Chicago - Art

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. Wit...

The loose hash marks come together in this colored pen and conte crayon drawing of the Tuscan countryside with a view into Siena with its fabulous Duomo. This piece is matted with a buttery hued mat and framed in a simple oak colored wooden frame measuring 15h x 18w inches. Christopher Ganz View of Siena with the Duomo colored pens & conte crayon 11h x 14w in 27.94h x 35.56w cm CG0052 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching...

The Rolling Stones during a rehearsal for ABC’s ‘Thank Your Lucky Stars’ TV pop music show, 1964. From left to right Brian Jones, Bill Wyman, Mick Jagger and Keith Richards. Paper s...

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

A fine 19th Century, Continental watercolor, decoupage and textile fabric collage, depicting an erotic themed figural group at leisure in a pas...

No Beginning No End The figure, seen from behind and haloed by a circular form, suggests continuity, wisdom, and the mystery of existence beyond linear time. There is a quiet reveren...

A Vibrant, Colorful 1950s Mid-Century Modern Painting of Martha's Vineyard by Famed Chicago Artist, Francis Chapin (Am. 1899-1965). Titled "Breakfast on the Porch at the Vineyard Ho...

A Wonderful, Mid-Century Modern Painting of a Jockey & Horse Race by Noted Chicago Artist, Rudolph Pen. Painted circa 1955, the painting exemplifies the artist's love of horse racin...

A pair of delightful, Mid-Century 1950s interior scenes in pen & ink by notable Chicago Modern artist, Harold Haydon. Image sizes: 6" x 9" each. Each are unframed and archivally m...

A vibrant, 1960s Mid-Century Modern painting, "Vermont Landscape, Spruce Tree and Shoreline" by notable Chicago artist Harold Haydon. Painted near the artist's longtime summer studi...

A Large, Captivating, 1960s Mid-Century Modern Floral Still Life Painting by Notable Chicago Artist, Rudolph Pen. A painting of dynamic color and patterned forms. Painted in the 19...

A Large, Compelling Mid-Century Modern Figurative Painting by New York Artist, Gerrit Hondius, Titled "Equestrienne & Clown". Artwork size: 30 x 24 inches (Oil on Masonite); Frame...

