Early 19th Century Paintings

Japanese six-panel screen: Late winter into early spring, Rimpa style painting of a garden scene with doves on a bamboo fence. Flowers in bloom including ...

Early 19th century, Napoleonic period oil painting on an oak panel. If you are looking for early 19th century, French art with a military topic then this romantic style rural scene ...

An early 19th century French Louis XVI style trumeau mirror with a large painting depicting Diana, the goddess of the hunt. Oil on canvas with vivid color, heavy craquelure, with som...

Early 19th Century Seascape by Thomas Buttersworth (English: 1768 - 1842), circa 1820, an oil on canvas view of a ship, brig and small craft in the English Channel off the Cliffs of ...

19th century Italian School. "Bird Seller". Oil on canvas, according to an impression by Datero, Veneto of the 3rd met. of the 19th century. Dimension: 166 x 201 cm. Very good condit...

An original British School Regency Period watercolor portrait, mounted in a Georgian Period fruitwood frame – Dated 1834. These watercolors were largely painted by young girls fro...

Antique French Oil Painting of a Chateau Castle Landscape

This is a lovely pair of watercolor paintings of two young children by British portrait painter James Ramsay (1789-1854). One depicts a little girl clutching her kitten and the othe...

Original Kitagawa Utamaro (1754-1806) Edo period 19th century, woodblock print, titled Fond of Children (Kodomo-zuki), from the series Eight Views of Favourite Things Today (Tosei ko...

Antique charming painting, still life of flowers and very exclusive products for that time, oil on canvas, signed and dated lower right L. Bouchu, France 1912. In good antique condi...

Set of six Chinese Export paintings on pith (rice) paper. The paintings depict Chinese processionals that include men in different settings such as playing instruments, carrying temp...

Framed Lithograph of the original water colour painting titled Le Poney, cataloged as Inv. MCR 104 on page 55 of Marie-Christine Renauld's cabinet raisonne L'univers d'Alfred de Dreu...

Sir David Wilkie RA (18 November 1785 – 1 June 1841) “The Parish Beadle” Oil on canvas This important painting is probably a sketch for the large painting exhibited at Tate Britain....

Poppies & Butterflies Ink, pigment and gofun on silk Igarashi Chikusa (1774-1844) Signature: Chikusa Ran Zen Upper Seal: Ran Shuzen Lower Seal: Kyoho Dimensions: Scroll: H. 68” x W. 18” (172cm x 45cm) Image: H. 38.5’’ x W. 12.5’’ (98cm x 32cm) This composition shows elegant images of poppies and the butterflies that are inevitably drawn to them. It captures a momentary glimpse into a world both visually dazzling and startlingly realistic. The painting is infused with sensitivity and attention to seasonal change and weather conditions. The thin and fragile poppies are beautifully depicted with brilliant colors and the butterflies are similarly infused with life. The painting is on silk which requires extremely precise painting skills as no element once painted can be removed. Poppies were a favorite subject of Rinpa school artists through the ages. Originally they were somewhat abstracted but by the age of Sakai Hoitsu...

Beautiful Early 20th C oil painting of Chrysanthemums. Nicely Framed in an Arts & Crafts Lemon gold wood frame.

An exquisite circa 1820 Regency period portrait in the manner of Scottish royal portraitist Sir Henry Raeburn (4 March 1756 – 8 July 1823) of a...

Fantastic early portrait of a young man and his pug dog. This painting is most likely British, but it could also be from continental Europe. It dates from the late 18th to the earl...

Antique Original Watercolour Painting Depicting a Classical Scene A woman is seated in an Arcadian landscape and is being atten...

Early 19th century oil painting Signed "M. Isaacs" Dated "1918" Beautiful painting depicts a canal in Venice, Italy Two small restorations (shown in photo) Fine gold leaf frame

Verre églomisé, or reverse glass painting with gilding of Saint George and the Dragon. St George shown riding his steed, slaying the dragon...

Great and superb oil on canvas period Empire. Measures: 120cm x 160cm!   

Antique 19C American School portrait oil Painting of a Boy & His Dog. It is painted on canvas and later laid down on board.

