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Item Ships From: England
Feathers - A selection of birds feathers in colours, Geometric Tribal Mandala
Located in London, GB
“Feathers are more than pretty; they contain a whole host of spiritual and cultural meanings.... It symbolises trust, honour, strength, wisdom, power, and freedom” Naturally shed feathers, none of them were dyed, all natural colours. Birds’ feathers included in this artwork: Blue Jay Pheasant Woodcock Blue Mallard Homing Pigeon Teal Duck Partridge Han Mallard Magpie Red Kite Blue & Gold Maccaw Red and Green Maccaw Peacock Guinea Fowl Parrot Leopard Spotted Argus Pheasant Lady Amherst Pheasant Ringneck Pheasant Golden Reeves Pheasant Tragopan Pheasant Oriental Bay Owl Scarlet Ibis Feathers, 2022 Series: Detritus Archival Pigment Print, Mounted on Dibond in custom made Frame; with Black Stained Oak and antireflective UV protective museum standard Art Glass Print 100 x 100 cm / Framed: 102 x 102 cm/ 40 x 40 inches approx. Edition of 5 + 2AP About the Artist George McLeod...
Category

2010s Tribal England - Abstract Prints

Materials

Glass, Wood, Oak, Paper, Archival Ink, Archival Paper, Photographic Pape...

#396, The Self Representation of Light, Unique Luminogram, Drawn by Light
Located in London, GB
#396, 2016 Silver Gelatin Luminogram Print, Framed (classic museum style white book mount board and black frame) Image size: 40.6 x 30.5 cm Framed: 58 x 49 cm Unique Series: The Self Representation of Light Signed and dated in pen on verso © Michael Jackson The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting. After moving to Wales in 2007, Michael Jackson spent the next eight years creating an extensive study of a single local beach - Poppit Sands. After years of examining the beach, he realised that in effect he was studying himself and his reaction to the beach - rather than the physical landscape. He then started looking at the beach as simply a way of dividing up the camera frame - the lines and curves and focal points. It was during the long period of producing Poppit Sands prints in the darkroom that he discovered how to start making luminograms. "I feel strongly that the luminograms represent a form of moulded light. You use your process to direct and mould the light and the paper receives it in its own magical way and translates that into a form that seems fantastical but also it has one foot in reality. The piece itself so often seems like a photograph of a sculpture, when it fact it is neither. I imagine that I am taking something that you cannot feel and I am making it appear in a seemingly three dimensional form that is balanced and controlled. Just like sculpting clay." Michael G Jackson...
Category

2010s Abstract England - Abstract Prints

Materials

Photographic Paper, Black and White, Photogram, Silver Gelatin

Totem -- Etching, Print by Etel Adnan
By Etel Adnan
Located in London, GB
Etel Adnan Totem, 2018 Etching in colours, on Arches wove Signed and numbered from the edition of 35 Plate: 30.5 × 24.7 (12 × 9.7 in) Sheet: 48.1 × 38 cm (19 × 15 in)
Category

2010s England - Abstract Prints

Materials

Etching

One Two Three (Red and Blue) by Robert Goodnough, 1968
By Robert Goodnough, 1917-2010
Located in Kingsclere, GB
One Two Three (Red and Blue) by Robert Goodnough, 1968 Additional information: Medium: screenprint 56 x 76 cm 22 1/8 x 29 7/8 in signed, dated and numbered in pencil Robert Goodnou...
Category

20th Century England - Abstract Prints

Materials

Screen

Green Herbarium
By Marc Quinn
Located in London, GB
Marc Quinn Green Herbarium, 2024 Hand-pulled 4-Layer Screen Print on Mohawk Superfine 352gsm paper Embossed, signed and numbered on the front 60 x 45 cm Edition of 45 Marc Quinn is ...
Category