Postcards From the Edge of the West My work originates from journey and travel. The process often begins with extensive historic research, followed by an epic journey into the landscape as a means of experiencing the land. The paintings document a landscape that flows between two realities: one outside the picture attempting to capture nature and one inside the material flow of abstracting the experience of space. I utilize the traditional methods of landscape painting such as the observation of light, shadows, and transparency, and try and merge that process with the emotional space held by a direct experiences in the land, memory, and history. The white border surrounding each painting suggests a card and the souvenir printed material – a postcard – sent out when on a journey; much like the journey I take part of in my artistic process. This particular painting (card) is inspired from the landscapes along the Coeur d’Alenes trail in Northern Idaho. It is a place of rugged and stark beauty barely on the old maps and outside the edge of the Louisiana Colony. It is a place that is part image and part abstraction; color field painting and rendering; a place not yet born. –Don Pollack The lush landscape in Don Pollack's "Coeur d'Alenes Trail" brings a calm serenity to the viewer. The deep green pines in the are reflected on the calm water while a moon illuminates the entire scene. A deliberate white border on the canvas "frames" the entire piece and enhanced by the simple white frame measuring 37.5 x 61.5 inches. Don Pollack Coeur d'Alendes Trail oil on canvas 36h x 60w in 91.44h x 152.40w cm DJP027 Don Pollack BIOGRAPHY Don Pollack is a Painter and Adjunct Associate Professor of Visual Communication at the School of the Art Institute of Chicago. His work investigates among other things, the relationship between personal mythologies and representation in painting and how it may simultaneously give reference to a narrative.Working in cross disciplines has influenced his perspectives as projects begin with an epic adventure. Conceptually proceeding from the premise that all vision is historic and constructed, Pollack’s research starts with the planning of a long distance trek,– such as a 3000 mile journey via bicycle following Lewis and Clark. His work has utilized maps, documents, photography, painting, and installation.This work was routed in a previous investigation into the role of museums in the process of forming collective memory. Don studied design at the University of Illinois and painting at the Ohio State University where he received his MFA.The state of Illinois has recognized his history based work with a special bicentennial edition of the ‘Order of Abraham Lincoln’ award. He has exhibited nationally and internationally and has shown many solo shows in, Chicago, New York, Atlanta, and Canada. True Life Novelettes is the most recent addition to the bigger project; Crossing The Great Divide which is loosely a series of landscape and history projects I began in 2009. It explores among other things, current events and personal literary interests through the construction of large scale [48x72”] book cover paintings. I use a variety of images juxtaposed with bylines and misplaced authors in order to create new meanings. I read the print edition of the New York Times for current content and subject matter, and because I still like the feel of a large document and printed typography. Recently and with a twist of prescient irony, a found myself reading a special supplemental section of the Times declaring that “the post-text future is here!” Could that be good for painting, now that we are entering an online culture ruled by pictures! But if our information will become dominated by pictures, slogans, and emotional announcements, I do fear that the arguments driving political discourse will soon become completely supplicated by popular memes. What should the new best sellers look like? Do I have enough time to read them? Underneath all this fanfare is it possible that the discussion will also be reduced to the display of personal artifacts of material culture? In the fashion section of today’s Times the headline reads, “Can you wear Dior to the Protest March?” (Enter my books.) I first start by writing columns and mixing up the authors with made-up titles (from films and books) and looking for strange connections to create a metaphorical tension. I then look for popular images and taglines in the news, print media, and the publishing business, and search for catchy phrases from film dialog. Then I combine everything into a new design layout to form a hybrid of ‘true life novelettes’ and modern classics. Climate change denial and alt/fake news declarations become great sources for topics in the overwhelming modern noise machine too grim to bear. I cancel my cable subscription. But what are the conditions for making a painting in a world saturated with images? While the representational, abstract, and technical concerns of painting collapse into the same memory well, what are we to say especially when we have “seen all the films and seen all the pictures”? The works of Tursic and Mille have pointed me into this new direction. In order to visually reclaim myself from disappearing into the ruins, I adopt a strategy combining editorial cartooning, oil painting and graphic design. I am attracted to those handsome publisher’s design formats, especially the ones that utilize carefully-placed typography and eclectic images– such as Everyman’s Library, Penguin Books, and Barnes and Noble. There are colored stripes running along the sides of the covers identifying the modern story collections, with the authors’ names set in script fonts. These various formats also hold the space to paint a combination of historic events and contemporary imagery from popular culture. I also patrol the web and search for vintage advertising campaigns for copy. Perhaps this grimness can have an uplifting thread. However, Virginie Vuillaume in Another Girl warns, “desire leads to disaster, partly bound up with fiction but also with death and catastrophe. The fate of those who are in love with images is always tragic, desire always leads to disaster.” So now Tursic and Mille’s painting that appropriated an image of a house on fire from a scene from Andrei Tarkovski’s film The Sacrifice also becomes my subject matter for the cover of the Year of Living Dangerously. For 2017, The Year of the Eclipse, the cover takes direction from a modern classic rendition of Frankenstein, with his head screwed on backwards. Maybe the only way left to paint now is by moving things forward by the only way possible,– through other mediums. The byline lyric for Eclipse is now taken from the Youngbloods popular song of 1967, Get Together,–so come on Frankenstein, ‘Smile on Your Brother’. Don Pollack EDUCATION m.f.a. Ohio State University Columbus,Ohio b.f.a. University of Illinois Urbana, Illinois SOLO EXHIBITIONS 2018 Gallery Victor Armendariz, Story Tellers, Don Pollack: True Life Novelettes, Chicago, Illinois 2016 Bridgeport Art Center, this land is not empty, Chicago, Illinois Carnegie Museum for Art and History, bernheim