England - Portrait Photography

New England Skiing (1955) - Limited Estate Stamped - Silver Gelatin Fibre Print (Photo By Slim Aarons/Getty Images Archive) Two women recline on improvised sunbeds at the Cranmore...

Lech Ice Bar (1960) Limited Estate Stamped - Giant (Photo by Slim Aarons) A bartender mixes a drink for a customer at the Ice Bar at the Hotel Krone in Lech, Austria, 1960. Add...

Ski Jumping (1964) Silver Gelatin Fibre Print - Oversized (Photo by H. Armstrong Roberts/Alamy) A man skiing downhill and jumping into the air, circa 1964...

A portrait of Nawoi, a Turkana woman from northern Kenya in 2019. John Kenny’s work is all shot on location in some of the remotest corners of Africa. His images are all taken with ...

Flamenco dancers use facial expressions, hand movements and gestures to convey emotions. Their dress is dramatic and enhances these movements often with the sweep and swirl of the flamenco shawl...

'Naughty But Nice' by Christopher Simon Sykes Guitarist and Rock and Roll Legend, Keith Richards looks elegantly wasted during the Rolling Stones Tou...

David Bowie, Aladdin Eyes Open, 1973 by Brian Duffy. This photograph was taken during the photo shoot for the album cover for Aladdin Sane, January 1973, London. This is an exquisite FRAMED* Archival Pigment print. *Note delivery includes secure art crating & shipping. Framed in black wood with glass and matt Stamped by The Duffy Archive, UK. Supplied with certificate of authenticity. Gorgeous print measuring 115 x 115 x 3 cm (framed). The image area is 95 x 95 cm. Produced utilising the original contact sheet. We ship regularly using Fedex Express services and ship to all international locations. About these images : “It wasn’t until we saw the contact sheets the next day I remember thinking, God this is spectacular. You just knew you had cracked it, boy, did you know it.” Celia Philo DAVID BOWIE: FIVE SESSIONS PHOTOGRAPHS BY DUFFY Brian Duffy photographed David Bowie over five sessions between August 1972 and April 1980, and made the iconic Aladdin Sane album cover image. January 1973–Session two–Aladdin Sane. It has been called ‘The Mona Lisa of Pop’. Who could have imagined that the moment he clicked the shutter on the Hasselblad in early 1973 that one of those images would become known as a cultural icon? – Chris Duffy Some background to the shoot. The background stories to the Aladdin Sane shoot are told in rich detail in the book Bowie Duffy – Five Sessions. In particular it is a delight to read Duffy’s (a self confessed Marxist anarchist) analysis and compare that with the measured tone of Tony Defries. If you don’t have a copy of the book, here’s a flavour of their respective views – which amount to much the same thing – just expressed in different ways. First up, Tony Defries: “I was looking for an iconic cover image and artwork that would help me to persuade RCA that Bowie was sufficiently important to warrant megastar treatment and funding in order to propel him to exactly that status. Engaging a master, world-class photographer to shoot the project /brand and to design the artwork was the best way to send that message. Brian had the ability to make the mundane image interesting and the interesting image fascinating.” Then Duffy: “Tony wanted to make the most expensive cover he could possibly get a record company to pay for, because he realised that if it cost fifty quid, well, so what – but if it cost £5,000 the record company were now having to pay attention. He said “Can you make it expensive?“and I said “No problem old love.” I proposed– One: A Dye-transfer. A genius method of being able to spend the most amount of money to get a reproduction from a colour transparency onto a piece of paper. Two: Get the plates made, where? Switzerland. Then employ me to design it and create it – even better and more wasteful.” The Aladdin Sane session was a real team effort. The location was Duffy’s studio at 151a King Henry’s Road in Primrose Hill, London, which had been the setting for the Ziggy Stardust session the previous August. Duffy had agreed with Tony Defries that his design agency, Duffy Design Concepts, which he ran with Celia Philo, would design the sleeve. Present in Primrose Hill on that January day in 1973 were Duffy, David Bowie, Celia Philo, Tony Defries, French make-up artist Pierre Laroche, and Duffy’s studio manager Francis Newman, who also acted as his assistant that day. Follow-up work on the detailed airbrushing required to create the final artwork was carried out by