Chicago

Italian architect and designer Angelo Mangiarotti Rosewood topped and bronze base dining table. Base by Foundry Battaglia Bernini. Astonishing Model 302 dining table designed by Ang...

Claro Walnut Slab coffee table by Last Workshop, 2026. Solid walnut, natural finish. Dimensions: 40"L x 43.5" x 13"H Customers may also choose from: Other Slabs, Wood species, fin...

American folk art has always had a complicated relationship with utility. The best examples were made to work first and impress second, which is precisely why they endure. This early...

Osvaldo Borsani pale blue beveled glass and brass pair of side tables. A wonderful pair with a pale blue mirrored color. Original patina. T1 side table produced by Tecno. Italy c19...

Early Edward Wormley for Dunbar Sofa, c. 1940 An early sofa designed by Edward Wormley for Dunbar, dating to approximately 1940. This substantial example features a generous seating ...

Fully restored and ready to go, this Lane Brutalist piece is a statement for sure. Can be used as a dresser or credenza. All of the drawers open smoothly too. Dimensions 78ʺW ×...

A Colorful, Modern Maine Coastal Scene Painting, "The Island Light House" by Famed Chicago Artist and Printmaker, Charles Turzak (Am. 1899 - 1986). The painting depicts a vibrant, sunlit summertime painting of the historic Pumpkin Island Lighthouse, located near Penobscot, Maine. The painting is acrylic on canvas board, and has a great visual appeal- a perfect complement to any New England coastal home or summer cottage in Maine. Artwork size: 15 x 30 inches, accompanied with the artist's original, hand-painted period frame (Framed size: 18 1/2 x 33 1/2 inches). Titled and dated on artist's label on reverse. Provenance: Estate of the artist. Charles Turzak was one of Chicago’s greatest printmakers of the Art Deco-era. Son of a coal miner, Turzak was born in Streeter, IL in 1899. In 1920, Turzak won the first prize a cartoon contest sponsored by the Purina company and he used his prize money to enroll in the Art Institute of Chicago. Best known as a print maker, in the 1920s & 30s, he created woodcuts of many of Chicago’s most notable buildings, including the Merchandise Mart, Palmolive Building and the Old Water Tower, among others. In 1933, he was commissioned to create woodcuts of many of Chicago’s most iconic buildings to illustrate a guidebook called “All About Chicago” by John and Ruth Ashenhurst” that featured the upcoming Century of Progress Exhibition in Chicago. During the 1933 World’s Fair...

Narrative comes stitched, not painted, in this 20th-century American folk art hooked rug—an image built loop by loop with clarity and conviction. Two white draft horses stand in prof...

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's jacket dress; Lucien Lelong ”Indiscrete”. Artwork size: 11 x 8 1/2 inches. Archivally matted t...

There are objects that decorate a room, and then there are those that quietly dominate it. This monumental 19th-century Chinese drum belongs firmly to the...

These are from a set of 12 chairs all in the same configuration as these. They are extremely well built and comfortable. Notice the fine carving and the joinery. Top notch. They are ...

A Charming 1940s Mid-Century Modern Watercolor of Pirate's Alley, New Orleans by Arlene S. Ezickson (Am. 1927-2003). Titled "Vieux Carre, New Orleans" the artwork is watercolor and ...

Excellent tambour door record cabinet constructed in solid teak and teak veneer. The interior is parceled off into three sections. The center section has been designed to hold a turn...

"Bench Too" bench by Last Workshop, 2025. Solid walnut, natural finish. 84"L size. Dimensions: 84" x 14.5"D x 12"H Upholstered cushion options are available, please inquire. Cust...

Roger Lee Sprunger for Dunbar – Double Pedestal Dining or Conference Table 1965 A striking 120" long table designed by Roger Lee Sprunger for Dunbar, ideal for dining or executive se...

An Early Modern 1920s Western Landscape Painting by Notable Chicago Artist, Francis Chapin, "Hillside Corral, Wyoming Dude Ranch". Oil on canvas, signed "Francis Chapin", lower righ...