arboretum, New Albany, Indiana 2013 Perimeter Gallery, 34 days to washington, Chicago, Illinois 2011 Newzones Gallery, far from home, Calgary,Alberta, canada MarciaWood Gallery, far from home, Atlanta,Georgia 2010 Perimeter Gallery, mysterious island, Chicago, Illinois Marquette University Law Library, laying the foundation [a Lincoln Portrait], Milwaukee, Wisconsin 2009 Abraham Lincoln Presidential Library and Museum, the lincoln project, Springfield, Illinois The Union League Club, the lincoln project, Chicago, Illinois 2007 Newzones Gallery, the sheltering sky, Calgary,Alberta, canada Merwin andWakeley Galleries, IllinoisWesleyan University, american inheritance, Bloomington, Illinois MarciaWood Gallery, night, Atlanta,Georgia 2006 MargaretThatcher Projects, american gothic, past imperfect, NewYork,NewYork Perimeter Gallery, improvisation, Chicago, Illinois 2005 Newzones Gallery, missives, Calgary,Alberta, canada MarciaWood Gallery, south of the tennessee, remains of the campaign, Atlanta, Georgia 2004 Perimeter Gallery, voyages of discovery, from the earth to the moon, NewYork, NewYork 2003 Newzones Gallery, garden of forking paths, Calgary,Alberta, canada Perimeter Gallery, a search for heroes, lincoln & the illinois landscape, Chicago, Illinois 2002 Perimeter Gallery, ancien regime, NewYork,NewYork MarciaWood Gallery, ancien regime, Atlanta,Georgia 2001 Newzones Gallery, ancien regime, Calgary,Alberta, canada 2000 Perimeter Gallery, between heaven and earth, Chicago, Illinois Newzones Gallery, preview, Calgary,Alberta, canada 1999 Newzones Gallery, north american inheritance, Calgary,Alberta, canada MarciaWood Gallery, american inheritance, Atlanta,Georgia 1998 MarciaWood Gallery, entering the circle, Atlanta,Georgia 1997 Newzones Gallery, crossing the next meridian, Calgary,Alberta, canada 1996 Peter Miller Gallery, landscape and memory, Chicago, Illinois MarciaWood Gallery, mythopoeia, an american portrait, Atlanta,Georgia 1995 Elliot Smith Gallery, St.Louis,Missouri Marx-Saunders Gallery, International Art Exposition, Chicago, Illinois 1994 Deson-Saunders Gallery, shadowlands, Chicago, Illinois 1993 Monte Clark Gallery, Vancouver,British Columbia, canada Bess Cutler Gallery, NewYork,NewYork 1992 Deson-Saunders Gallery, Chicago, Illinois 1991 Bess Cutler Gallery, NewYork,NewYork Deson-Saunders Gallery, between earth and sky, Chicago, Illinois 1989 Deson-Saunders Gallery, Chicago, Illinois 1988 Ann Nathan Gallery, Chicago, Illinois 1987 Houghton College, Houghton,NewYork SELECTED GROUP EXHIBITIONS 2015 architectural biennial, Brininstool and Lynch, Chicago, Illinois 2014 black and white, Perimeter Gallery- Chicago, Chicago, Illinois 2012 art miami , Perimeter Gallery- Chicago, Miami, Florida Group Show, Perimeter Gallery, Chicago, Illinois 2011 art chicago, The Merchandise Mart, Perimeter Gallery, Chicago, Illinois Group Show,Kenise Barnes Gallery, Larchemont,NewYork 2010 pull, MarciaWood Gallery, Atlanta,Georgia memory is a metaphor, Kenise Barnes Gallery, Larchmont,NewYork our kind of town, Rena Sternberg Gallery, Glencoe, Illinois 2009 nature satisfies by its loveliness, Kenise Barnes Gallery, Larchmont,NewYork the exquisite corpse, Renaissance Society, University of Chicago, Chicago, Illinois the big picture show, Newzones Gallery, Calgary,Alberta, canada 2008 this just in, MarciaWood Gallery, Atlanta Georgia portraying lincoln, Madden Arts Center, Decatur, Illinois contemporary art institute of detroit, Curator’s Choice, Detroit,Michigan art chicago, The Merchandise Mart, Perimeter Gallery, Chicago, Illinois 2007 artwork 5, Gallery 2,Art Institute of Chicago, Chicago, Illinois artscapes, Knoxville Museum of Art, Knoxville,Tennessee atlanta gallery association preview, rep: MarciaWood Gallery, Eatonton,Georgia out of the garden, Rena Sternberg Gallery, Glencoe, Illinois art chicago, The Merchandise Mart, Perimeter Gallery, Chicago, Illinois 2006 states of seige, Fine Arts Center Galleries, University of Rhode Island, Kingston,Rhode Island landscape x10, Newzones Gallery, Calgary,Alberta, canada pulse, MargaretThatcher Projects, NewYork,NewYork 2005 summer sensation, Thatcher Projects, NewYork,NewYork Perimeter Gallery, Chicago, Illinois landscape x9, Newzones Gallery, Calgary,Alberta, canada 2004 Perimeter Gallery, Chicago, Illinois landscape x9, Newzones Gallery, Calgary,Alberta, canada 2003 landscape x9, Newzones Gallery, Calgary,Alberta, canada San Francisco Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada contemporary landscape, Perimeter Gallery, Chicago, Illinois deck the walls, Newzones Gallery, Calgary,Alberta, canada 2002 landscape x9, Newzones Gallery, Calgary,Alberta, canada San Francisco Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada 2001 departure: american contemporary landscape, Indiana University Northwest Gary, Indiana Rena Sternberg Gallery, Glencoe, Illinois International Art Exposition:Chicago, Perimeter Chicago, Illinois Miami Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada 2000 landscape x8, Newzones Gallery, Calgary,Alberta, canada San Francisco Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada International Art Exposition:Chicago, Perimeter Gallery Chicago, Illinois 1999 requiem, Nexus Contemporary Art Center Atlanta,Georgia family album, MarciaWood Gallery Atlanta,Georgia 1998 the nature of landscape, South Bend Regional Museum of Art South Bend, Indiana cornucopia, Winston-Wachter Gallery NewYork,NewYork paradise and its transformations, Georgia State University, School of Art & Design Gallery Atlanta,Georgia landscape x six, Newzones Gallery of Contemporary Art Calgary,Alberta, canada land, air, & sea, Elliot Smith Gallery St.Louis,Missouri 1997 Marguerite Oestricher Gallery New Orleans, Louisiana MarciaWood Gallery Atlanta,Georgia Peter Miller Gallery Chicago, Illinois International Art Exposition:Chicago, Peter Miller Gallery Chicago, Illinois Seattle International Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada 1996 Center for the Arts Calgary,Alberta, canada Newzones Gallery of Contemporary Art Calgary,Alberta, canada International Art Exposition:Chicago, Peter Miller Gallery Chicago, Illinois Seattle International Art Exposition, Newzones Gallery of Contemporary Art Calgary,Alberta, canada introductions, Newzones Gallery of Contemporary Art Calgary,Alberta, canada Peter Miller Gallery Chicago, Illinois 1995 contemporary realists, Newzones Gallery of Contemporary Art Calgary,Alberta, canada the nature of landscape, Fontbonne College St. Louis,Missouri first in flight, Deson-Saunders Gallery Chicago, Illinois Newzones Gallery of Contemporary Art Calgary,Alberta, canada MarciaWood Gallery Atlanta,Georgia International Art Exposition:Chicago, Deson-Saunders Gallery Chicago, Illinois 1994 contemporary realists, Newzones Gallery of Contemporary Art Calgary,Alberta, canada Monte Clark Gallery Vancouver,British Columbia, canada 10th anniversary group exhibition, Elliot Smith Gallery St.Louis,Missouri International Art Exposition:Chicago, Deson-Saunders Gallery Chicago, Illinois 1993 Robert Berman Gallery Santa Monica, California the dreamer awakes, Deson-Saunders Gallery Chicago, Illinois west art...

