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Item Ships From: England
For John Constable
By Richard Smith
Located in London, GB
Edition of 100
46.4 x 67.3 cms (18 1/4 x 26 1/2 ins)
Category
1970s Abstract England - Abstract Prints
Materials
Lithograph
Bechtold Original Vintage Exhibition Poster
By Erwin Bechtold
Located in London, GB
Bechtold
Original vintage 1978
Oversize size gallery exhibitions poster.
35.1 x 50.1 cm
Sold as seen rolled - excellent condition.
Exhibition detailed :
Bechtold
10 Aiguaforts i...
Category
1980s Modern England - Abstract Prints
Materials
Archival Paper
Generations 9
By Robyn Denny
Located in London, GB
Etching with aquatint on watercolour wash on paper
53 x 71 cms (21 x 28 ins)
Edition of 35, Set of 24
Signed, dated, and numbered 3/35
Published by Bernard Jacobson Ltd., London
Prin...
Category
1970s Abstract Geometric England - Abstract Prints
Materials
Color, Etching, Aquatint
American Indian Theme VI, from: American Indian Theme - Indigenous Pop Art
By Roy Lichtenstein
Located in London, GB
This original woodcut in colours is hand signed in pencil "R. Lichtenstein" at the lower right margin. It is dated ‘80’ [1980] next to the signature.
It is also numbered in pencil from the edition of 50, at the lower right margin.
There were also 18 artist’s proofs aside from the standard edition.
The subject was printed and published by Tyler Graphics Ltd., Bedford, New York in 1980.
The paper bears the blindstamp of the printer and publisher.
This is the sixth composition of six comprising the ‘American Indian Theme...
Category
1980s Pop Art England - Abstract Prints
Materials
Woodcut
Bluester
By Kenny Scharf
Located in London, GB
Kenny Scharf
Bluester, 2023
15-colour screen print on Mohawk Superfine UltraWhite, 160 lb cover paper.
Signed by the artist, numbered and stamped by the publishers, JRP Editions.
61...
Category
2010s Street Art England - Abstract Prints
Materials
Screen
Landscape with Adam and Eve with an angel
Located in Llanbrynmair, GB
’Landscape with Adam and Eve with an angel’
By Arthur Boyd
Medium - Etching with colour on wove.
Signed - Yes
Edition - Artist Proof
Size - 640mm x 820mm
Date - 1986
Condition - 8
Colour of print may not be accurate when viewed on a monitor.
Arthur Merric Bloomfield Boyd AC OBE (24 July 1920 – 24 April 1999) was a leading Australian painter...
Category
1980s Contemporary England - Abstract Prints
Materials
Etching
Blue Listening Ear
By Howard Hodgkin
Located in London, GB
Etching and aquatint with carborundum and hand-colouring in tempera on wove paper.
Signed and dated in pencil, numbered from the edition of 100.
Printed by Jack Shirreff at 107 Work...
Category
1980s Abstract England - Abstract Prints
Materials
Etching, Aquatint
Les Oiseaux De Feu
By Lars Bo
Located in Llanbrynmair, GB
’Les Oiseaux De Feu’
By Lars Bo
Medium - Etching on BFK Rives paper
Signed - Yes
Edition - 61/120
Date - 1964
Size - 650mm x 500mm
Condition - 9
Colour of print may not be ac...
Category
1960s Abstract England - Abstract Prints
Materials
Etching
Formulation : Articulation. Folio of 2 prints
By Josef Albers
Located in Llanbrynmair, GB
’Formulation : Articulation’
By Josef Albers
Medium - Serigraph on Mohawk Superfine Bristol paper. In Folio of 2 prints
Signed - No
Edition - 1000, Portfolio II, Folder 20
Size ...
Category
1970s Abstract England - Abstract Prints
Materials
Screen
Café 1920s woodcut by Edward Burra Modern British Art
By Edward Burra
Located in London, GB
To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message ...
Category
1920s Abstract England - Abstract Prints
Materials
Woodcut
Saccades XXIII
By Joan Miró
Located in Llanbrynmair, GB
’Saccades’
By Joan Miró
Medium - Aquatint and etching
Signed - In plate
Edition -
Size - 550mm x 375mm
Date - 1962
Condition - 10
Colour of print may not be accurate when vi...
