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Item Ships From: Connecticut
Sun Maid Raisins (2x)
By Tom Pfannerstill
Located in Fairfield, CT
The works in the series “From the Street” are carefully crafted, carved and painted, trompe l’oeil depictions of everyday common objects. On the back of each piece is a description o...
Category

21st Century and Contemporary American Realist Connecticut - Sculptures

Materials

Acrylic, Wood

Crane
By Jane DeDecker
Located in Greenwich, CT
Sculpture of a figure balancing on their hands with their legs bent in the air. Ed. 4/17
Category

2010s Connecticut - Sculptures

Materials

Bronze

Sylvia Schwartz, 'A Field of Grass', 2014, Plaster, Minimalist
By Sylvia Schwartz
Located in Darien, CT
In Sylvia Schwartz' structures, silicone molds are cast from both natural and hand-made forms, including clay coils, volcanic rock patterns, seaweed, and her own fingerprints. The h...
Category

2010s Minimalist Connecticut - Sculptures

Materials

Plaster

Love Letters
By Jane DeDecker
Located in Greenwich, CT
A young girl waiting by the mailbox for love letters. Edition of 31
Category

Early 2000s Connecticut - Sculptures

Materials

Bronze

Gil Scullion, Your Existence, 2017, 20 sheets of stacked hand-cut paper
By Gil Scullion
Located in Darien, CT
Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box Gil Scullion’s conceptual text-based work has been featured in exhibi...
Category

2010s Conceptual Connecticut - Sculptures

Materials

Paper

Joan Grubin, See-Through, 2018, Mylar, Paper, Acrylic Paint
By Joan Grubin
Located in Darien, CT
Weaving is a form of drawing, of plotting and connecting lines. Fabricating a three-dimensional, transparent object using thin strips of paper with differing colors on either side re...
Category

2010s Abstract Geometric Connecticut - Sculptures

Materials

Mylar, Paper, Acrylic

Dorothy Mayhall, Monument 4, 1994, Terracotta, Acrylic Paint
By Dorothy Mayhall
Located in Darien, CT
Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...
Category

1990s Abstract Geometric Connecticut - Sculptures

Materials

Terracotta, Acrylic

David Borawski, The First Act of Violence, 2019, Gaffers tape, dimensions vary
By David Borawski
Located in Darien, CT
David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford. A multi-media installation artist, his work...
Category

2010s Conceptual Connecticut - Sculptures

Materials

Tape

Joseph Fucigna, Burning Bush, 2001, Plastic, Found Objects
By Joseph Fucigna
Located in Darien, CT
Joseph Fucigna is a multi-media artist whose work is rooted in process, play and the innate qualities of the materials used. Through experimentation, play and innovation he creates sculptures, paintings and drawings that are known for their power to transform materials, inventiveness and odd but suggestive subject matter. The ultimate goal is to create an artwork that is a perfect balance between suggestive content, and the formal qualities of the material that allow both to be active participants. Joseph Fucigna received his Masters of Fine Arts degree from the School of Visual Arts in New York City. He also attended the Triangle Workshop in Pine Plains, NY and worked with the renowned sculptor Sir Anthony Caro and critic Clement Greenberg. Fucigna is a full-time Professor of Art at Norwalk Community College and is the Chair of the Studio Arts Program. Fucigna has also taught in the Art Department at the State University of New York, Stony Brook. Presently, he resides and works in Weston, CT. Fucigna has exhibited nationally including shows at the Fitchburg Art Museum in Massachusetts, Real Art Ways in Connecticut, the United Nations, Grounds for Sculpture in New Jersey, the Lyman Allyn Art Museum in Connecticut, the New York State Museum in Albany, NY and the Burchfield Art Center in Buffalo NY. He has had one-person exhibitions at the Fred Giampietro Gallery, Sculpture Barn, Norwalk Community College Art Gallery, Artist Space New Haven and the Bannister...
Category

Early 2000s Arte Povera Connecticut - Sculptures

Materials

Plastic, Found Objects

Daphne II
By Jane DeDecker
Located in Greenwich, CT
Figurative sculpture of woman whose hands appear to sprout tree branches. Edition of 21
Category

2010s Connecticut - Sculptures

Materials

Granite, Bronze

Suzanne Benton, Facing Each Other, 1974, Copper, Coated Steel
By Suzanne Benton
Located in Darien, CT
In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...
Category

1970s Feminist Connecticut - Sculptures

Materials

Copper, Steel

Blue Elegance
By Santiago Medina
Located in Fairfield, CT
Master sculptor Santiago Medina’s Tuscany inspired Italian stainless steel masterpiece sculptures are at marquee public art venues such as Harvard, Stanford, Tufts and Washington Uni...
Category