2010s Contemporary England - Abstract Prints

Materials

Screen

The Beautiful Paintings Medium Square (H12-7)
By Damien Hirst
Located in Manchester, GB
Damien Hirst, Unique Print from The Beautiful Paintings Medium Square (H12-7) 1/1 of Full Edition of 230 - Canvas Print 40 × 40 cm (Medium) The ...
Category

2010s Contemporary England - Abstract Prints

Materials

Giclée

Four Knots
By Richard Smith
Located in London, GB
Edition of 50 71 x 76 cm (28 x 30 ins) RSE023
Category

1970s Abstract England - Abstract Prints

Materials

Etching

Portrait Series A (4), screenprint by Robyn Denny
By Robyn Denny
Located in London, GB
Robyn Denny (1930-2014) Portrait Series A (4) Screenprint 80 x 58 cm Signed to the bottom right and blind stamped Numbered 27/30 ​‘No painting should reveal all it has to say ...
Category

1970s Abstract England - Abstract Prints

Materials

Screen

ATO>MIC #3, Unique Silver Luminogram Print, Warm toned black and white abstract
Located in London, GB
ATO>MIC #3, 2020 Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/ 23 x 18 cm (image print) 40.5 x 36 cm (Framed) Unique Series: ATO>MIC Signed and dated in pencil on verso Provided with the Certificate of Authenticity “The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions. That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson The images (from the ATO>MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.” The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down. Or maybe the thin line is just the horizon, where the enormous atomic blast took place…? Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works. It’s up to the viewer to decide what they prefer to see and take with them. As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.” About the Artist: Michael G Jackson...
Category

2010s Abstract England - Abstract Prints

Materials

Glass, Wood, Archival Paper, Black and White, Bromoil, Silver Gelatin, T...

Madron. Signed lithograph by Stanley Jones
By Stanley Jones
Located in Llanbrynmair, GB
’Madron’ By Stanley Jones Medium - Lithograph Signed - Yes Edition - 13/65 Date - 1970 Published by - The Curwen Size - 505mm x 655mm Condition - 10 Colour of print may not be accura...
Category

Mid-20th Century Abstract England - Abstract Prints

Materials

Lithograph

Untitled, from: 12th Anniversary Galeria Joan Prats 1976-88 Portfolio
By Francisco Toledo
Located in London, GB
FRANCISCO TOLEDO 1940-2019 Juchitán de Zaragoza 1940-2019 Oaxaca (Mexican) Title: Untitled, from: 12th Anniversary Galeria Joan Prats 1976-88 Portfolio, 1988 Technique: Original Hand Signed and Numbered Lithograph in Colours on Arches Wove Paper Paper size: 56 x 38 cm. / 22 x 14.9 in. Additional Information: This original lithograph in colours is hand signed in pencil by the artist “Toledo” in the centre right of the image. It is also hand numbered in pencil from the edition of 100, next to the signature. There were 20 artist’s proofs and 10 hors commerce [out of trade] impressions. It was included in the portfolio “Carpeta Commemorativa 12e Aniversari” [Commemorative 12th Anniversary Portfolio], consisting of 20 lithographs and etchings by numerous artists. The paper bears a partial Arches watermark in the upper right corner. Note: The contributing artists were: Sergi Aguilar, Frederic Amat...
Category

1980s Abstract England - Abstract Prints

Materials

Lithograph

H10-2 Nūr Jahān (from the Empresses)
By Damien Hirst
Located in Bristol, GB
Laminated Giclée print on aluminium composite, screen printed with glitter Edition of 3,041 39.3 x 39.3 in Signed on a label affixed to the back Mint. Minor imperfections may appear ...
Category

21st Century and Contemporary Contemporary England - Abstract Prints

Materials

Giclée

America - La France Variations I
By Robert Motherwell
Located in London, GB
118.1 x 81.6 cms (46.5 x 32.1 ins) Edition of 70 Published by Tyler Graphics, New York Signed and numbered in pencil
Category

