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Item Ships From: Canada
Marvellous
By Johnathan Ball
Located in Toronto, ON
12”h 6”w 6”d
Original Sculpture - Epoxy Clay, Quartz, and Porcelain Flowers
Hand Signed by Johnathan Ball
Category
21st Century and Contemporary Canada - Sculptures
Materials
Epoxy Resin
Element
By Johnathan Ball
Located in Toronto, ON
8”h x 6”w x 5”d
Original Sculpture - Polymer clay, silver leaf, glass crystal, with black marble base
Hand Signed by Johnathan Ball
Category
21st Century and Contemporary Canada - Sculptures
Materials
Silver
You Should See The Other Guy
By Johnathan Ball
Located in Toronto, ON
12”h 6”w 4”d
Original Sculpture - Epoxy Clay, Gold Leaf, and Quartz Crystal
Hand Signed by Johnathan Ball
Category
21st Century and Contemporary Canada - Sculptures
Materials
Gold Leaf
Darth Amethyst
By Johnathan Ball
Located in Toronto, ON
18”h 13”w 9”d
Original Sculpture - Epoxy Clay and Amethyst
Hand Signed by Johnathan Ball
Category
21st Century and Contemporary Canada - Sculptures
Materials
Epoxy Resin, Mixed Media
"Corrugation in Deep Blue"
Located in Toronto, ON
Encaustic painting is an ancient art form and was practiced by artists as far back as the 5th century B.C. The word encaustic comes from Greek and means “to burn in”, which refers to...
Category
2010s Abstract Canada - Sculptures
Materials
Encaustic, Cardboard
The Lovers
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous.
In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things.
Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology.
In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...
Category
2010s Contemporary Canada - Sculptures
Materials
Resin, Paint
Lid #10
By Zeke Moores
Located in Montreal, Quebec
“Man's profound gestural relationship to objects, which epitomizes his integration into the world, into social structures, can be a highly fulfilling one, and this fulfilment is discernible in the beauty - the 'style' - of the relationship in its reciprocity.”
-Jean Baudrillard, The System of Objects (1996)
The cliché that “one man’s trash...
Category
2010s Contemporary Canada - Sculptures
Materials
Bronze
Pavillion Fragment
By General Idea
Located in Toronto, Ontario
In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...
Category
1980s Post-Modern Canada - Sculptures
Materials
Plaster
Jade Rude "Nice To See You" Small Bronze, 2019
By Jade Rude
Located in Toronto, Ontario
After the incredible success of Jade Rude's iconic "Nice To See You" sculpture, the artist has returned with an accessible yet impactful smaller multiple in acrylic bronze mirror.
...
Category
2010s Contemporary Canada - Sculptures
Materials
Mirror
Chariot Burial
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category
2010s Contemporary Canada - Sculptures
Materials
Mixed Media
Inline four
By Clint Neufeld
Located in Montreal, Quebec
The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...
Category
2010s Contemporary Canada - Sculptures
Materials
Ceramic, Glass
Puppy
By Jeff Koons
Located in Toronto, Ontario
We’re big fans of Jeff Koon’s famously optimistic, kitschy and celebratory approach to contemporary pop art.
We’ve offered a number of Koon’s humorous and playful works before, and...
Category
1990s Contemporary Canada - Sculptures
Materials
Enamel
Untitled (diptych)
By Eddy Firmin
Located in Montreal, Quebec
The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...
Category
2010s Contemporary Canada - Sculptures
Materials
Metal
Fissure
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...
Category
21st Century and Contemporary Post-Modern Canada - Sculptures
Materials
Plaster
Untitled
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models – which Lachapelle has recently begun to make with the help of the latest 3-D printing technology – shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle’s work – for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness – these are the artist’s references to spaces and occurrences which may be concealed below the surface of outward semblance.
Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa – Centre d’Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...
Category
2010s Contemporary Canada - Sculptures
Materials
Nylon, Acrylic
Canevas
By Karine Payette
Located in Montreal, Quebec
Text by Nancy Webb
It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level.
Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings.
Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...
Category
21st Century and Contemporary Contemporary Canada - Sculptures
Materials
Silicone, Mixed Media, Acrylic
Talk to Me
By Bevan Ramsay
Located in Montreal, Quebec
Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...
Category
2010s Contemporary Canada - Sculptures
Materials
Stone, Metal
Adaptation I
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Canada - Sculptures
Materials
Silicone, Pigment, Wood, Mixed Media
Coeur Volant
By General Idea
Located in Toronto, Ontario
In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...
Category
1990s Post-Modern Canada - Sculptures
Materials
Wax, Acrylic, Fiberboard
Untitled pendant (DuPont Percodan)
By Colleen Wolstenholme
Located in Montreal, Quebec
I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...
Category
2010s Contemporary Canada - Sculptures
Materials
Silver
Hunter #2
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category
2010s Contemporary Canada - Sculptures
Materials
Plaster
Extrapolation 4
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous.
