Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 11

Dining Table Made In Dark Mahogany Designed By Ole Wancher Made by P. Jeppesen

$1,725.25
$2,184.1921% Off
£1,263.41
£1,599.5021% Off
€1,436
€1,81821% Off
CA$2,348.49
CA$2,973.2321% Off
A$2,632.36
A$3,332.6121% Off
CHF 1,370.59
CHF 1,735.1921% Off
MX$32,142.19
MX$40,692.5621% Off
NOK 17,401.52
NOK 22,030.6221% Off
SEK 16,495.08
SEK 20,883.0421% Off
DKK 10,928.40
DKK 13,835.5321% Off
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

The mahogany dining table, designed by the renowned Ole Wanscher and produced by P. Jeppesen in 1960, represents an elegant and timeless piece of Danish furniture design. The mahogany wood used in the table adds a classy and warm atmosphere to any dining area. The wood's beautiful natural colors and fine textures are characteristic of Ole Wanscher's design style, which often combines aesthetic appeal with functionality. Ole Wanscher, one of Denmark's most important furniture designers, was known for his focus on simplicity and elegance. His design philosophy is clearly reflected in this dining table, which exudes subtle luxury and timeless beauty. With its beautiful construction and details in the wood, this dining table is a masterpiece of craftsmanship and design sophistication. It is not only a practical piece of furniture for daily use, but also a work of art that enriches any home with its presence.
  • Creator:
    Ole Wanscher (Designer),Poul Jeppesen (Manufacturer)
  • Dimensions:
    Height: 28.75 in (73 cm)Width: 57.09 in (145 cm)Depth: 41.54 in (105.5 cm)
  • Style:
    Mid-Century Modern (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1960s
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    Lejre, DK
  • Reference Number:
    1stDibs: LU1209228327232

More From This Seller

View All
Dining Table Made In Mahogany By Ole Wanscher For P. Jeppesen From 1960s
By Poul Jeppesens Møbelfabrik, Ole Wanscher
Located in Lejre, DK
Dining table in mahogany, designed by Ole Wanscher and produced by P. Jeppesen in the 1960s. The table is made of solid mahogany, which gives it an elegant and classic appearance. Ol...
Category

Vintage 1960s Danish Mid-Century Modern Dining Room Tables

Materials

Mahogany

Dining Table Model No. 55 Made In Rosewood Designed By Omann Jun A/S From 1960s
By Omann Jun Møbelfabrik
Located in Lejre, DK
The dining table in rosewood, designed by Omann Jun. A/S, model no. 55 and from around the 1960s, represents a fine example of mid-20th century Danish furniture design. Oman Jun. A/...
Category

Vintage 1960s Danish Mid-Century Modern Dining Room Tables

Materials

Rosewood

Dining Table with Two Extensions in Rosewood Designed by Omann Junior, 1960s
By Omann Jun Møbelfabrik
Located in Lejre, DK
This dining table exemplifies the exquisite craftsmanship and elegant design characteristic of Danish furniture from the 1960s. Crafted from rosewood, it exudes a rich, luxurious ae...
Category

Vintage 1960s Danish Scandinavian Modern Dining Room Tables

Materials

Rosewood

Dining Table Made In Rosewood By Arne Vodder From 1960s
By Arne Vodder
Located in Lejre, DK
This oval dining table, designed by the acclaimed Arne Vodder, epitomizes the elegance and sophistication of mid-century Danish design. Crafted from rosewood and dating back to aroun...
Category

Vintage 1960s Danish Mid-Century Modern Dining Room Tables

Materials

Rosewood

Dining table Made In Rosewood, Danish design From 1960s
Located in Lejre, DK
This dining table, crafted from rosewood and bearing the unmistakable hallmarks of Danish design, originates from the 1960s. With its rich tones and sleek lines, it embodies the ele...
Category

Vintage 1960s Danish Mid-Century Modern Tables

Materials

Rosewood

Rungstedlund Dining Table Made In Mahogany Designed By Ole Wanscher From 1960s
By Poul Jeppesens Møbelfabrik, Ole Wanscher
Located in Lejre, DK
The Rungstedlund dining table, designed by Ole Wanscher and manufactured by P. Jeppesen in the 1960s, is a stunning example of mid-century Danish craftsmanship. Constructed from rich...
Category

Vintage 1960s Danish Mid-Century Modern Dining Room Tables

Materials

Mahogany

You May Also Like

1960s Ole Wanscher Extendable Mahogany Dining Table by P. Jeppesen
By Poul Jeppesens Møbelfabrik, Ole Wanscher
Located in Praha, CZ
- Newly veneered - Carefully refurbished - Labeled - 210 cm when extended.
Category

Vintage 1960s Danish Mid-Century Modern Dining Room Tables

Materials

Wood

1960s Ole Wanscher Restored Expandable Mahogany Dining Table by P. Jeppesen
By Poul Jeppesens Møbelfabrik, Ole Wanscher
Located in Knebel, DK
1960s Ole Wanscher restored expandable mahogany dining table by P. Jeppesen The light and elegant Ole Wanscher dining table has two two extra leaves so it can expand from W 145 cm....
Category

Vintage 1960s Danish Scandinavian Modern Dining Room Tables

Materials

Mahogany

Ole Wanscher Mid Century Danish Rosewood Expanding Dining Table with 2 Leaves
By Ole Wanscher
Located in Countryside, IL
Ole Wanscher Mid Century Danish Rosewood Expanding Dining Table with 2 Leaves This table measures: 57.25 wide x 41.75 deep x 28.75 inches high, with a chair clearance of 28 inches, ...
Category

