Chicago - Art

"Face to Face" Svalbard, Norway - 2008 Archival Pigment Print Available Sizes: Edition of 20: 24” x 36” (61 x 91.4 cm) $9,500 Edition of 30: 31” x 46.5...

I’ve always been attracted to the built environment. Bridges are a great subject. Each one is specially engineered to solve the problem of how to get across the void. While usually n...

A Fine, Modern 1930s Academic Anatomical Figure Study of a Standing Male Model (Leg, Knee and Foot) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed, early ...

A Fine, Modern 1930s Academic Anatomical Figure Study Drawing by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed, early 1930s charcoal study of crossed legs a...

A Fine 1930s, Modern Academic Figure Study Drawing of a Seated Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, early 1930s ...

Michael Van Zeyl’s oil painting captures a richly nostalgic Chicago evening, where the glow of the iconic “Chicago Cubs” marquee shines through a rain-kissed window at dusk. Inside, ...

Ivan Markovic transports viewers into a world of full of technicolor with this collection of works inspired by Bernini's bridge of angels. Markovic's life in Rome brought him to walk...

"Legend of Laikipia" Kenya - 2025 Archival Pigment Print Available Sizes: Edition of 20: 24” x 36” (61 x 91.4 cm) $4,500 Edition of 15: 31” x 46.5” (78.7 x 118.1 cm) $7,500 Edit...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...

"Hidden Paths" British Columbia - 2018 Archival Pigment Print Available Sizes: Edition of 20: 24” x 36” (61 x 91.4 cm) $3,500 Edition of 15: 31” x 46.5” (78.7 x 118.1 cm) $7,500 ...

"Huntress" Segera Conservancy, Kenya - 2025 Archival Pigment Print Available Sizes: Edition of 20: 24” x 36” (61 x 91.4 cm) $4,500 Edition of 15: 31” x 46.5” (78.7 x 118.1 cm) $7...

"The Herd" Lençóis Maranhenses National Park, Brazil Archival Pigment Print Available Sizes: Edition of 20: 24” x 36” (61 x 91.4 cm) $4,500 Edition of 15: 31” x 46.5” (78.7 x 11...

A Large, Striking, 1920s Studio Figure Study of a Seated Young Male Nude Model by Notable Chicago Modern Artist, Walter Burt Adams (Am. 1903-1990). A well executed, intimate figurat...

Taken at the Galleria Borghese, Rome. Archival chromogenic print on Hahnemüle Photo Rag Paper. Edition of 12.

"Whispers" Patagonia, Chile - 2024 Archival Pigment Print Available Sizes: Edition of 20: 24” x 36” (61 x 91.4 cm) $4,500 Edition of 15: 31” x 46.5” (78.7 x 118.1 cm) $7,500 Edi...

A Fine, Modern 1930s Academic Anatomical Figure Study Drawing of a Standing Young Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well exe...

"Earth Echoes" (B&W) Kenya - 2025 Archival Pigment Print Available Sizes: Edition of 20: 24” x 36” (61 x 91.4 cm) $4,500 Edition of 15: 31” x 46.5” (78.7 x 118.1 cm) $7,500 Edit...

Aeling’s fascination with atmospheric drama—rooted in his childhood in the American West, where weather dominates the horizon—finds powerful expression in this seascape. The low line of the ocean reinforces the artist’s signature device: vast, open skies that dwarf the land below. Yet the work also reflects a more personal history: Aeling’s enduring love of Hawaii, where he spent many winters surfing and studying the Pacific’s shifting moods. Those days on the water deepened his awareness of how ocean and sky interact, how storms gather, dissolve, and re-form with astonishing rapidity. The painting captures that moment when light changes direction and the boundary between calm and impending weather becomes charged with meaning. His precise modulation of color and temperature recalls his study of 19th-century luminists, yet the lived experience of Hawaiian surf breaks gives the scene an immediacy and authenticity that is distinctly his own. Jeff Aeling Sunset Aliomanu Bay, Kauai oil on panel 28h x 48w in 71.12h x 121.92w cm JAE040 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings...

