Canvas Contemporary Art

With an illustrator’s eye for graphic impact and a wry sense of humor, artist Yoko Tanaka uses only a paint brush and her imagination to conjure whimsical landscapes and playful enco...

Vintage Marushka Canvas Art Print Fabric Framed Panels - Set of 4 The Vintage Marushka Canvas Art Print Fabric Framed Panels set includes four beautifully designed pieces that serv...

From time to time we are offering our customers not only fine antiques but also very selected contemporary/ modern masterpieces. In this case we are very proud to offer you some real...

Unframed canvas by Oklahoma artist Jean Richardson known for her wonderful abstract western inspired works of art. Credits and museums include: Thoma...

Sailing out into the open creating misty ripples in the water. This beautifully oil planing on canvas give as the impression that we are in the ocean. Signed and dated by the artist.

Contemporary Fine Art Executed in 2023. original - only one - No Reproductions. signed by artist. ABOUT ARTIST Kelly-Ann BAPTISTE (1986), is a 5x Olympian, from Trinidad...

Created in 1973, "Bola De Cristal" is an exquisite oil on canvas portrait painting by the esteemed Colombian artist Leandro Velasco. This captivating artwork bears the artist's signa...

Born in 1992 in Macerata in the Marche region, the Italian artist carried out a path that between studies of Surveyor and Architecture led him to a long collaboration with a craft co...

Painted canvas, or decorative panel, representing a bird in a floral decoration. Contemporary work by French artists. Dimensions: H 160 x W 100 cm Reference: LS6334675T Raw li...

The abstract artwork signed by J. Holden is a captivating and vibrant piece, depicting a cowboy and his horse with a modern, imaginative twist. Rendered in bright, bold colors on a s...

Oil painting on canvas in its original frame representing a Parisian quarter with a church on the background. Painted by the Italian artist Professor Piero Solavaggione (Carmagnola (...

Mixed technique on canvas 70 x 50 cm by Iliev Iskren.

1976 Oil on canvas paint by artist, Roy Carruthers (1938) from South Africa. This painting is titled “Woman Dressing”. It is signed and dated by the artist. It is extremely big and very detailed. One of the best painting...

American Flag No. 1 by J. Wohnseidler. Arcylic on canvas with hand-applied starfish. Unframed. Signed/titled/dated by artist on back. Measures: 48 inches L x 36 inches H x 1.5 inches D.

Original mixed-media abstract painting by American listed artist Josh Dayton. Spectacular three dimensional sculptural mixed-media abstract painting that ...

Butterflies An original painting by Lynn Curlee, fine artist, and author/illustrator of award winning books for older children. The painting is acrylic on canvas. It is 48 x 48 x 1...

The famous sculpture of a horse head from the Parthenon in Athens. Original painting by Lynn Curlee. A beautiful rendering of one of the work’s most famous sculptures. This painting ...

Abstract Oil Painting by Costa Rica artist Cristian Navarro Rivera, in modern art style , signed and dated by the artist in the back . We have 3 more paintings by this artist on 1std...

Midcentury abstract oil painting on canvas. Colorful Mid-Century Modern abstract impasto oil painting on canvas. This stunning square ...

This stunning abstract artwork was made in 1960, by the well known Italian artist Ermete Lancini. The artwork is a painting and a mix media collage with resin and paper glued element...

Title: 'McLady' Technique: oil on canvas (vintage oil painting intervention) Artists: Tatsu & Horvikt Year: 2020 About 7710 studio: We are...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

Japan Oil abstract paintings T3 Resistance and T4 Persistence Tetsuro Shimizu, 2011 Pair of abstract paintings titled T3 Resistance and ...

The painting depicts a vibrant and expressive scene with three female figures amidst a grove of stylized trees. The figures are rendered in bold, colorful brushstrokes, creating a se...