Philip Castle. What about that lightning bolt flash and the liquid pool? The idea for the lightning bolt came from David Bowie. The realisation of that lighting bolt into the form that appeared on the sleeve was down to Duffy. Its source is believed to be a rice cooker that was in Duffy’s studio – and which had a small logo with a red and blue flash. Francis Newman remembers, “Pierre stared to apply this tiny little flash on his face and when Duffy saw that he said, “No, not like that, like this” and literally drew it right across his face and said to Pierre, “Now, fill that in.”” The red colour was lipstick. Adding the pool of liquid to the collarbone was Duffy’s idea, and this was brilliantly airbrushed in as part of the post-production work by Philip Castle. David Bowie explained the background to Rolling Stone magazine, that it was a “Lightning bolt. An electric kind of thing. Instead of, like, the flame of a lamp, I thought he would probably be cracked by lightning. Sort of an obvious-type thing, as he was sort of an electric boy. But the teardrop was Brian Duffy’s. He put that on afterward, just popped it in there. I thought it was rather sweet.” DAVID BOWIE David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie (/ˈboʊi/ BOH-ee),[2] was an English singer-songwriter and actor. He was a leading figure in the music industry and is considered one of the most influential musicians of the 20th century, acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, with his music and stagecraft having a significant impact on popular music. During his lifetime, his record sales, estimated at 140 million albums worldwide, made him one of the world's best-selling music artists. In the UK, he was awarded ten platinum album certifications, eleven gold and eight silver, and released eleven number-one albums. In the US, he received five platinum and nine gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996. Born in Brixton, South London, Bowie developed an interest in music as a child, eventually studying art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity" became his first top-five entry on the UK Singles Chart after its release in July 1969. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of his single "Starman" and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie's style shifted radically towards a sound he characterised as "plastic soul", initially alienating many of his UK devotees but garnering him his first major US crossover success with the number-one single "Fame" and the album Young Americans. In 1976, Bowie starred in the cult film The Man Who Fell to Earth, directed by Nicolas Roeg, and released Station to Station. The following year, he further confounded musical expectations with the electronic-inflected album Low (1977), the first of three collaborations with Brian Eno that came to be known as the "Berlin Trilogy". "Heroes" (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise. After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single "Ashes to Ashes", its parent album Scary Monsters (and Super Creeps), and "Under Pressure", a 1981 collaboration with Queen. He reached his commercial peak in 1983 with Let's Dance; the album's title track topped both UK and US charts. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. He also continued acting; his roles included Major Jack Celliers in Merry Christmas, Mr. Lawrence (1983), Jareth the Goblin King in Labyrinth (1986), Pontius Pilate in The Last Temptation of Christ (1988), and Nikola Tesla...

Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Flora 12 is a vibrant Digital C-Type print in an Edition of 15. The print is ...

Dahlia 10 is a rich and luxurious Archival Inkjet Print by contemporary photographer Philip Gatward. It is available in this size of 32" x 38" from a Limited Edition of 10. Gatwa...

Dahlia 6 is a rich and luxurious Archival Inkjet Print by contemporary photographer Philip Gatward. It is available in this size of 32" x 38" from a Limited Edition of 10. Gatwar...

This is a 2002 contact sheet (a positive print of all the negative images from a roll of 35mm film or medium format film) of youthful-looking Daniel Craig...

Fun Loving Criminals By B A T I K Signed Limited Edition Archival pigment pop art print of infamous criminal arrest mugshots of Fifty Cent, Elvis Presley, David Bowie, Snoop Dogg...

This 1986 black and white photograph was shot by British celebrity and fashion photographer, John Stoddart, captures Oscar-winning actress Tilda Swinton,...

