Chicago - Art

"Decorated Traditions" Brazil, 2006 30 x 20 in / Edition of 6 - $4,500 Also available: 48 x 32 in / Edition of 6 - $7,500 60 x 40 in / Edition of 6 - $10,500 75 x 50 in / Edition of 6 - $15,500 Prices listed do not include framing. Please contact gallery for framed pricing. One of the first photos I ever took was this portrait of a Kayapo warrior that I snapped with a borrowed, old Nikon Camera...

This painting is Bruno Surdo’s contemporary reimagining of Saint Sebastian, one of the most enduring subjects in Western art. From Mantegna and Botticelli to Guido Reni and Caravaggio, Sebastian has long been depicted as the bound, arrow-pierced martyr whose physical suffering becomes an image of spiritual transcendence. Surdo clearly situates himself within this lineage: the contrapposto pose, uplifted gaze, and carefully modeled anatomy reflect his atelier training and deep engagement with Renaissance ideals of the heroic nude. The flesh is luminous and sculptural, recalling Michelangelo’s influence on the canon of the male body as both aesthetic and symbolic form. Yet Surdo decisively destabilizes the tradition. The arrows piercing the body are not lethal shafts but rubber suction-cup darts—objects associated with toys and staged play. This substitution transforms martyrdom into performance. The gravity of sacred suffering is undercut by irony, even absurdity. The saint is no longer impaled by instruments of death but by harmless projectiles, suggesting that contemporary suffering may be theatricalized, trivialized, or culturally mediated. At the same time, the figure’s expression remains sincere and emotionally vulnerable; the psychological intensity is real, even if the wounds are not. This tension between authentic emotion and artificial harm introduces a modern critique of spectacle—how pain can be aestheticized, simulated, or consumed. The graffiti-covered urban wall further collapses sacred history into contemporary space. Instead of a devotional landscape or heavenly backdrop, Surdo situates his Sebastian against a chaotic, tagged surface, merging classical beauty with raw urban immediacy. Saint Sebastian has long functioned not only as a symbol of faith but also as an emblem of sensualized male beauty and coded identity in art history. Surdo acknowledges that layered tradition while reframing it through irony and cultural commentary. By replacing deadly arrows with toy darts, he transforms martyrdom into a meditation on vulnerability in an age where suffering may be symbolic rather than fatal—performed, projected, or socially inflicted rather than divinely ordained. As in much of his work, Surdo grounds contemporary psychological tension in the authority of Renaissance form, using the language of history painting to question what sanctity, sacrifice, and spectacle mean today. Bruno Surdo Paradox of St. Sebastian oil on canvas 60h x 36w in 152.40h x 91.44w cm Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden...

24" x 30" Edition Size: 24 *Price is for unframed. It's extra $500 for framed* Mademoiselle Chanel at work. Douglas Kirkland was sent to Paris on assignment for Look magazine, a...

Heading Home – Frank Sinatra circa 1953 getting into his Cadillac. Hollywood, CA. Giclee 300gsm smooth archival rag paper and archival ink Each fine print is numbered and embossed ...

Art Nouveau Cinderella theater poster by Dudley Hardy, published in 1897 by Imprimerie Chaix, Paris, the printing house known for publishing the works of Belle Epoque master Jules Ch...

A vibrant, 1960s Mid-Century Modern painting, "Vermont Landscape, Spruce Tree and Shoreline" by notable Chicago artist Harold Haydon. Painted near the artist's longtime summer studi...

Here, Aeling revisits the Midwestern marshlands that have long informed his sense of natural structure. The clustering of trees along the waterline hints at the intricate ecology of riparian zones—a subject he has studied through countless field excursions. The soft cloud cover overhead adds a sense of atmospheric density, contrasting with the crisp detail of grasses below. As in much of his work, this landscape becomes a meditation on endurance: land that has witnessed centuries of seasonal cycles. Jeff Aeling Pond Late Afternoon Oil on panel 10h x 14w in 25.40h x 35.56w cm JAE054 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings...

Steve McQueen, 1964 Silver Gelatin Print Edition size: 15 Available sizes: 20 x 16 inches Artist Bio: After starting his career at the age of 14 as...

Christopher Ganz The Departure 2006 intaglio on chine colle 12h x 7w in 30.48h x 17.78w cm Frame: 20.25h x 16.25w in CG0031 -ARTIST STATEMENT- I depict my person in multiplicity w...

A Fine, Stylish 1930s Modern Figure Study Drawing of a Standing Male Nude Model by Famed Chicago Artist Francis Chapin (Am. 1899-1965). A wonderful, early example of Chapin's figura...

