1980s Dangle Earrings

Vintage Philippe Ferrandis Dangling Gold-Tone Earrings, Circa 1980s. These are so chic. They resemble a plant with a tiny ladybug, although it is not immediately apparent. It's a spe...

Gold Earrings set with Rubies and Diamonds 18K white gold Center Stone: Ruby Genre: Natural Corundum Shape: Free shape Cut: Mixed-cut Dimensions: 15.87 × 8.36 × 5.47 mm Approximate ...

Vintage Atalante Gold Tone with Red Crystal Fan Earrings Circa 1980s. These are so special. Truly very different. Clip On. Atalante used to manufacture jewelry for Yves Saint Laur...

Christian Lacroix Vintage 1980s Large Heart Love White Round Pearl Flower Chunky Statement Clip Earrings, Gold Tone Very good condition. Light scratches or colour loss, very light p...

Particular dangle earrings in 14 karat rose gold structure mounted with amethysts,emeralds and pearls in alternated way. They were totally handmade by Italian master goldsmiths and t...

This is a fantastic pair of dop earrings made in 18k yellow gold with both peridot and blue sapphire. The unique square geometric frame is lined with bright blue sapphires and displa...

Maison Gripoix Vintage Red and Green Flower Dangling Earrings Set in Gold Tone. These are some of the most stunning earrings in my collection. The colors, of course, and the way they are made. They are just exceptional. They will always be relevant. They are well-made and make a statement. They are just classy and chic. Clip On. Always In Style. Clip on. I also have them in blue. Acquired in Paris. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated, but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband who lacks any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman becomes mired in massive debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs-Élysées, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and setting them in the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to create beautiful jewelry, and thus, Marquises, Duchesses, and Princesses queued up. Madame Gripoix would then create replicas of their jewelry in case of robbery, loss, or for unusual pieces to be used in their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high-fashion house, founded by Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet; however, the best relationship Gripoix had was with Gabrielle Chanel. It is well-known that Chanel, a fan of large jewelry with large stones, made bijouterie super fashionable. Chanel brought copies of Byzantine jewelry to Susanne Gripoix. She asked her to create the pieces in that same style, requesting, “Let everyone think that this jewelry is not new, but found somewhere on an excavation site nearby Rue Camborne.” She was so satisfied with the result of her order that she remained a faithful client of Gripoix for several decades. This was how the famous Byzantine style of Chanel jewelry was brought to life, featuring golden Maltese crosses with large multicolor stones and matching bracelets, cabochons, and massive brooches, all of which have become a part of the Gripoix . Chanel liked to combine both natural and imitation stones in a single item; for example, she would pair natural and imitation pearls in a single necklace. Gripoix made them in such a way that it was impossible to distinguish between them. Susanne Gripoix created exceptional, irregularly shaped pearls from glass for Chanel, imitating the baroque pearls. They were enameled in her workshops with mother-of-pearl to obtain some of the soft shine characteristic of natural pearls .. As the leading supplier to the couturier houses in Paris, Gripoix collaborated with many renowned designers, including Cristóbal Balenciaga, Pierre Balmain, and Christian Dior, as well as Yves Saint Laurent and, later, Christian Lacroix and Marc Jacobs. However, it was the cooperation with Chanel that was the most significant, both for Chanel and for Gripoix. Today, Gripoix is no longer a family-owned company, but the House continues to craft jewelry, although the style has undergone considerable changes over the last few years. The jewelry has become more straightforward, more graphical, and even minimalistic. In 2011, however, Gripoix and Catherine Baba...

Gorgeous retrò earrings in 9 kt rose gold and silver structure mounted with a sapphires and diamonds in the upper part; in the middle, a circle of sapphires and diamonds and, as pend...

Maison Gripoix Vintage Faux Pearl and Red Dangling Earrings. Wrapped in woven gold around the Pearl in the typical 1980s style of Chanel. Clip on. So classic, and you always look good no matter what you are wearing when you have these on. Clip on. Very much the colors of Chanel. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband that lacked any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to create beautiful jewelry, and thus, Marquises, Duchesses, and Princesses queued up. Madame Gripoix would then create replicas of their jewelry in case of robbery or loss or unusual pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high fashion house of Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Magnificent pair of 18ct gold articulated earrings (for pierced ears) by Italian artist and goldsmith Giampaolo Babetto. A Limited edition originally designed in 1988. Babetto (bo...