Category
1960s England - Abstract Prints
Materials
Etching, Aquatint
Plate No. 324 - Winter, Print, Landscape, Trees, Night, Arctic, Portrait
By Johanna Goodman
Located in Brighton, GB
Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days.
Giclée print on Archival Matte Paper with Archival Pigment Ink.
In 2017 she w...
Category
2010s Contemporary England - Abstract Prints
Materials
Archival Ink, Archival Paper, Giclée
Plate No. 197 - Human Figure, Landscape, Portrait, Print
By Johanna Goodman
Located in Brighton, GB
Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations.
Giclée print on Archival Matte Paper w...
Category
2010s Contemporary England - Abstract Prints
Materials
Archival Ink, Archival Paper, Giclée
Drawing Boards I (grey / purple)
By Richard Smith
Located in London, GB
Edition of 60, Set of 5
74.9 x 56.5 cms (29.5 x 22.25 ins)
Category
1980s Abstract England - Abstract Prints
Materials
Etching
Two of a Kind Va (broken blue line on purple)
By Richard Smith
Located in London, GB
71 x 71 cms (28 x 28 ins)
Edition of 50
Category
1970s Abstract England - Abstract Prints
Materials
Color, Lithograph
Wild Pastels (XL)
By Lee Herring
Located in Deddington, GB
Wild Pastels (XL) by Lee Herring [2021]
original
Mixed Media
Image size: H:96 cm x W:98 cm
Complete Size of Unframed Work: H:96 cm x W:98 cm x D:0.1cm
Sold Unframed
Please note that...
Category
21st Century and Contemporary Pop Art England - Abstract Prints
Materials
Paper
Die Individualisierte Editionsnummer Besichtigt Das Subjective Fenster (Bild) Un
Located in Bristol, GB
Offset print, collage, airbrush
Edition of 50
Signed, numbered and dated on the back
Excellent. Minor indentation on lower right edge of print visible under normal viewing conditions...
Category
21st Century and Contemporary Contemporary England - Abstract Prints
Materials
Offset
Flying
Located in Llanbrynmair, GB
’Flying’
By Yutaka Takayanagi.
Medium - Relief and lithographic print
Edition - 14/20
Signed - Yes
Size - 790mm x 570mm
Date - 1976
Condition - Excellent. 10 out of 10.
Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year.
During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers.
Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums.
In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist.
Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks.
Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints.
Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...
Category
1970s Abstract England - Abstract Prints
Materials
Lithograph
Small Green Swiss, 1968 - Green Abstract Minimalist Print with Orange and Red
By John Hoyland
Located in Kingsclere, GB
John Hoyland was a British artist and one of the country's leading abstract painters.
Hoyland was born in Sheffield, Yorkshire, and educated at Leighton Park School, before going on...
Category
1960s England - Abstract Prints
Materials
Lithograph
Waving the flag
Located in Llanbrynmair, GB
’Waving the Flag’
By Kip Gresham
Medium - Screen Print
Edition - 21/24
Signed - Yes
Size - 515mm x 645mm
Date - 1986
Condition - Very good. 8 out of 10.
Col...
Category
1980s Abstract England - Abstract Prints
Materials
Screen
St Francis in the Wood
Located in Llanbrynmair, GB
’St Francis in the Wood’
By Arthur Boyd
Medium - Lithograph
Signed - Yes
Edition - Artist Proof
Size - 740mm x 500mm
Date - 1979
Condition - 9
Colour of pr...
Category
1970s Contemporary England - Abstract Prints
Materials
Lithograph
About lilac
By Bridget Riley
Located in London, GB
Screen print. Produced in 2007. Edition of 75. Hand signed, titled, dated and numbered in pencil by Bridget Riley. Printed by Artizan Editions, Hove. Schubert 65.
Category
2010s Op Art England - Abstract Prints
Materials
Screen
Pisces
Located in Llanbrynmair, GB
’Untitled’
By Yutaka Takayanagi.
Medium - Relief with lithographic print
Edition - 4/50
Signed - Yes
Size - 790mm x 570mm
Date - 1977
Condition - Excellent. 10 out of 10.
Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year.
During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers.
Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums.
In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist.
Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks.
Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints.
Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...