A geometric organic modern style side table or stool. Made by Last Workshop, 2025 White oak, bleached oak finish. Measures: 18" x 16" x 17"H An asymmetrical design to be placed at...

There’s a certain alchemy in the work of Rose Tarlow—a way of distilling history into something quieter, more intentional, and entirely her own. Tarlow's Georgina Ribbon-Back Armchai...

There’s a particular romance to Adirondack style—the idea that refinement need not abandon the woods. This large-scale vintage Old Hickory mirror ca...

Three words, three fish, and not a hint of subtlety. Hand-carved from wood and painted to resemble rainbow trout, the trio reclines inside an oversized wooden frying pan as if awaiti...

A Unique, Unusual and Striking Abstract Surrealist Painting Completed in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "The Last Living Face in Pompeii", the painting is oil and acrylic on canvas presented in its original frame. The artwork shows a unique synthesis of Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the vibrant palette of the Chicago Imagist school, namely Ed Paschke and his contemporaries. The collage-like references in the composition recall the artwork of sculptor H.C. Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects. Artwork size: 38 1/2 x 32 inches; Framed size: 39 1/4 x 33 1/4 inches. Signed "Edwards", lower right; signed, titled and dated on reverse. Provenance: The Artist; Private Collection, Chicago, IL (circa 2010). Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...

A stylish, vintage, 1940s fashion study featuring elegant designs for women's evening wear by Lilly Daché, Likely an illustration study for a print advertisement for the famed Chic...

"Organic 3" coffee table by Last Workshop, 2025. Solid walnut, natural finish. XL size- Dimensions: 68" x 50" x 15"H Customers may also choose from: Wood species, finishes, and o...

A Vibrant, 1950s Mid-Century Watercolor of Provincetown, Massachusetts by Famed Chicago Modern Artist, Francis Chapin (Am. 1899-1965). A superb example of Chapin's Post-War landscap...

“Shelving can be the most mundane thing you own, or it can be the beautiful bones of a room as pleasing to see as anything it displays. Casey Lurie’s Primo system would be the latter...

"Organic Round" coffee table by Last Workshop, 2025. Solid walnut, natural finish. 50" diameter size. Dimensions: 50" x 15"H Customers may also choose from: Wood species, finishe...

"Credenza Three" by Last Workshop. Made-to-order in Chicago, IL. A sturdy yet elegant credenza featuring a matching case and door combination with a steel base. The tear-drop steel ...

Vintage Designer Chest of Drawers attributed to Frances Elkins. Circa 1945. Additional photos available upon request.

"Organic 3" Organic shaped nesting coffee tables by Last Workshop, 2023 Solid walnut, natural finish Table one "XL": 68" x 50" x 15"H Table two "L": 56" x 33" x 12.5"H If not in s...

Crafted with fine detail and perfection of form, these antique Chinese collector's shelves are a statement addition to any interior. Dated to the late 19th century, the pair would ha...

c. 2000s. Italy. Green velvet fabric.

Charles Pollock for Knoll International Model 1258 Swivel Tilt Desk Chairs, 1965 Iconic executive chair designed by Charles Pollock for Knoll International, model 1258. A hallmark of...

A vibrant, colorful Mid-Century Modern abstract harbor scene of Martha's Vineyard by notable Chicago artist, Francis Chapin (Am. 1899-1965). Depicting a bustling harbor scene with n...

Wooden Serving Bowl Africa, possibly East or Central Africa Late 19th–early 20th century Carved hardwood Hand-carved from a single block of dense hardwood, this elongated serving pl...

Everyone knows the Milo Baughman rosewood case sofa for Thayer Coggin. Fewer people know Charlton Furniture Company was quietly making the same architectural statement under its own ...

A Unique, Visually Striking, Surrealist Mid-Century Modern Abstract Beach Scene by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting an abstracted female bathers stan...

LC3 Grand Modele Armchair for Cassina. Black leather and chrome plated steel. Newer production, circa 2010 or later. One of the most iconic chairs, t...

Dated to the 1920s during China's brief Republic Period (1912-1949), these petite oval ginger jars impart a blessing of longevity. An allover glaze of persimmon-orange color cloaks t...

