Chicago - Art

A Striking, Colorful 1940s Modern Surrealist Abstraction by Notable New York Avant Garde Artist, Hannah Harari (Am. 1912-2000). Titled "Wings", the artwork is watercolor, mixed medi...

A charming, 1930s American Scene drawing of a woman seated at a lunch counter by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Artwork size: 14 x 11 inches (sheet); ...

A Striking, Colorful 1930s Modern Surrealist Abstraction by Notable New York Avant Garde Artist, Hannah Harari (Am. 1912-2000). Titled "Signal Set Up", the artwork is colored pencil...

Inscribed on the verso: EE 27/10

Patrick Burns No Charges original newsprint, acrylic, polymer, resin on panel 32h x 48w in 81.28h x 121.92w cm PB0004 Patrick Burns b. 1987, Cleveland, OH Bio I like to explore themes that are unique to the American experience in my work. By merging the iconography of the US flag and the headlines from major events of our past, I can express a more personal understanding of what it means to be an American and the journey that has shaped our country.   West Virginia Raised. Maine Educated. Colby College  Exhibitions 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL American Experience, Ann Nathan Gallery, Chicago, June 2015 2014 (e)merge Art Fair, Capitol Skyline Hotel, Washington, DC. Amstel...

A Unique, Mid-Century Modern 1960s Chicago Harbor Scene Watercolor by Noted Artist, Rudolph T. Pen. Artwork is formatted in a trapezoid shape, an innovative compositional device for...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographic stills, repurposing them...

A Striking, Colorful 1942 Modern Surrealist Abstraction by Notable New York Avant Garde Artist, Hannah Harari (Am. 1912-2000). Titled "The Baroque Portal", the artwork is mixed medi...

A dynamic, unique Mid-Century Modern monoprint of a sailing regatta in Martha's Vineyard, "Edgartown Harbor", by notable Chicago Modern artist Francis Chapin. Lithograph on paper wi...

Halicarnassus was an ancient Greek city in Caria, in Anatolia. It was located in southwest Caria, on an advantageous site on the Gulf of Gökova, which is now in Bodrum, Turkey. The city was famous for the Mausoleum of Halicarnassus, ranked as one of the seven wonders of the ancient world. Halicarnassus was loyal to the Persians and formed part of the Persian Empire until Alexander the Great captured it at the siege of Halicarnassus in 333 BC. Here, the Kupjack Studios have meticulously researched the era and have gone to painstaking detail to present this miniature version of Alexander's Tent. Based on a scale of one foot equals one inch, each piece of furniture, rug, decoration is fabricated with exacting detail. Kupjack Miniatures Alexander's Siege Tent, Halicarnassus, ca. 333 BC, circa 2003 mixed media 24.50h x 22.75w x 18.50d in 62.23h x 57.78w x 46.99d cm KJK004 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms...

A beautiful 1940s painting of a seated female nude in a summer landscape by renowned Chicago artist, Francis Chapin (Am. 1899-1965). Painted at the Oxbow School in Saugatuck, Michig...

This is a Gyotaku method painting of a fish on a textured mulberry paper background. This fish impression using minimal color is akin to a fossil. The fish is then hand painted in ...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo creates dynamic compositions of people and places that communicate a rich commentary on the world around him. Depicting trees from personal encounters, Surdo’s latest body of work entitled “Tree Spirits” takes us on a foray into the forest, where leaves, branches and burls express something deeply personal. Applying his mastery of figurative realism to the natural world, he experiments with form and texture to uncover the intangible spirits of trees. This large-scale painting entitled “Moon Spirit Dancer...

A colorful, 1950s industrial harbor scene painting of a dockyard truck in a working Martha's Vineyard boatyard by notable Chicago artist, Francis Chapin. Completed near the artist's...

Cowgirls (B&W) 2020 ARCHIVAL PIGMENT PRINT Unframed Sizes: 30 x 45 in (76.2 x 114.3 cm) - Edition of 15 + 2 AP (Artist Proofs) SILVER GELATIN PRINT Unframed Size: 11.3 x 17 in (28....

A Finely Drawn, 1930s Art Deco Modern Figure Study of a Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An early charcoal drawing by Haydon demon...

A Colorful, 1930s Modern Surrealist Abstraction by Notable New York Avant Garde Artist, Hannah Harari (Am. 1912-2000). Titled "The Military", the artwork is ink and colored pencil ...

A large, vibrant 1940s American Modernist still life painting of a cast iron pot, squash and ladle by notable Chicago woman artist. Flora Schofield. Oil on canvas, dating circa 1947. Artwork size: 28 1/2 x 20 inches. Framed size: 34 x 26 inches. Signed "Schofield" lower left. A avid painter, print maker and sculptor, Flora Schofield (Schoenfield), was born in Lanark, Illinois in 1871. She studied at the School of the Art Institute of Chicago and taught Saturday classes there until 1904. Schoenfield also studied with Charles Hawthorne, B.J.O Nordfeldt and William Zorach in Provincetown, Massachusetts. She studied with Albert Gleizes, Fernand Leger and Natalia Goncharova in Paris, France. In 1923, Schofield’s abstractions caused a split at the venerable Chicago Society of Artists. When her artwork was was accepted by the jury, the notable Impressionist painter Pauline Palmer and the notable Modernist painter Carl Hoeckner got into a row that ended-up splitting the group. The Impressionists then broke away into their own organization called the ”Association of Chicago Painters and Sculptors”. Paintings by Flora Schofield have been exhibited at the Pennsylvania Academy of the Fine Arts, Philadelphia; the Salon d’Automne and Salon de Independants, Paris; the Salons of America; the Society of Independent Artists, New York; the Wichita Museum of Art, Wichita; Gallery Carmine, Paris; the National Arts Club Galleries, New York; Marshall Fields Galleries...