Category
1970s Abstract England - Abstract Prints
Materials
Lithograph
Here We Are In Croydon by Howard Hodgkin, Lithography with Hand Colouring, 1979
By Howard Hodgkin
Located in Kingsclere, GB
Here We Are In Croydon by Howard Hodgkin, 1979
Additional information:
Medium: lithograph with hand-colouring on Moulin d'Auvergne handmade paper, the full sheet printed to the edges
56 x 76 cm
22 1/8 x 29 7/8 in
signed, dated and numbered 30/100 in blue crayon
Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54).
Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames.
In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1995–96 Hodgkin had an exhibition at the Metropolitan Museum of Art, New York, which travelled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent.
Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group. His black stone and white marble mural...
Category
20th Century England - Abstract Prints
Materials
Handmade Paper, Lithograph
Twentieth Century Untitled Abstract Limited Edition Stone Lithograph Joan Miro
By Joan Miró
Located in ludlow, GB
Twentieth Century Untitled Abstract Limited Edition Stone Lithograph Joan Miro
Originally in a catalogue and consequently there is slight evidence of a fold in the centre. We have h...
Category
20th Century Abstract England - Abstract Prints
Materials
Lithograph
Concentration
By Harvey Daniels
Located in Llanbrynmair, GB
’Concentration’
By Harvey Daniels
Medium - Screen print
Signed - Yes
Edition - 16/30
Size - 890mm x 670mm
Condition - 10
Colour of print may not be accurate when viewed on a monitor...
Category
Late 20th Century Abstract England - Abstract Prints
Materials
Screen
Art Makes Children Powerful
Located in London, GB
Bob and Roberta Smith
Art Makes Children Powerful, 2022
Silkscreen print on paper
hand-signed and numbered by the artist
52 x 52 cm
Edition of 50
Bob ...
Category
2010s Contemporary England - Abstract Prints
Materials
Screen
Plate No. 322 - Print, Landscape, Portrait, Cityscape
By Johanna Goodman
Located in Brighton, GB
Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations.
Giclée print on Archival Matte Paper w...
Category
2010s Contemporary England - Abstract Prints
Materials
Archival Ink, Archival Paper, Giclée
Complementaries
Located in Llanbrynmair, GB
’Complementaries’
By Yutaka Takayanagi.
Medium - Relief and lithographic print
Edition - 19/20
Signed - Yes
Size - 615mm x 780mm
Date - 1976
Condition - Good. 9 out of 10.
Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year.
During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers.
Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums.
In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist.
Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks.
Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints.
Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...
Category
1970s Abstract England - Abstract Prints
Materials
Lithograph
Minimum colour contrast with orange
Located in Llanbrynmair, GB
’Minimum colour contrast with orange’
By Yutaka Takayanagi.
Medium - Relief and lithographic print
Edition - 1/20
Signed - Yes
Size - 790mm x 570mm
Date -1977
Condition - Excellent. 10 out of 10.
Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year.
During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers.
Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums.
In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist.
Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks.
Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints.
Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...
Category
1970s Abstract England - Abstract Prints
Materials
Lithograph
Untitled
Located in Llanbrynmair, GB
’Pisces’
Please note. This is not a mono print but 1st Dibs have option for Relief print. Which is what this is...
By Yutaka Takayanagi.
Medium - Relief print
Edition - AP
Signed - Yes
Size - 510mm x 660mm
Date - 1973
Condition - Excellent. 10 out of 10.
Born in Tokyo in 1941, Takayanagi's artistic journey began when he enrolled at Tokyo University of the Arts in 1960, studying under the renowned oil painter Kaoru Yamaguchi. His talent was quickly recognized when he received an Honorable Mention at the 8th Shell Arts Award Exhibition in the same year.
During his time at university, Takayanagi took an intensive course in copper plate printing under Tetsuro Komai, receiving his degree from the graduate school in 1966. Fascinated by the simultaneous color print method, he started creating copperplate prints and soon gained recognition for his unique metallic reliefs, which he produced using collages of English newspapers.
Takayanagi's passion for experimentation led him to create metallic emboss reliefs using his own photographs, and in the latter half of the 1980s, he moved on to silkscreen prints. He continued to push the boundaries of his art, constantly exploring new techniques and mediums.