Still life painting (Violin, Flowers), Oil on canvas, by Agnes Weinrich, Signed and dated "22", Unframed: 20" x 16", Framed 27.5 x 23". Agnes Weinrich (1873-1946) was an early female, American modernist artist at a time when there was little interest in Modern Art in the USA and when few women were artists. She was a ground breaker in modern art. The painting shown is an important example of her mature phase of her work. A biography from Wiki-pedia follows: Agnes Weinrich (1873–1946) was one of the first American artists to make works of art that were modernist, abstract, and influenced by the Cubist style. She was also an energetic and effective proponent of modernist art in America, joining with like-minded others to promote experimentation as an alternative to the generally conservative art of their time. Early years[edit] Agnes Weinrich was born in 1873 on a prosperous farm in south east Iowa. Both her father and mother were German immigrants and German was the language spoken at home. Following her mother's death in 1879 she was raised by her father, Christian Weinrich. In 1894, at the age of 59, he retired from farming and moved his household, including his three youngest children—Christian Jr. (24), Agnes (21), and Lena (17), to nearby Burlington, Iowa, where Agnes attended the Burlington Collegiate Institute from which she graduated in 1897.[1][2][3] Christian took Agnes and Lena with him on a trip to Germany in 1899 to reestablish links with their German relatives. When he returned home later that year, he left the two women in Berlin with some of these relatives, and when, soon after his return, he died, they inherited sufficient wealth to live independently for the rest of their lives. Either before or during their trip to Germany Lena had decided to become a musician and while in Berlin studied piano at the Stern Conservatory. On her part, Agnes had determined to be an artist and began studies toward that end at the same time.[1][4] In 1904 the two returned from Berlin and settled for two years in Springfield, Illinois, where Lena taught piano in public schools and Agnes painted in a rented studio. At this time Lena changed her name to Helen. In 1905 they moved to Chicago where Agnes studied at the School of the Art Institute of Chicago under John Vanderpoel, Nellie Walker, and others.[1] In 1909 Agnes and Helen returned to Berlin and traveled from there to Munich, where Agnes studied briefly under Julius Exter, and on to Rome, Florence, and Venice before returning to Chicago.[5] They traveled to Europe for the third, and last, time in 1913, spending a year in Paris. There, they made friends with American artists and musicians who had gathered there around the local art scene. Throughout this period, the work Agnes produced was skillful but unoriginal—drawings, etching, and paintings in the dominant academic and impressionist styles.[1] On her return from Europe in 1914, she continued to study art, during the warm months of the year in Provincetown, Massachusetts,[1] where she was a member of the Provincetown Printers art colony in Massachusetts,[6] and during the colder ones in New York City. In Provincetown she attended classes at Charles Hawthorne's Cape Cod School of Art and in New York, the Art Students League.[1] Drawing of an old woman by Agnes Weinrich, graphite on paper, 11.5 x 7.5 inches. Hawthorne and other artists established the Provincetown Art Association in 1914 and held the first of many juried exhibitions the following year. Weinrich contributed nine pictures to this show, all of them representational and somewhat conservative in style.[1] A pencil sketch made about 1915 shows a figure, probably one of the Portuguese women of Provincetown. Weinrich was a metculous draftsperson and this drawing is typical of the work she did in the academic style between 1914 and 1920. She also produced works more akin to the Impressionist favored by Hawthorne and many of his students. When in 1917 Weinrich showed paintings in a New York women's club, the MacDowell Club, the art critic for the Brooklyn Daily Eagle said they showed a "strong note of impressionism."[7] Broken Fence by Agnes Weinrich, a white-line woodblock made on or before 1917; at left: the woodblock itself; at right: a print pulled from the woodblook. In 1916 Weinrich joined a group of printmakers which had begun using the white-line technique pioneered by Provincetown artist B.J.O. Nordfelt. She and the others in the group, including Blanche Lazzell, Ethel Mars and Edna Boies Hopkins, worked together, exchanging ideas and solving problems.[1][8] A year later Weinrich showed one of her first white-line prints at an exhibition held by the Pennsylvania Academy of Fine Arts in Philadelphia.[9] Broken Fence, in its two states—the print and the woodblock from which she made it—show Weinrich to be moving away from realistic presentation, towards a style, which, while neither abstract, nor Cubist, brings the viewer's attention to the flat surface plane of the work with its juxtaposed shapes and blocks of contrasting colors. Cows Grazing in the Dunes near Provincetown by Agnes Weinrich, white-line woodcut, 10 x 10 1/2 inches When in 1920 the informal white-line printmakers' group organized its own exhibition, Weinrich showed a dozen works, including one called Cows Grazing in the Dunes near Provincetown. This print shows greater tendency to abstraction than eitherBroken Fence or the prints made by other Provincetown artists of the time. The cows and dunes are recognizable but not presented realistically. The white lines serve to emphasize the blocks of muted colors which are the print's main pictorial elements. Weinrich uses the texture of the wood surface to call attention to the two-dimensional plane—the paper on which she made the print—in contrast with the implicit depth of foreground and background of cows, dunes, and sky. While the work is not Cubist, it has a proto-Cubist feel in a way that is similar to some of the more abstract paintings of Paul Cézanne.[10] By 1919 or 1920, while still spending winters in Manhattan and summers on Cape Cod, the sisters came to consider Provincetown their formal place of residence.[1][11][12][13] By that time they had also met the painter, Karl Knaths. Like themselves a Midwesterner of German origin who had grown up in a household where German was spoken, he settled in Provincetown in 1919. Agnes and Knaths shared artistic leanings and mutually influenced each other's increasing use of abstraction in their work.[1][14] The sisters and Knaths became close companions. In 1922 Knaths married Helen and moved into the house which the sisters had rented. He was then 31, Helen 46, and Agnes 49 years old. When, two years later, the three decided to become year-round residents of Provincetown, Agnes and Helen used a part of their inheritance to buy land and materials for constructing a house and outbuildings for the three of them to share. Knaths himself acquired disused structures nearby as sources of lumber and, having once been employed as a set building for a theater company, he was able to build their new home.