Continental US - Sculptures

Sara Fine-Wilsons ”Turn” is a gestural 10.5 x 8 x 6.5 inch ceramic sculpture in cream and white. In this graceful and evocative sculpture individual twisted elements are assembled an...

Sculpture by the Spanish artist AMANCIO GONZALEZ Artist well known for his large format works on the street. Iron and bronze. 7 copies AMANCIO Gonzalez ( Leon 1965 ) Amancio Gonzále...

Superbly handcrafted pair of Mid-Century-Modern wooden wall art sculpture panels. The artworks feature dimensional female and male faces or m...

Functional Porcelain Sculpture, Korean American, Cloud Moon Jar, Sam Chung, 2025 Sam Chung lives and works in Tempe, AZ. He is a ceramic artist and Pr...

As a native of Idaho Falls, Drew was inspired since early childhood by the beauty of the surrounding Intermountain Region. The Tetons, Snake River, and a few local wetlands became magical destinations with sounds of wind in the reeds or migrating waterfowl that continue to echo through Drew’s professional work. This cast iron bench has custom stained glass melted into the negative spaces, forming pseudo cushions to rest on. The back of the structure is molded to resemble a playful family of robots, holding each other and posed in a line as if taking a family photo. Art Glass Black...

John Bennett (Born 1952) Fredericksburg, Texas Artist Image Size: 26 tall x 12 x 8 Medium: Bronze Sculpture "Frida's Wedding" Frida Kahlo John Bennett (Born 1952) John Bennett was de...

Plum, Sky Blue and Prussian Blue Excess combo is a trio of thick and vibrant impasto paintings on wood. The elegant texture is spontaneously built up and creates the dynamic surface ...

Figurative Sculpture Clay Ceramic Handmade Artist: (Garo) Karapet Balakeseryan Medium: Clay Ceramic, One of a Kind Year: 2025 Style: Impressionism, Surrealism Title: Time Belt S...

Whether in the draping of a silk gown worn by an opera diva, or in the sparkle of an intricately beaded headdress worn by a woman of society, Erté had an exceptionally acute visual memory of every detail of his early design creations. It was no wonder then that his fashion designs were so adeptly applied to the sculpture format. In Mermaid, we have a fine example of how Erté carried the technical possibilities of the sculpture medium to a new level. This attention to detail added to his legend as one of the Twentieth Century’s foremost artist-designers, with work represented in the collections of the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York, the Paris Opera House, the Smithsonian Institution and the Victoria and Albert Museum, London. Through Mermaid, Erté takes us beyond the female form by choosing the intriguing legendary sea creature whose upper body is that of a woman, and whose lower body is that of an aquatic creature. In quintessential Erté style...

ABOUT This wishbone is charred white oak with a tinted aqua resin base. “There’s no color in my work,” says Shlafer, “I either burn it, bleach it, or leave it alone.” Shlafer’s sculptures are designed with rudimentary material such as pine, oak, and spruce salvaged as driftwood on the Eastern end of Long Island. The artist started this body of work during the pandemic after he stumbled upon the charming discoveries while traveling on foot by the coastline. Always a wayfarer at heart, he drew inspiration from his youth of traveling on a motorcycle through Southern Africa and seeing indigenous art made from ordinary earth objects within local villages. “Wishbone 1” a 5 Foot sculpture, charred white oak with a tinted aqua resin base that reflects an omen of resilience and hardiness in light of the hardships of the past pandemic year, In another “Tune” a bleached spruce fence post narrowed into a tuning fork shape with a slate base. It welcomes a ceremonial vibe. “At the end of the day, that’s the energy we all crave,” says Shlafer, “who doesn’t respond to that?” “Mushroom #3” a charred white oak sculpture that is versatile in design so it can act as an end table or a stool. It is masterfully crafted and brings to mind the redwood stools...

Deidad (Deity) edition 17/20, 1988, signed with certificate. Edgard Negret studied at the School of Fine Arts in Cali between 1938 and 1943. The followi...

Terracotta life-size male head. Rushton sculpts all of his busts using live models over the course of multiple sittings. While realistic and classical in character, his sculptures ...

