Continental US - Sculptures

This piece is a pot made by an unknown artist in Pre-Columbian Peru. It takes the shape of an owl and has a circular handle with the opening on its back. This pot is a light beige an...

Jacques Lerebourg hand made abstract metal sculpture in welded and polished metal with inclusion of a natural quartz or crystal mineral specimen. part of a distinguished group of Fre...

One of Jeff Koon's most well-known, and well collected, motifs is the balloon shape—a structure that Koons has recreated in steel, porcelain and resin over the years. This Balloon Ve...

Recycled textiles, thread, batting, glazed ceramic, metal table, spray paint 34 x 22 x 18 inches Artist Statement I hand-sew compound sculptural forms that are constructed from clot...

"Purple Haze" Abstract Sculpture 40" x 12" x 12" in by Shawn Kolodny Medium: Stainless Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates art fo...

In STRUCTURAL POROSITY 02, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, architec...

Signed/engraved by Artist on bronze base of sculpture with an edition number. Open Edition #7

Untitled Portrait Head (perhaps Arnold Geissbuhler, the artist’s husband), c. 1920s, bronze, signed verso, 11 x 9 x 7 inches (excluding base) Elizabeth Chase was a sculptor, printma...

"Shifting Diamonds - Pickup Truck”, by ceramic dynamo Katharine Morling is a whimsical porcelain installation of a truck loaded with gold and diamonds. Th...

Hand Built and glazed ceramic. Free standing, safe for outdoors. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on creating ...

Richard MacDonald’s “Cheetah Bust, Atelier” reveals an intimate study of “Samburu”, the two and a half year old Nambian cheetah the artist used as the subject for his “Diana and the ...

Marianne Texas Artist Image Size: 9 1/2 " tall by 12 " across Medium: Bronze "Prairie Legend"

Anne-Charlotte Saliba's artistic universe is largely inspired by nature, its abyssal dimension as well as its vegetal or mineral forms. Her sculpted artworks are a confrontation of s...

Artist: Alan Siegel, American (1938 - ) Title: The Throne Year: 1967 Medium: Enamel On Laminated Wood, signed on bottom Size: 40 x 23.5 x 20 in. (101.6 x 59.69 x 50.8 cm)

Paper mache sculpture created by artist Tumelo Michael Moloi. Largely inspired by his South African heritage, Moloi uses bold colors, patterns, an...

Gloria Victis, a winged figure of victory carrying a fallen warrior casted in bronze with brown patina. Inscribed with 'F. Barbedienne. Fonduer' mark and...

KAWS Together (Blac), 2018 Painted vinyl multiple. Fabricated by Medicom Toy Contained in the original packaging Printed signature stamped on the underside (feet) - see photographs S...

David Patchen creates vivid and luminous glass works using the time-honored techniques of cane and murrine glass blowing, originally discovered in the glass blowing studios of Venic...

'Wild Thing' 2023 by Contemporary American artist, Sheryl Zacharia. Ceramic, 23 x 23 x 6 in. This sculpture incorporates a rich palette of colors in bronze, red, black, and white. ...

"Barge Toiler" by Max Kalish is a Mid 20th Century modern Depression-Era sculpture from his Labor series. The WPA era work is made of plaster. Max Kalish (1891 – 1945) Barge Toiler 12 x 8”x 4 inches Patinated plaster Signed and monogramed BIO Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti and Herbert Adams...

American, b. 1945 Leo Sewell (b. 1945) is an American "found object" artist. His assemblages of recycled material are in over 40 museums and in private collections worldwide. Sewel...

"SHURA CROSS BW" Ceramic Sculpture 10" x 6.5" inch by Grigorii Gorkovenko SHURA ceramic An elegant shape and free lines are combined together to create an image of the Russian matre...

A gray sandstone head of Avalokiteshvara, Khmer, Cambodia, Bayon Style from the 13th century. The artwork is unsigned. Provenance: Charles Craig, Privat...

Joan Lurie Untitled #1 Pale Green Glazed Porcelain 23" x 12" x 10" 2019 Artists Statement: My interest is in exploring ways of building structural forms in ceramics. Many ideas for ...

The dancing form of Viktor Kee, composed within a tight baroque spiral, powerfully suggests the force of energy that propels this performer across the stage. Like a dancing flame, el...

For sale is the great looking large male nude bronze sculpture of Orpheus by German Artist Professor George Mattes (1874-1945). Orpheus is seen along ...