A Charming 1950s Modernist Portrait, "Girl in Red Scarf", by Noted Chicago Artist Francis Chapin (Am. 1899-1965). A colorful, intimate and gem-like work, the painting is accompanied...

A charming 1950s painting of a lighthouse in Martha's Vineyard, titled "Vineyard Light" by notable Chicago Modern artist, Francis Chapin. A colorful scene painted near the artist's ...

Getting out of one's comfort zone and ending the anxiety by rebuilding the lineal composition, the contrasts of color, textures and even the narrative. This happens just by throwing an impulsive stroke of red paint. While the figure is not in real danger, i.e. actually bleeding, but instead the red paint represents stepping out of one's comfort zone. It means to leave the status quo...

Richly textured with whimsical appeal, this late 20th century wooden crow is a delightful example of naive American sculpture. Poised mid-caw, the crow's wings are outstretched, read...

A woman sits turned inward, her body rendered in feverish strokes of electric blue and raw pink—flesh that feels less human and more exposed, like something peeled back under a harsh...

Interchange Between Myth and Reality is Bruno Surdo’s contemporary banquet scene—an ambitious reimagining of the grand Venetian feast painting for the 2...

A Vibrant, Colorful Mid-Century Watercolor of Village Rooftops by Noted Chicago Artist, Rudolph T. Pen. Depicting a tropical hillside village of terracotta rooftops nestled beside a...