21st Century and Contemporary Abstract Connecticut - Sculptures

Materials

Stainless Steel

#1714 To Go
By Susan Jane Belton
Located in Fairfield, CT
This work is about what I do while I write letters and think about all these urgent, global concerns and feel frustrated and powerless. I drink coffee. I drink a lot of coffee. It’s...
Category

21st Century and Contemporary American Realist Connecticut - Sculptures

Materials

PVC, Oil, Mylar

Eagle
By Jane DeDecker
Located in Greenwich, CT
Sculpture of a woman with her arms raised in front of her and with one leg crossed over the other.
Category

2010s Connecticut - Sculptures

Materials

Bronze

ALBERT
By Vlastislav Janáček
Located in Fairfield, CT
I was born in Havlíčkův Brod. Now I live and work in Kamenický Šenov. After graduating with a glass cutter I was successfully graduated from the Secondary...
Category

2010s Abstract Geometric Connecticut - Sculptures

Materials

Glass

Fritz Horstman, Formwork for the East River, 2017, Wood, Latex Paint, Wood Panel
By Fritz Horstman
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifi...
Category

2010s Conceptual Connecticut - Sculptures

Materials

Wood, Latex, Wood Panel

Nancy Baker, Green Pi, 2017, paper, acrylic paint, digital pigment print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category

2010s Abstract Geometric Connecticut - Sculptures

Materials

Paper, Acrylic, Digital Pigment

Steadfast
By Jim Rennert
Located in Greenwich, CT
A figure with his hand over his heart, looking upwards. Edition of 9
Category

2010s Connecticut - Sculptures

Materials

Bronze

Yvette Cohen, Thin Air 2 & 3, 2011, oil, shaped canvas, wood dowel, Minimalist
By Yvette Cohen
Located in Darien, CT
Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...
Category

2010s Minimalist Connecticut - Sculptures

Materials

Canvas, Wood, Oil

Jo Yarrington, Ghost Girls, Camel Hair Brush Display, 2018, Found Objects, Metal
By Jo Yarrington
Located in Darien, CT
Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...
Category

2010s Conceptual Connecticut - Sculptures

Materials

Metal

Yvette Cohen, 3+2, Triptych_2011_oil, shaped canvas, wood dowel, Minimalist
By Yvette Cohen
Located in Darien, CT
Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...
Category

2010s Minimalist Connecticut - Sculptures

Materials

Canvas, Wood, Oil

Green Tower
By Joel Perlman
Located in Greenwich, CT
Abstract sculpture
Category

2010s Abstract Connecticut - Sculptures

Materials

Bronze

Emily Feinstein, Wood Drawing, 2016, Wood, Mahogany, Plywood
By Emily Feinstein
Located in Darien, CT
Emily Feinstein grew up with a father who was a cabinetmaker with a shop in the basement. She spent a lot of time making things and constructing with wood. Her ongoing interest in r...
Category

2010s Arte Povera Connecticut - Sculptures

Materials

Wood, Mahogany, Plywood

Leda and the Swan (small)
By Reuben Nakian
Located in Greenwich, CT
Abstract sculpture depicting the Greek myth of Leda and the swan. Edition 2 of 7.
Category

1970s Abstract Connecticut - Sculptures

Materials

Bronze

Levan Mindiashvili, 'Corroded Scent of Yours', 2018, Marble, Wood, Plaster
By Levan Mindiashvili
Located in Darien, CT
Levan Mindiashvili, in his second major exhibition at ODETTA, will debut works from a new project entitled “The Color Of The Sky” in which he examines the issues concerning identity ...
Category

2010s Arte Povera Connecticut - Sculptures

Materials

Marble

Liz Sweibel, Untitled (Splinter 8 ), 2014, Wood, Paint, Found Objects
By Liz Sweibel
Located in Darien, CT
Liz Sweibel primarily makes sculpture, installations, and drawings. She uses a spare, personal language of abstraction to explore liminal spaces and unseen forces: wind, history, va...
Category

2010s Minimalist Connecticut - Sculptures

Materials

Wood, Paint, Found Objects

In Transit II
By Jim Rennert
Located in Greenwich, CT
Figural sculpture by Jim Rennert Edition of 9
Category