Agape Seen from behind, the seated dog becomes an image of unconditional love. The title lifts the painting into philosophical territory, invoking a form of love that is selfless and...

A colorful, 1950s Mid-Century Modern painting of a bull fight by notable Chicago artist, Francis Chapin. Oil on canvas, in a dark walnut brown stained frame. Painted most likely in...

A Fine 1930s Modern Academic Figure Study Drawing, Depicting an Artist's Sketch Class and a Seated Young Male Mode by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An excep...

"Mama Bear" Manitoba, Canada - 2023 Archival Pigment Print Available Sizes: Edition of 20: 24” x 36” (61 x 91.4 cm) $3,500 Edition of 15: 31” x 46.5” (78.7 x 118.1 cm) $7,500 Edit...

"Symmetry in Motion" Steeple Jason Island, Falkland Islands, 2015 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 ...

A Fine, Modern 1930s Academic Anatomical Figure Study of a Standing Female Model (Legs and Feet) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed, early 193...

A Fine, Modern 1930s Academic Anatomical Figure Study of a Seated Male Model (Legs, Knee and Feet) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed, early 1...

A colorful, sunlit Modern California neighborhood street scene, rooftops by notable Chicago artist, Walter Burt Adams (Am. 1903-1990). A wonderful, Post-War example of Adams' vibra...

Donald Own Colley’s ink drawing captures a quiet, contemplative moment inside a working studio, where presence feels as tangible as the objects in the room. The composition centers o...

Frothy waves fill the foreground and meld into a turbulent sky in this small, intricate watercolor by artist Christina Haglid. She is able to achieve a detail rarely seen in waterco...

A Stunning Mid-Century Modern Cubist Watercolor, Harbor Scene & Rooftops by Noted Chicago Artist, Rudolph T. Pen. A vivid European harbor scene, depicting the whitewashed buildi...

"The Coffee Drinker" captures a moment of inward pause, where ritual becomes reflection. Rendered in earthy browns, muted greens, and shadowed blues, the face emerges through layered...

Original collotype created from Gustav Klimt’s Death and Life, painted in 1908. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und St...

Children play and laugh in a backyard with makeshift playgrounds. Lined with a thin black border, framing options available. Art Shay Backyard Olympics silver gelatin print, printed...

Richard Gibbons Odalisque, 2024 oil on panel 12h x 16w in 30.48h x 40.64w cm RAG110 Richard Gibbons b. 1950, Toledo, OH Richard Gibbons (born 1950, Toledo, Ohio) is an American arc...

A group of uniformed soldiers gather in a grassy field. We see cannons yet must bring our own decisions about what is about to transpire. Painted in the loose style of Winslow Homer, "Union" by William Blake captures a scene in a Civil War Reenactment as the Union Army's Artist Reporter. Portraying Homer as an Artist-reporter, Blake has to be more than merely good draftsmen. He has to be an astute observer, have an instinct for story and drama, the ability to sketch quickly and accurately, and no small amount of daring, as he faces battles first hand. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. Please contact the gallery for framing options. William Blake Union, 2022 oil on linen 24h x 36w in 60.96h x 91.44w cm WIL034 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...

A vibrant, colorful 1930s winter scene painting of Saugatuck, Michigan by famed Chicago Modern artist, Francis Chapin (Am. 1899-1965). Depicting a view of the historic Old Fish Hous...

A woman sits turned inward, her body rendered in feverish strokes of electric blue and raw pink—flesh that feels less human and more exposed, like something peeled back under a harsh...

Artist Comments
Mirage is a serious and contemplative painting. This work can be considered a contemplative piece, a sedate and personal work executed in the best tradition o...

Those of us of a certain age can't forget the color palette of the 70's - avocado green, burnt orange, and brown - lots of brown! Here, artist Jeff Conroy takes those fond memories of his childhood and brings them to life in this small octopus Gyotaku ink print. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on hand-made Mulberry paper, in this case a paper that mimics the movement of water in subtle shades of brown, the artist achieves a beautiful aesthetic. The artwork is matted and framed in a simple white wooden frame measuring 18.25h x 24.25w x 1d inches. Jeff Conroy 70s Kitchen...

