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Item Ships From: England
Interior at Fontenay aux Roses
By William Tillyer
Located in London, GB
William Tillyer
Interior at Fontenay aux Roses
" He derived a peculiar pleasure from being in a well lighted room when all the surrounding houses were wrapped...
Category
2010s England - Abstract Prints
Materials
Etching
Balsam of Mecca
By William Tillyer
Located in London, GB
William Tillyer
Balsam of Mecca
1974/2018
Soft ground etching with aquatint on zinc plate and collage on Arches paper, Edition of 25
Paper size: 66 x 50.7 cms (26 x 20 ins)
Plate siz...
Category
2010s England - Abstract Prints
Materials
Etching
Interior at Fontenay aux Roses - The Red Curtain
By William Tillyer
Located in London, GB
William Tillyer
Interior at Fontenay aux Roses - The Red Curtain
1974/2018
Relief embossing on Arches paper, Edition of 25
Paper size: 65 x 50 cms (25 5/8 x 2...
Category
2010s England - Abstract Prints
Materials
Etching
Interior at Fontenay aux Rose with Large Tortoise
By William Tillyer
Located in London, GB
William Tillyer
Interior at Fontenay aux Rose with Large Tortoise
"Skylight screen and vase of articial looking flowers"
1974/2018
Intaglio and relief printi...
Category
2010s England - Abstract Prints
Materials
Etching
The pulpit
By William Tillyer
Located in London, GB
William Tillyer
"They used to troop in and take their places side by side in a row of church stalls; then he would ascend an imposing pulpit and preach them a sermon on dandyism"
197...
Category
2010s England - Abstract Prints
Materials
Etching
"This box was full of purple bonbons, Pearls of the Pyrenees"
By William Tillyer
Located in London, GB
William Tillyer
"This box was full of purple bonbons, Pearls of the Pyrenees"
1974/2018
Intaglio print from zinc plate on Arches paper, Edition of 25
Paper size: 66 x 50.8 cms (26 x...
Category
2010s England - Abstract Prints
Materials
Etching
Interior at Fontenay aux Roses
By William Tillyer
Located in London, GB
William Tillyer
Interior at Fontenay aux Roses
" He derived a peculiar pleasure from being in a well lighted room when all the surrounding houses were wrapped...
Category
2010s England - Abstract Prints
Materials
Etching
The Crimson Cubicles
By William Tillyer
Located in London, GB
William Tillyer
The Crimson Cubicles - " a series of crimson cubicles furnished with circular mirrors"
1974/2018
Drawings on copper plates, Edition of 25
Paper size: 66 x 50.7 cms (2...
Category
2010s England - Abstract Prints
Materials
Etching
The Crimson Cubicles
By William Tillyer
Located in London, GB
William Tillyer
The Crimson Cubicles - " a series of crimson cubicles furnished with circular mirrors"
1974/2018
Drawings on copper plate on Arches cream paper, Edition of 25
Paper s...
Category
2010s England - Abstract Prints
Materials
Etching
The Crimson Cubicles
By William Tillyer
Located in London, GB
William Tillyer
The Crimson Cubicles - " a series of crimson cubicles furnished with circular mirrors"
1974/2018
Drawings on copper plate on Arches cream paper, Edition of 25
Paper s...
Category
2010s Contemporary England - Abstract Prints
Materials
Etching
Some natural flowers that looked like fakes
By William Tillyer
Located in London, GB
William Tillyer
"some natural flowers that looked like fakes"
1974/2018
Copper plate relief and intaglio printing on Arches paper, Edition of 25
Paper si...
Category
2010s Contemporary England - Abstract Prints
Materials
Etching
"some natural flowers that looked like fakes"
By William Tillyer
Located in London, GB
William Tillyer
"some natural flowers that looked like fakes"
1974/2018
Copper plate relief and intaglio printing on Arches paper, Edition of 25
Paper si...