2010s Connecticut - Sculptures

Materials

Steel, Bronze

Joseph Fucigna, Green/Red Putty Drip, 2018, Silicone, House Paint, Wood Panel
By Joseph Fucigna
Located in Darien, CT
Joseph Fucigna is a multi-media artist whose work is rooted in process, play and the innate qualities of the materials used. Through experimentation, play and innovation he creates sculptures, paintings and drawings that are known for their power to transform materials, inventiveness and odd but suggestive subject matter. The ultimate goal is to create an artwork that is a perfect balance between suggestive content, and the formal qualities of the material that allow both to be active participants. Joseph Fucigna received his Masters of Fine Arts degree from the School of Visual Arts in New York City. He also attended the Triangle Workshop in Pine Plains, NY and worked with the renowned sculptor Sir Anthony Caro and critic Clement Greenberg. Fucigna is a full-time Professor of Art at Norwalk Community College and is the Chair of the Studio Arts Program. Fucigna has also taught in the Art Department at the State University of New York, Stony Brook. Presently, he resides and works in Weston, CT. Fucigna has exhibited nationally including shows at the Fitchburg Art Museum in Massachusetts, Real Art Ways in Connecticut, the United Nations, Grounds for Sculpture in New Jersey, the Lyman Allyn Art Museum in Connecticut, the New York State Museum in Albany, NY and the Burchfield Art Center in Buffalo NY. He has had one-person exhibitions at the Fred Giampietro Gallery, Sculpture Barn, Norwalk Community College Art Gallery, Artist Space New Haven and the Bannister...
Category

2010s Arte Povera Connecticut - Sculptures

Materials

Silicone, House Paint, Wood Panel, Putty

SEAHORSE
By Vlastislav Janáček
Located in Fairfield, CT
I was born in Havlíčkův Brod. Now I live and work in Kamenický Šenov. After graduating with a glass cutter I was successfully graduated from the Secondary...
Category

2010s Abstract Geometric Connecticut - Sculptures

Materials

Glass

Dorothy Mayhall, Monument #43, 1993, Terracotta, Acrylic Paint
By Dorothy Mayhall
Located in Darien, CT
Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...
Category

1990s Abstract Geometric Connecticut - Sculptures

Materials

Terracotta, Acrylic

Nancy Baker, 4th Amendment, 2017, paper, acrylic paint, digital pigment print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows he...
Category

2010s Abstract Geometric Connecticut - Sculptures

Materials

Paper, Acrylic, Digital Pigment

Fritz Horstman, Formwork for Branching Stream, 2017, Wood, Walnut
By Fritz Horstman
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...
Category

2010s Conceptual Connecticut - Sculptures

Materials

Wood, Walnut

Suzanne Benton, 1974, Pelvic Woman, Copper, Coated Steel
By Suzanne Benton
Located in Darien, CT
In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...
Category

1970s Feminist Connecticut - Sculptures

Materials

Copper, Steel

Yvette Cohen, PerAsperaAdAstra.ThroughHardshipToTheStars_Diptych_2011_Minimalist
By Yvette Cohen
Located in Darien, CT
Yvette Cohen’s oil paintings of geometric masses of color on shaped canvas become objects that fluctuate between two and three dimensions, bridging the divide between sculpture and ...
Category

2010s Minimalist Connecticut - Sculptures

Materials

Canvas, Wood, Oil

Nancy Baker, 19th Amendment, 2017, paper, acrylic paint, digital pigment print
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows he...
Category

2010s Abstract Geometric Connecticut - Sculptures

Materials

Paper, Acrylic, Digital Pigment

Ultra Red, Italian High Polished Stainless Steel
By Santiago Medina
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA --Master sculptor Santiago Medina’s Tuscany inspired Italian stainless steel masterpiece sculptures are at marquee public art venues su...
Category

21st Century and Contemporary Abstract Connecticut - Sculptures

Materials

Stainless Steel

Jackie Shatz, Paintwoman, 2017, Stoneware, Acrylic Paint
By Jackie Shatz
Located in Darien, CT
Jackie Shatz' wall sculptures encapsulate various suspended states of being. The images of swimming, floating and about-to gestures imply anticipation, hesitancy, anxiety or relief...
Category

2010s Expressionist Connecticut - Sculptures

Materials

Acrylic, Stoneware

Bars and Stripes, 2017, Nylon flag, Aluminum flag pole
By David Borawski
Located in Darien, CT
David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford. A multi-media installation artist, his work...
Category

2010s Conceptual Connecticut - Sculptures

Materials

Metal

Lisa Levy, Shut Up You Look Great, 2014, Mirror, Plastic, Marble, Found Objects
By Lisa Levy
Located in Darien, CT
Dr. Lisa's Ego Championship Trophies Lisa Levy is a painter, conceptual artist, comedian and (self-proclaimed) psychotherapist. Lisa's visual career started when she was 3 1/2 ...
Category

