsterdam. 1724 Text on verso The measurement given is the paper size.

This extraordinary cupboard is made of the finest quarter sawn oak in the tradition of the Dutch Renaissance during the “Dutch golden age” It is a small two-door cabinet with arche...

Beautiful set of Six French Renaissance Dining Chairs chairs in oak wood from the end of the 19th century. These chairs rest on four fluted legs c...

Stunning original large oil on canvas “Venus and Adonis” large painting. Some crazing of paint present. Some repairs of paint. Repair work patches visible from back of frame as ...

Early Arista y cuenca tile made in Toledo. Tile decorated in renaissance with stylized flowers was probably made between 1550 and 1575.

Early Arista y cuenca tile fragment made in Toledo. Tile decorated in renaissance with stylized flowers was probably made between 1550 and 1575. Losses and wear.

Antonio de Leyva, Duke of Terranova, Prince of Ascoli (1480–1536) was a Spanish general during the Italian Wars. During the Italian War of 1521, he commanded Pavia during the siege o...

This rare Renaissance cabinet is richly decorated on the doors and drawers with carvings depicting the four seasons, and on the uprights and the entablature, alternating flower bouquets inlaid with mother of pearl. This is a beautifully conceived piece of furniture, representing a crowned portico with its entablature and cornice. The upper body Articulated separately in a ternary rhythm, as with the lower body, the upper part opens with two carved doors. The doors are framed by both the lateral uprights and the casing. There are cartouches carved into the casing in which mythological figures are depicted with flower bouquets. On the doors: On the right: Spring, a female figure crowned with a wreath of leaves, holding a basket full of flowers. She is wearing necklaces and bracelets on each arm, with drapery discretely wrapped around her body and is standing on a winged putti’s head. On each side are depicted a tree and a village with a steepled church. Above her head floats the three signs of the zodiac corresponding to the season: Aries, Taurus and Gemini. On the left: Summer, a bearded man crowned with ears of corn and bearing armfuls of corn. He is standing on a similar winged putti, flanked by a tree and an ear of corn. The following three signs of the zodiac appear: Cancer, Leo and Virgo. On the uprights and the central casing a number of smaller figures seem to represent virtues and vices that newly wedded couples should aspire to and avoid. On each side, at the bottom of the uprights, there is a dog representing fidelity. Above, a lion embodies power, wisdom, and justice. In between, on the left upright, there is a figure of noncombatant Athena wearing a helmet and holding a spear, an arrow pointing down and in her left hand, a shield, symbol of protective power. On the right upright, the goddess Venus controls the arrow of Cupid. The iconography here acts as a clear reminder of the required virtues that both parts of a young couple need to fulfill: fidelity, power, wisdom and justice. For him, the goddess Athena focuses on the power. Whereas for her, it is Venus who shows how to control Cupid’s arrow. On the central casing at the bottom, by way of contrast, there is a peacock, a symbol of pride and at the top, a monkey representing lust and mischief. In between, a woman holding a chain and a cup full of precious stones while on the floor sits a half empty opened casket. This can be interpreted as a symbol of extravagance. Above, the entablature, decorated with male figures resting on leaking urns, may symbolize the passing of time. They are flanked by two consoles decorated with acanthus leaves and separated by flower bouquets (inlaid with mother of pearl). Finally on top, a cornice acts as a crown for the piece of furniture. The lower body The moulded base stands on four round, flattened feet. Represented on the doors: On the left: Autumn, a stocky, naked man crowned with vine leaves, holding fruits in his right hand and with his left, picking a bunch of grapes from a climbing vine. Standing on a mound, he is surrounded by a vine and a hill, at the foot of which a man presses the grapes in a big vat after the harvest. Above the climbing vine appear the signs of Libra, Scorpio and Sagittarius. On the right: Winter, an elderly man wearing a fur cloak...

Monumental Italian Renaissance-style (19/20th century) globe of world on 6 spool leg base.

Important two-tiered sideboard attributed to H.A. Fourdinois made in natural and carved wood : the lower part made up of four panels, two concave ones and two doors, richly ornated with a polychrome enameled floral decoration and gilt bronze plaques. A large dual drawer is surmounted by the upper part of the sideboard, opening with two glazed doors, framed by detached columns. The entire unit is topped with a pediment onto which a female bust is carved in relief within a medallion on a gilt background. With a matching set of twelve chairs. The Forney library in Paris preserves order registers of the Fourdinois as well as sketches books and pictures representing pieces of furniture made by the Fourdinois workshops. In this documentation, some elements enable us to link this sideboard with Henri-Auguste Fourdinois’ productions, such as the large scrolls linking the upper part to the lower part of the sideboard, as well as the detached columns carved at their lower third. (picture n°1 attached) Notebook containing ink-sketches coming from the Fourdinois workshop shows a project for a pelmet, beautified with a centering trophy composed of a torch and a quiver within in a foliage wreath, this motif obviously reused by the Fourdinois on the central decoration of the panels of our sideboard. (picture n°2 attached) The firm of Fourdinois, considered during the Second Empire as the greatest furniture manufacturer in Paris, was founded in 1835 by Alexandre-Georges Fourdinois (1799-1871). It was developped in the context of the Expositions Universelles. At the time, the firm already produces furniture of the Neo-Renaissance style, such as a dresser that won the Great Medal at the London Universal Exhibition of 1851. The son, Henri-Auguste Fourdinois (1830-1907), joined the firm in 1860 and will become head of the firm in 1867. The high quality of his designs was remarked at the Universal Exhibition in 1862, when the jury awarded him two medals « for Excellence of Composition and Execution ». Henri-Auguste, now sole in charge, brought the firm to the summit of its achievements at the 1867 Universal Exhibition in Paris by winning the Grand Prize for his stand. Apart from the commissions he executed for the « Mobilier de la Couronne », he also produced high quality furniture for the Parisian bourgeoisie. The firm is at its zenith during the years 1862-1880. At this time, it is considered as an example to follow for other cabinet-makers, whether they are French, British or American. Through the quality of execution and the extreme care taken in the decoration of furniture, H.-A. Fourdinois was particularly appreciated by Napoleon III and Eugenie...

Mid-19th century over life-size carved marble statue of Michelangelo's "Bacchus". Grand Tour copy through the "Point To Point" method directly from the original keeping its masterful proportions and Fine details in an exact size to Michelangelo's work. We have never seen a 19th century copy of this Renaissance Masterpiece of this size and are quite fortunate to be responsible for its stewardship until purchase by a discerning collector The original "Bacchus" is a marble sculpture by the master, Michelangelo, created circa 1496 when the artist was 21. This statue was originally commissioned by Cardinal Raffaele Riario. However, it was rejected by him and eventually found its way to Jacopo Galli, Cardinal Riario’s banker and a friend of the sculptor, who purchased it in 1506. Some 66 years later it was bought for the Medici and transferred to the royal house in Florence, Italy. Currently it can be viewed at the Museo Nazionale del Bargello in Florence. It is one of just two sculptures surviving Michelangelo’s initial period in Rome, with the other being Pieta. The artwork: This somewhat oversized...