[15] Weinrich was somewhat in advance of Knaths in adopting a modernist style. She had seen avant-garde art while in Paris and met American artists who had begun to appreciate it. On her return to the United States she continued to discuss new theories and techniques with artists in New York and Provincetown, some of whom she had met in Paris. This loosely-knit group influenced one another as their individual styles evolved. In addition to Blance Lazzell, already mentioned, the group included Maude Squires, William Zorach, Oliver Chaffee, and Ambrose Webster. Some of them, including Lazzell and Flora Schofield had studied with influential modernists in Paris and most had read and discussed the influential Cubist and Futurist writings of Albert Gleizes and Gino Severini.[16][17] Mature style[edit] Woman with Flowers by Agnes Weinrich, circa 1920, oil on canvas, 34 x 30 1/4 inches, exhibited at the Provincetown Art Association exhibition of 1920, made available courtesy of the Association. Two of Weinrich's paintings, both produced about 1920, mark the emergence of her mature style. The first, Woman With Flowers, is similar to one by the French artist, Jean Metzinger called Le goûter (Tea Time) (1911).[18] Red Houses by Agnes Weinrich, circa 1921, oil on canvas on board, 24.25 x 25.5 inches; exhibited "Red Houses" at Fifth Annual Exhibition of the Society of Independent Artists. Like much of Metzinger's work, Le goûter was discussed in books and journals of the time—including one called Cubism co-authored by Metzinger himself.[19] Because the group with which Weinrich associated read about and discussed avant-garde art in general and Cubism in particular, it is reasonably likely that Weinrich was familiar with Metzinger's work before she began her own. The second painting, Red Houses, bears general similarity to landscapes by Cézanne and Braque. Both paintings are Cubist in style. However, with them Weinrich did not announce an abrupt conversion to Cubism, but rather marked a turning toward greater experimentation. In her later work she would not adopt a single style or stylistic tendency, but would produce both representative pictures and ones that were entirely abstract, always showing a strong sense of the two-dimensional plane of the picture's surface. After she made these two paintings neither her subject matter nor the media she used would dramatically change. She continued to employ subjects available to her in her Provincetown studio and the surrounding area to produce still lifes, village and pastoral scenes, portraits, and abstractions in oil on canvas and board; watercolor, pastel, crayon and graphite on paper; and woodblock prints.[20] Possessing an outgoing and engaging personality and an active, vigorous approach to life, Weinrich promoted her own work while also helping Karl Knaths to develop relationships with potential patrons, gallery owners, and people responsible for organizing exhibitions. With him, she put herself in the forefront of an informal movement toward experimentation in American art. Since, because of her independent means, she was not constrained to make her living by selling art, she was free to use exhibitions and her many contacts with artists and collectors to advance appreciation and understanding of works which did not conform to the still-conservative norm of the 1920s and 1930s.[1][21][22] Early in the 1920s, critics began to take notice of her work, recognizing her departure from the realism then prevailing in galleries and exhibitions. Paintings that she showed in 1922 drew the somewhat dry characterization of "individualistic.",[23] and in 1923 her work drew praise from a critic as "abstract, but at the same time not without emotion."[24] In 1925 Weinrich became a founding member of the New York Society of Women Artists. Other Provincetown members included Blanche Lazzell, Ellen Ravenscroft, Lucy L'Engle, and Marguerite Zorach. The membership was limited to 30 painters and sculptors all of whom could participate in the group's exhibitions, each getting the same space.[23][25][26] The group provided a platform for their members to distinguish themselves from the genteel and traditionalist art that women artists were at that time expected to show[27] and, by the account of a few critics, it appears their exhibitions achieved this goal.[1][28][29][30] In 1926 Weinrich joined with Knaths and other local artists in a rebellion against the "traditional" group that had dominated the Provincetown Art Association. For the next decade, 1927 through 1937, the association would mount two separate annual exhibitions, the one conservative in orientation and the other experimental, or, as it was said, radical.[31][32] Both Weinrich and Knaths participated on the jury that selected works for the first modernist exhibition.[11] Still Life by Agnes Weinrich, circa 1926, oil on canvas, 17 x 22 inches. Permission to use granted by Christine M. McCarthy, Executive Director, Provincetown Art Association and Museum. The painting was the gift of Warren Cresswell. Weinrich's painting, Still Life, made about 1926, may have been shown in the 1927 show. Representative of some aspects of her mature style, it is modernist but does not show Cubist influence. The objects pictured are entirely recognizable, but treated abstractly. Although fore- and background are distinguishable, the objects, as colored forms, make an interesting and visually satisfying surface design. In 1930 Weinrich put together a group show for modernists at the GRD Gallery in New York. The occasion was the first time a group of Provincetown artists exhibited together in New York. For it she selected works by Knaths, Charles Demuth, Oliver Chaffee, Margarite and William Zorach, Jack Tworkov, Janice Biala, Niles Spencer, E. Ambrose Webster, and others.[1][23] Later years[edit] Weinrich turned 60 on July 16, 1933. Although she had led a full and productive life devoted to development of her own art and to the advancement of modernism in art, she did not cease to work toward both objectives. She continued to work in oil on canvas and board, pastel and crayon on paper, and woodblock printing. Her output continued to vary in subject matter and treatment. For example, Still Life with Leaves, circa 1930 (oil on canvas, 18 x 24 inches) contains panels of contrasting colors with outlining similar to Knaths's style. Movement in C Minor, circa 1932 (oil on board, 9 x 12 inches) is entirely abstract. It too relates to Knaths's work, both in treatment (again, outlined panels of contrasting colors) and in its apparent relationship to music, something in which Knaths was also interested. Fish Shacks...