Category
2010s Contemporary England - Abstract Prints
Materials
Etching
The aquarium of ingenious mechanical fishes
By William Tillyer
Located in London, GB
William Tillyer
The aquarium of ingenious mechanical fishes driven by clockwork
1974/2018
Line drawing on zinc plate and intaglio on Arches paper, Edition of 25
Paper size: 66 x 50.5...
Category
2010s Contemporary England - Abstract Prints
Materials
Etching
Nidularium
By William Tillyer
Located in London, GB
William Tillyer
"He saw the savage Nidularium blossoming between her uplifted thighs with its swordblades gaping open to expose the bloody depths"
1974/2018
Line drawing on zinc plat...
Category
2010s Contemporary England - Abstract Prints
Materials
Etching
The tortoise
By William Tillyer
Located in London, GB
William Tillyer
"gazing at the tortoise where it lay huddled in a corner of the dinning room; glittering brightly in the half light"
1974/2018
Coloured relief and intaglio printing o...
Category
2010s Contemporary England - Abstract Prints
Materials
Etching
The Circular House - The Rotaflex Lamp
By William Tillyer
Located in London, GB
William Tillyer
The Circular House
"D'Aigurande proceeded to buy rounded pieces of furniture" - The Rotaflex Lamp
1974/2018
Deep etching and intaglio printing on Arches paper, Editi...
Category
2010s Contemporary England - Abstract Prints
Materials
Etching
"From a Japanese collection he chose a design "
By William Tillyer
Located in London, GB
William Tillyer
"from a collection of Japanese Art he selected a drawing"
1974/2018
Intaglio on zinc plate on Arches paper, Edition of 25
Paper size: 65.5 x 48.5 cms (25 5/8 x 19 ins...
Category
2010s Contemporary England - Abstract Prints
Materials
Etching
The Circular House - The Eileen Gray Chair
By William Tillyer
Located in London, GB
William Tillyer
The Circular House
"D'Aigurande proceeded to buy rounded pieces of furniture" - The Eileen Gray Chair
1974/2018
Deep etching and intaglio printing on Arches paper, E...
Category
2010s Contemporary England - Abstract Prints
Materials
Etching
"some natural flowers that looked like fakes"
By William Tillyer
Located in London, GB
William Tillyer
"some natural flowers that looked like fakes" - "without the shadow of a doubt, the horticulturists are the only true artists left to us nowadays"
1974/2018
Relief an...
Category
2010s Contemporary England - Abstract Prints
Materials
Etching
"some natural flowers that looked like fakes"- Cypripedium
By William Tillyer
Located in London, GB
William Tillyer
"some natural flowers that looked like fakes"- Cypripedium
"it all comes down to syphilis in the end"
1974/2018
Copper plate line drawings on Arches paper, Edition of...
Category
2010s Contemporary England - Abstract Prints
Materials
Color, Etching
"some natural flowers that looked like fakes"- Caladiums
By William Tillyer
Located in London, GB
William Tillyer
"some natural flowers that looked like fakes"- Caladiums
"it all comes down to syphilis in the end"
1974/2018
Copper plate line drawings on Arches paper, Edition of 2...
Category
2010s Contemporary England - Abstract Prints
Materials
Etching
"some natural flowers that looked like fakes"- Tillandsia Lindeni
By William Tillyer
Located in London, GB
William Tillyer
"some natural flowers that looked like fakes" - Tillandsia Lindeni
"without the shadow of a doubt, the horticulturists are the only true artists left to us nowadays"
...
Category
2010s Contemporary England - Abstract Prints
Materials
Etching
Yunan (State III)
By Sam Francis
Located in London, GB
107.3 x 73 cms (42 1/4 x 28 3/4 ins)
Edition of 15
Category
1970s Abstract Expressionist England - Abstract Prints
Materials
Color, Etching
Two of a Kind IVa (red x on lavender)
By Richard Smith
Located in London, GB
70.5 x 70 cms (27 3/4 x 27 1/2 ins)
Edition of 80
Category
1970s Abstract England - Abstract Prints
Materials
Color, Etching
Two of a Kind IIIa (bright red x on green)
By Richard Smith
Located in London, GB
100.7 x 46.3 cms (40 x 18 1/4 ins)
Edition of 90
Category
1970s Abstract England - Abstract Prints
Materials
Color, Lithograph
Reply to Stanley Hayter -- Print, Lithograph, Abstract Art by Louise Bourgeois
By Louise Bourgeois
Located in London, GB
Reply to Stanley Hayter, 1996
Louise Bourgeois
Lithograph in colours, on Rives BFK paper
Initialed and inscribed 'Solo Imp. 2'
A printer's proof aside from the edition of 70
Publis...