Archival Inkjet on paper Signed by the artist, on verso Image: 50.8 x 50.8 cm Sheet: 58.4 x 58.4 cm Framed: 66.5 x 66.5 x 4 cm Edition of 10 + 2 AP

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Casablanca - Original 1942 photograph Vintage 1942 Casablanca Lobby Card: A cynical expatriate American cafe owner struggles to decide whether o...

This 2009 photograph by legend photographer, John Stoddart depicts “The Swan with Leda.” It was inspired from the mythology of the Greek story of Leda and the Swan, when the God Zeus...

Brando On The Waterfront (1954) Silver Gelatin Fibre Print - Oversized (photo by Glasshouse Images / Alamy Archives) 1954, Marlon Brando on-set of the Film, On the Waterfront. ...

David Bailey Rolling Stones Colour Out of Our Heads, 1968 Archival Inkjet on paper Signed by the artist, on verso Image: 50.8 x 50.8 cm Sheet: 58...

The Beatles 1963 Abbey Road Studios London England. The first major group portrait of the Beatles was taken by Terry O’Neill during the recording of their first hit single and album ‘Please Please Me’ in the backyard of the Abbey Road Studios in London, January 1963. Limited to 50 only this size* and hand signed by Terry O'Neill - this is a collector's piece. Unframed - Framing available on request. Ships securely from London, England. *Note that Terry did not sign many prints in advance and so, since his sad passing, these prints are now extremely rare. Ships from London. Framing options also available on request. keywords Fab Four John Lennon Paul McCartney Ringo Starr George Harrison Swinging...

Invited onto the set of the first James Bond film Dr.No, Herrmann captured the historic moment when author of the Bond books Ian Fleming dropped in on the filming to chat with actor ...

'Nuns of New York' New York, United States 2019 Limited edition of 20.

Rudolf Nureyev – Applying His Make-up for the Filming of ‘valentino’, London, 1976 Limited Edition David Steen Estate Print Limited Edition: All prints are limited editions, no ...

Terry O'Neill (1938-2019) David Bowie, Diamond Dogs (v2) 1974 lifetime edition silver gelatin fine art archival print 24 x 20 in. (paper size) edition of 50 signed and numbered printed later Price: £9,360 GBP (inc. 20% UK VAT) Notes: David Bowie poses with a large barking dog for the artwork of his 1974 album Diamond Dogs in London. From the start of the 1960s and continuing until the present day the name of Terry O'Neill has become inextricably connected with some of the most interesting takes on photographic portraits of celebrities. From the Beatles and Rolling Stones in the 1960s to the Royal Family and the Prime Minister's family in more recent times Terry O'Neill has proved adept at recording the significant subjects of the day in a visually stimulating and sometimes unexpected way and thus illuminated history of our age. Terry O'Neill was born on 30 July 1938 in the East End of London. His career as a photographer evolved by chance out of his first ambition to become a jazz drummer. Leaving school at fourteen and then doing his National Service his ambition was to go to America to study with the great drummers there. He thought that the best way to travel frequently and inexpensively to the USA would be to get a job as an air steward for BOAC. The airline at that time had no vacancies for stewards but suggested he took a vacancy in their technical photographic unit, which he combined with time at an art school and he then became interested in photojournalism. At first, O'Neill worked as freelance at London Airport, later was offered a stunt as a reportage photographer at Heathrow. This was followed by three years in Fleet Street, with O'Neill at 21, the youngest photographer in Fleet Street taking pop pictures for the up-tempo Daily Sketch. One thing lead to another and O'Neill quickly became a significant image-maker and one of the group of talented young photographers who helped create the photographic icons of the 1960s and create part of the buzz that became Swinging London. The peer group that emerged in this decade included David Bailey, Terence Donovan and Brian Duffy from the East End and Patrick Lichfield and Lewis Morley...