Artist/Designer; Manufacturer: Tom Wesselmann (American, 1931-2004) Marking(s); notes: signed; 1972 Materials: acrylic on paper over wire support Dimensions (H, W, D): 12"h, 8.5"w, 4...

printed manufacturer's mark to undersid '1:47 Scale Reproduction of L.O.V.E. by Maurizio Cattelan Installed in 2010 in Piazza Affari Milan Italy Seletti'. Publisher: Seletti

A richly flowing cape drapes his shoulders, as he crouches low, eyes looking upward, “Jacques” raises his hands to test the confining walls of his imaginary box. “Jacques” reminds us...

Cast iron wall plaques of Roman Warriors

This beautiful figurative female sculpture is by René Romero Schuler. This powerful female figure speaks to the complexities of the human condition and the spirit that connects all...

Cubist Nude Patinated Bronze Sculpture. Dominique Polles' bronze sculptures of female nude edition 2/4 patinated bronze signed and dated 1999. Born in Paris in 1945, young Pollès of...

"LUNGE 2-20" by John Van Alstine Slate, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, while explor...

The ’Naoshima’ Red Pumpkin is a painted lacquer resin abstract sculpture and art object by legendary contemporary Artist, Yayoi Kusama. Published by Benesse Holdings, Inc., Naoshima,...

MATT BILFIELD '1978-PRTL' 1,978 Wooden Dowels in Architectural Plywood 23 x 23 in _________________ My creative journey is guided by a deep appreciation for order, precision, and t...

Joan Lurie Untitled #3801 Glazed Porcelain 22" x 12" x 12" 2014 Artists Statement: My interest is in exploring ways of building structural forms in ceramics. Many ideas for the ...

In this contemporary encaustic sculpture, colorful layers of pigmented beeswax suggest geological formations. Sculpture is on the right side of image in photo of grouping. Laura Mor...

Monumental kinetic bronze sculpture by Gianfranco Meggiato. The artist shapes his sculptures inspired by biomorphic tissue and the labyrinth, symbolizi...

Nature-Inspired Minimalist Abstract Color Field Painting on three panels in light brown and beige Acrylic on 3 wood panels Each panel is 24 x 18 x 2 inches Suggested installation is ...

Antonio Tantardini (Italian, 1829-1879) An extraordinary Italian 19th century life size carved Carrara white marble sculpture of "A Young Child and a baby in a wicker crib" - A Risorgimento Allegory. Signed and dated: A.nio Tantanrdini F.ce / 1863. The older child's medallion inscribed with an interlocked XV and Garibaldi, the crib monogrammed: AR. Circa: Florence, 1863. This sculpture includes a recent custom-made veined black marble pedestal stand. (The 2 items description mean the sculpture and pedestal, which are sold as sold a set.) In a country famed for its skilled carvers and working in an age when virtuoso carving technique was highly prized, Antonio Tantardini was one of the very best exponents of master carvers in nineteenth century Italy. Vicario describes Tantardini's skill as 'un abilità tecnica stupefacente'. The present amazing quality marble group epitomizes Tantardini's exceptional talents as a carver. Lesser sculptors might have shied away from attempting to carve a life-size wicker crib in marble, but Tantardini has clearly relished the Challenge. The result is a stunning achievement of verismo Italian sculpture. This marble group, however, is more than a paradigm of Italian marble carving, it is also a prime example of the use of Risorgimento allegory in Italian sculpture of the 1860s. Famous sculptural Risorgimento allegories include Raffaelle Monti...

Contemporary, reflective wall-mounted sculpture with tempered plate glass mirrored with white gold leaf and copper electroplated Hemlock Varnish Shelf (Ganoderma tsugae) fungi on alu...

"An Ember" Abstract Sculpture 56" x 17" x 17" in by Shawn Kolodny Medium: Stainless Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates art for o...