This is a large scale modern abstract oil painting of a female nude with a horse and colorful background. It is signed R. Monti. It is framed in a simple brown frame.

Selection of Original Female Nude Paintings, probably American, circa 1950s. They are priced at $750 each. Neither work is signed. They have both been professionally framed in vintag...

Abstract oil on board painting by Robert Chapman. In the artist's hand made frame. As the assistant to Willem de Kooning for the last decade of de Koon...

A large scale abstract mixed media painting by German artist Amela Rasi. This piece is presented on a cotton canvas + was created using pigments, acrylic an...

This one's for the basketball lover in your life. An original signed oil painting of "The Glove" Gary Payton, player for the Seattle SuperSonics. One of the NBA's best point guards, ...

August Sandberg, a rising star in the contemporary Norwegian art scene, is currently honing his craft at the prestigious Faculty of Art, Music and Design at the University of Bergen....

Lovely original framed portrait of a woman, acrylic on canvas with ornate frame. Artist and provenance unknown. Beautifully adorns a wall either on its...

Abstract Oil Painting by Costa Rica artist Cristian Navarro Rivera, in modern art style , signed and dated by the artist in the back . We have 3 more paintings by this artist on 1std...

With an illustrator’s eye for graphic impact and a wry sense of humor, artist Yoko Tanaka uses only a paint brush and her imagination to conjure whimsical landscapes and playful enco...

Beautiful acrylic abstract painting signed by the artist .  