God's Country (B&W) 2021 ARCHIVAL PIGMENT PRINT Unframed Sizes: 30 x 45 in (76.2 x 114.3 cm) - Edition of 10 + 2 AP (Artist Proofs) 40 x 60 in (101.6 x 152.4 cm) - Edition of 10 + 2...

Set of 4 Original Marcel Breuer "Cesca" arm chairs 1960's With "Stendig" manufacturer labels. Breuer first designed this chair in 1928. Originally known as the B32, the chair’s revelatory use of material and simple form made it an international sensation—nothing like it existed at the time. In the early-1960s, the Modern Italian furniture manufacturer Gavina Group acquired the rights to the design. The company’s founder and owner, Dino Gavina, decided to rename the chair “the Cesca...

Organic shaped nesting coffee tables by Last Workshop, 2023 Solid walnut, natural finish Table one: 58" x 32" x 16"H Table two: 46" x 25" x 13.5" If not in stock, current productio...

This narrow console table from the late 19th century balances streamlined form with the rich textures of antique furniture. The shallow table has a square corner design, crafted with...

Roger Capron ceramic coffee table with impressed leaf decorations. The leaves are from the surrounding woods and gardens of Vallauris where Capron had his studio. The table has a sl...

Organic shaped coffee table by Last Workshop, 2023 Solid walnut wood finish. IN STOCK: 1 If not in stock, current produc...

This low wooden stool is carved with a thick, circular seat supported by four tapering legs that terminate in subtly hoof-like feet. The proportions are compact and grounded, giving ...

This extraordinary 19th-century Japanese Satsuma bowl, created during the luminous years of the Meiji period, unfolds like a flower caught at the precise moment of perfection. Each p...

"Credenza B" by Last Workshop, bleached white oak finish. Shown with dimensions of: 96"L x 16"D x 32"H Made-to-order in Chicago, IL. A sturdy yet elegant credenza featuring a ma...

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's evening gown. Artwork size: 11 x 8 1/2 inches. Colored pencil and pencil on paper. Archivally ma...

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's coat, hat and muff, inscribed "Marshall Field & Co". Likely an advertisement illustration study...

Milo Baughman for Thayer Coggin Semi-Circular Sofa, 1970’s. Original upholstery. Measures 33” deep 168” wide 26” tall seat height 15”

c. 2000s. USA. Plywood construction with bentwood frame. 9 available

A striking, vintage early 1940s fashion study featuring an elegant young woman wearing a stylish hat, suit and clutch. Image size: 11 x 8 1/4 inches. Archivally matted to 16 x 1...

Organic shaped coffee table by Last Workshop, 2023 Solid ash wood, in "jet black" ash finish. Current Production: 6-7 wee...

Carved wooden Gothic spire, likely an architectural fragment from an ecclesiastical context. Rising from a square base, the structure tapers vertically into a slender spire, emphasiz...

An Elegant, Stylish Gilded Age Themed Interior Scene / Set Design by notable stage set, costume and fashion designer, Andre Delfau (Fr./Am. 1914-2000). Artwork is gouache on paper, ...

Claro Walnut Slab coffee table by Last Workshop, 2025. Solid walnut, natural finish. Dimensions: 70" x 47" x 13"H Customers may also choose from: Other Slabs, Wood species, finish...

Abstract painting by Jerry Pinsler, 1965 (American, 1928-1996) Oil on a found door. New walnut frame. Signed and dated. Absolutely stunning in real li...

Organic modern side table with sculptural base. USA, circa. 1965 Walnut, with glass top. 19.25" h × 27"w × 23.75"d in Glass top has a ...

A rare Tovaglia coffee table attributed to Studio Tetrach in 1969 and produced by Alberto Bazzani in Italy. Imported to the United States by Stendig, the table is formed in gel-coate...

"Ultimate Pilgrimage" Sarah Dupré, 2023. Tar, oil, mixed media, and enamel. With black frame, behind glass. 25.5"H x 31.75 "W x 0.5" Using graphite, charcoal, tar, and influence f...