In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things.
Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology.
In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...
Category
2010s Contemporary Canada - Sculptures
Materials
Resin, Paint
Doum
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...
Category
2010s Contemporary Canada - Sculptures
Materials
Resin, Paint
Attention au bouchon et au cul de la bouteille
Located in Montreal, Quebec
“Humour is the courtesy of despair .”
Chris Marker
Pierre Laroche’s interest delves into established codes and symbolic constructions associated with t...
Category
2010s Contemporary Canada - Sculptures
Materials
Fabric, Nylon, Glass
Untitled
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...
Category
2010s Contemporary Canada - Sculptures
Materials
Resin, Paint
Xenolith I
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category
2010s Contemporary Canada - Sculptures
Materials
Mixed Media
Untitled pendant (Viagra)
By Colleen Wolstenholme
Located in Montreal, Quebec
I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...
Category
2010s Contemporary Canada - Sculptures
Materials
Silver
Dom
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...
Category
2010s Contemporary Canada - Sculptures
Materials
Resin, Paint
Prendre soin III
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Canada - Sculptures
Materials
Photographic Paper
Xenolith VIII
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category
2010s Contemporary Canada - Sculptures
Materials
Mixed Media
Adaptation VIII
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Canada - Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Pelt 4
Located in Montreal, Quebec
ngrid Bachmann has presented her multidisciplinary work nationally and internationally in exhibitions and festivals in Belgium, the U.S., Estonia, Singapore, Peru, Brazil, the UK, an...
Category
2010s Contemporary Canada - Sculptures
Materials
Nylon, Mixed Media
Adaptation V
By Karine Payette
Located in Montreal, Quebec
Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...
Category
2010s Contemporary Canada - Sculptures
Materials
Silicone, Wood, Mixed Media, Pigment
Chimère
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models - which Lachapelle has recently begun to make with the help of the latest 3-D printing technology - shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle's work - for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness - these are the artist's references to spaces and occurrences which may be concealed below the surface of outward semblance.
Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa - Centre d'Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...
Category
21st Century and Contemporary Post-Modern Canada - Sculptures
Materials
Nylon
Two separate events (diptych)
By Bevan Ramsay
Located in Montreal, Quebec
Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...
Category
2010s Contemporary Canada - Sculptures
Materials
Porcelain, Glass, Wood
Untitled II
By Eddy Firmin
Located in Montreal, Quebec
The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...
Category
2010s Contemporary Canada - Sculptures
Materials
Ceramic
Unbreakables (Diptych)
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...
Category
2010s Contemporary Canada - Sculptures
Materials
Resin, Paint
Julia
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...
Category
2010s Contemporary Canada - Sculptures
Materials
Resin, Paint
Extrapolation 2
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...
Category
2010s Contemporary Canada - Sculptures
Materials
Resin, Paint
Mechanical balcony
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...
Category
2010s Contemporary Canada - Sculptures
Materials
Resin, Paint
A street corner
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous.
In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things.
Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology.
In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...
Category
2010s Contemporary Canada - Sculptures
Materials
Resin, Paint
Extrapolation 1
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous.
In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things.
Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology.
In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...
Category
2010s Contemporary Canada - Sculptures
Materials
Resin, Paint
Accoutrements
Located in Montreal, Quebec
A collision. A landslide. A tectonic shift and a tumbling of boulders reveal geological strata that have been hidden for centuries. Nicholas Crombach’s Landslip is a slow unfurling o...
Category
2010s Contemporary Canada - Sculptures
Materials
Mixed Media
Une silhouette emballée (Rosalie)
By Jean-Robert Drouillard
Located in Montreal, Quebec
Jean-Robert Drouillard’s practice has its genesis in a background of studies in literature and writing. He is a member of the artist collective la Coop Le Bloc5, an artist-run collec...
Category
2010s Contemporary Canada - Sculptures
Materials
Textile, Wood
Untitled pendant (Glumetza)
By Colleen Wolstenholme
Located in Montreal, Quebec
I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...
Category
2010s Contemporary Canada - Sculptures
Materials
Silver
Untitled I
By Eddy Firmin
Located in Montreal, Quebec
The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...
Category
2010s Contemporary Canada - Sculptures
Materials
Ceramic
Untitled
By Eddy Firmin
Located in Montreal, Quebec
The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...
Category
2010s Contemporary Canada - Sculptures
Materials
Wood
Ma maison ; Conserve 7
By Karine Giboulo
Located in Montreal, Quebec
Born in 1980 in Sainte-Émelie de l’Énergie, Karine Giboulo lives and works in Montreal. Since early 2000, she has been creating work in a variety of media from paintings and works on...
Category
2010s Contemporary Canada - Sculptures
Materials
Ceramic, Acrylic Polymer
Ma maison ; Conserve 11
By Karine Giboulo
Located in Montreal, Quebec
Born in 1980 in Sainte-Émelie de l’Énergie, Karine Giboulo lives and works in Montreal. Since early 2000, she has been creating work in a variety of media from paintings and works on...