Vintage Panetta Faux Turquoise Dangling Earrings Circa 1980s. These small and delicate earrings have a fine jewelry look. They are shown in gold metal...

DETAILS • unsigned • silver tone with glass beads • vintage designer brooch MEASUREMENTS • CONDITION • very good vintage condition with minimal signs of wear Sku 48 ...

Vintage Yves Saint Laurent YSL Diamante Dome Like Pearl Earrings Circa 1980s. These are so gorgeous. Where do I even begin? The faux pearl is like a flower waking up under a dome of ...

Long Poggi Paris Pendants, Vintage from the 80's, with a turquoise poured glass cabochon on the clip and a large green glass crystal on the pendant. Signed POGGI PARIS at back of 1 ...

Beautiful earrings composed of multi-color sapphires (green, yellow, orange, red, pink) at the top, in the middle there are diamonds and at the button there are light blue sapphires ...

An extraordinary ear clip designed by Victoire de Castellane for Chanel in 1984. The flower is handmade of pured liquid glass with 17 small leaves in four different colors: purple, m...

These vintage large mesh 14K gold hoop earrings have a glittery diamond-cut texture that's sure to trap the gaze of onlookers. Although large, these 3.2g earrings will not tug down o...

1 pair of decorative ear clips by Yves Sant Laurent Paris from the late 1980s. Consists of 2 parts, with 2 large teardrop-shaped glass stones. Dimensions: Total length 8 cm Top dro...

Vintage Carolee Gold and Faux Pearl Dangling Birdcage Earrings Circa 1980s. The earrings feature a gold bird with a pink cabochon and diamante face s...

Vintage St John Diamante Silver Tone Dangling Earrings Circa 1980s. These are so special. They are prong-set and made on both the front and the back. ...

Dangle drop convertible earrings. Great colorful convertible drop earrings, crafted with postmodernism patterns in solid yellow gold of 14 karats with high polished finish. This Ame...

Vintage Diamante Fringe Dangling Long Waterfall Earrings Circa 1980s. Looks great with a t-shirt or for a night out. Clip On. Throw on a white shirt, jeans, and a black jacket, and you're ready to go. Dazzle them. Easy and comfortable to wear. You don't need an occasion to wear them! I can send you some Velcro dots to wear, and they will stay on comfortably for hours. You can go to the gym...

Stunning 14k Gold Natural Opal Earrings, clip-on.

DETAILS • unsigned • gold tone with glass • vintage designer earrings MEASUREMENTS • CONDITION • very good vintage condition with minimal signs of wear Sku 45 ❤️❤️ VI...

Elegant Platinum Diamond Dangle Earrings Elevate your style with these exquisite platinum dangle earrings, adorned with a dazzling m...

1980s "Made in Italy" gold-tone heart drop earrings with Etruscan-inspired surface detail. Clip-on.

Dangle drops ear clips designed by Kieselstein Cord. This pair of magnificent earrings is one of the most iconic ones created in the 80s by this jewelry designer. The sinuous shape ...

Marina B Onyx & Citrine Bead Dangle Earrings Black Onyx Citrine including 2 Gold & Diamond Spacers Back Type: Clip on Signed Marina B

hese gorgeous Estate Diamond No-Heat Ceylon Sapphire Platinum Earrings!  They display two bright genuine Blue sapphires, Ceylon Origin without any treatments ( No Heat), tapered cus...

Vintage Diamante Fringe Dangling Waterfall Earrings. Looks great with a t-shirt or for a night out. Clip On. These look so fun and so chic for the holidays or even for lunch out during the next few months. Throw on a white shirt, jeans, and a black jacket, and you're ready to go. Dazzle them. Easy and comfortable to wear. I can send you some Velcro dots to wear, and they will stay on comfortably for hours. You can go to the gym...

18ct Yellow Gold Diamond Door Knocker Earrings These vintage 18ct yellow gold door knocker earrings exude timeless elegance and sophistication. The diamonds sparkle brilliantly agai...

In very good condition. Total weight is 6.6 grams. Totally is diamond1 ct. The diamond is has brown color and s2-s3-Pique 1-2 clarity. Box is not included. Please contact for any que...

Pair of classic dangles drops earrings. Beautiful classic pair of dangles drops earrings crafted in white gold of 18 karats with art deco patterns. The earrings are composed by two ...

A lovely pair of 18 karat yellow gold earrings set with round brilliant cut Diamonds and Blue Sapphires. The earrings are formed with two interlocking teardrop shapes. The pave setting of the stones is done so beautifully , highlighting the inside and outside of the fluid ribbon...