21st Century and Contemporary Assemblage Connecticut - Sculptures

Materials

Marble

Suzanne Benton, Becoming, 1975, Copper, Coated Steel
By Suzanne Benton
Located in Darien, CT
In 1972, the women’s movement was in full flower. Suzanne Benton had been an early activist, a founder and organizer of NOW Chapters, CT Feminists in the Arts, Women, Metamorphosis 1 (in New Haven, CT, the first women’s art festival in the USA). She'd already been creating metal sculpted masks and working with them in mask tale performances of Women of Myth and Heritage. Her inaugural performance of Sarah and Hagar n 1972 took place at Lincoln Center in NYC. Benton then became the artistic director and producer of an evening on Broadway, Four Chosen Women (performers included herself as mask tale performer, author Anais Nin, actress Vinie Burroughs and dancer Joan Stone). The evening took place at the Edison Theatre, November 22, 1972. While developing the evening on Broadway, Benton met renowned Swedish actress and Hollywood star, Viveca Lindfors. Viveca was then working on her solo performance, I AM A WOMAN, and was looking for a unique theatre set for the show. The happenstance that brought Viveca and Suzanne together. At that same time, recent travel to Macchu Picchu inspired her with the mountain’s great stones sitting on the edge of precipices. These vast stones led her to create welded steel Seated Sculpture Works. Viveca was intrigued by the concept and let her own imagination fly. Imagining a set of welded steel sculpture, she took the leap in commissioning Suzanne with complete faith in artist's ability to fulfill her mandate. Benton created groups of welded sculptures for two theater sets. Protection is one of three sculptures in first set created in 1973. Mother and Child, Pelvic Woman, Facing Each Other are three of five works from the 1974 second set. The first toured with her shows throughout the East Coast and into Toronto, Canada. The second set, created to nest together could travel as checked baggage for international and domestic airline travel. They flew to Denmark in 1980 for her performance at the UN sponsored 1980 Women’s International Conference, Copenhagen. In addition to creating the theatre sets, Benton mounted exhibitions of her masks and sculptures in the lobbies of theatres where she performed (NYC and Northampton). Continuing on with this theme, Becoming is her 1975 Seated Sculpture Work. The theatre sets were returned at the final end of its long run. These Seated Sculpture Works have often been featured in exhibitions, including both the 2003 and 2005 retrospectives. They are part of an oeuvre of 797 sculptures and masks. What attracted her to welded sculpture? This excerpt from her book, The Art of Welded Sculpture, Van Nostrand Reinhold, 1975 speaks of its lure: "Early in my life, when I had decided to become an artist, I had had an inner vision of being able to hold the physical material of my art in such a way as to bring it into existence with my hands. In welding, I wear a mask, a heavy apron, and gloves. I heat the metal and make it bend so smoothly and gracefully; I cut the metal, rigid metal, into endless shapes; I join the pieces by causing them to flow together with the heat of the flame. Welding was a return to my adolescent vision. It was fulfillment. At that beginning time I felt that even if I went no further, this experience in itself gave me astounding satisfaction. It was as thrilling as the moment of birth. It was my birth." (Pelvic Woman and Protection are illustrated in the book): What began in 1965 became by 2017 an oeuvre of 797 sculptures and masks. The magic of the welding mask...
Category

1970s Feminist Connecticut - Sculptures

Materials

Copper, Steel

Downtown
By Jim Rennert
Located in Greenwich, CT
Small figure standing, as if between two skyscrapers Edition of 7
Category

Early 2000s Connecticut - Sculptures

Materials

Steel, Bronze

Dorothy Mayhall, Rock Crystal, 1995, Terracotta, Acrylic Paint
By Dorothy Mayhall
Located in Darien, CT
Dorothy Mayhall's small sculptures are little monuments to be toyed with and handled. They should be picked up, fondled, and examined like a rock or shell you collect on the beach be...
Category

1990s Abstract Geometric Connecticut - Sculptures

Materials

Terracotta, Acrylic

Hatter Teapot
By Ahrong Kim
Located in Fairfield, CT
Represented by George Billis Gallery, NY & LA -- Humans are emotional creatures. Individuals feel a diverse range of emotions even during a short time or on a small occasion. Emotion...
Category

21st Century and Contemporary Connecticut - Sculptures

Materials

Luster, Stoneware

Fork in the Road
By Jim Rennert
Located in Greenwich, CT
Bronze sculpture of a man in a business suit, looking solemnly downwards. Edition of 9
Category