English model Twiggy poses with David Bowie in Paris for the cover of his Pin Ups album, 1973. TITLE: PIN UPS PHOTO: Justine De Villeneuve SIGNED LIMITED EDIT...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Elizabeth Taylor with Sunglasses for "Giant" 1955 by Frank Worth This iconic and elegant portrait captured by celebrity photographer Frank Worth features actress Elizabeth Taylor o...

The Beatles at Abbey Road Studios, March 30th 1967 during the recording of Sgt Pepper's Lonely Hearts Club Band, take a lunch break. Later that day they after recording they made the...

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Hotel Sports Holidaymakers water-skiing in front of the Carlton Hotel, Cannes. Slim Aarons Chromogenic C print Printed Later Slim Aarons Estate Edition Produced utilising the o...

Oberon's Lunch Film star Merle Oberon and lunch guests at her villa, La Consentida, Acapulco. The star is second from the right facing the camera. Circa 1966. Slim Aarons Chromogen...

'Pulitzer On The Beach' Slim Aarons Limited Edition Estate Stamped Print Premium Rates Apply. Patsy Pulitzer (nee Patsy Bartlett) at Palm Beach, Florida, circa 1955. (Photo by Slim Aarons/Hulton Archive/Getty Images) Silver Gelatin Print Produced from the original negative Certificate of authenticity supplied Archive stamped Numbered in ink on front Printed 2021 Various sizes and frame options available FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. Keywords 1950s 50s woman model aesthetic luxury high society black and white beach...

A contemplative Audrey Hepburn with a dove perched on her shoulder, 1966. TITLE: Hepburn with a Dove 1966 PHOTO: Terry O’Neill SIGNED LIMITED EDITION (LAST AVAILBLE COPY OF THIS SIZ...

'Private Dancer' Brigitte Bardot 1961 by Giancarlo Botti Wonderfully intimate shot of the French sex symbol and icon, Brigitte Bardot, on set of the film 'A Very Private Affair' w...

'Stay On Target!' By BATIK Archival pigment pop art print of a Star Wars TIE fighter chasing actor Cary Grant from the infamous scene in Hitchcock’s North By North West BATIK is a London based fine artist and image maker. Certificate of authenticity supplied Paper size 60x40 inches / 152 x 101 cm unframed signed and numbered on front edition of 3 only this size OTHER Sizes available (in inches): Edition sizes vary with the chosen paper size Classical 12x16 (Edition of 50) Luxe 20x16 (Edition of 35) Longe 30x20 (Edition of 25) Grande XL 40x30 (Edition of 10) Giant 60x40 (Edition of 3) FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. Black and white, running, blur, motion, shadow, texture, grain, Star Wars, TIE fighter, chasing, man, males, photography, pop art andy warhol hitchcock

David Koppel served his photographic apprenticeship in the rough-and-tumble world of the Fleet Street paparazzi in 1980’s London when his skills captured the very essence of the Me Decade that gave birth to the celebrity culture of today. Koppel’s classic photographs of Frank Sinatra, Marlon Brando, Jack Nicholson, the Rolling Stones, David Bowie, Paul McCartney, Eric Clapton & the Royal Family appeared in every major newspaper and magazine and marked him out as that rarity amongst press photographers: the artist with a camera. Building on the reputation gained through the photographs for the book Still Waters, his black-and-white portraits of ordinary people now rank among the many famous names in his portfolio. Koppel also went one better and in 2002 bought the St Giles St Gallery , bringing the best of local and international contemporary art and photography to Norwich, including the works of Sir Peter Blake, Terry O’Neill, David Bailey, Maggie Hambling, Storm Thorgersson, Tim Woolcock...

David Bailey Elton John, 1971 Archival Inkjet on paper, framed Signed by the artist, on verso Image: 50.8 x 50.8 cm Sheet: 58.4 x 58.4 cm Edition of 12 + 3AP

Plantation Cocoyer People relaxing in the bar at Plantation Cocoyer, Cocoyer Beach, Haiti, February 1981. Slim Aarons Chromogenic C print Printed Later Slim Aarons Estate Edition...