Vintage Pink Sapphire Heart Diamond Drop Earrings Delicately crafted in platinum and 18K gold, these vintage Deco-style dangle drop earrings feature sweet filigree heart frames set ...

About Vintage dangling YSL Paris, Rive Gauche ear clip, in blue, brown and orange Acrylic. Measurement: Height: 3,5 inches/9 cm Wight: 1.18 inches/3 cm, the brown and orange colored sphere in diameter 1,18 inches. Features: -100 % Authentic YVES SANT LAURENT GIVE GAUCH EARRING -blue-white marbled and angular first part, with a brown and orange colored ball...

These are a large clip on earrings by Ugo Correani. New old stock, still in the package they came in, Measuring 3.30 long x 2.13 inches wide. Ugo Correani established own label in the 1970's; very closely collaborated with Giani Versace...

Pair of convertible dangle earrings designed by Paloma Picasso for Tiffany & Co. These pieces are extremely rare vintage collector's items, created in New York city at the Tiffany S...

SHOULDER - DUSTER EARRINGS ARE TRENDING - here's why.... Whether you're a minimalist or maximalist drop earring are the ultimativ one and - done Jewel as seen on the red carpet. V...

1980s 18K Yellow Gold Doorknocker Clip-On Statement Earrings with Diamonds and Gemstones. These luxurious large Doorknocker-style clip-on earrings are crafted in 18K yellow gold wit...

These spectacular David Spada, New York signed dangling pierced earrings feature a trendy Space Age 1980s design with dangle articulated spirally coiled elements and assorted size ri...

These are the most fun piece of collectible costume jewelry! No one will be able to resist complimenting you on these works of art! Spice up any outfit by bringing out these chili pepper dangling earrings. These are large earrings, with a six inch length, made to make a statement. They feature vibrant gold hardware with red chili peppers, green leaves, and red and green crystals. Zoom in on these earrings and view the fun details like the varying sizes of chili peppers and the red and green dangling crystals. These earrings are from the 1980's with so much more life to live. These were kept in pristine condition with no notable flaws and no missing crystals. Wear these Lunch at the Ritz earrings to your next dinner party and they will be the center of conversation. Pair these with a Gucci dress and some Christian Dior kitten heels...

Navajo dangle earrings with purple spiny oyster stone at the top and a natural turquoise oblong stone at bottom. The turquoise is accented with a hand sta...

Françoise Montague Paris designed those stunning dangling clip-on earrings. The rare pieces feature a berry fruit and leaves dangling design in raspberry red and green colors with a ...

A pair of 18k gold earrings design as five rows of navette-shaped links, set with brilliant-cut diamonds, signed Cartier, French hallmarks. Dimensions approx. 2 1/2″ x 3/4″

Maison Gripoix Vintage White and Light Purple Dangling Earrings. These will always be in style. The Chanel look has never left. It is classic and timeless, conveying a sense of class. It is an elevated look. No matter what you wear, these will look right. A Chanel suit or jeans and a white t-shirt with a blazer. You look stunning and done. These are all you need. Clip on. This look will always walk down the Chanel runway in one form or another. I will send you Velcro dots to hold them on, and you can do cartwheels in these earrings. The models in Paris wear them, and you can quickly wear them for 20 hours. Please ask for them. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband that lacked any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to create beautiful jewelry, and thus, Marquises, Duchesses, and Princesses queued up. Madame Gripoix would then create replicas of their own jewelry in case of robbery or loss, or unusual pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high fashion house of Charles Frederick Worth. Later on, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet; however, the best relationship Gripoix had was with Gabrielle Chanel. It is well-known that Chanel, a fan of large jewelry with large stones, made bijouterie super fashionable. Chanel brought copies of Byzantine jewelry to Susanne Gripoix. She asked her to create the pieces in that same style, requesting, “Let everyone think that this jewelry is not new, but found somewhere on an excavation site nearby Rue Camborne.” She was so satisfied with the result of her order that she remained a faithful client of Gripoix for several decades. This was how the famous byzantine style of Chanel jewelry was brought to life, fancying golden Maltese crosses with large multicolor stones and matching bracelets, cabochons, and massive brooches, all of which have become a part of the Gripoix Chanel liked to combine both natural and imitation stones in a single item; for example, she would pair natural and imitation pearls in a single necklace. Gripoix made them in such a way that it was impossible to distinguish between them. Susanne Gripoix created unique, irregularly shaped glass pearls for Chanel, imitating baroque pearls. They were enameled in her workshops with mother-of-pearl to obtain some of the soft shine characteristic of natural pearls . As the leading supplier to the couturier houses in Paris, Gripoix collaborated with many renowned designers, including Cristóbal Balenciaga, Pierre Balmain, and Christian Dior, as well as Yves Saint Laurent and, later, Christian Lacroix and Marc Jacobs. However, it was the cooperation with Chanel that was the most significant, both for Chanel and for Gripoix. Today, Gripoix is no longer a family-owned company, but the House still crafts jewelry, although the style has undergone considerable changes over the last few years. The jewelry has become more straightforward, more graphical, and even minimalistic. In 2011, however, Gripoix and Catherine Baba...