As an artist, I am a storyteller wielding visual art as my medium. My creative journey is fueled by a relentless thirst for knowledge acquired through both hands-on experience and ke...

Coup de Grace,  brushed wool, 7’9" x 4’4", 1997. This contemporary abstract woven tapestry was done by renowned Canadian textile artist, Mariette Rousseau-Vermette (1926 - 2006). Born in Trois-Pistoles, Québec, Mariette Rousseau married painter/ceramicist Claude Vermette...

Italian School Female Figure Carved Alabaster Bust, late 19th century, the portrait with tied back hair and flowing dress tied at her breast, on a rockwork plinth, unsigned. 26" H x ...

"Cat's Cradle" is a limited edition sculpture created by Bill Starke depicting a figure playing with string. About the artist: Human beings interacting, colliding, cooperating, striving, & achieving are the themes I wish to portray in my sculptures. My observations on the human condition are meant to be both humorous and thought provoking. Bill Starke's "Free Man" is everything that good art should be: technically superb, brilliantly composed, emotionally powerful and visually arresting... like George Stubbs, the 18th century English master...

A whimsical fish sits placidly in the center of Pablo Picasso ceramic Service Poisson Plate R (“Fish” Service Plate), 1947 A.R. 3. A sweeping blue back and a orange belly make up the...

Chilean artist Pilar Ovalle's sculpture "Barca Pez," or "Fish Boat," is crafted with driftwood collected from lake shores in Chile combined with dimensional Alerce, a native Chilean wood. It can be suspended as shown or a custom bracket (not included) can be designed based on the site to make it into an exciting wall sculpture. In Ovalle’s imagination, boats embody animal forms, reinforcing the imaginative versus physical nature of the boat as a representation of travel. Ovalle says of her work, "As I work directly with Nature, combining wood already ‘worked’ by wind, water and time, with ‘elaborated’ - sawn - wood, I do this with a critical scope, dealing with ecology and progress, with emotion and poetry somehow set against rationality and technology, or setting ‘wisdom’ against mere information." This sculpture is suspended from two wires, but could also be wall hung with a custom bracket (not included). We would be happy to assist with the design of this custom bracket. Ovalle traveled to Southern Chile to study with boat builders and learn the traditional skills of the trade, which is evident in the graceful curve of the hulls she has built with traditional joinery and wood "stitches" and without the use of nails. Born in Santiago, Chile, Pilar Ovalle began her studies in 1989 at the Instituto de Arte Contemporáneo de Santiago. She studied with the Instituto through the early '90s, during which time she also won Third Prize at the XV Concurso de Arte Joven (Young Art Contest) and received grants from Fondart (National Fund for the Arts) for her projects “Sculpture with Shattered Wood” and “Curved Wood Sculpture...

Vintage stylized figural sculpture by J James Akston (1898-1983 Poland/New York/Florida) Crafted of cast bronze with a rich dark brown patina. A sports figure, depicting a snow skii...

This sculpture titled "Ice Box" is an original artwork by Drew Leshko made of variety of paper, acrylic, wire, pastel. This piece measures approximately 4”h x 3”w x 2.5”d. Drew Lesh...

David Hare Dancer, circa 1955 Bronze with integral stand 68 high x 17 wide x 13 1/2 deep inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

"Aspen Under Cover" By Tim Cherry is an original, handmade bronze sculpture that depicts a pair of rabbits facing each other underneath two branches.

Artist: Erte Title: Top Hats Size: 16 x 12 Inches (26 x 22 Inches Framed) Medium: 3D Bronze Wall Relief Sculpture Edition: of 375 Year...

'Stretching' is an original opal serpentine sculpture signed by the Zimbabwean artist Canaan Musiyiwa Ngandu. The sculpture presents an abstract figure in Ngandu's quintessential sty...

Cheeky references to pop culture and the societal context. Donald Duck is cast in resin with banknotes inside. Grounded in a postmodern vernacular, Alben’s paintings and sculptures ...

Jackson Pollock 1000% Bearbrick Figurative Sculpture: A nicely sized (27 inch heigh), highly collectible Bearbrick Jackson Pollock statue piece, splattered from head to toe in Pollo...

Artist: Donald Sultan Title: Blue and Yellow Poppies Year: 2023 Medium: Shaped aluminum with stainless steel centers, powder coated, mounted on polished stainless steel base Editio...

In ADORNED OBSOLESCENCE 01, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleabi...