A Fine, Modern 1930s Academic Anatomical Figure Study of a Standing Male Model (Legs & Feet) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed, early 193...

A Large, Dynamic 1950s Mid-Century Modern Watercolor of Lower Manhattan, New York City by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). The image is watercolor, pastel and c...

A Large, Colorful Modern City Street Scene by Notable Chicago Artist, Walter Burt Adams (Am. 1903-1990). A vibrant, painterly view of a sunlit small town city street, a scene located near the artist's studio and winter residence in Belen, New Mexico, located south of Albuquerque and Santa Fe. Likely painted in the quiet morning hours after dawn, a favorite time to paint by the artist. A wonderful Post-War example of the colorful Urban Realism practiced by the artist, a distinct style developed in the late 1920s and painted throughout his life, highly inspired by the artwork of fellow American artist, Edward Hopper. Artwork size: 18 x 36 inches, oil on canvas, accompanied with a hand-finished, charcoal toned oak slat frame (framed size: 18 1/2 x 36 1/2 inches). Signed "Walter Burt Adams" and dated lower left. Provenance: Estate of the artist. Walter Burt Adams was a dedicated painter of the American Scene and a singular personality among his peers in the Chicago Modern Art community. His no-nonsense manner, devotion to his craft and sardonic sense of humor characterize a man whose paintings capture life in and around Chicago between the early 1920s and the late 1970s. Born in Kenosha, Wisconsin just after the turn of the last century, Walter Burt Adams spent his childhood in Fargo, North Dakota and began his artistic education there through a correspondence cartooning class as a boy. After finishing high school in Fargo, Adams moved to Chicago in 1922 in order to enroll at the school of the Art Institute of Chicago. Adams’ instruction at the school with artists such as George Oberteuffer, Frederick V. Poole, Charles Wilimovsky...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...

A Radiant, 1950s Mid-Century Modern Studio Portrait of a Seated Female Nude Model. Painted in a sensuous color palette of wonderfully expressive reds and cool creams, the painting e...

A Striking, 1930s Cubist Abstract Drawing by Notable American Modern Artist, Carl Robert Holty (1900-1973). Graphite on paper, dating from 1936. Artwork size 5 x 3 1/4 inches. Pre...

Inscribed on the verso: EE 27/10

A captivating, 1940s Modern painting of a seated nude on a garden bench by famed Chicago artist, Francis Chapin (Am. 1899-1965). A sensitive, skilled portrait of a young female mode...

A Fabulous, Large and Dynamic Mid-Century Modern Painting of a Chicago Night Club by Notable Chicago Artist, Rudolph T. Pen (Am. 1918 - 1989). Painted circa 1948, this is a large, a...

Paul Lorenz, Contemporary Multi-Panel Abstract Installation (24 Individual Paintings) An exceptional, highly unusual contemporary art installation by the multidisciplinary Chicago ar...

A Vibrant, Colorful Mid-Century Modern Watercolor, "Garden in a City Park" by Notable Chicago Artist, Rudolph T. Pen. Painted in the 1960s, most likely depicting a picturesque city ...

"The Old Guard" Kenya - 2025 Archival Pigment Print Available Sizes: Edition of 20: 24” x 36” (61 x 91.4 cm) $4,500 Edition of 15: 31” x 46.5” (78.7 x 118.1 cm) $7,500 Edition o...

A Fine 1930's, Depiction of a Boxing Match by Notable Chicago Modern Artist, Francis Chapin. This dynamic drawing captures overlapping human forms rendered in expressive, gestural li...