1980s Abstract Expressionist England - Abstract Prints

Materials

Color, Lithograph

Eternal Flame III - Koi Carp - Print on Museum Glass with Gold and Silver leaf
Located in London, GB
"The bottomless depths of a private koi pond in a Sussex garden. Dancing light, rhythmic flow and a coloured whirl of so many flashing fins, all help to convey the dark mystery of a life below the surface" ETERNAL FLAME III, 2017 Printed on museum glass, hand finished with White Gold and Silver leaf 30 x 30 cm image glass size/ 31 x 31 cm/ 12.2 x 12.2 inches (Framed) From edition of 5 Series: Southern Song Each piece is individually hand finished by the artist with White Gold and Silver leaf giving the piece its own unique style. Larger dimensions available from limited edition of 5 also available and made upon order. The beauty of the pieces printed on glass are truly revealed when seen in the flesh, which shimmer in the daylight and change constantly as different light sources are reflected off the print. "I am primarily driven by an exploration of colour and form. My objective is to bring an emotional element and aesthetic balance to my work. I try to depict the subtleties of the landscape and am happiest making images from the smallest, most insignificant detail - the challenge being to portray the essence of what is about my subject matter that has taken my eye." - Valda Bailey...
Category

2010s Abstract Impressionist England - Abstract Prints

Materials

Gold, Silver, Gold Leaf

Bundanon Shore. (2 Cockatoos)
Located in Llanbrynmair, GB
’Bundanon Shore ’ By Arthur Boyd Medium - Lithograph Signed - Yes Edition - Artist Proof Size - 735mm x 540mm Date - 1994 Condition - 9 Colour of print may not be accurate when viewed on a monitor. Hand drawn metal plate lithograph printed with Senefelder press on rag paper. Being sold from the Andrew Purches collection. Arthur Merric Bloomfield Boyd AC OBE (24 July 1920 – 24 April 1999) was a leading Australian painter...
Category

1990s Contemporary England - Abstract Prints

Materials

Lithograph

Klint / reDux / chrm
By Chuck Elliott
Located in Bristol, GB
Klint / reDux / chrm is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper. The work can be supplied unframed, or framed and ready to hang. I tend to use fairly minimal glazed and painted tulipwood frames, and set the work ‘straight in’ under the fillets, without a window mount. If you’d like to discuss other framing choices to suit your space please do get in touch. Individually signed and numbered From an edition of 48 prints, plus 4 APs Image size ⋅ 50.8cm H x 66cm W Sheet size ⋅ 65cm H x 80cm W . Le Klint Studio is an inspiration to anyone who loves paper folding, contemporary design, and light. So, of course, I couldn’t resist making a series of origami like geometries for a new set of works on paper in 2015. Le Klint Studio, to my mind, are particularly well known for their folded paper pendant shades, contemporary designs which are as beautiful as they are ubiquitous. The image I made is not an identikit line work, more an homage based around some of the origami like folds they use, with the addition of colour glazes and offset transparencies. I've also added a grid like structure of darkly shaded lines and accents, that brings the geometry to life. The first piece I drew, ACDH (acid house...
Category

21st Century and Contemporary Abstract Geometric England - Abstract Prints

Materials

Archival Pigment

Etching N. 149
By Zao Wou-Ki
Located in London, GB
ZAO WOU-KI 1921- 2013 Beijing 1921 -2013 Switzerland (Chinese) Title: Etching No. 149, 1963 Technique: Original Hand Signed, Numbered and Dated Etching and Aquatint in Colours on W...
Category

1960s Abstract England - Abstract Prints

Materials

Etching

Bush scene with blue and yellow
Located in Llanbrynmair, GB
’Bush scene with blue and yellow’ By Jamie Boyd Medium - Lithograph Edition - AP Signed - Yes Size - 630mm x 865mm Date - c1975 Condition - Excellent. 10 out of 10. Colour of print...
Category