A 1950s Modern, American Scene watercolor of railroad freight car, titled "Canadian National RR at Antigonish" by notable woman artist, Rita Duis. Image size: 14 3/4 x 22 inches, u...

Christopher Ganz Bascilica of San Marco 2017 Colored pens & conte crayon 9.75h x 13.50w in 24.765h x 34.29w cm CG0055 -ARTIST STATEMENT- I depict my person in multiplicity wit...

Ahzad Bogosian After the Rain, 2024 acrylic on canvas 24h x 36w in 60.96h x 91.44w cm Framed Dimensions 25h x 37w x 2d in 63.50h x 93.98w x 5.08d cm AZB141 Ahzad Bogosian SOLO EXHI...

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. Wit...

"Shark Mountain" Fakarava, French Polynesia - 2023 Archival Pigment Print Available Sizes: Edition of 20: 24” x 36” (61 x 91.4 cm) $3,500 Edition of 15: 31” x 46.5” (78.7 x 118.1 ...

"Stunning Attack" Andfjorden, Norway - 2014 Archival Pigment Print Available Sizes: Edition of 20: 24” x 36” (61 x 91.4 cm) $3,500 Edition of 15: 31” x 46.5” (78.7 x 118.1 cm) $7...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

“Each country that approached the ideology of the Art Nouveau clearly had their own unique contribution to the movement; these artworks are rare and perfect examples of how Russian artists incorporated the aesthetics of their homeland... The periodical Jester was published in St. Petersburg from 1897 to 1914 and commented on the arts, theater, and public life with humorous prose and illustration. Sergey...

A 1930 lithograph in colors on paper by artist Raoul Varin, titled "Chicago in 1779 (Then Called Eschikago)". Archivally matted to 20" x 24 5/8". Provenance: Arthur Ackerman &...

The Space Between This work foregrounds negative space as an emotional register. The figure’s isolation is intensified by the surrounding darkness, which functions as both void and refuge. Hall’s mastery of chiaroscuro is evident in the way light traces bone and muscle while leaving the face partially obscured, denying easy access to the subject’s inner life. Nathan Brad Hall...

"Dove Dress" New Mexico - December 17th, 2020 Original Work Image Size: 17" x 14" in Framed Size: 25.75” x 28.75 x .5” in Signed on the bottom right hand corner by the artist. C...

A large, colorful 1950s Mid-Century Modern Cubist watercolor of vibrant purple irises by Chicago and New York artist Rita Duis (Astley-Bell). Watercolor on paper, signed and inscrib...

Earthy, textured water lily leaf vase with gilted, figural stem arms which encircle the golden mouth of the piece with their flowers. Stamped Ernst Wahliss and numbered in the base. ...

Matthew Cook The Artist in Profile oil on aluminum 10 x 8 in. oval MATTHEW COOK b. Toledo, OH, 1987 EDUCATION 2017 MFA, Bowling Green State University...

"Empress of the Andes'" Patagonia, Chile - 2024 Archival Pigment Print Available Sizes: Edition of 20: 24” x 36” (61 x 91.4 cm) $4,500 Edition of 15: 31” x 46.5” (78.7 x 118.1 cm...

A stylish, colorful 1950s Mid-Century Modern abstract geometric textile design (in black, yellow, blue, pale pink, red tones) by famed French costume, set and fashion designer Andre Delfau (1914-2000). Artwork size: 15 1/4 x 12 inches; Unframed. Presented in an archival mat measuring 26 x 20 inches (ready to frame). Estate stamped on reverse. Provenance: Estate of the artist. One from a series of related Modern textile designs by Andre Delfau. Please see our other 1stDibs gallery listings. Born in Paris, France in 1914, Andre Delfau became an internationally acclaimed stage, set and costume designer who worked world-wide from the 1930s to the 1980s. Delfau was a life long artist and painted independently of his noted design career. His artwork is recognized for it’s vibrant color and form, and a particularly keen use of line. He was highly influenced by the French Modern trends of Cubism and Surrealism, and his artwork is often infused with a dramatic sense of architecture and perspective. Delfau created fashion designs for such major Paris couture houses as Balmain, Jean Patou and Balenciaga. He completed noteworthy set designs and costumes for numerous international operatic and ballet productions, including those at the Royal Danish Ballet, the Royal Ballet of Great Britain, the Paris Opera, the Dance Theater of Harlem, the Ruth Page International Ballet, the Civic Ballet of Chicago, the Chicago Opera Ballet and the Lyric Opera of Chicago, among others. Most notably, Delfau designed the elaborate stage sets and costumes for the 1986 PBS television production of the Viennese operetta, "Die Fledermaus...