Pop Art Oil on canvas untitled still-life painting by Salvatore Grippi, 1970 Salvatore Grippi oil painting, Signed New York School One of the original members of the Abstract Express...

RETNA (Marquis Lewis) is an American graffiti artist whose work has been featured in many successful ad campaigns for Nike, Louis Vuitton, and VistaJet. Born in Los Angeles, RETNA’s ...

Parisian cityscape, signed and framed oil on canvas by Serge Belloni, ‘57 This painting has all the quintessential features of Belloni’s renowned Parisi...

My Bodyguard, 2023 Malene Birger Acrylic on Canvas 63 x 47 1/4 " (160 x 120 cm) Reference MB039 Having founded and led two of Denmark’s most established and successful international...

J. Parame is considered one of the most talented and promising Portuguese artists of his generation. Born in Lisbon in 1978, he studied at the National Society of Fine Arts in Lisbon. His work is represented in numerous private and public collections, national and international. Several exhibitions in galleries and public spaces have attracted public attention, allowing exposes his work abroad, including France, Germany, Canada and USA. "Agora Gallery" in New York, writes about his "strong bold colors figures populate the paintings of J. Paramés, strange characters evolve in mysterious scenes, triggering a clash of primary colors. This type of palette and composition, resemble the latest works of Matisse and Miró, "quoted in the prestigious newspaper Express. "The Magical Colors...

An eye-catching, original modern abstract painting by artist, J. Moroni, this piece is a stunning display of vibrant colors, featuring dynamic hues of blue, amber, brown, and yellow....

This contemporary abstract painting by Felix Bachmann, created in 2025, explores the tension between form and void through a striking black-and-white palette. Executed on canvas usin...

LIAISONS I Original painting by Lynn Curlee One of a series of eight paintings based upon 17th century French engravings. Each paint...

1967 signed Gabriel Godard oil on canvas in a gilt wood frame. Titled "Femme a la toilette."

A vibrant example from "the Personal Shopper"series. This series of Bag Sculptures were debuted at Angle Gallery,Santa Monica,California in 2001. This is the finest and largest Pi...

Christopher Lane (American,1937) This oil on canvas painting by Christopher Lane is very similar to one of his larger paintings that was displayed at...

J. Paramé is considered one of the most talented and promising Portuguese artists of his generation. Born in Lisbon in 1978, he studied at the National Society of Fine Arts in Lisbon...

Humorous original oil on canvas with black ink, painting by deceased American comedienne, Phyllis Diller (1917-2012), which she titled, “Two Idiots On A...

Abstract Oil Painting by Costa Rica artist Cristian Navarro Rivera, in modern art style , signed and dated by the artist in the back . We have 3 more paintings by this artist on 1std...

An early Carlos Frésquez original oil on canvas painting in a Postmodern style, titled Raspberry Float (1987) signed and titled en verso, referencing the Abstract Expressionist movem...

Painting by L.Gonzales, 1998. On canvas. Handsigned and dated. In original condition, with some visible signs of previous use and age, preserving a beautiful patina. Materials: Ca...