In 1978 and the following year, Takayanagi was appointed as an arts researcher for the Ministry of Culture and traveled to the United States, France, and the UK. These experiences enriched his artistic perspective and further cemented his reputation as a highly regarded artist.
Takayanagi was part of the influential printmaking group Sosaku Hanga, which emerged in the early 20th century in Japan. This movement emphasized the artist's involvement in every stage of the printmaking process, from designing the image to carving and printing the blocks.
Takayanagi's work often incorporates elements of nature and landscape, with an emphasis on texture and pattern. He also experimented with collage, incorporating found materials like newspaper clippings and photographs into his prints.
Takayanagi's work has been exhibited extensively in Japan and internationally, including at the Museum of Modern Art in New York and the National Museum of Modern Art in Tokyo. He has also received numerous awards for his contributions to printmaking, including the Japan Print Association Award and the Purple Ribbon Medal...
Category
1970s Abstract England - Abstract Prints
Materials
Monoprint
Suiko [H10-4]
By Damien Hirst
Located in London, GB
Suiko [H10-4], 2022
Laminated Giclée print on aluminium composite, screen printed with glitter.
100 x 100 cm
Edition of 3310
These prints are named after five influential female r...
Category
2010s Contemporary England - Abstract Prints
Materials
Giclée
![Suiko [H10-4]](https://a.1stdibscdn.com/damien-hirst-prints-works-on-paper-suiko-h10-4-for-sale/a_21542/1666974410741/suiko_master.jpeg?width=240 "Damien Hirst - Suiko [H10-4]")
Susan's Delight
By Alan Davie
Located in Llanbrynmair, GB
’Susan's Delight’
By Alan Davie
Medium - Woodcut
Edition - 6/200
Published by The Tate, St Ives
Signed - Yes
Size - 505mm x 570mm
Date - 2003
Condition - Excellent. 10 out of 10.
...
Category
Early 2000s Abstract England - Abstract Prints
Materials
Woodcut
Five Circles - Abstract British Circles Modernism
By Ben Nicholson
Located in London, GB
This original woodcut is hand signed in pencil by the artist with his initials “BN” at the lower left margin.
It is also dated “34” [1934] next to the signature.
It is also hand num...
Category
1930s Modern England - Abstract Prints
Materials
Cardboard, Woodcut
Plate No. 242 - Print, Portrait, Christmas, Gold, Fashion, Skyscape, Sculpture
By Johanna Goodman
Located in Brighton, GB
Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days.
Giclée print on Archival Matte Paper with Archival Pigment Ink.
In 2017 she w...
Category
2010s Contemporary England - Abstract Prints
Materials
Archival Ink, Archival Paper, Giclée
NV4, Unique Abstract Print, Contemporary Blue and White Minimalist Artwork
By Jonathan Moss
Located in Deddington, GB
NV4 is an original minimalist print by Jonathan Moss. The N.V series of unique, one-off, relief prints find their origin in his videos of flashing lights found in city centres at nig...
Category
21st Century and Contemporary Abstract England - Abstract Prints
Materials
Paper, Monoprint
The Beautiful Paintings Medium Square (H12-7)
By Damien Hirst
Located in Manchester, GB
Damien Hirst, Unique Print from The Beautiful Paintings Medium Square (H12-7)
1/1 of Full Edition of 230 - Canvas Print
40 × 40 cm (Medium)
The ...
Category
2010s Contemporary England - Abstract Prints
Materials
Giclée
Senza Titolo I
By Sam Francis
Located in London, GB
125.5 x 135.5 cms (49.41 x 53.35 ins)
Edition of 58
Signed in pencil, inscribed 'Bon a tirer'.
Published by 2RC Edizioni d'Arte, Rome
Printed by Vigna Antoniniana, Rome, with t...
Category
1980s Abstract Expressionist England - Abstract Prints
Materials
Aquatint, Color, Etching
Plunger, 1968 - Minimalist White Abstract Graphic 20th Century Screenprint
By Gerald Laing
Located in Kingsclere, GB
Laing was born in Newcastle upon Tyne. He grew up during World War II and experienced the Battle of Britain as young boy.
He attended the Royal Military Academy Sandhurst and served...