Here for your consideration is a beautiful highly detailed bronze done in the forth quarter of the nineteen century after the work of Jean Boulogne, known as Giambologna. Boulogne’s sculpture was done in marble and was completed between 1579 and 1583. The sculptor of this bronze is Antonin Mercie, a well known French sculptor born in 1845. The bronze represents the Rape of the Sabine Women (Latin: Sabinae raptae), also known as the Abduction of the Sabine Women or the Kidnapping of the Sabine Women, was an incident in Roman mythology in which the men of Rome committed a mass abduction of young women from the other cities in the region. It has been a frequent subject of artists and sculptors, particularly during the Renaissance and post-Renaissance eras. Signed on base “Mercie” for Antonin Mercie.. In very good condition wirh original brown patina. The base which depicts rocks is bronze and has been painted a matt black. Provenance:: A Sarasota estate. Mercié, (Marius Jean Antonin Mercie...

The figure has always been Deborah Ballard’s muse in her sculptures. Ballard works in bronze, cast stone, and plaster; her figures ranging from life-size to hand-size. Ballard says, ...

This mid-sized abstract contemporary sculpture by Joe Sorge is made with steel, orange dye, and wax. The warm-toned piece features a strip of steel metal that twists and turns in a flowing, spiraling movement. It casts unique shadows on its surroundings, which change in altering light. Please note that the white pedestal base pictured in the image gallery is not included. Connecticut-based sculptor Joe Sorge studied at the School of Visual Art (SVA) in New York City. While Joe's body of work is most often made with stainless steel which he sometimes dyes to give the forms bold, solid colors, he also experiments with stone carving, genesa crystals, tiger eye alabaster and others. He works with a variety of colors, finishes, and textures, to create the final piece. Joe's sculptures express the fluidity and tension inherent in the material he uses. His work draws on a modernist vocabulary to create abstract, often whimsical objects...

Ken Ferguson Basket with handle Material: Stoneware, glaze Year: Circa 1980 Size: 18 x 13 inches Stamped Kenneth Richard Ferguson was an American c...

Laurence Perratzi is a French figurative artist exploring the body’s expression. Her work is a reflection on movement, strongly influenced by her athletic background where poise and ...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

The essence of dance is captured in a single, soaring moment in "Flight in Attitude, Red, Atelier". Richard MacDonald freezes time as the performer arches upward in a sweeping attitu...

19th Century Bronze Figure of Crouching Venus or Naked Aphrodite Bronze with dark patination 22.5 x 13 x 11 inches The Crouching Venus is a Hellenisti...

30LOVE is an elegant modern and minimalist contemporary wall sculpture. It is constructed with birch panels, acrylic and latex washes with a satin lacquer clear coat finish. The pain...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

"Waikiki" is a minimalist and modernist, solid wood wall sculpture that brings bold statement to wherever it is placed. Artist Scott Troxel says "The piece is part of my popular "S...

Fused Glass created in a kiln. method Relatively simple materials. Beginning with float (recycled window) or plate glass, pieces are cut and arranged with hand-cut glass shapes, ...

Unknown/ Unidentified Artist, "Untitled" ( 4 Figures on a Bench), Abstract Figurative Wire Sculpture, Stands 20" Tall and 24" Wide, Late 20th Century

James Jean Mickey & Minnie Mouse 90th Anniversary Porcelain Statues Signed , limited edition 270/500: In celebration of Mickey Mouse’s 90th anniversary, Good Smile Company, in coll...

Christine Romanell’s TriVortex is a mesmerizing acrylic-on-laser-cut-wood construction that fuses sacred geometry, optical illusion, and vibrant color theory into a dynamic three-dim...

(MADE TO ORDER) (Sabbath, Kiddush, Unique, Gold Luster) *Lead Time may vary between 1-3 weeks Melanie Sherman "Just A Little Tipsy" Year: 2021 Porcelain, Glaze, ChinaPaint, 24k Germ...

"Butterfly Effect No. 1" by Norman Mooney Edition of 10 + 2AP Apple plywood In 1994 Mooney moved from Ireland to New York City and has been exhibiting locally and internationally fo...

Xavier Corberó Olivella (1935 – 2017) Estructuras Continual Bronze sculpture. Comprised of four elements, independant, 1 spheric. 5 X 8 X 7 inches approximately. The pieces are kine...

Carol Fleming Untitled Sphere (Black, white) Medium: Ceramic, glaze Year: 2020 Size: 12" diameter COA provided ----------------------- Creating is the best and deepest part of me, ...