1970s Contemporary England - Abstract Prints

Materials

Lithograph

Little Zoo III - Abstract with Tiger and Parrots
Located in London, GB
Michael Rothenstein Little Zoo III, 1990 Screenprint on Velin Arches paper 54 x 45 cm Edition 9 of 100 hand-signed and numbered 9 of 100. published by Flowers Graphics, London in 19...
Category

1980s Modern England - Abstract Prints

Materials

Screen

Still Life
By Howard Hodgkin
Located in London, GB
Howard Hodgkin Still Life, 1980 Colour screenprint on Velin Arches paper, signed with initials, dated and numbered 77/100 in pencil. 79 x 73 cm published by Bernard Jacobson Ltd, Lon...
Category

1980s Modern England - Abstract Prints

Materials

Paper, Screen

Horizon I (orange with blue base)
By Richard Smith b.1955
Located in London, GB
33 x 71 cms (13 x 28 ins) Edition of 75, Set of 6
Category

1970s Abstract England - Abstract Prints

Materials

Lithograph

Those...Plants
By Howard Hodgkin
Located in London, GB
Soft-ground etching from three copper plates printed in sepia, with hand colouring in watercolour (a yellow wash background) and green gouache. On Stoneridge mould-made etching paper Signed with initials and dated 1980 in black wax crayon, lower centre. Numbered in black wax crayon, lower left Published by Petersburg Press Exhibition History: 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022 Literature: 'The Tate Gallery: Illustrated Catalogue of Acquisitions 1980-82', London, 1984, p. 261 (ill.); Elizabeth Knowles...
Category

Late 20th Century Abstract England - Abstract Prints

Materials

Color, Etching

Flower Parent and Child
By Takashi Murakami
Located in Bristol, GB
Offset lithograph Edition of 300 76 x 61.2 cm, 28 × 24 in Signed and numbered on the front Mint, as issued. Sold in the original Kaikai Kiki packaging
Category

21st Century and Contemporary Contemporary England - Abstract Prints

Materials

Offset

About Lilac, 2007, Screenprint in 3 colours plus white, Limited Edition
By Bridget Riley
Located in Bristol, GB
Screenprint in 3 colours plus white under print on Fabiano 5 paper Edition of 75 48.9 x 80 cm (19.2 x 31.5 in) Signed, numbered, dated and titled on the front Artwork in excellent co...
Category

Early 2000s Contemporary England - Abstract Prints

Materials

Screen

Diamond Composition
By Bram Bogart
Located in London, GB
Bram Bogart (Dutch, born 1921) 'Diamond Composition', carborundum etching printed in colours, 2005, on handmade paper, signed, dated and numbered.
Category

Early 2000s Abstract England - Abstract Prints

Materials

Carbon Pigment

Tropic Fruit
By Howard Hodgkin
Located in London, GB
80 x 94 cms (31.5 x 37 ins) Edition of 100
Category

1980s Abstract England - Abstract Prints

Materials

Color, Screen

I, from Sensory World by Victor Pasmore, 1996
By Victor Pasmore
Located in Kingsclere, GB
I, from Sensory World by Victor Pasmore, 1996 Additional information: Medium: etching and aquatint 29.5 x 29 cm 11 5/8 x 11 3/8 in signed with initials and numbered I/III in pencil ...
Category

20th Century England - Abstract Prints

Materials

Etching

Norway
By Robert Motherwell
Located in London, GB
54.9 x 56.5 cms (21.6 x 22.25 ins) Edition of 50 Paper: Somerset paper Signature:Signed "RM" in pencil lower right Inscriptions:Numbered in pencil lower right Proofs:20 AP, number...
Category

1980s Abstract Expressionist England - Abstract Prints

Materials

Color, Lithograph

Venice
By Zao Wou-Ki
Located in London, GB
ZAO WOU-KI 1921- 2013 Beijing 1921 - 2013 Switzerland (Chinese) Title: Venice Venise, 1951 Technique: Original Hand Signed, Dated and Numbered Etching on BFK Rives Wove Paper Pap...
Category

