Chicago

A classic piece of Chinese furniture, this tall lacquered cabinet was likely part of a traditional wedding dowry, bestowed upon the groom by the bride's family filled with fine silks...

This prototype by designer Raju Peddada is a shift in contemporary decorative furnishings with an interactive machine age inspired design that engages, entices, challenges and inspir...

Diogenes is a compelling oil portrait that reimagines the legendary Greek philosopher through the lens of classical beauty and symbolic expression. The contemplative figure, crowned ...

Excellent tambour door record cabinet constructed in solid teak and teak veneer. The interior is parceled off into three sections. The center section has been designed to hold a turn...

In this triptych, Amy Lowry Poole transforms dates, persimmons, and squash into three distinct studies of growth, abundance, and organic movement. Working in ink and gouache on handm...

Early Edward Wormley for Dunbar Sofa, c. 1940 An early sofa designed by Edward Wormley for Dunbar, dating to approximately 1940. This substantial example features a generous seating ...

A Boldly Drawn 1930s Art Deco Modern Figure Study of a Reclining Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An early ink drawing by Haydon demonstrat...

Roger Capron rectangular ceramic coffee table size. Charming table with rare pure white tiles and elongated tiles with the herbier impressions. The edge of the table on the ends hav...

Pair of cast aluminum Tulip chairs or also known as Tonneau by Pierre Guariche for Steiner, France, 1954. Sculpted and curved cast aluminum seat ...

Like a stone from a stream, smoothed for millennia by the passing currents. The fluid potential of natural power emanates from its presence. Dimensions: Diameter 48 in. (122 cm). He...

The Pivot LED series with its articulated arm and adjustable head this brass lamp, is not only multidimensional, but it is an ever changing line drawing that nestles into a room. Rem...

A striking Machine Age Modern industrial scene oil painting of a New York shipyard crane by notable American artist, Lessing Whitford Williams (1894-1989). A colorful, dynamic examp...

“Shelving can be the most mundane thing you own, or it can be the beautiful bones of a room as pleasing to see as anything it displays. Casey Lurie’s Primo system would be the latter.” William L. Hamilton, The wall street journal The Primo shelving system is composed of notched solid wood planks...

Organic modern side table with sculptural base. USA, circa. 1965 Walnut, with glass top. 19.25" h × 27"w × 23.75"d in Glass top has a ...

A scenic, colorful Modern 1930s summer harbor scene of Saugatuck, Michigan by notable Chicago Modern artist, Francis Chapin. Depicting a lively summer harbor view of the historic S...

Organic shaped nesting coffee tables by Last Workshop Silk Grey Ash finish Table one: 58" x 32" x 16"H Table two: 46" x 25" x 13.5" If not in stock, current production: 7-8 weeks ...

A classic form with an inviting, functional twist. Minimalist, inline depressions invite movement of the piece and reveal its secretive weightlessness. Dimensions: Diameter 17 in. (...

Part room divider, part bookcase, part screen, the "30/30" series is an extremely versatile shelving system. Named for the degrees of the alternately angled dividers which give the p...

This stone basin was carved by hand over two centuries ago, sculpted from solid limestone with and irregular texture and asymmetrical shape. The vessel is minimally worked to preserv...

Pierre Chapo Sahara S10 lounge chair, France, c. 1965 Solid Elm and new natural saddle leather.

Enzo Mari for Artemide "Alfiere" Adjustable Floor Lamp, Italy, 1985 Designed by renowned Italian designer Enzo Mari for Artemide, the Alfiere floor lamp is an iconic example of postm...

Work desk is the smaller sibling of our WORK table, a contemporary take on the traditional working tables used by artists and designers for centuries. The choice of materials combine...

"Organic 2.0" organic shaped coffee table by Last Workshop, designed in 2024 In solid walnut, natural walnut finish. If not in stock, current production: 6-7 weeks 58"L x 37" x 16"...

Elegant ring featuring a 5.07 carat old mine brilliant natural diamond as the center stone. The center diamond is graded E color and VS1 clarity, offering a bright and lively appeara...

Maison Jansen Attributed Coffee Cocktail Table in Brass and Glass 1965c. solid brass uprights with boot feet stretcher with finial 3/4" glass with polished ogee edge similar models...

Edward Wormley for Dunbar Six Dining Chairs,Model 935 "Horseshoe Chairs" 1965c. An elegant and highly sculptural set of six dining chairs designed by Edward Wormley for Dunbar Furnit...

c. 1970s. Switzerland. Leather sleeper sofa with pull out to become a queen size bed.

A vibrant, colorful Mid-Century Modern abstract harbor scene of Martha's Vineyard by notable Chicago artist, Francis Chapin (Am. 1899-1965). Depicting a bustling harbor scene with n...

Distinguished by its fine materials and balanced proportions, this antique Chinese daybed was masterfully crafted with an eye for decorative det...

Roger Capron ceramic coffee table with impressed leaf decorations. The leaves are from the surrounding woods and gardens of Vallauris where Capron had his studio. The table has a sl...

Florence Knoll Eight-Drawer Credenza Teakwood and Marble 1973 This iconic mid-century storage piece features Florence Knoll’s signature rectangular notch pulls with chrome details, c...

Ceramic Jewelry Box by Mithé Espelt, France, 1960s Ceramic enamels in shades of green gold with fused glass with iconic blackened wood box. Literature: Mithé Espelt, le luxe discret...

HERMAN MILLER SUMMER PICNIC 1975 Authentic original vintage poster Artist: Stephen Frykholm Condition: A/A- Dimensions: 25 x 39.4 in. / 63.5 x 100 cm. Circa: 1975 Linen Backed The p...