A mid-sized six panel screen. Edo period (c. 1800) painting of a landscape features a temple on the mountain top, a river with fishermen emerging from gold...

A RARE PAIR OF REVERSE GLASS PRINTS AFTER CLAUDE GELLE called Le Lorrain (c.1600-1682) Circa 1820. Hand coloured aquatint, published and printed by George Dawe RA (6 February 1781 ...

Landscape oil painting on canvas by Johann Dominik (J.D.) Bossi likely in Germany in the early 19th Century. Framed in a newer gold toned wooden frame. Painting approximately 16 x 2...

The son of a heraldic painter, Edmund Bristow was born in Berkshire in 1787 ( (1 Apr 1787 – 12 Feb 1876), and lived all his life locally in Eton, after having attended school in near...

Antique Military Oil Painting, Antique Military Portrait Painting, Military Antique Painting, Prussian Hussar, Prussian Military Painting. Early 19th Century Military Oil Painting...

American school oil landscape on academy board in the original gold gilt molded frame. Landscape depicts Hudson Valley with mountains in the background, trees in the foreground and a...

Late 18th to Early 19th Century Portrait of a Sea Captain, by Charles Delin (Netherlands: 1756-1818), circa 1810, a fine period oil on canvas quarter-length portrait of Captain Mellens, an elegant gentleman in navy blue woolen double breasted sea coat, with high starched collar shirt and neck cloth, unsigned; retains an old collection label on the reverse identifying the artist and subject. The painting remains in fine condition, in its original carved and gilded frame. Although identified by name, we could not find any additional information on the sitter. The name and clothing indicates that the captain was American or English. The artist Charles Delin was highly regarded in his day and specialized in sea captain portraits...

Antique oil painting romance landscape painting. 19th century Oil on canvas. Romantic scene landscape painting under a clear blue sky. Oil on canvas early 19th century. Painting fr...

Antique Folk Art Fruit Still Life Oil 0n Canvas Painting in the Manner of Severin Rosen, Giltwood Framed, C1830 Measures- 16.5''H x 21''W x 1.75''D

Rubens designed the theme of “Diana Returning from the Hunt” as an idyllic scene celebrating abundance and the daily rejuvenation of nature, as well as the sensuality of female beaut...

Charming early 19th century oil on canvas.

Kano school painting of a pheasant in a snowy pine. Artist signature reads: Hokkyo Shunyo. Mineral pigments on gold leaf with silk brocade border.  

Early 19th-Century Italian School Oil on Canvas – After Raphael The Holy Family with Saint Elisabeth and the Infant Saint John the Baptist Introduction: A Masterpiece Inspired by Rap...

Early 19th Century Children’s Portraits Oil on Canvas, A Pair Charming pair of Danish Early 19th Century paintings oil on canvas. Thes...

A fine and attractive pair of early 19th century English landscape painting in there original Thomas Lawrence frames. In the manner of Sawrey Gilpin (30 October 1733 – 8 March 1807). Medium: Oil on canvas Canvas Size: H: 48.5 cm ; W: 58.2 cm Framed Size: H: 68.5 cm ; W: 79 cm Artists Biography: Sawrey Gilpin RA was an English animal painter, illustrator, and etcher who specialized in paintings of horses and dogs...

18th-19th century Old Master "The Holy Family" After Anthonius van Dyck Fine old master painting depicting The Holy Family after a painting by Flemish artist van Dyck. Original...

This exquisite Biedermeier portrait from around 1820 is a true gem of early 19th-century German painting. Executed with remarkable finesse, the painting captures a seated lady in a s...

A wonderful circa 1810 Italian school oil-on-canvas painting of an artist or painter in his studio seated legs-crossed in a chair facing the canvas on easel with palette and brush in...

A Timeless Depiction of the English Fox Hunt The early 19th-century fox hunting scene, attributed to Dean Wolstenholme Elder, is a stunning representation of the aristocratic traditi...

Olio su tela, antico ritratto di una nave risalente alla prima metà del XIX secolo di provenienza inglese; lo sfondo è arricchito da un’altra nave più piccola, da due piccole imbarca...