1950s Abstract Geometric England - Abstract Prints

Materials

Etching

Dazzle / 12 bar crop
By Chuck Elliott
Located in Bristol, GB
Dazzle / 12 bar crop is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper. The work can be supplied unframed, or framed and ready to hang. I tend to use fairly minimal glazed and painted tulipwood frames, and set the work ‘straight in’ under the fillets, without a window mount. If you’d like to discuss other framing choices to suit your space please do get in touch. Individually signed and numbered From an edition of 48 prints, plus 4 APs Image size ⋅ 60cm H x 48.6cm W Sheet size ⋅ 72.8cm H x 60.6cm W . The Dazzle piece I drew for my 2017 show Current at Catto was 200cm wide, but the drawing seemed to offer an opportunity to generate a smaller work on paper as well. So after a little further experimentation, I cropped the study down to the 12 vertical bars that form the central core of the composition, and tried it out at various sizes on the Hahnemühle paper, settling in the end for this pigment print edition at 60cm high. I like the idea of the 12 bar crop, with its strong musical connotations. Dazzle is another work that uses my SV (systematic variation) technique to modulate the line drawing in ways that make it denser, more complex, and less overtly machine generated. I hope it takes on some of the life you’d find in a classic Missoni fabric, as well as drawing inspiration from the amazing ‘camouflaged’ vessels that became known as dazzle ships...
Category

21st Century and Contemporary Abstract Geometric England - Abstract Prints

Materials

Archival Pigment

Radial / ONE
By Chuck Elliott
Located in Bristol, GB
Radial / ONE is a metallic Lambda photographic print, optionally mounted to Plexiglass, laser cut to shape, and fitted with a hidden subframe, ready to install. Work can be supplied...
Category

21st Century and Contemporary Abstract Geometric England - Abstract Prints

Materials

Plexiglass, C Print

King's Cross Station, London original vintage poster by Brendan Neiland
By Brendan Neiland
Located in London, GB
To see our other vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want....
Category

Late 20th Century Abstract England - Abstract Prints

Materials

Lithograph

Vox Linea
By Chuck Elliott
Located in Bristol, GB
Vox Linea is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install. The edition may also be fitted wi...
Category

21st Century and Contemporary Abstract Geometric England - Abstract Prints

Materials

Plexiglass, C Print

Sapphic Strophe 3 (from Sapphic Strophes: A Suite of Four Prints) relief print
By Julie Mehretu
Located in Bristol, GB
Relief print from letterpress plate on Italian mould-made Revere paper Edition 16 of 40 38 x 50.8 cm (15 x 20 in) Signed and numbered on the front Artwork in excellent condition....
Category

21st Century and Contemporary Abstract England - Abstract Prints

Materials

Paper, Ink

Mirrors (brown)
By Robyn Denny
Located in London, GB
63 x 46 cms (25 x 18 ins) Edition of 40
Category

1970s Abstract Geometric England - Abstract Prints

Materials

Color, Screen

Hand painted Large Artist's Proof-Breakfast with Cat-British Awarded Artist-rose
Located in London, GB
This stunning Artist's Proof is an one-off, oil hand-painted by the artist , signed at front and on the back label too; each proof is 80% hand painted by Shizico Yi, because the natu...
Category

2010s Surrealist England - Abstract Prints

Materials

Gesso, Acrylic, Archival Paper, Giclée

interStella / Quad 1 pt3
By Chuck Elliott
Located in Bristol, GB
interStella / Quad 1 pt3 is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper. The work can be supplied unframed, or framed and ready to hang. I ...
Category

21st Century and Contemporary Abstract Geometric England - Abstract Prints

Materials

Archival Pigment

# 091208.5
By Harold Cohen
Located in London, GB
Harold Cohen # 091208.5 2009 Digital print on paper, Edition of 25 53.3 x 91.2 cms (21 x 35 7/8 ins) HC12025
Category