Category
Mid-20th Century England - Abstract Prints
Materials
Screen
Plate No. 138 - Landscape, Flowers, Nature, Print, Portrait
By Johanna Goodman
Located in Brighton, GB
Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days.
Giclée print on Archival Matte Paper with Archival Pigment Ink.
In 2017 she w...
Category
2010s Contemporary England - Abstract Prints
Materials
Archival Ink, Archival Paper, Giclée
Astral Plane, Bright Art, Abstract Art, Modern Art, Premier Contemporary Art
By Allan Forsyth
Located in Deddington, GB
Allan Forsyth
Astral Plane
228x76cm (Bespoke sizes available)
Archival Chromagenic Photographic Print
Diasec Framed
Edition 6 + 2 APs
Astral Plane is a limited edition abstract prin...
Category
21st Century and Contemporary Contemporary England - Abstract Prints
Materials
Metal
Plate No. 472 - Digital Print, Landscape, Portrait, Fashion, Style
By Johanna Goodman
Located in Brighton, GB
Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days.
Giclée print on Archival Matte Paper with Archival Pigment Ink.
In 2017 she w...
Category
2010s Contemporary England - Abstract Prints
Materials
Archival Ink, Archival Paper, Giclée
Paris School Minaux Matisse Post-Impressionist Still Life Lithograph Flowers
By Andre Minaux
Located in Norfolk, GB
School of Paris Artist, Andre Minaux (Paris 1923-86)
Limited Edition 20/20, printed in 7 colours on Japon paper.
Sheet size 57" x 38", image size 49" x 32"
Signed Bottom right in pencil, editioned in pencil bottom left
With a full sheet authenticity certificate, dated 1964
This is a fabulous original Limited Edition Lithograph, completely of its time when artists in Paris were pushing boundaries and trying to bring about new styles. The influence of artists like Matisse can be seen and Minaux was working alongside artists such as Picasso and with Bernard Buffet to reject ideas of Abstract painting.
The text that accompanies the lithograph can be seen in the image of the certificate and is in French. The translation that follows on the certificate of Provenance gives an in depth description of this compelling still life:
'It is a singularly balanced art that that of André MINAUX, a typically French painting, made of power of clarity and nobility, in the tradition of our great modern masters as well as those of past centuries. And yet this painting under the hieratic appearance of the attitudes is not a wise painting, but on the contrary terribly dynamic, in which the passion and the virulence of the feelings are contained only by the simplicity and the purity of the forms. Each work of André Minaux is a miracle of balance between bubbling joy; joy of painting, joy of living; which animates the artist, and the voluntary serenity of the colors and volumes by which he translates his vision of beauty and grandeur. André Minaux's painting, full of a life in perpetual becoming, is the great and worthy expression of an art continually in evolution which moves without aggressiveness, but not without struggles, towards its final ends. And this painting, painting of an artist in full possession of all his means, of an extremely solid technique, and of a perfect trade is however that of a young person. Forty-one years is youth for a painter and at this age André Minaux, already recognized as one of the masters of the young French figurative school, has a future as brilliant and promising as behind him a long history of hard work and success. André Minaux is Parisian, born September 5, 1923. Very young he feels attracted to the graphic arts, he prepares and enters the School of Decorative Arts, but pure painting attracts him irresistibly and it is to her that he soon devotes himself exclusively. His young and great talent makes him quickly noticed. He first exhibited at the Salon des Sous de Trente Ans and later at other salons: des Indépendants, d'Automne, then at the Salon de Mai and at the Tuileries. In 1948 first private exhibition in Paris, others will follow in 1951, 1956 and 1957. In the meantime two exhibitions equal ment were devoted to him in London in 1953 and 1957. His last was a very important exhibition in 1963 at the David and Garnier Gallery in Paris. In 1949 at the 'Ecole de Paris', Galerie Charpentier, he had already won the Critics' Prize. Its reputation extends abroad thanks to numerous demonstrations of groups in England, Germany, Australia, Canada, Japon, U.S. A., etc... The Museum of Modern Art in Paris, several museums in the provinces, the Tate Gallery in London, have works by André Minaux, and his paintings can be found in major collections in Paris, London, New York, Tokyo, Stockholm, etc. ... Member of the French engraver painters, André Minaux is a remarkable lithographer, his lithographed work is already very important, he is also a member of the "Comité National du Livre Illustré Français and he has illustrated a certain number of luxury books...