American classical portrait of a lady. American School, unsigned. Measures: Oil on canvas 25"x 30" Period gilt frame 29" x 34" x 2" Professional...

Group Portrait of Two Children by James Bennett H. Smith (British, fl. 1830–1847) Early 19th Century Oil on Canvas Signed ‘Bell Smith’ A charming and well-executed early 19th cent...

Pair of original botanical watercolors of mixed bouquet of flowers, painted on paper, and framed in their original French Empire gold lea...

A very fine French 18th-19th century oil on canvas portrait of a posing lady with flowers, after Jean-Marc Nattier (1685-1766) within an ornate gilt wood carved frame, circa 1800. ...

An absolutely charming pair of Japanese Tosa School six-panel folding screens painted with the "One Hundred Boys at Play" motif, featuring a multitude...

This large and very nice Venice view is a charcoal. This is the amazing the way Venezia is reflected into the water. This is a work signed by François Stro...

A rediscovered small oil painting of a fishing boat leaving Calais Harbour by E W Cooke, depicting a fishing boat from Trouville battling stormy seas as it a...

Manner of George Chinnery (English, 1774-1852), a softly rendered portrait of a young woman, unsigned, in carved and gilded wood frame A remnant "...R. Davy, Colourman to Artists, 83, Newman Street, London" label on verso. Christie's inventory tags also on verso. A little gem of a portrait, this painting also contains lovely details such as a flower adorning the young woman's hair, a pink shawl draped on the chair, and an ornate gilt mirror with candelabra visible in the background. Robert Davy (c.1771-1843) established his business in the 1790s. He began his career as a carver and gilder...

Japanese two-panel screen: Peony and Cherry, Edo period (circa 1800) painting, formerly fusuma (Japanese sliding doors), executed in the Kano school style, featuring a cherry tree in...

We present you this rare and stunning marine oil painting dating back from the early 19th century. The painting captures a lively scene from Villerville, a coastal town in the French...

Oil on framed canvas, oval, depicting an intimate scene of a young woman in her bedroom Illegible signature lower right Good general condition, some scratches and small paint losse...

Charming early 19th century fine quality British oil on board; small painting with a lot going on; subject matter. rural scene of two young boys frolicking on white horseback down by...

Late 18th-early 19th century capriccio (imaginary) landscape, Continental. Shepherds & animals gathered as one plays his woodwind instrument. Acquired in the late 1940s by Harvey Gun...

Countryside Landscape, Oil on canvas, signed. Beginning of the 19th century FRENCH