Early 2000s Abstract England - Abstract Prints

Materials

Digital

Alexander Street
By Howard Hodgkin
Located in London, GB
Lithograph from three zinc plates printed in emerald green, red brown, and grey with hand colouring in yellow watercolour and red gouache. On Velin Arches mould-made paper (300 gsm) ...
Category

Late 20th Century Abstract England - Abstract Prints

Materials

Color, Lithograph

Plate No. 281 by Johanna Goodman - Abstract, Collage, Flowers, Digital Print
By Johanna Goodman
Located in Brighton, GB
Please bear in mind that all prints are produced to order. Lead times are expected between 15-20 days. Giclée print on Archival Matte Paper with Archival Pigment Ink. Other sizes of this digital print are available, please contact the gallery for more information. Johanna’s work has been featured in a wide variety of publications from The Guardian and Marie Claire to Vice and Creative Review. Her work has also been included in several books about Illustration, Art and Collage including The American...
Category

2010s Contemporary England - Abstract Prints

Materials

Archival Ink, Archival Paper, Giclée

Klint / reDux / jdrbnk
By Chuck Elliott
Located in Bristol, GB
Klint / reDux / jdrbnk is a metallic Lambda photographic print, optionally mounted to Plexiglass and Dibond, and fitted with a hidden subframe, ready to install. Work can be supplied unmounted and ready to frame if you’d prefer. The work is individually signed and numbered verso, with both a unique catalogue raisonné number and the edition number for guaranteed authenticity. From an edition of 8 Image size ⋅ 94cm H x 120cm W ⋅ 3 panels . Le Klint Studio is an inspiration to anyone who loves paper folding, contemporary design, and light. So, of course, I couldn’t resist making a series of origami like geometries for a new set of works in 2015. Le Klint Studio, to my mind, are particularly well known for their folded paper pendant shades, contemporary designs which are as beautiful as they are ubiquitous. The image I made is not an identikit line work, more an homage based around some of the origami like folds they use, with the addition of colour glazes and offset transparencies. I've also added a grid like structure of darkly shaded lines and accents, that brings the geometry to life. The first piece I drew, ACDH (acid house...
Category

21st Century and Contemporary Abstract Geometric England - Abstract Prints

Materials

Plexiglass, C Print

In White with Green Stripe
By Robert Motherwell
Located in London, GB
Rober Motherwell In White with Green Stripe 1987 Lithograph, relief print, embossing and collage 86.4 x 61 cms (34 x 24 ins)
Category

1980s Abstract Expressionist England - Abstract Prints

Materials

Lithograph

Small Yellow
By Richard Smith
Located in London, GB
Edition of 50 66 x 57 cms (26 x 22 1/2 ins)
Category

1970s Abstract England - Abstract Prints

Materials

Etching

I (Royal), from The Paradise Suite by Robyn Denny, 1969
By Robyn Denny
Located in Kingsclere, GB
I (Royal), from The Paradise Suite by Robyn Denny, 1969 Additional information: Medium: screenprint, to the edges 86.4 x 66 cm 34 x 26 in signed, dated and numbered 33/75 in pencil ...
Category

20th Century England - Abstract Prints

Materials

Screen

The Small Mechanical Workshop
Located in London, GB
JACQUES VILLON 1875-1963 (Gaston Duchamp) Damville 1875-1963 Paris (French) Title: The Small Mechanical Workshop Le petit atelier de mécanique, 1914 ...
Category

1910s Cubist England - Abstract Prints

Materials

Etching

Love (A4)
By Patrick Hughes
Located in London, GB
Fine Art Giclée print on Hahnemühle German Etching 21 x 29. 7 cm Edition of 100 Accompanying certificate of authenticity with the artist's digital signature Patrick Hughes is a ren...
Category