Category
1960s Post-Impressionist England - Abstract Prints
Materials
Lithograph
Plate No. 304 - Print, Japanese, Collage, Landscape
By Johanna Goodman
Located in Brighton, GB
Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days.
Giclée print on Archival Matte Paper with Archival Pigment Ink.
In 2017 she w...
Category
2010s Contemporary England - Abstract Prints
Materials
Archival Ink, Archival Paper, Giclée
Myriad / copper base
By Chuck Elliott
Located in Bristol, GB
Myriad / copper base is a metallic Lambda photographic print, optionally mounted to Plexiglass, laser cut to shape, and fitted with a hidden subframe, ready to install.
Work can be supplied unmounted and ready to frame if you’d prefer.
The work is individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity.
From an edition of 12
Image size ⋅ 80cm H x 80cm W
.
Myriad is a study based on a number of ideas for processing digitally drawn sculptural forms, that I was keen to explore further for my Generator show.
The drawing progresses from a circular core to a square form at its outer edges, literally squaring the circle.
The whole form becoming redolent of a 12” record, perhaps a white label, or similar unbranded sleeve often used for limited releases and remix EPs, a format which of course comprises a circular vinyl disc...
Category
21st Century and Contemporary Abstract Geometric England - Abstract Prints
Materials
Plexiglass, C Print
Plate No. 92 - Print, Wildlife, Nature, Landscape, Portrait
By Johanna Goodman
Located in Brighton, GB
Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days.
Giclée print on Archival Matte Paper with Archival Pigment Ink.
In 2017 she w...
Category
2010s Contemporary England - Abstract Prints
Materials
Archival Ink, Archival Paper, Giclée
Untitled (Small Etching J), 1979 - Geometric Abstract Print, White, Blue + Red
By Stephen Buckley
Located in Kingsclere, GB
Stephen Buckley b. 1944
Untitled (Small Etching J), 1979
etching and aquatint
28 x 24.2 cm
11 x 9 1/2 in
signed, and dated verso, edition of 40
Stephen Buckley is a British abstrac...
Category
1970s England - Abstract Prints
Materials
Etching, Aquatint
Untitled 67 - signed AP
Located in London, GB
Gfeller + Hellsgård - Untitled 67
Screen-print on paper - signed & numbered - 2016
This is a rare A.P (artist proof) from the Untitled 67 print run. It's handprinted 5 colours as split-fountain.
Size 80 x 60 cm, with a 5 cm white border, the condition is good, it will be shipped rolled in a hard tube.
Artist info: Gfeller + Hellsgård is an artist duo working in Berlin. They've created an unique painterly screen-print-style which includes colour overlaps, smudges, bleeding, glitches and transparencies.
In 1995 while studying at Ecole Supérieur des Arts Décoratifs de Strasbourg, Christian Gfeller (born 1973, Alsace) started publishing screen-printed graph'zines and artists' books under the moniker Bongoût (good taste).
Bongoût found it's roots in the french D.I.Y art punk scene and, together with an handful of people, also organised concerts, party's and performances in an old warehouse named Lactina in Kehl, across the Rhine from France. The location became cult with its first techno parties, noise concerts and art performances, as well as exhibitions. Christian's first screen-print studio was located in Lactina and beside zine and book making, he designed and printed posters for the events as well as record covers for the cult garage trash punk label Yakisakana Rcds. In 2000, FLTMSTPC in Paris published a polaroid book by Christian, where this vivid time at Lactina was well documented. During this period Christian also played in several local bands: Pitfall, Elcamino and The Cheeraks.
Christian Gfeller met Anna Hellsgård (born 1980, Stockholm) at a concert in Berlin on September 11th 2001.
After Anna's short art study at Konstskolan in Stockholm, she was eager to develop her photographic interest and become an assistant to a commercial photographer for 2 years. In the meantine Anna also was Dj-ing in several clubs and bars in Stockholm. A vague memory from 1991 of her first Berlin visit and her music interest draw her to move to Berlin in 2001. There she continued with her B/W photographs and shot hundreds of pictures during her first time in Berlin. When she met Christian, she got immediately drawn to the french underground scene and its subversive graphic art content. Whenever she visited Christian in Strasbourg she would help him with his printing at the Lactina studio.