Taken from the world’s largest photographic archive, (Hulton Archive and Getty Images), the Getty Images Gallery collection features an extraordinary time capsule of the last century...

Ursula Andress 1955 Slim Aarons Limited Edition Estate Stamped Print Swiss actress Ursula Andress poses in a hammock, in Rome, Italy, circa 1955. Produced from the original trans...

"Saturday Night Fever" Original Vintage 1977 Lobby Card Condition Mint Original vintage 1977 lobby card from the film "Saturday Night Fever" directed by John Badham FRAMING: Pleas...

'Water Trails down Empty Street in front of Water Tower' is a black and white photographic print on Hahnemuhle paper in a limited edition of 10 by Michael Ormerod. Featured in the ...

Mara Lane 1954 Slim Aarons Limited Edition Estate Stamped Print Austrian actress Mara Lane posing by the pool at the Sands Hotel, Las Vegas, in a red and white striped bathing cos...

Slim Aarons Estate Print - Speedboat Landing - Oversize A Magnum motorboat belonging to Count Filippo Theodoli arrives at the private jetty of the Il Pellicano Hotel in Porto Ercole...

'Princess Ruspoli' 1979 Slim Aarons Limited Edition Estate Print - Oversized Princess Lucy Ruspoli stands in front of a colourful wall of old skis in Lech ...

Slim Aarons Estate Print - Princess Ruspoli - Oversize Princess Lucy Ruspoli stands in front of a colourful wall of old skis in Lech am Arlberg, Austria, Feb...

Slim Aarons Estate Print - Pool At Las Brisas - Oversize Guests in the pool at the Las Brisas Hotel, Acapulco, Mexico, February 1972. (Photo by Slim Aarons) Chromogenic print pa...

Sophia Loren - Oversize Silver Gelatin Print Absolutely Exquisite Extra Large 30 x 30" inches / 76 x 76 cm paper size silver gelatin print. Unframed. Produced on authentic silver ...

Archival Inkjet on paper Signed by the artist, on verso Image: 50.8 x 50.8 cm Sheet: 58.4 x 58.4 cm Framed: 66.5 x 66.5 x 4 cm Edition of 10

Please note that as of 1st March 2025, the Slim Aarons Estate Stamped Collection aligned its pricing across the entire collection. Please bear in mind that all prints are produced t...

Big Jay McNeely, 1951 - Bob Willoughby (Portrait Photography) Archival pigment print Printed on 20 x 24 inch paper From an edition of 25 Also available in alternative sizes Bob ...

David Bailey Dr Dre, 2001 Archival Inkjet on paper Image: 50.8 x 63.58 cm Sheet: 58.4 x 71.2 cm Edition of 10

Bowie On The Phone - signed limited edition print David Bowie talking on the phone, 1973. (photo Mick Rock) paper size : 20x24 inches / 61 x 51 cm Stamped and numbered by the Est...

A confiança 2023 Amidst the joyful exuberance of Brazilian carnival a moment of calm reflection and an image of youthful hope for the future. The Carna...

Eva Gabor (1950) Limited Estate Stamped - Grande XL (Photo By Slim Aarons) Hungarian actress Eva Gabor (1920 – 1995) in Montego Bay, Jamaica, circa 1954....

De Rosieres (1975) Limited Estate Stamped - Giant (Photo by Slim Aarons) Viscount and Viscountess Paul de Rosiere outside a villa in Monte Carlo, August 1975. Additional Inform...

Pacific Diver (1950) - Silver Gelatin Fibre Print (Photo by Terry Fincher/Express/Getty Images) 16th August 1965: World heavyweight boxing champion Muhammad Ali enjoys supper in a...

De Rosieres Family (1975) - Limited Estate Stamped (Photo By Slim Aarons) Viscount and Viscountess Paul de Rosiere outside a villa in Monte Carlo, August 1975. Additional Inform...