Maison Gripoix Vintage Blue and Light Blue Flower Dangling Earrings Set in Gold Tone Clip On. Always In Style. Very Classic Chic. These are so spectacular. I have them in red as well. The prices differ because they were purchased at different exchange rates. These are stunning. They will never go out of style!! Guy de Maupassant wrote a famous story about a necklace. The story is about a young, attractive, intelligent, well-educated, but under-endowed bride who must marry a petty official and thus suffers from the limitations of living with a husband who lacks refined qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle, so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success; she is the center of attention. However, when the woman returns home, she discovers she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals the entire story about the necklace to her friend, but her friend replies in amazement that the diamonds are fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. According to other sources, in 1869 (or a year earlier), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals, casting glass into different shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-color piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press molds, skipping the furnace step, allowing her to achieve purity of color, transparency, and shine. She found a simple method to make beautiful jewelry, and thus Marquises, Duchesses, and Princesses qued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for Charles Frederick Worth's first high-fashion house. Later, Paul Poiret, the leading couturier of the 1910s, contacted her, and she created sophisticated, Oriental-style jewelry to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in 1920, when Augustina’s daughter Susan became the head of the House, Gripoix's prospects became even more exciting—girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

DETAILS • unsigned ANNE KLEIN • gold tone • vintage designer earrings MEASUREMENTS • CONDITION • very good vintage condition with minimal signs of wear Sku 44 ❤️❤️ V...

These stunning modernist David Spada New York important clip-on earrings feature a Space Age 1980s design with a dangling extra-large spiral coiled shape. These rare pieces are made ...

Eye catching 1980s gold plated Ciner earrings featuring the most gorgeous and vibrant red and green stones at the center! Classic drop style earring in the perfect size as to draw in...

Vintage 14.00 Carat Total Weight Amethyst and Citrine Gemstones Dangling Clip Earrings 14k gold. The earrings feature 2 oval cut faceted amethyst and 2 oval cut faceted citrine gemst...

A unique ear clip from YSL Paris designed by Roger Scemama Pairs in the 1980s. Measurement: The full length of the ear clip 12 cm, The upper rectangular clip part 2 x 2 cm, the Sc...

DETAILS • signed LUNCH AT THE RITZ • gold tone with enamel • vintage designer earrings MEASUREMENTS • CONDITION • excellent vintage condition with minimal signs of ...

Yves Sant Laurent ear clip consisting of a rhombus hangs a drop, enameled in green and in it an inverted drop in red. The diamond above is enameled in black with a yellow semicircula...

Convertible dangle drop earrings designed by Luna Felix. Fabulous colorful dangle drops earrings, created by the talented artist and goldsmith Luna Felix. These gorgeous earrings ha...

Extraordinary long clip earrings by Yves Saint Laurent Paris from the 1990s. The popular heart motif from YSL, a large cut crystal heart hangs on di...

DETAILS • unsigned • gold tone with rhinestone • vintage designer earrings MEASUREMENTS • CONDITION • very good vintage condition with minimal signs of wear Sku 43 ...

Heart-shaped ear clip with red Gripoix glass and large handmade pearl from GIVENCHY PARIS 1980s Measurement; Whole length 8 cm - Heart width 6 cm Above red Gripoix stone 2.4 cm in di...

Vintage Trifari Gold Tone With Faux Pearl Earrings Circa 1980s. The earrings feature a slightly built-up 3D tear-drop shape with a brutalist gold tone composition, but with a faux pe...

Chanel - (Made in France) Earrings in glass paste, rhinestones and fantasy pearl. Collection 1984. Additional information: Dimensions: 4.5 L cm Condition: Very good condition Seller...