2010s Connecticut - Sculptures

Materials

Bronze

Abstraction
By Reuben Nakian
Located in Greenwich, CT
Abstract terracotta sculpture
Category

1970s Abstract Connecticut - Sculptures

Materials

Terracotta

Vision
By Doris Caesar
Located in Greenwich, CT
Expressionist figurative sculpture by Doris Caesar
Category

1950s Expressionist Connecticut - Sculptures

Materials

Bronze

Red & White Abstract, Nature based Wall Sculpture: 'Red Lies Body'
By David Mellen
Located in New York, NY
David Mellen (b. 1970, Chicago, IL, USA) attended the American Academy of Art and exhibited his work in his hometown of Chicago until 1994, when he moved to Europe. Over the next fi...
Category

2010s Abstract Connecticut - Sculptures

Materials

Metal

Fritz Horstman, Formwork for a Deep Bend, 2016, Wood, Plywood
By Fritz Horstman
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...
Category

2010s Connecticut - Sculptures

Materials

Wood, Plywood

Newman's Own Peppermints
By Tom Pfannerstill
Located in Fairfield, CT
The works in the series “From the Street” are carefully crafted, carved and painted, trompe l’oeil depictions of everyday common objects. On the back of each piece is a description o...
Category

21st Century and Contemporary American Realist Connecticut - Sculptures

Materials

Acrylic, Wood

Kona Ice
By Tom Pfannerstill
Located in Fairfield, CT
The works in the series “From the Street” are carefully crafted, carved and painted, trompe l’oeil depictions of everyday common objects. On the back of each piece is a description o...
Category

21st Century and Contemporary American Realist Connecticut - Sculptures

Materials

Acrylic, Wood

Karen Schiff, Space Die, 2016, Wood, Ink, Gouache
By Karen Schiff
Located in Darien, CT
Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...
Category

2010s Abstract Geometric Connecticut - Sculptures

Materials

Wood, Ink, Gouache

Hustling
By Jim Rennert
Located in Greenwich, CT
Sculpture of a man rushing, carrying a briefcase Edition of 9
Category

2010s Contemporary Connecticut - Sculptures

Materials

Bronze

Fritz Horstman, Formwork for a Rectangle 2, 2014, Wood, Plywood
By Fritz Horstman
Located in Darien, CT
While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...
Category

2010s Conceptual Connecticut - Sculptures

Materials

Wood, Plywood

Nancy Baker, Magic Carpet, 2017, acrylic paint, paper
By Nancy Baker
Located in Darien, CT
In Baker’s work, there is solace in the geometry of fundamentals, and a practice that focuses on the ephemeral nature of paper and the ease of its transportability, which allows her to create large-scale constructions. A desire for definitive certainties and incontrovertible truths in an era of “alternative facts”, precipitate the need for Baker to assert her clarification of evidence. A new major installation has been created for her exhibition at ODETTA that layers baroque design elements found in paper cup carrying trays with anxiety-provoking phrases, rendered as gorgeous, yet fragile paper spheres...
Category

2010s Abstract Geometric Connecticut - Sculptures

Materials

Paper, Acrylic

Rhino
By Roland d'Andlau-Hombourg
Located in Greenwich, CT
Bronze "Rhinoceros' by Roland d' Andlau-Hombourg (1927-2009) signed, numbered 1/6 with Godard foundry stamp R. d' Andlau was a gifted 'animalier' sculptor in the grand tradition ...
Category

1950s French School Connecticut - Sculptures

Materials

Bronze

Karen Schiff, Hypercubic, 2016, Wood, Gouache
By Karen Schiff
Located in Darien, CT
Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...
Category

2010s Abstract Geometric Connecticut - Sculptures

Materials

Wood, Gouache

Jackie Shatz, Refuge, 2017, Stoneware, Acrylic Paint
By Jackie Shatz
Located in Darien, CT
Jackie Shatz' wall sculptures encapsulate various suspended states of being. The images of swimming, floating and about-to gestures imply anticipation, hesitancy, anxiety or relief...
Category

2010s Expressionist Connecticut - Sculptures

Materials

Acrylic, Stoneware

Levan Mindiashvili, 'Untitled 09 (Unintended Archeology)', 2015, Steel, Plaster
By Levan Mindiashvili
Located in Darien, CT
Levan Mindiashvili, in his second major exhibition, will debut works from a new project entitled “The Color Of The Sky” in which he examines the issues concerning identity politics f...
Category

2010s Abstract Connecticut - Sculptures

Materials

Steel

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