A rare and special 1936 Modern American Scene country landscape painting with figures by important Chicago artist (William) Davenport Griffen. Oil on canvas, signed and dated "Griffen ‘36", lower right. Image size: 18 x 20 inches. Framed size: 22 x 24 inches. (William) Davenport Griffen was born in 1894 in Millbrook, NY. He graduated from Iowa State College in Ames, IA in 1918 with a B.S. in Civil Engineering; however, Griffen’s true love was painting. In 1919, he enrolled in the Chicago Academy of Fine Arts and subsequently studied at the Art Institute of Chicago from 1923-1928. In 1926, he was awarded the American Travel Scholarship and began painting in Provincetown, MA. In 1928, he was awarded the John Quincy Adams Scholarship and spent six months painting in Paris, France. Griffen also painted in the U.S. Virgin Islands for 11 months between 1930-1931. Griffen had one-man exhibitions of his Virgin Islands paintings...

A Finely Drawn 1930s, Modern Academic Figure Study Drawing of a Standing Male Nude Model with Outstretched Arms by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptio...

A Large, Dynamic Mid-Century Modern Painting of a Horse Race by noted Chicago Artist, Rudolph Pen. Artwork size: 24" x 36"; oil on Masonite. Framed size: 25" x 37". Signed "Pen" ...

A Colorful, 1930s Modern Surrealist Abstraction by Notable New York Avant Garde Artist, Hannah Harari (Am. 1912-2000). Titled "The Military", the artwork is ink and colored pencil ...

Bruno Surdo Banality, 2026 oil on canvas 16h x 20w in 40.64h x 50.80w cm BRS152 Bruno A. Surdo b. Chicago, 1963 Bruno A. Surdo is a true native of Chicago. He studied drawing and ...

A striking Mid-Century Modern 1950s abstract ink drawing by notable Chicago artist, Harold Haydon. A wonderful example of Hayden's experimentation with continuous line drawing. Ink...

This dynamic table sized sculpture is created from sheets of steel, welded together in an abstract geometric pattern and then painted with an acrylic paint to enhance the surface. While the work adheres to a rigid, rational geometry, this sculptures suggest lyrical movement, apparent weightlessness and improvisation as the title suggests. Chris Hill Spirit welded steel, acrylic paint 16.50h x 11.50w x 7d in 41.91h x 29.21w x 17.78d cm CHI021 Chris Hill is a Santa Fe based sculptor. Chris was born in Port Arthur, Texas but grew up in small town North Mississippi. He began welding at age 18 at the Tennessee Valley Authority...

A Charming 1940s Watercolor of a City in Mexico with Cathedral and Rooftops by Noted Chicago Artist, Rudolph T. Pen. A well executed early work by Pen, completed during the artist's...

The subject of Richard Gibbons' painting entitled "La Boheme" is based on the opera by Puccini of the same name - a love story of a poor seamstress and her artist friends in 1830 Boh...

A Unique, 1960s Mid-Century Modern, European City View Watercolor by Noted Chicago Artist, Rudolph T. Pen. Artwork is formatted in a trapezoid shape, an innovative compositional dev...

A Fine 1930's, Depiction of a Boxing Match by Notable Chicago Modern Artist, Francis Chapin. This dynamic drawing captures overlapping human forms rendered in expressive, gestural li...

A stylish, vintage, 1940s fashion study featuring elegant designs for women's winter hat and coat, Likely an illustration study for a print advertisement for the famed Chicago depa...

A wonderful 1941 Urban Realist watercolor of Chicago's Old Town neighborhood that features an old car, titled "Wells & Eugenie" by Albert Rudin. Image size: 11 1/2" x 15 1/2". Fra...

A Vibrant, Unique Surrealist 1960s Mid-Century Modern Abstract Oil Painting of Burning Fire (Flame) by Notable Chicago Artist, Harold Haydon. A vivid, eye-catching example of Haydon...

Richly textured with whimsical appeal, this late 20th century wooden crow is a delightful example of naive American sculpture. Poised mid-caw, the crow's wings are outstretched, read...

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. Wit...

The loose hash marks come together in this colored pen and conte crayon drawing of the Tuscan countryside with a view into Siena with its fabulous Duomo. This piece is matted with a buttery hued mat and framed in a simple oak colored wooden frame measuring 15h x 18w inches. Christopher Ganz View of Siena with the Duomo colored pens & conte crayon 11h x 14w in 27.94h x 35.56w cm CG0052 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching...

A Striking, Dramatic 1950s Mid-Century Modern Figure Study Portrait of Woman by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed, studio drawing in charcoal of...

A Mid-Century Modern, 1950s Cubist watercolor of a brightly-colored dock scene by Chicago and New York artist Rita Duis (Astley-Bell). Signed "Duis", lower left. Artwork size: 8 1/...

Interchange Between Myth and Reality is Bruno Surdo’s contemporary banquet scene—an ambitious reimagining of the grand Venetian feast painting for the 2...

Dean Kugler The Black Road: Crystal, 2022 resin, steel, limestone 31h x 13w x 12d in 78.74h x 33.02w x 30.48d cm DK0044 Dean Kugler is a seasoned interdisciplinary artist, painter, ...

A Captivating, Mid-Century Floral Still Life of Red Roses by Rudolph T. Pen. With wonderful color and brushwork, executed with the unique, Modern perspective for which Pen's Post-Wa...