Ivan Markovic transports viewers into a world of technicolor with this collection of works inspired by Bernini's angels. Markovic's life in Rome brought him to walk across the Ponte ...

A Brooding 1930s WPA Era, Modern Social Realist Industrial Scene by Famed Chicago Artist, Francis Chapin (Am. 1899-1965). Depicting a gritty nocturne view of industrial rooftops and...

Pat garnered international attention in 2012 when a time-lapse video showing the painstaking production of his Manhattan skyline drawing, Empire State of Pen (2012), went viral. Since then, he has become something of a cityscape specialist, producing large-scale works such as Colossus (2015) and a range of new pieces created for clients such as MGM Park in Las Vegas and Gensler Architects. Pat has recently collaborated on a book with Björn Ulvaeus from ABBA, making drawings in response to stories about his life and has just worked with legendary Podcaster, Roman Mars (99% Invisible) on his first book, which was a New York Times Bestseller. Pat has also established a creative relationship with the Iconic British fashion designer, Sir Paul Smith, painting a mural for him in NYC and will be working with him on multiple London projects in 2024. Other past clients have included Apple, Tiffany's and Co, BMW, Ian Happ (Chicago Cubs), RIBA, IDEO, BMW, Pentagram, Washington Post, NIKE, Adidas and British Airways. Patrick...

Creation is Bruno Surdo’s distilled, contemporary meditation on one of the most recognizable images in Western art: Michelangelo’s Creation of Adam. By isolating the hands and separa...

Art Nouveau Cinderella theater poster by Dudley Hardy, published in 1897 by Imprimerie Chaix, Paris, the printing house known for publishing the works of Belle Epoque master Jules Ch...

A Colorful 1930s Modern Street Scene of St. Charles Street, New Orleans by Notable Chicago Artist, Walter Burt Adams (Am. 1903-1990). A vibrant, painterly view of a sunlit street corner and store front in the historic Garden District of New Orleans, Louisiana. Completed in 1938 during one of the artist's painting trips to New Orleans, and most likely painted in the quiet morning hours, a favored time to paint by the artist. A wonderful example of Walter Burt Adams renowned Urban Realism of the 1930s and '40s, inspired by the artwork of fellow American painter, Edward Hopper. Exhibited: "The 42nd Annual Exhibition of Artists of Chicago and Vicinity", Art Institute of Chicago (AIC), Chicago, IL, 1938, #4. Artwork size: 20 x 25 inches, oil on canvas, accompanied with the artist's original frame (framed size: 26 1/2 x 31 1/2 inches). Signed and dated Walter Burt Adams 38, lower left; signed and dated on reverse. Provenance: Estate of the artist. Walter Burt Adams was a dedicated painter of the American Scene and a singular personality among his peers in the Chicago Modern Art community. His no-nonsense manner, devotion to his craft and sardonic sense of humor characterize a man whose paintings capture life in and around Chicago between the early 1920s and the late 1970s. Born in Kenosha, Wisconsin just after the turn of the last century, Walter Burt Adams spent his childhood in Fargo, North Dakota and began his artistic education there through a correspondence cartooning class as a boy. After finishing high school in Fargo, Adams moved to Chicago in 1922 in order to enroll at the school of the Art Institute of Chicago. Adams’ instruction at the school with artists such as George Oberteuffer, Frederick V. Poole, Charles Wilimovsky...