20th Century Continental School Europa Bronze on stone base 11 in. h. x 8.5 in. w. x 4.5 in. d., overall Inspired by the Greek myth Europa and the Bull Phoenician princess abducted to Crete by Zeus...

Introducing "Pa'Lante" - a striking sculpture by the renowned artist Carlos Rolon. Measuring at 10 1/2 × 10 1/4 × 9 3/4 in or 26.7 × 26 × 24.8 cm, this ex...

Sara Fine-Wilson's "Fragment" is a 12.5 x 14 x 9 inch gestural sculpture in neutral whites and variegated shades of brown constructed by combining different colored clay bodies together. The artist creates multiple slab forms in white and medium brown stoneware...

This abstract geometric mixed media piece was done by fiber artist, Jin-Sook So (b. 1950, Korea). So grew up in Seoul, Korea where she received a master's degree in textile art, afte...

Abstracted, Judaica Maple Sculpture based upon Jewish Star Eric Pesso is recognized for his mind-bending carved creations, created from single trunks of neighborhood trees. In 2012...

Vintage signed and numbered art deco sculpture by Erte. Painted Bronze cica 1987.

This is a one of a kind original surrealist figurative sculpture made from wood by San Diego artist, Debbie Korbel. Its dimensions are 72" x 66" x 42". A...

"Union" by Frederick Hart is a figurative female and male figure bronze sculpture with the edition number 299/350. Inspired by The Creation Sculptures of the Washington National Cathedral...

Intimate by Sara Modiano A three-dimensional freestanding sculpture Measures: 27 in. H x 24 in. W x 4 in. D Metal, wire This piece is a mixed-media, one of a kind sculpture from ren...

Sand-cast glass, steel mesh, silver mesh, and metal. 60"H x 45"W x 20"D Yasemin Aslan Bakiri specializes in sand-cast glass techniques using ideas relating to the natural world...

Denied Warhol Brillo Box, Contemporary Pop Art Sculpture by Charles Lutz. Silkscreen and latex paint on wood, stamped Denied with the Andy Warhol Art Authentication Board's mark. 17 x 14 x 17" 2008 Lutz's 2007 ''Warhol Denied'' series gained him international attention calling into question the importance of originality or lack thereof in the work of Andy Warhol. The authentication/denial process of the [[Andy Warhol Art Authentication Board]] was used to create value by submitting recreations of Warhol works for judgment with the full intention for the works to be formally marked "DENIED". The final product of the conceptual project being "officially denied" "Warhol" works authored by Lutz. Andy Warhol's Brillo Boxes were originally created in 1964 and are easily his most iconic sculptures, rivaling paintings like Liz Taylor, Marilyn Monroe, Elvis, Campbell's Soup Cans, Flowers and Electric Chairs. These highly prized sculptures continue to soar in value and were the subject of a recent HBO documentary, “Brillo Box (3¢ Off)”, which also included Charles Lutz. Lutz, also known for the installation work Babel, exhibited at the 2013 Armory Fair in New York City which caused near riots as he invited the fair goers to take cardboard versions of the Brillo Box Sculptures. "In the mid-1960s, Warhol carried his consumer-product imagery into the realm of sculpture. Calling to mind a factory assembly line, Warhol employed carpenters to construct numerous plywood boxes identical in size and shape to supermarket cartons. With assistance from Gerard Malanga and Billy Linich, he painted and silkscreened the boxes with different consumer product logos: Kellogg’s Corn Flakes...

"Santiago in Nicho" is a carved and painted wooden retablo by an unknown Mexican folk artist. This piece features a man on a white horse inside a niche. The doors, which feature flow...

In ARCHITECTURAL HYPERBOLE 02, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, arch...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

"Lacescape IV" is an original wall-hanging sculpture by Spanish artist Elisa Ortega Montilla. This contemporary piece is made with an expert assemblage of sculpted plywood and reclai...

What makes it special is the quality of the bronze and its color. The last sale at Christie's for a similar, but unpainted work sold for $60,000. It's an impressive piece due to its ...

"Olive Chanel Pearl Can (Silver, Black, White)" resin, enamel, automotive paint and automotive gloss sculpture by artist Skyler Grey. Depicts Olive Oyl on side of can filled with pea...

Striking pair of mid century snarling leopard figures or sculptures crafted in terra cotta, hand decorated and glazed. Stamped "Made in Italy" on the bottoms.