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17th Century Wallpaper

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Period: 17th Century
Important Italian School 17th Century "The Healing of Tobias".
Located in Madrid, ES
Italian school; second third of the 17th century. "The Healing of Tobias". Oil on canvas. Relined. very good condition Dimensions: 117.5 x 107 cm; 130 x 118 cm (frame). This canvas ...
Category

Italian Baroque Antique 17th Century Wallpaper

Materials

Paint

Important Italian School 17th Century "The Healing of Tobias".
Important Italian School 17th Century "The Healing of Tobias".

Important Italian School 17th Century "The Healing of Tobias".

$8,033
17th Century Traditional French Aubusson Style Flat-Weave Rug
Located in Secaucus, NJ
Handwoven recreation of the Classic French flat-weave Aubusson rugs that have been found in the finest homes and palaces since the late 17th century. Size: 9'11'' x 14'5''.
Category

Chinese Aubusson Antique 17th Century Wallpaper

Materials

Wool

17th Century Traditional French Aubusson Style Flat-Weave Rug
17th Century Traditional French Aubusson Style Flat-Weave Rug

17th Century Traditional French Aubusson Style Flat-Weave Rug

$5,700
17th Century Traditional French Aubusson Style Flat-Weave Rug
Located in Secaucus, NJ
Handwoven Recreation of the Classic French flat-weave Aubusson rugs that have been found in the finest homes and palaces since the late 17th century. Size 11' 11'' x 18' 3''.
Category

Chinese Aubusson Antique 17th Century Wallpaper

Materials

Wool

17th Century Traditional French Aubusson Style Flat-Weave Rug
17th Century Traditional French Aubusson Style Flat-Weave Rug

17th Century Traditional French Aubusson Style Flat-Weave Rug

$8,700
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Neapolitan school, 17th century, battle scenes
Located in Milan, IT
Neapolitan School of the 17th Century Battle scenes between Christians and Turks (2) Oil on canvas, 52 x 71 cm Framed, 61 x 80 cm One genre that met with wide acclaim in seventeenth-century Neapolitan painting and flattering success among collectors was that of battle. The Parthenopean nobility loved to adorn the walls of their salons with battles depicting single acts of heroism or complex combats that exalted patriotism and warlike prowess, virtues with which members of the wealthy aristocracy of the time liked to identify. The Church, in the Neapolitan area, was also at the forefront of commissions, commissioning artists to depict the spectacular triumphs of Christendom over the infidels, such as the memorable naval battle of Lepanto in 1571, which marked a historical turning point with the great victory over the Turks, becoming a repeated iconographic motif imbued with devotional value, replicated several times through the interest of the Dominican order, which was very devoted to Our Lady of the Rosary, who benevolently followed earthly events from above in heaven. Other themes dear to the Church within the genre were drawn from the Old and New Testaments, such as Constantine's Victory at the Milvian Bridge or St. James at the Battle of Clodius. Among the leading Neapolitan artists of that period, several specialized in battle scenes: these include Francesco Graziani, known as Ciccio Napoletano, a battler active between Naples and Rome in the second half of the 17th century; Andrea De Lione, who lived in Naples from 1610 to 1685, a versatile narrator of battles without heroes, of horsemen assaulting or retreating, and of profane scenes immersed in a wild and primordial, yet already classicized, nature; and Carlo Coppola. The latter was active for more than twenty years, from 1640 to 1665, and his catalog, which is interesting because it bears witness to a particular historical moment and the tastes of private patrons, has yet to be defined, although many of his works are initialed. It is precisely to Coppola's corpus that these two paintings could come close: with the production of the Neapolitan battler the two paintings seem to share the smoky colors, the accentuated chiaroscuro and the marked dynamism of the scenes. Moreover, it is necessary to mention how that of the battle between Christians and Turks was an absolutely central theme in Coppola's pictorial production. Also close to the manner of the two paintings analyzed here is the production of one of Coppola's most celebrated pupils, Giovanni Luigi Rocco...
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Early 17th Century School of Peter Paul Rubens “The Holy Family” Oil on Canvas
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17th Century ITALIAN SCHOOL "PORTRAIT SAINT JEROME" School Jose de Ribera
17th Century ITALIAN SCHOOL "PORTRAIT SAINT JEROME" School Jose de Ribera

17th Century ITALIAN SCHOOL "PORTRAIT SAINT JEROME" School Jose de Ribera

H 12.21 in W 22.05 in D 2.76 in
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Located in Port Washington, NY
This magnificent tapestry was woven in Flanders during the middle of the European Renaissance, in the late 1700s. At this time, Flanders was creating some of the best textiles in the world, and many of the rich wooded scenes with animals and hunting motifs began to appear. Verdure tapestry, also called Garden Tapestry, type of tapestry decorated with a design based on plant forms. It is not known exactly when the first verdure tapestries were made, but, by the 16th century, tapestries with formal designs derived from foliage had become immensely popular. In the last half of the 17th century, landscapes were incorporated into their design. Such famous tapestry factories as Aubusson and Lille in France specialized in the production of verdures, especially those of small dimensions used as upholstery and pillow covers. Verdure tapestry should not be confused with menues verdure, or millefleur tapestry...
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French Antique 17th Century Wallpaper

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17th Century Verdure Tapestry, Garden Tapestry Handmade Green Blue Gold
17th Century Verdure Tapestry, Garden Tapestry Handmade Green Blue Gold

17th Century Verdure Tapestry, Garden Tapestry Handmade Green Blue Gold

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