2010s Abstract Geometric England - Abstract Prints

Materials

Giclée

Alexander Street
By Howard Hodgkin
Located in London, GB
Howard Hodgkin Alexander Street, 1978 Serigraph in multiple colours on Velin Arches 300 gsm mould-made paper with deckled edges Signed, dated and numbered to lower edge '42/90 Hodgki...
Category

1970s Post-Modern England - Abstract Prints

Materials

Screen

Plate No. 165, Elizabeth Warren "And She Persisted" (Abstract, Collage)
By Johanna Goodman
Located in Brighton, GB
Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée prints on Archival Matte Paper ...
Category

2010s Contemporary England - Abstract Prints

Materials

Archival Ink, Archival Paper, Giclée

Grey Folded Clouds - IV Grey
By Joe Goode
Located in London, GB
Joe Goode Grey Folded Clouds - IV Grey 1971 Lithograph, Edition of 50 50.8 x 75 cms (20 x 29 1/2 ins)
Category

1970s Abstract England - Abstract Prints

Materials

Lithograph

Composition (trompe l'oeil collage) -- Lithograph by Peter Blake
By Peter Blake
Located in London, GB
Composition (trompe l'oeil collage), 1956 Peter Blake Lithograph in colours, on wove laid on support card Signed and dated in pencil Sheet: 17.6 × 22.5 cm (7 × 8.9 in) An early li...
Category

1950s Abstract England - Abstract Prints

Materials

Lithograph

Four Part Torn Cloud
By Joe Goode
Located in London, GB
Four parts each 57 x 76.5 cms (22 1/2 x 30 1/4 ins) Edition of 60, Set of 4
Category

1970s Abstract Geometric England - Abstract Prints

Materials

Lithograph

Plate No. 74 - Human Figure, Portrait, Landscape, Print, Nature, Wildlife
By Johanna Goodman
Located in Brighton, GB
Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...
Category

2010s Contemporary England - Abstract Prints

Materials

Archival Ink, Archival Paper, Giclée

Plate VI, from Album 19
By Joan Miró
Located in London, GB
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered...
Category

1960s Modern England - Abstract Prints

Materials

Lithograph

Dartmoor
By George Dannatt
Located in Bournemouth, Dorset
George Dannatt (1915-2009) Dartmoor 1996 Etching Artists Proof signed by George Dannatt Image measures: 29.5 x 20.8 cm Paper size: 57.0 x 37.7 cm George Dannatt’s long career as a ...
Category

1980s Abstract England - Abstract Prints

Materials

Etching

Eugene Onegin
Located in Llanbrynmair, GB
’Eugene Onegin’ By Arthur Boyd Medium - Lithograph Signed - Yes Edition - 27/60 Size - 515mm x 610mm Date - 1996 Colour of print may not be accurate when...
Category

1980s Contemporary England - Abstract Prints

Materials

Lithograph

# 091208.4
By Harold Cohen
Located in London, GB
Harold Cohen # 091208.4 2009 Digital print on paper, Edition of 25 53.3 x 91.2 cms (21 x 35 7/8 ins) HC12025
Category

Early 2000s Abstract England - Abstract Prints

Materials

Digital

Untitled (SF-311), 1979
By Sam Francis
Located in London, GB
SAM FRANCIS 1923-1994 San Mateo, California 1923 – 1994 Santa Monica (American) Title: Untitled (SF-311), 1979 Technique: Original Hand Signed and Numbered Lithograph in Colours on...
Category

1970s Abstract England - Abstract Prints

Materials

Lithograph

Sapphic Strophe 1 (from Sapphic Strophes: A Suite of Four Prints) relief print
By Julie Mehretu
Located in Bristol, GB
Relief print from letterpress plate on Italian mould-made Revere paper Edition 16 of 40 38 x 50.8 cm (15 x 20 in) Signed and numbered on the front Artwork in excellent condition....
Category

21st Century and Contemporary Abstract England - Abstract Prints

Materials

Paper, Ink

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