A Colorful 1930s Modern Street Scene of St. Charles Street, New Orleans by Notable Chicago Artist, Walter Burt Adams (Am. 1903-1990). A vibrant, painterly view of a sunlit street corner and store front in the historic Garden District of New Orleans, Louisiana. Completed in 1938 during one of the artist's painting trips to New Orleans, and most likely painted in the quiet morning hours, a favored time to paint by the artist. A wonderful example of Walter Burt Adams renowned Urban Realism of the 1930s and '40s, inspired by the artwork of fellow American painter, Edward Hopper. Exhibited: "The 42nd Annual Exhibition of Artists of Chicago and Vicinity", Art Institute of Chicago (AIC), Chicago, IL, 1938, #4. Artwork size: 20 x 25 inches, oil on canvas, accompanied with the artist's original frame (framed size: 26 1/2 x 31 1/2 inches). Signed and dated Walter Burt Adams 38, lower left; signed and dated on reverse. Provenance: Estate of the artist. Walter Burt Adams was a dedicated painter of the American Scene and a singular personality among his peers in the Chicago Modern Art community. His no-nonsense manner, devotion to his craft and sardonic sense of humor characterize a man whose paintings capture life in and around Chicago between the early 1920s and the late 1970s. Born in Kenosha, Wisconsin just after the turn of the last century, Walter Burt Adams spent his childhood in Fargo, North Dakota and began his artistic education there through a correspondence cartooning class as a boy. After finishing high school in Fargo, Adams moved to Chicago in 1922 in order to enroll at the school of the Art Institute of Chicago. Adams’ instruction at the school with artists such as George Oberteuffer, Frederick V. Poole, Charles Wilimovsky...

This exuberantly-painted Parisian street scene is typical of Lersy's colorful and energetic style. His work combines mid-century Modern abstraction with subjects beloved by the Impre...

A Fine 1930s, Modern Academic Anatomical Figure Study Drawing of a Nude Male Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 193...

“Venus of America” by Bruno Surdo reimagines the classical goddess through the lens of modern glamour and pop iconography. A platinum blonde figure reclines in a cascade of soft pink...

A Charming, Colorful 1950s Mid-Century Modern Harbor Scene of Martha's Vineyard by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). Painted near the artist's longtime studio ...

In this marsh painting, Aeling captures the interplay of water, grass, and sky with exceptional subtlety, echoing his ongoing study of the Missouri and Mississippi river deltas. The ...

A Vibrant, Colorful 1950s Mid-Century Modern Painting of Martha's Vineyard by Famed Chicago Artist, Francis Chapin (Am. 1899-1965). Titled "Tree in Tisbury", the painting depicts a ...

A charming, 1930s American Scene drawing of a woman seated at a lunch counter by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Artwork size: 14 x 11 inches (sheet); ...

American West (B&W) 2021 ARCHIVAL PIGMENT PRINT Unframed Sizes: 40 x 60 in (101.6 x 152.4 cm) - Edition of 10 + 2 AP (Artist Proofs) SILVER GELATIN PRINT Unframed Size: 11.3 x 17 i...

A dynamic 1930s, WPA era industrial scene watercolor of a steel mill and factory workers by notable Chicago Modern artist, Harold Haydon. A wonderful example of early Twentieth Cent...

A striking 1930s Modern portrayal of El Greco's Renaissance masterpiece, "Mater Dolorosa" by Notable California Woman Artist, Leonine E. Wallace. Artwork size: 13 x 10 inches. O...

In a letter written to Czóbel after he had become quite ill in 1975, famous Portuguese painter Vieira da Silva writes: “My very dear Czóbel, We em...

A solitary figure, head bowed, stands in a field in contemplation of what has just taken place or what is about to take place. "A Great Battlefield" channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to contemplate the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. A Great Battlefield oil on linen 60h x 35w in 152.40h x 88.90w cm WIL029 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...

A captivating 1930s Surrealist graphite still life drawing of an alarm clock and mandolin by notable New York Modern artist, Jan Matulka. Artwork size: 8 1/2 x 11 inches. Archivally matted to 14 x 16 1/2 inches. Estate stamped. Provenance: Estate of the artist. An innovative drawing by Matulka reminiscent of the famed series of Modern works by the American painter and contemporary of Matulka, the New York artist Stuart Davis. In 1927, Davis began work on a series of five paintings based on a still life he had created by nailing an eggbeater, an electric fan, and a rubber glove to a table in his studio. Using this group of incongruous and unlikely items, he created his first truly abstract works. An example of these paintings, Egg Beater...

A Timely and Prescient, 1940s WWII Era Political Cartoon / Illustration Ink Drawing by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). Titled "USA No Admittance". A p...

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. Wit...

A Charming 1930s City Rooftop Scene by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). Depicting a colorful, early springtime view likely painted from the artist's stu...

This piece is exploring the dominating and overshadowing presence that many parental figures can have upon their children. The boxer, Marcus, often brought his young son with him whe...

The Canine of Florence is a deceptively simple painting that reveals a great deal about Bruno Surdo’s sensibility. At its center is a small white dog crossing a sunlit cloister, but ...