In 2002 the couple moved to Bordeaux and built up a screen-print studio there. This is where they started to work full time together as an artist-duo, publishing their own zines, artist's books as well as designing gig posters and record covers. The year and a half in Bordeaux was very prolific and they grounded together a strong artistic direction and a unique style. Bongoût editions continued to grow there as well.The artist-duo produced over 40 screen-printed books in collaboration with other artists during this time.
In 2004 they decided to move back to Berlin, and relocated their studio to the Friedrichshain neighbourhood.
Over the years, the duo released over 200 screen-printed zines and artists' books, some by themselves and others in collaboration with artists from around the world: David Sandlin...
Category
2010s Abstract England - Abstract Prints
Materials
Archival Pigment, Screen
The Currency 1462. Feed the king
By Damien Hirst
Located in Manchester, GB
Damien Hirst, The Currency 1462. Feed the king, 2016 (With original HENI Frame)
Enamel paint, handmade paper, watermark, microdot, hologram, pencil
20 x 30 cm
Hand-signed on the ...
Category
2010s Contemporary England - Abstract Prints
Materials
Mixed Media
Plate No. 145 - Landscape, Print, Portrait, Human Figure
By Johanna Goodman
Located in Brighton, GB
Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations.
Giclée print on Archival Matte Paper w...
Category
2010s Contemporary England - Abstract Prints
Materials
Archival Ink, Archival Paper, Giclée
Bananarama by BATIK signed limited edition POP ART
By BATIK
Located in London, GB
Bananarama aka It Ain't What You Do It's The Way That You Do It by BATIK signed limited edition POP ART print
Paper Size Oversize 40...
Category
2010s Pop Art England - Abstract Prints
Materials
Color, Archival Pigment
Plate no. 340 - Birds, Animals, Herons, Glitter, Print, Portrait, Landscape
By Johanna Goodman
Located in Brighton, GB
Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days.
Giclée print on Archival Matte Paper with Archival Pigment Ink.
In 2017 she w...
Category
2010s Contemporary England - Abstract Prints
Materials
Archival Ink, Archival Paper, Giclée
Plate no. 376 - Winter, Snow, Landscape, Horses, Animals, Print, Sunset
By Johanna Goodman
Located in Brighton, GB
Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days.
Giclée print on Archival Matte Paper with Archival Pigment Ink.
In 2017 she w...
Category
2010s Contemporary England - Abstract Prints
Materials
Archival Ink, Archival Paper, Giclée
Referendum '70
By Frank Stella
Located in London, GB
Screenprint, 1970, signed, dated and numbered an AP aside the edition of 200 (there were 15 AP in total), published by Gemini G. E. L., Los Angeles., sheet: 99.5 x 98 cm (39¼ x 38½ i...
Category
1970s Abstract Geometric England - Abstract Prints
Materials
Screen
Plate No. 140 - Landscape, Portrait, Print, Human Figure
By Johanna Goodman
Located in Brighton, GB
Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations.
Giclée print on Archival Matte Paper w...
Category
2010s Contemporary England - Abstract Prints
Materials
Archival Ink, Archival Paper, Giclée
Plate No. 182 - Landscape, Human Figure, Portrait, Print
By Johanna Goodman
Located in Brighton, GB
Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations.
Giclée print on Archival Matte Paper w...
Category
2010s Contemporary England - Abstract Prints
Materials
Archival Ink, Archival Paper, Giclée
Head, 1947 - Large Screenprint on Cotton, Abstracted Portrait in Yellow + Brown
By Henry Moore
Located in Kingsclere, GB
Moore designed four large-scale wall panels that were printed by Ascher between 1947 and 1949 on woven cotton or linen. Unlike the other fabric designs, these were not done in repeat...
Category
1940s England - Abstract Prints
Materials
Cotton, Screen
Plate No. 59 - Nature, Landscape, Mushrooms, Portrait, Abstract
By Johanna Goodman
Located in Brighton, GB
Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days.
Giclée print on Archival Matte Paper with Archival Pigment Ink.
In 2017 she w...
Category
2010s Contemporary England - Abstract Prints
Materials
Archival Ink, Archival Paper, Giclée
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