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Julian WasserClint Eastwood on the Set of Magnum Force, Photograph by Julian Wasser - 2/201973
1973
$7,350
£5,467.16
€6,400.96
CA$10,255.75
A$11,476.47
CHF 5,992.47
MX$141,091.22
NOK 75,601.94
SEK 71,141.06
DKK 47,756.08
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About the Item
Clint Eastwood, 1973, Bravo (black and white)
Photographed on the set of Magnum Force, the 1973 sequel to Dirty Harry. Ten years earlier, Eastwood had been a struggling actor, but then he started making Spaghetti Westerns with film director Sergio Leone and became an international star.
Size: 16 x 20 in.
Edition 2/20
Artist Bio:
After starting his career at the age of 14 as a copy boy in the Washington bureau of the Associated Press news service, Julian Wasser went on to create some of the most memorable images of the past century. While at the Associated Press he met Weegee and rode with famous news photographer as he shot photos of crime scenes in Washington. Weegee was a major influence on Wasser's style of photography. After serving in the Navy in San Diego, the former AP copyboy became a contract photographer for Time magazine in Los Angeles doing assignments for Time, Life and Fortune. His photographs have appeared in and been used as cover of Time, Newsweek and People Magazines in the United States; and on cover assignments for The Sunday Telegraph and Sunday Times in London. His photos have also appeared in US Magazine, Vanity Fair, TV guide, Paris Match, Der Spiegel, Oggi, Hello, Playboy, Elle, Vogue, GQ along with exhibitions in galleries and museums.
- Creator:Julian Wasser (American)
- Creation Year:1973
- Dimensions:Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:1stDibs: LU388314561592
Julian Wasser
Julian Wasser started his career in photography in the Washington DC bureau of the Associated Press where he met and accompanied the famous news photographer Weegee – who would become a lasting influence on him. In the mid-60s Wasser moved to Los Angeles as a contract photographer for TIME, LIFE, and FORTUNE magazines and becoming internationally known as the go to guy for getting candid but memorably composed photographs. (His iconic images of Jack Nicholson and Anjelica Huston; Marcel Duchamp and Eve Babitz; and a young Jodie Foster are already classics.) In 1968 TIME Magazine assigned Wasser to go to the home of the young writer Joan Didion whose book Slouching Towards Bethlehem was becoming a literary sensation. “I’d read her fiction,” said Wasser. “and she didn’t miss a thing. She was such a heavyweight person.” Wasser shot Didion at her rented house on Franklin Avenue in Hollywood, where she lived with her husband, the writer John Gregory Dunne, and their daughter, Quintana Roo. “It was a nice, cozy house,” Wasser remembers. “And she was a very easy person to talk to. No Hollywood affectations.” They started the shoot inside the house, and then moved outside where Wasser posed Didion with her recently acquired yellow Corvette Stingray. Didion has said that the photograph with Quintana Roo on her lap was her favorite, but the shots with the Stingray and the indoor three-quarter portrait became such icons of style that they inspired the fashion house Celine to do a campaign with the model Daria Werbowy posing in the window of a car just like Didion. For our project show – Didion by Wasser – the gallery will be exhibiting selected published images as well as outtakes and never before seen contact sheets of Didion that with their repetitive variations take on a Warholian aura.
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