A solitary figure strains forward, arms fully extended, as if reaching beyond the frame itself. Rendered in warm, earthen tones, the oil painting captures the tension between strengt...

A striking, 1950s Mid-Century Modern Surrealist architectural scene / set design by notable French stage, costume and fashion designer, Andre Delfau (1914-2000). Depicting the drama...

Edition of 110, signed and numbered lower right

A scenic September, Vermont summer landscape painting by notable Chicago Modern artist Harold Haydon. The oil on Masonite painting is dated 1964. Signed and dated "Harold Haydon 19...

A Fine 1930s Modern Academic Figure Study Drawing, Standing Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1930s cha...

A 1954 Surrealist depiction of a Summer symphony by notable Chicago Modern artist Harold Haydon. Executed in the artist's innovative, abstract "Binocular Vision" technique for which...

A vibrant, colorful 1930s winter scene painting of Saugatuck, Michigan by famed Chicago Modern artist, Francis Chapin (Am. 1899-1965). Depicting a view of the historic Old Fish Hous...

A Radiant, 1950s Mid-Century Modern Studio Portrait of a Seated Female Nude Model. Painted in a sensuous color palette of wonderfully expressive reds and cool creams, the painting e...

A charming, 1930s American Scene drawing of a woman seated at a lunch counter by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Artwork size: 14 x 11 inches (sheet); ...

A Finely Drawn 1930s Modern Figure Study of a Standing Male Nude Model (Torso) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An early charcoal drawing by Haydon showing...

A bold & dynamic 1960s Mid-Century Modern abstract painting titled "October Landscape" by Valfred Thelin. Oil on board, signed "Thelin", lower right. ...

A Fine, Modern 1930s Academic Anatomical Figure Study of a Standing Male Model (Leg, Knee and Foot) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A well executed, early ...

A Visually Striking, early 1950s Abstract, Surrealist Mid-Century Modern Still Life Painting by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Depicting a subdued, tonal int...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...

A Cheerful, 1930s American Scene Landscape Painting of Country Road by Notable Chicago Modern Artist, Francis Chapin (Am. 1899-1965). A gem of a painting, exemplifying Chapin's stea...

"Husky Huddle" Qaanaaq, Greenland - 2015 Archival Pigment Print Available Sizes: Edition of 20: 24” x 36” (61 x 91.4 cm) $15,500 Edition of 15: 31” x 46.5” (78.7 x 118.1 cm) $28,5...

Josef Albers (German/American, 1888-1976) Gray Instrumentation I, 1974 color screenprint signed, titled, and numbered in pencil edition of 36, #16/36 Framed: 20 3/4 x 20 3/4 inches ...

A golden serpentine dragon with feathered wings encircles a shallow bowl with mottled blue, pink, and orange glazing. Polished gold glaze on head and tail. This form was part of the ...

A charming, vibrant, early Mexican city street scene by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Depicting a quiet street in the historic, picturesque city of Gua...

A vibrant young Jessica Lang shows off her Scottie in this relaxed portrait of the rising star at her cottage retreat in Minnesota in 1976. Art Shay Jessica Lange...

A large, finely detailed 1950s Mid-Century Modern watercolor of a castle, moat and village by French artist and architect, André Nejavits-Mery. Watercolor and ink on paper, signed a...

A dynamic ca. 1958 Mid-Century Modern painting titled "Refreshment" by Woman Artist, Lucille Leighton. Oil on canvas, in original frame. Artwork size: 22" x 18". Framed size: 27 1...

Abstract art experiments with the use of texture, tone, and light perception. Through abstract works, the artist expresses her feelings rather than particular objects or scenes. With Suk Ja Kang...

Even in its earlier years, the movie industry was based around spectacle. Exploitation posters, especially those depicting drug culture, were often design...

A stylish, colorful 1950s Mid-century Modern abstract geometric textile design (depicting a polychrome patterned design of horizontal bands and spheres in red, blue and green tones) ...

Original 1931 collotype created from Gustav Kilmt’s Portrait of Friederike Maria Beer, oil on canvas, 1916. Published by Max Eisler and printed by Österreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, in an edition of 500. In 1931, Max Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original oil paintings were painstakingly reproduced as collotypes on a handmade, deckled-edge cream wove paper. This world-class example of collotype captures the superb resolution and color-richness and ornamentation of the original 1916 oil painting. "Friederike-Maria suggested that Klimt should paint her in a Viennese Workshop dress; she wore these exclusively. She was also very proud of a fur coat she owned, particularly during the hardship of the First World War, and Klimt decided that she should wear the coat too, but inside out, so that the decorative lining, also by the Viennese Workshop, was visible. Klimt decided to make use of an imaginary oriental screen...

French actress Brigitte Bardot on the set of "The Ballad of Frenchie King" in Almeria, Spain, 1971 Platinum lifetime print. (lifetime signed) 20 x 24 inches Edition Size: 50 + 10 ...

Christopher Ganz Self-Portrait 1999 Graphite 15.50h x 12w in 39.37h x 30.48w cm CG0027 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dra...