Vincent Glinsky Alabaster Reclining Nude Sculpture c.1950 9" long x 4.5" deep x 7.5" high Signed at the base Good vintage condition Vincent Glins...

Carved Optical Glass Sculpture, Minimalist, Elegant, Contemporary Art, "Mitosis" Lee was born and raised in South Korea. He is a studio artist and an associate professor of art and ...

"Yoniverse" Figurative Sculpture 10 x 14.5 in Ed. of 5 by Colin Burn Medium: Resin Life Cast, Candy Paint, Quartz Crystal Limited Edition Crystal Vagina Sculpture Edition of 5 Editi...

Jean-Michel Basquiat Bearbrick 1000% Vinyl Figure: A unique, timeless collectible trademarked & licensed by the Estate of Jean-Michel Basquiat. The partnered collectible reveals the ...

Artist : Yoonjee Kwak Title : Bottomless Pit 1 Materials : Porcelain, gold luster, Hand-building Date : 2020 Dimensions : H9.5” W7.5” D7.5” Inch Signed, COA provided Yoonjee Kwak makes sculptural vessels to represent human beings as iconic symbols from the Korean culture. In Korea, when people talk about someone’s personality, they often use “vessel...

Liquid State (Exhale) 22" x 22" x 22" High Chromium Stainless Steel Unique $160,000

A sculpture by Carlos Luna. "Elefante" is a bronze sculpture depicting an detailed yet abstracted elephant by Latin American artist Carlos Luna. Edition 8 of 8. Signed lower left. C...

"Spirita" Dimensions: 15" x 14" x 7" Medium: Clear Acrylic Resin Edition of 350 Hart wanted to sculpt light, from which forms move in and out, that defined the very delicate sense of...

A ROSE IS A ROSE IS A ROSE 37.0 x 36.0 x 1.25, 3.0 lbs Archival paper Founder's stamp Artist's Commentary: "Unique handcrafted on-edge paper sculpture on composite board cutout, d...

Efren Quezada. Vase #1. Mata Ortiz, Chihuahua, Mexico. White lace with brown. Weight: 4 lbs., height: 13 in., width: 9 in. Mata Ortiz, Chihuahua, Mexico.

Biomorphic yet industrial style to Dena Paige Fischer's sculptural votive candle holder. The stacked cubes are painted and smooth one with a natural cleave, piled upon one another into a column, or as the artist calls it, a totem. The pastel painted plaster in lavender and pale yellow looks almost soft. The piece is smooth and the bold navy blue and taupe paint embellish the abstract geometric design. This sculptural votive candle holder is a functional and decorative tabletop art...

Davide Quayola (Italian, b. 1982) "Laocoon Fragment #8_005.003" 2016 Made of Iron, epoxy, fiberglass, mirror-polished steel & wood. Dimensions: 19.7 x 11 x 15.75 inches (50 x 28 x 40 cm) Base Plate Dimensions: .8 x 23.7 x 23.7 inches (2 x 60 x 60 cm) base From the signed and numbered edition of 3 "Quayola employs technology as a lens to explore the tensions and equilibriums between seemingly opposing forces: the real and artificial, figurative and abstract, old and new. Constructing immersive installations, he engages with and re-imagines canonical imagery through contemporary technology. Landscape painting, classical sculpture and iconography are some of the historical aesthetics that serve as a point of departure for Quayola’s hybrid compositions. His varied practice, all deriving from custom computer software, also includes audiovisual performance, immersive video installations, sculpture, and works on paper. His work has been performed and exhibited in many prestigious institutions worldwide including V&A Museum, London; Park Avenue Armory, New York; National Art Center, Tokyo; UCCA, Beijing; How Art Museum, Shanghai; SeMA, Seoul; Palais de Tokyo, Paris; Ars Electronica, Linz; Sonar Festival, Barcelona and Sundance Film Festival. Also a frequent collaborator on musical projects, Quayola has worked with composers, orchestras and musicians including London Contemporary Orchestra, National Orchestra of Bordeaux, Ensemble Intercontemporain, Vanessa Wagner, Jamie XX...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...