Vintage 1970s Danish Mid-Century Modern Dining Room Tables

Materials

Rosewood

Franco Albini Mahogany mid-centry Italian Table Model TL-22 produced by Poggi
By Franco Albini
Located in Barcelona, ES
Franco Albini & Franca Helg. Dining table model no. TL22. Manufactured by Poggi, Italy, 1958. Mahogany. Measurements: 180.3 cm x 104.1 cm x 73 H cm. 70.98 in x 40.98 in x 28.74 in. Literature: Giuliana Gramigna, Repertorio 1950/1980, Milan, 1985, p. 123. Franco Albini, was born in 1905 and died in 1977. He spent his childhood and part of his youth in Robbiate in Brianza, where he was born. Albini, as an adolescent moved with his family to Milan. Here he enrolled in the Faculty of Architecture of the Polytechnic and graduated in 1929. He started his professional activity in the studio of Gio Ponti and Emilio Lancia, with whom he collaborated for three years. At the 1929 International Exhibition in Barcelona (where Gio Ponti curated the Italian pavilion and Mies van der Rohe realized that of Germany) and in Paris where, as Franca Helg recounted, he had the opportunity to visit the studio by Le Corbusier. In those three years, the works he carried out are admittedly of the twentieth century imprint. It is the meeting with Edoardo Persico that marked a clear turning point towards rationalism and the approach to the group of editors of "Casabella". The partly ironic and partly very harsh comments of the Neapolitan critic to a series of drawings, made by Albini for the design of some office furniture, caused him a great disturbance. “I spent days of real anguish - Albini recalls - I had to answer all the questions. I also had a fever, a large and long fever. " The meted provoked Albini to openen a professional studio in via Panizza with Renato Camus and Giancarlo Palanti. The group of architects began to deal with public housing by participating in the competition for the Baracca district in San Siro in 1932 and then building the IFACP neighborhoods: Fabio Filzi (1936/38), Gabriele D'Annunzio and Ettore Ponti (1939). During this period, Albini also worked on his first villa (Pestarini), which Giuseppe Pagano, architect and critic of the time, presented as follows: “This coherence, which the superficial rhetoric of fashionable jugglers calls intransigence, and which is instead the basis of understood between the fantasy of art and the reality of the craft, in Franco Albini, it is so rooted that it transforms theory into a moral attitude ". But it is above all in the context of the exhibitions that the Milanese master experienced his compromise between that "rigor and poetic fantasy" of which Pagano speaks, coining the elements that became a recurring theme in his . The opening in 1933 of the new Triennale headquarters in Milan, in the Palazzo dell'Arte, was an important opportunity to express the strong innovative character of rationalist thinking, a gym in which to freely experiment with new materials and new solutions, but above all a "method". "Cultivated as a communication laboratory, the art of setting up was for the rationalists of the first generation what the perspective had been for the architects of humanism: the field open to a hypothesis of space that needed profound reflections before landing the concreteness of the construction site ". Together with Giancarlo Palanti, Albini on the occasion of the V Triennale di Milano set up the steel structure house (with R. Camus, G. Mazzoleni, G. Minoletti and with the coordination of G. Pagano), for which he also designed the 'furniture. At the following Triennale of 1936, Persico dided, together with a group of young designers gathered by Pagano in the previous edition of 1933, Franco Albini took care of the preparations of the home exhibition. The setting up of Stanza per un uomo, at that same Triennale, allows us to understand the acute and ironic approach of Albini, as a man and as a designer: "Celebrating the beauty of mechanics was the imperative to which, for example, the surprising displays by Franco Albini who managed, in the subtle way of a refined and rarefied style, to sublimate their practical content in the metaphysics of daring still lifes: flying objects which marked in the void refined frames and metal intricacies the nodes of a fantastic cartography where industry finally became art free from purpose ". That same year Albini and Romano designed the exhibition of the Ancient Italian Goldsmithery: vertical uprights, simple linear rods, designed the space. A theme, of the "flagpole", seemed to be the center of the evolution of production and the creative process. The concept is reworked over time, with the technique of decomposition and recomposition typical of Albinian design: in the preparation of the Scipione Exhibition and contemporary drawings (1941) the tapered flagpoles, on which the paintings and display cases were hung, are supported by a grid of steel cables; in the Vanzetti stand (1942) they take the V-shape; in the Olivetti shop in Paris (1956) the polished mahogany uprights support the shelves for the display of typewriters and calculators. The flagpole is found, however, also in other areas. In the apartments he designed, it is used as a pivot on which the paintings can be suspended and rotated to allow different points of view, but at the same time as an element capable of dividing the spaces. The Veliero bookcase...
Category

Mid-20th Century Italian Mid-Century Modern Dining Room Tables

Materials

Mahogany

Franco Albini and Franca Helg for Poggi Italian Walnut Dining Table TL22
By Poggi, Franco Albini and Franca Helg
Located in Reggio Emilia, IT
Italian Mid-Century Modern design dining table designed by Franco Albini and Franca Helg and produced by Poggi Pavia from 1958 with veneered walnut top with elliptical shaped longer ...
Category

Vintage 1950s Italian Mid-Century Modern Tables

Materials

Wood, Walnut

Arne Volder for Sibast - Extendable Dining Table
By Arne Vodder
Located in Brussels, BE
This elegant dining table by Arne Vodder for Sibast is crafted in luxurious hardwood, showcasing its stunning natural grain. Designed in the 1950s, it features an extendable design, ...
Category

Antique 1650s Danish Mid-Century Modern Dining Room Tables

Materials

Hardwood