The loose hash marks come together in this colored pen and conte crayon drawing of the Tuscan countryside with a view into Siena with its fabulous Duomo. This piece is matted with a buttery hued mat and framed in a simple oak colored wooden frame measuring 15h x 18w inches. Christopher Ganz View of Siena with the Duomo colored pens & conte crayon 11h x 14w in 27.94h x 35.56w cm CG0052 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching...

Taking inspiration from his surroundings in Spain, Pozas gives us this lush landscape entitled "The River With No Name". The verdant scene, with its babbling brook so picturesque you can almost hear the water rushing over the stones. Every leaf and blade of grass is painted with exacting precision. "Pozas" René Monzón Relova...

Artist Jeff Conroy is an avid fisherman. He is also an accomplished artist. He brought these two disciplines together by learning the art of Gyotaku Painting. After having caught ...

A solitary figure, head bowed, stands in a field in contemplation of what has just taken place or what is about to take place. "A Great Battlefield" channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to contemplate the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. A Great Battlefield oil on linen 60h x 35w in 152.40h x 88.90w cm WIL029 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...

A pair of delightful, Mid-Century 1950s interior scenes in pen & ink by notable Chicago Modern artist, Harold Haydon. Image sizes: 6" x 9" each. Each are unframed and archivally m...

Sequencing 11 (Abstract Painting) Acrylic on Montval paper - Unframed Martina Nehrling is an American abstract artist whose dynamic and richly textured paintings evoke kaleidoscopi...

Bruno Surdo Banality, 2026 oil on canvas 16h x 20w in 40.64h x 50.80w cm BRS152 Bruno A. Surdo b. Chicago, 1963 Bruno A. Surdo is a true native of Chicago. He studied drawing and ...

Collage describes both the technique and the resulting work of art in which pieces of paper, photographs, fabric and other ephemera are arranged and affixed onto a supporting surface...

"Legend" (Color) Kenya - 2025 Archival Pigment Print Available Sizes: Edition of 20: 24” x 36” (61 x 91.4 cm) $6,500 Edition of 15: 31” x 46.5” (78.7 x 118.1 cm) $7,500 Edition ...

Joan Didion in front of her Daytona Yellow Stingray Corvette, 1968, Time magazine TIME commissioned this portrait of author Joan Didion photographed...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored p...

A Stylized, 1950s Mid-Century Modern Studio Figure Study of a Standing Female Nude Model Undressing (Deshabille) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Executed i...

A Striking, Dramatic 1950s Mid-Century Modern Figure Study Portrait of Woman by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed, studio drawing in charcoal of...

A Cheerful, 1930s American Scene Landscape Painting of Country Road by Notable Chicago Modern Artist, Francis Chapin (Am. 1899-1965). A gem of a painting, exemplifying Chapin's stea...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

A striking 1930s American Modern portrait figure study watercolor of a distinguished, young African American male model by notable Chicago Institute of Design artist, Eugene Dana. W...

A Fine 1930s Modern Academic Figure Study Drawing, Depicting an Artist's Sketch Class and a Seated Young Male Mode by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An excep...

A large, colorful Impressionist still life painting of fine porcelain china, glass and stemware by notable Alfred Jansson (Am. 1863 - 1931). The painting is exquisitely painted with...

A Spectacular, Large 1960s Mid-Century Modern Abstract Studio Still Life Painting by Notable Chicago Artist, Rudolph Pen. A painting of dy...

A stylish, vintage, 1940s fashion study featuring an elegant design for women's suit. Most likely a design study for a print advertisement for the famed Chicago department store, Ma...

In the summer of 2024, on the Eastern Shore of Maryland, a father and son reenacted a Civil War "stag dance" at the Kent Cultural Alliance in Chestertown. These all-male dances, wher...