Silk embroidery, acrylik on canvas, 2005. Mike Berg CV (b. 1956 Portland, Oregon USA.) Lives and works in Istanbul, Turkey and New York, NY. Education 1971 BA University of Washington, Seattle 1972 BFA, Fort Wright College, Spokane, WA. 1972 Resident, Skowhegan School of Painting and Sculpture, MA. Solo Exhibitions 2016 upcoming solo September show: The Stremmel Gallery, Reno, Nevada 2015 Kocaman Kafes, at Galeri Nev, Istanbul, Turkey. 2013-14 Recent Textiles, Museum of Contemporary Art, San Diego. 2013 Mike Berg: Taking Chances, Museum of Contemporary Art, San Diego 2012 Simple Geometry, Galeri Nev, Istanbul, Turkey. 2012 Believing in Impossible Things, Ankara, Turkey 2011 5/3 Insane, PGArtSpace, Istanbul, Turkey. 2010 Heavy Metal, Galeri Nev, İstanbul, Turkey. 2008 The Aftermath of Sunny Days, Galeri Nev, İstanbul, Turkey. 2006 Run My Hand Around The Font, Center for Contemporary Art, Seattle, WA You Can’t Say It That Way Anymore, Galeri Nev, İstanbul, Turkey. 2005 Galleons And Towers, Kadir Has Üniversitesi, İstanbul, Turkey. 2004 Mistaking Street Lamps for Planets, Lorinda Knight Gallery, Spokane, WA 2003 Mike Berg at the Hagia Sofia Museum, İstanbul, Turkey. Bronze Age, Galeri Nev, İstanbul, Turkey 2001 Florence DeVoldere Salon, Paris, France. 2000 Little House of Our Desire, Dulcinea, İstanbul, Turkey What Days Are For, Sling Shot Gallery, New York, NY. What Days Are For, Heriard/Cimino Gallery, New Orleans, LA. 1999 Now It Goes Smoothly, Gina Fiore Salon of Fine Arts, Chelsea Hotel, New York, NY Now It Goes Smoothly, Eastern Washington University, Cheney, WA. 1998 A Family of Stories, Boulder Museum of Contemporary Art, Boulder, CO 1997 A Haven of Serenity and Unreachable, Rule Gallery, Denver, CO. Patterns in Time, Maria Henle Studio, St. Croix, USVI 1995 Visions Fugitives, Elaine Kaufman Cultural Center, New York, NY A History of Backward Glances, Lee Arthur Studio, New York, NY. 1993 Lee Arthur Studio, New York, NY 1991 Sharon Truax Gallery, Venice, CA 1990 McGrath Gallery, Los Angeles, CA. 1989 Earl McGrath Gallery, Los Angeles, CA 56 Bleecker Gallery, New York, NY. 1988 Mike Berg in the Tin Room, 56 Bleecker Gallery, New York, NY 1987 Inaugural Exhibition, The Queens Museum, New York, NY. The Donald Wren Gallery, New York, NY. Interior/Exterior: Architectural Fantasies, Untitled, The Queens Museum, New York, NY 1986 Guid'Arte Gallery, Rome, Italy. 1985 Louisiana State University, School of Art Gallery, Baton Rouge 1984 Noel Butcher Gallery, Philadelphia, PA. -1- Group Exhibitions 2014 3rd Mardin Bienal, Mitolojiler, Turkey. 2014 Path of Sculptures That Lead to Miro, Baksi Museum, Bayburt, Turkey 2010 Delirium: Wave Two, Illiterate Media, Denver, CO. Türbülans, Galeri Nev, İstanbul, Turkey. 2009 Delirium: Wave One, Illiterate Media, Denver, CO 2006 The El Paseo Exhibition, Palm Desert, CA. New Visions, The Harrison Gallery, Williamstown, MA 2002 Group Exhibition, Galeri Nev, İstanbul. Turkey. After 10 Years, Maria Henle Gallery, St. Croix, USA 2001 Layers, Anita Friedman Fine Arts, New York, NY. 1998 LA Current, Armand Hammer Museum, Los Angeles, CA 1997 Collaboration, Montgomery Gallery, Pomona College, CA 1996 Red, Rule Galley, Denver, CO. Mike Berg, Stephane Herbelin, and Andre Raffin...

Exceptional oil painting on canvas of very intriguing subject of a man with great paint texture. Beautiful object of art for wall hanging. Fra...

A very large framed oil on canvas by extensively exhibited Australian artist, Beverley Downie. Downie's keen interest in opera has always influenced ...

This work is signed and dated PLUM 2011 recto and verso of the canvas; Canvas Size - 24" x 24" x 1.5" profile; Framed Size - 25.5" x 25.5" Black synthetic float frame included. Andr...

Painting by Daphne Covington. Her influences come from such artists as Picasso, Chagall, Matisse, Kandinsky, and Basquiat. It is her unstructured appr...

Italian vintage scarf decorated with five 18th century Italian gold-leaf wood motifs, pressed to canvas with a surrounding antique coordinating Italian church braid. This piece is p...

A very large and graphic still life of a pear, 20th-21st century. Originally painted as a private commission. Signed lower right. A huge red pear on a black ground fills the space. F...

Large decorative and colourful oil painting by French painter Aymery Rolland of a troupe of musicians. Signed Aymery Rolland, “Musiciens”, ’95. Born in 1959 in Paris, where Aymery R...

Born in 1992 in Macerata in the Marche region, the Italian artist carried out a path that between studies of Surveyor and Architecture led him to a long collaboration with a craft co...