Art Shay photographed the community of Brooklyn, IL for Ebony Magazine, 1952. These photographs are the result of that experience. Brooklyn (popularly known as Lovejoy), is a village in St. Clair County, Illinois, United States. Located two miles north of East St. Louis, Illinois and three miles northeast of downtown St. Louis, Missouri, it is the oldest town incorporated by African Americans in the United States. It was founded by freed and fugitive slaves from St. Louis, led by "Mother" Priscilla Baltimore in the period of 1829 to 1839. Its motto is "Founded by Chance, Sustained by Courage". This photograph is framed. Art Shay Brooklyn Twins, 1952 silver gelatin print 14h x 11w in 19.25h x 16.5w in framed ASY15054 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert “[Shay’s work] ranks with some of the greats of the 20th century.” Ellen & Richard Sandor, Renowned photo collectors “I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.” William Friedkin, Director of French Connection “Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.” Studs Terkel “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.” Hugh Hefner “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago Artist “Art Shay is America’s Cartier-Bresson.” Thomas Dyja, author of The Third Coast “Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?” Russell Banks, Novelist “The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.” Christophe Loviny, Art Editor, Paris “Art Shay is the best photo-journalist Chicago ever produced.” Arthur Siegel, photographer; IIT Institute of Design President “I have one of Art Shay’s pictures over my desk. It reminds me every morning of my Chicago roots. Arts photos, like me, have the Chicago accent, which may be to say he’s telling you the truth. I think it takes a realist to see the humor in things. I know it takes a realist to see the depths of tragedy. Art’s work is so real it feels like a Madison Street guy tapping me on the forearm.” David Mamet

A Fine, Modern 1930s Academic Anatomical Figure Study of Male Feet by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed, early 1930s charcoal study (a composite...

An original 1920s silver gelatin print by famed photographer Tina Modotti, showing a mural fresco in the Secretariat of Education in Mexico City by artist Diego Rivera. Photo is sta...

A Charming 1930s Modern Abstract Portrait Drawing of a Circus Clown by Notable American Modern Artist, Carl Robert Holty (1900-1973). Graphite on paper, dating from 1931. Artwork s...

A charismatic, 1920s charcoal on paper drawing of a dapper young man seated beside a pint glass by famed Chicago artist Francis Chapin. Image size: 12 x 9 inches. Matted size: 18 x 14 inches Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Welcome (B&W) 2021 ARCHIVAL PIGMENT PRINT Unframed Sizes: 33 x 45 in (83.82 x 114.3 cm) - Edition of 10 + 2 AP (Artist Proofs) 44 x 60 in (111.76 x 152.4 cm) - Edition of 10 + 2 AP ...

Perfect for your cycling enthusiast! A dynamic, 1930s drawing of a bicycle race by notable Chicago Modern artist, Francis Chapin. Charcoal on paper, most likely a study relating to numerous lithographs and Chapin created in the 1930s with bicycle racing as the subject. Image size: 11 x 14 inches, (unframed); archivally matted to 16 x 20 inches (ready to frame). Estate stamped on reverse. Provenance: Estate of the artist. Francis Chapin, affectionately called the “Dean of Chicago Painters” by his colleagues, was one of the city’s most popular and celebrated painters in his day. Born at the dawn of the 20th Century in Bristolville, Ohio, Chapin graduated from Washington & Jefferson College near Pittsburgh, Pennsylvania before enrolling at the Art Institute of Chicago in 1922. He would set down deep roots at the Art Institute of Chicago, exhibiting there over 31 times between 1926 and 1951. In 1927 Chapin won the prestigious Bryan Lathrop Fellowship from the Art Institute – a prize that funded the artist’s yearlong study trip to Europe. Upon his return to the United States, Chapin decided to remain in Chicago, noting the freedom Chicago artists have in developing independently of the pressure to conform to pre-existing molds (as was experienced by artists in New York, for example). Chapin became a popular instructor at the Art Institute, teaching there from 1929 to 1947 and at the Art Institute’s summer art school in Saugatuck, Michigan (now called Oxbow) between 1934 – 1938 (he was the director of the school from 1941-1945). Chapin’s contemporaries among Chicago’s artists included such luminaries as Ivan Le Lorraine Albright...

Ivan Markovic transports viewers into a world of technicolor with this collection of works inspired by Bernini's angels. Markovic's life in Rome brought him to walk across the Ponte ...