Cartography, the study and practice of making and using maps, was at the cutting edge in the 18th-century, helping to shape and define a world rapidly coming into focus. Over the course of the century, exploration and colonization expanded the scope of the known world, especially in the Pacific and the Americas. Advances in geography enabled cartographers to map these new discoveries with increasing accuracy. The days of conjecture and myth in cartography were fast coming to an end. Here, the Kupjack Studios has captured this discipline with exacting details. From the smallest of tools, to the rolls of maps and maps in progress displayed on the desk, the world of miniatures comes to life and brings us into a bygone era. Kupjack Miniatures 18th Century New England Cartographer, circa. 2008 mixed media 14h x 26.25w x 14.75d in 35.56h x 66.67w x 37.47d cm KJK001 Eugene Kupjack and his sons Hank and Jay created museum quality miniature rooms in their studio outside of Chicago for many years. Hank and Jay learned the at their father’s side as he assisted Mrs. Narcissa Niblack Thorne with the creation her many miniature rooms now housed at The Art Institute of Chicago. Almost every piece of molding, furniture, rugs, and accessory items that are contained in their rooms are designed and created by hand. In addition to designing and building rooms they would sometimes work to restore the rooms built many years ago by their father and Mrs. Thorne. Their work can be seen in various museums as far away as Turkey where they were exhibited in 2009. In the United States their work can be seen in the permanent collections of The Kentucky Museum Center, The Art Institute of Chicago, The Philadelphia Art Museum...

A Large, Captivating, 1960s Mid-Century Modern Floral Still Life Painting by Notable Chicago Artist, Rudolph Pen. A painting of dynamic color and patterned forms. Painted in the 19...

Crossroads of Time This painting captures the feeling of arriving at a moment where lives, generations, and sensibilities overlap without fully touching. Surdo stages the street like...

A Fine 1930s, Modern Academic Figure Study Drawing of a Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed, early 1930...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographic stills, repurposing them...

Ivan Markovic transports viewers into a world of technicolor with this collection of works inspired by Bernini's angels. Markovic's life in Rome brought him to walk across the Ponte ...

Harmony This painting feels especially important in understanding Bruno Surdo’s artistic roots because it is not simply an homage to Raphael — it is also a return to one of the forma...

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's autumn suit. Inscription reads: "Brown and grey suit and cape affair from Town and Country, Blum's ...

A Large, Compelling Mid-Century Modern Figurative Painting by New York Artist, Gerrit Hondius, Titled "Equestrienne & Clown". Artwork size: 30 x 24 inches (Oil on Masonite); Frame...

"Memory and Thunder" Kenya, 2025 Available sizes: 20 x 30 in / Edition of 6 - $4,500 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Edition of 6...

Original collotype created from Gustav Klimt’s Schloss Kammer on Lake Attersee II (Das Werk Gustav Klimts), originally painted in 1909. Publishe...

This painting demonstrates Bruno Surdo’s deep grounding in classical figurative tradition while addressing intimacy in a distinctly contemporary register. The tightly compressed composition—two nude bodies locked in a kiss—recalls Renaissance and Baroque explorations of entwined figures, from Michelangelo’s sculptural studies of interlocking forms to Caravaggio’s emotionally charged chiaroscuro. The anatomical modeling is central: the musculature of the male back, the subtle weight shift in the female torso, and the nuanced transitions of light across flesh reveal Surdo’s atelier training and commitment to Renaissance draftsmanship. The dark, atmospheric background isolates the figures, heightening their sculptural presence and intensifying the psychological focus. Art historically, the pose evokes both sacred and mythological precedents—embraces seen in depictions of Venus and Mars, Cupid and Psyche, or even the sensual gravity of Rodin’s later sculptural couples. Yet Surdo strips away allegorical attributes and narrative setting. The white drapery loosely gathered at the woman’s hip subtly references classical sculpture, where cloth both conceals and accentuates form. Unlike historical idealization, however, these bodies feel lived-in and human rather than mythic. Surdo’s broader practice often stages grand allegories or mythological conflicts; here he distills that tradition into a singular moment of private intensity. The painting bridges past and present, demonstrating how the language of Renaissance form and Baroque light can still articulate modern vulnerability, desire, and connection without relying on overt narrative symbolism. Bruno Surdo Desire oil on paper on canvas 40h x 30w in 101.60h x 76.20w cm BRS086 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2021 Ethos + Truth, Gallery Victor Armendariz, Chicago, IL 2020 Realities, Gallery Victor Armendariz, Chicago, IL 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden...

A small, vibrant 1950s Mid-Century Modern mountain landscape painting depicting Aspen, Colorado by famed Chicago artist Harold Haydon. Titled "Western Vi...

This collage subtly incorporates sheet music to reinforce the suggestion of sounds heard within a concert hall. Ironically, this is a quiet piece, a visually satisfying painting that...

Ivan Markovic transports viewers into a world of technicolor with this collection of works inspired by Bernini's angels. Markovic's life in Rome brought him to walk across the Ponte ...

A Stylized, 1950s Mid-Century Modern Studio Figure Study of a Reclining Female Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Executed in a Mannerist, Rubenesq...

Oil on canvas 88.9 x 130.1 cm.; 35 x 51 1/4 inches Signed, lower right

Any serious collector will wan to bring home this wonderful serigraph for your collection! A fabulous Mid-Century Modern 1950s serigraph of Chicago's Wrigley Building in its origina...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographic stills, repurposing them...

Original collotype lithograph of Gustav Kilmt’s Woman in dress, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, i...

A Striking, 1930s Modern Surrealist Abstract Drawing, "Ladder Forms" by Notable New York Avant Garde Artist, Hannah Harari (Am. 1912-2000). Graphite on paper, dating from 1936. A...