Rare Early 19th century Capriccio view of Rio de Janeiro Painting Probably painted circa 1810 by one of Jean-Baptiste Debret, Italian Students. Painted on Sailcloth. Historical Context of Early 19th Century Portuguese Colonial Brazil 1.1 Transition from Colony to Empire During the early 19th century, Brazil underwent a seismic shift in its political status. Originally a colony under the Portuguese Empire, the arrival of the Portuguese Royal Court in Rio de Janeiro in 1808 rapidly elevated the city’s cultural and political importance. By 1815, Brazil was declared a kingdom united with Portugal, setting the stage for the emergence of the Empire of Brazil in 1822. This period of transformation—often termed the transitional period from colony to empire—fueled a wave of artistic production in cities like Rio de Janeiro. 1.2 European Artistic Influence in Brazil With the French Artistic Mission in Rio (initiated in 1816) and the presence of various Portuguese and European artists, Brazilian art of the early 1800s began to reflect diverse influences, from neoclassical painting to the early rumblings of romanticism. Painters such as Jean-Baptiste Debret, and Nicolas-Antoine Taunay, and local luminaries like Manuel de Araújo Porto-Alegre contributed to the fine arts tradition in Brazil. Their works featured scenes of local life, portraits of Brazilian society, and imaginative vistas—sometimes referred to as “capriccios,” in which real elements were combined with artistic liberties to create an idealized panorama. 1.3 Rio de Janeiro as Cultural and Political Hub Rio de Janeiro, often called the Imperial capital after Brazil’s independence, was home to foundational institutions like the Imperial Academy of Fine Arts (Academia Imperial de Belas Artes). Later evolving into the Escola de Belas Artes (School of Fine Arts in Rio), these academies nurtured the talents of emerging painters, who found patronage under the Royal Court and, subsequently, the Imperial Court. The city’s significance was further enhanced by the construction of significant buildings, the modernization of infrastructure, and the mingling of European courtly customs with the traditions of local inhabitants. . Description of the Octagonal Oil on Canvas: A Capriccio View of Rio de Janeiro 2.1 Composition and Layout The most striking characteristic of this 19th-century Brazilian art piece is its octagonal shape, a relatively unusual format that draws the viewer’s gaze toward its centre. The composition showcases Rio de Janeiro’s shoreline in the early 1800s, brimming with merchant ships and smaller boats anchored near the shore. On the sand, there is a bustling crowd of local people—men and women carrying food and goods on their heads, loading and unloading boats, and engaging in everyday commerce. The backdrop of soaring mountains suggests Rio’s iconic topography, embodying the landscape that famously defines the city. 2.2 Architectural and Religious Landmarks On the left side, one can discern the silhouette of a church believed to be Santa Lucia, a significant religious structure in the heart of early 19th-century Rio. This element provides viewers with a tangible reference point, linking the scene to an actual location. However, because this painting is labelled as a “capriccio,” the artist might have taken creative liberties by rearranging or amplifying certain features of the city. The melding of real and idealized elements is characteristic of these imaginative vistas. 2.3 Evoking Daily Life in Colonial Rio One of the painting’s greatest appeals lies in its portrayal of daily life during the colonial era. Men and women from various backgrounds populate the scene. Some appear to be carrying goods on their heads, a common practice in Brazil that has persisted through different centuries. Others appear to be haggling or trading near small vessels, revealing the commercial pulse of an active port city. This focus on local people, combined with the grandeur of merchant ships, captures the tension and synergy between the every day and the extraordinary—a hallmark of Brazilian colonial painting that balances the grand narratives of empire with the rhythms of ordinary life. 2.4 An Amalgamation of Neoclassical and Romantic Influences Although academic art in early 19th century Brazil was highly influenced by neoclassicism, the onset of romanticism can be spotted in the emotional portrayal of the sky, the lively palette, and the dramatic emphasis on nature’s beauty (the mountains, in particular). This duality reflects the fine arts tradition in Brazil during the transitional phase when artists were embracing multiple styles. As part of the School of Rio or the Rio de Janeiro school, painters often integrated academic techniques learned from European masters with emerging local subjects and influences. 3. Institutions and Artistic Movements 3.1 Imperial Academy of Fine Arts Originally known as the Royal School of Sciences, Arts, and Crafts, the Imperial Academy of Fine Arts in Rio de Janeiro was instrumental in shaping 19th-century Brazilian art. Influential artists and teachers from Portugal, France, and other European nations congregated at the Academy, imparting their expertise to native students. As the monarchy consolidated power, the Academy enjoyed royal patronage, leading to the creation of Imperial Academy-style works that combined European academic rigour with Brazilian-themed subject matter. 3.2 Impact of the French Artistic Mission The French Artistic Mission, which arrived in 1816, played a pivotal role in introducing advanced European artistic techniques, thereby elevating the overall quality of painting in Brazil. Artists like Jean-Baptiste Debret not only documented Brazilian society but also spearheaded the development of a local visual identity that aligned with both academicism and the national context of a blossoming empire. Debret, alongside others such as Nicolas-Antoine Taunay, mentored Brazilian artists, sowing the seeds of what would become the Brazilian academic art movement. 3.3 Religious, Historical, and Landscape Paintings In addition to everyday scenes and historical compositions, religious iconography remained crucial throughout Portuguese colonial and imperial Brazil. Churches were omnipresent in cityscapes like Rio de Janeiro. Many colonial-era Brazilian portraits...

A folk art wall panel hand painted by an itinerant artist in Sweden in 1837 (dated), depicting the nativity, with the three kings on horseback paying homage to Mary seated on a thron...