A Charming 1940s Mid-Century Modern Watercolor of Pirate's Alley, New Orleans by Arlene S. Ezickson (Am. 1927-2003). Titled "Vieux Carre, New Orleans" the artwork is watercolor and ...

Elegant Two-Tone ring featuring a 6.41 carat cushion natural diamond as the center stone. The center diamond is graded Green color and F1 clarity, offering a bright and lively appear...

A Hopi cottonwood "Old Style" Katsina/Kachina doll from the 1950s, hand-carved and painted with the bold, blocky proportions typical of dolls made for the trade market. The figure st...

A 1970s ceramic wall clock by Jacques Poussine, produced at the Sant-Vicens workshop in Perpignan, France. The piece is formed in terracotta as a vertical panel in relief, structure...

Material and process converge in this French two-tier side table from the 1960s, where glass and iron are brought into an uncommon dialogue, each worked with the same insistence on t...

A rare Italian wall sconce from the 1970s, attributed to Longobard. Rising to 29 inches in height, the form is vertical and composed, centered around a column of hammered glass that diffuses light into a soft, rippled glow. The glass carries subtle irregularities—each undulation catching and bending the light—so that illumination feels atmospheric rather than direct. Encasing it, a hand-forged wrought iron frame unfolds in a series of delicate scrolls. The metalwork is both graphic and expressive, its linear rhythm punctuated by small circular elements in warm amber tones. These accents introduce color and a luminosity of their own, echoing the glow within the glass while extending the composition outward. The craftsmanship remains visible, and even decorative gestures feel intentional. The iron bears...

Circa 1954 Rolex Oyster Perpetual Reference 5500 Wrist Watch, 34 M.M. Stainless Steel 3 piece Oyster Case, 17 Jewel, Caliber 1530 Automatic, self winding movement. Custom "Californi...

There is something quietly transportive about birch bark—the way it carries the hush of the forest in its papery layers, its palette of parchment, smoke, and deep umber. This vintage...

A pair of French sconces from the 1950s, with radiating brass detailing often seen in Riviera interiors from the period. Constructed in polished brass with softly diffused opaline g...

Elegant White Gold engagement ring featuring a 10.03 carat oval brilliant natural diamond as the center stone. The center diamond is graded F color and VS2 clarity, offering a bright...

These small Chinese locking cabinets from the early 20th century have richly aged patinas that only time can achieve. The little cabinets have a minimal, square-corner design with st...

Carved wooden Gothic spire, likely an architectural fragment from an ecclesiastical context. Rising from a square base, the structure tapers vertically into a slender spire, emphasiz...

Elegant Platinum ring featuring a 4.25 carat old mine brilliant natural diamond as the center stone. The center diamond is graded J color and SI1 clarity, offering a bright and livel...

Set of Ten Edward Wormley for Dunbar Curved-Back Dining Chairs, 1948 An elegant set of Ten dining chairs designed by Edward Wormley for Dunbar Furniture, comprising Model 4580 side c...

c. 1960s. Italy Reupholstered in furrish brown fabric.

Pair Knoll Pfister Black Leather Lounge Chair, 1980. Original black leather. We have 20 of these chairs available.

This antique Chinese armoire has all the right details - impressive proportions, subtle carvings and beautiful original hardware. The tall lacq...

A low marble coffee table from the 1970s, shaped by the clarity and restraint of Italian modernism. The form is composed from thick stone slab...

This elegant flower basin is hand-carved from white marble to a rectangular form commonly seen with incense burners or bulb bowls. Shaped from a solid block of stone, the footed basi...

"Organic Round" coffee table by Last Workshop, 2025. Solid walnut, natural finish. 50" diameter size. Dimensions: 50" x 15"H Customers may also choose from: Wood species, finishe...

These are from a set of 12 chairs all in the same configuration as these. They are extremely well built and comfortable. Notice the fine carving and the joinery. Top notch. They are ...

Large circa 1900 French Beaux-Arts fire-gilt bronze and hand-cut crystal chandelier, finely cast in the grand Neoclassical taste. The Beaux-Arts style, dominant during the Gilded Age...

CHICAGO - FLY TWA Authentic original vintage airline travel poster Artist: David Klein Condition: A/A- Dimensions: 25.2 x 39.8 in. / 64 x 101 cm. Circa: 1960s Linen Backed There is ...

“Shelving can be the most mundane thing you own, or it can be the beautiful bones of a room as pleasing to see as anything it displays. Casey Lurie’s Primo system would be the latter...

Rounded edges form a continuous plane, juxtaposing rigid structural expectation with an infinite expanse. A reliable, welcoming presence. Dimensions: Width 48 in. (122 cm), depth 48...

A Unique, Unusual and Striking Abstract Surrealist Painting Completed in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "The Last Living Face in Pompeii", the painting is oil and acrylic on canvas presented in its original frame. The artwork shows a unique synthesis of Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the vibrant palette of the Chicago Imagist school, namely Ed Paschke and his contemporaries. The collage-like references in the composition recall the artwork of sculptor H.C. Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects. Artwork size: 38 1/2 x 32 inches; Framed size: 39 1/4 x 33 1/4 inches. Signed "Edwards", lower right; signed, titled and dated on reverse. Provenance: The Artist; Private Collection, Chicago, IL (circa 2010). Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...

This set of four vintage American English , or Jump, saddles brings authentic equestrian character to any interior or stable setting. Crafted from rich brown leather and sourced from...