Category
2010s Contemporary Canada - Sculptures
Materials
Ceramic, Acrylic Polymer
Bone China 4
By Bevan Ramsay
Located in Montreal, Quebec
Bone China emerged as a reflection on the relationship between synthetic and organic aesthetic properties. By fusing the two, Ramsay has attempted to create...
Category
2010s Contemporary Canada - Sculptures
Materials
Foam, PVC, Lacquer, Paper, Mixed Media
Six pack on a silver platter
By Clint Neufeld
Located in Montreal, Quebec
The first work of Clint Neufeld I ever saw was a hulking engine rendered in pink and lime green ceramic, so large that it hung from its own crane. It was called Screaming Jimmy, the ...
Category
2010s Contemporary Canada - Sculptures
Materials
Metal
Untitled
By Eddy Firmin
Located in Montreal, Quebec
The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...
Category
2010s Contemporary Canada - Sculptures
Materials
Metal
Garden Wall
Located in Montreal, Quebec
Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr...
Category
2010s Contemporary Canada - Sculptures
Materials
Concrete, Metal
Control of the Masses 20
By Sophie DeFrancesca
Located in Montreal, Quebec
Toronto artist Sophie DeFrancesca has always been fascinated by vintage fashion. Pictures of her mother wearing gorgeous frocks from the 40’s, 50’s and 60’s served as a connection to...
Category
2010s Contemporary Canada - Sculptures
Materials
Mixed Media
Untitled pendant
By Colleen Wolstenholme
Located in Montreal, Quebec
I have been taking impressions of pills and creating a pill archive where pills are cast in silver and/or gold since 1995. At that time I was given pills as an answer to something th...
Category
2010s Contemporary Canada - Sculptures
Materials
Silver
Une silhouette emballée (Madame Choui)
By Jean-Robert Drouillard
Located in Montreal, Quebec
Jean-Robert Drouillard’s practice has its genesis in a background of studies in literature and writing. He is a member of the artist collective la Coop Le Bloc5, an artist-run collec...
Category
2010s Contemporary Canada - Sculptures
Materials
Textile, Wood
Obsolescence
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle’s artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...
Category
2010s Contemporary Canada - Sculptures
Materials
Nylon
Happy Meal
By Zeke Moores
Located in Montreal, Quebec
Text by Michelle Cantin-Reid
The common object reconstructed through skilful assembly and technique; casted, welded, and chased metal forms; almost perfect doppelgangers of the originals, this is how Zeke Moores’ work appears. Upon closer consideration, the materiality of these pieces comes to light. Deceivingly close to the real thing, they greatly diverge from the original.
From chromed steel Trashcans to the reconstructed Port-O-Potty made from cast aluminum and nickel-plated steel, Moores uses metalsmithing techniques to render his sculptures, usurping of the traditional modes of mass production as well as the disposable materiality that we associate with these objects. In his work, mechanised assembly line production and objects made to be thrown out or forgotten become a craftsman’s labour of love. As the disposable dejected everyday object is taken from the street and placed into the gallery, our use and imposition of a hierarchy on objects becomes apparent. However, it also speaks of the amount of work no longer done by people or often done by a series of anonymous workers in a repetitive but carefully choreographed dance with machines. We approach very differently a practical or a mass-produced object and one that is crafted.
These works also celebrate those objects designed for practical but not specifically aesthetic purposes. The imposition of a new materiality gives them durability and in the case of bronze casts or chrome plating a superficial prestige. Sitting in a gallery contemplated and beheld, the cast bronze Barrier is not unlike a monument or a statue. Though, these nobler materials are not wherein the beauty lies. Happy Meal...
Category
21st Century and Contemporary Post-Modern Canada - Sculptures
Materials
Steel
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By working with lettering, neon and Pop imagery, Chryssa pioneered several postmodern themes at a time when most male artists detested commercial mediums.
How to Spot a Fake KAWS Figure
KAWS art toys have developed an avid audience in recent decades, and as in any robust collectible market, counterfeiters have followed the mania. Of course, you don’t have to worry about that on 1stDibs, where all our sellers are highly vetted.
A Giant Wedding Cake Has Us Looking at Portuguese Tiles in a New Light
At Waddesdon Manor, artist Joana Vasconcelos has installed a three-tiered patisserie inspired by the narrative tile work of her homeland. We take a look at the cake sculpture and how Portuguese tiles have been used in architecture from the 17th century to today.
These Soft Sculptures Are Childhood Imaginary Friends Come to Life
Miami artist and designer Gabriela Noelle’s fantastical creations appeal to the Peter Pan in all of us.
Hideho Tanaka Carefully Stitched Together Pieces of Paper to Make This Sculptural Textile
The Japanese fiber artist’s ‘Vanishing and Emerging Wall’ may seem innocuous — but it plays with conceptions of time.