Category
1990s Contemporary England - Abstract Prints
Materials
Lithograph
Quatre Lithographies
By Willem de Kooning
Located in London, GB
The complete set of four lithographs in colours on Arches wove paper, 1986, each signed and dated in pencil, from the edition of 100 (plus 50 numbered with Roman numerals), in the or...
Category
1980s Abstract England - Abstract Prints
Materials
Lithograph
Oiseau Bistre
By Georges Braque
Located in Castle Cary, GB
Provenance: “John Richardson: A Scholar Collects” was a sale held at Sothebys in December 2020. A unique collection of more than 50 paintings, works on paper, sculptures, and prints ...
Category
1960s Abstract England - Abstract Prints
Materials
Lithograph
Street Palm
By Howard Hodgkin
Located in Castle Cary, GB
This is an extremely impressive example of Howard Hodgkin's printmaking. Impressive because of its vast scale for a work on paper, as well as its bold composition.
'Street Palm' is ...
Category
1990s England - Abstract Prints
Materials
Egg Tempera, Intaglio, Pigment
Skies the Limit
By Howard Hodgkin
Located in Castle Cary, GB
This original edition of 'Skies the Limit' is in immacualate condition. It is hand signed and numbered by the artist. 15/72.
Category
Early 2000s England - Abstract Prints
Materials
Screen
Damien Hirst Spot Prints ‘Ciclopirox Olamine’, Cinchondine, Cineole
By Damien Hirst
Located in Castle Cary, GB
A set of three iconic spot prints by Damien Hirst. These signed etchings have matching edition numbers, making them highly desirable.
Ciclopirox Olamine, 2004
aquatint etching on Ha...
Category
Early 2000s England - Abstract Prints
Materials
Aquatint
Anxious Moment by Victor Pasmore, 1986
By Victor Pasmore
Located in Kingsclere, GB
Anxious Moment by Victor Pasmore, 1986
Additional information:
Medium: etching and aquatint on Fabriano paper
99.5 x 70.5 cm
39 1/8 x 27 3/4 in
signed, dated and numbered 40/90 in p...
Category
20th Century England - Abstract Prints
Materials
Etching
Untitled IX by Victor Pasmore, 1990
By Victor Pasmore
Located in Kingsclere, GB
Untitled IX by Victor Pasmore, 1990
Additional information:
Medium:screenprint
73.4 x 104 cm
28 7/8 x 41 in
signed with initials, dated and numbered 70/70 in pencil
Victor Pasmore ...
Category
21st Century and Contemporary England - Abstract Prints
Materials
Screen
Untitled VII by Victor Pasmore, 1990
By Victor Pasmore
Located in Kingsclere, GB
Untitled VII by Victor Pasmore, 1990
Additional information:
Medium: screenprint
73.2 x 103.5 cm
28 7/8 x 40 3/4 in
signed with initials, dated and numbered 61/70 in pencil
Victor ...
Category
20th Century England - Abstract Prints
Materials
Screen
One Down by Howard Hodgkin, 1981-2
By Howard Hodgkin
Located in Kingsclere, GB
One Down by Howard Hodgkin, 1981-2
Additional information:
Medium: lithograph with hand-colouring in gouache
91.4 x 121.9 cm
36 x 48 in
signed, dated and numbered in pencil
Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54).
Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames.
In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1995–96 Hodgkin had an exhibition at the Metropolitan Museum of Art, New York, which travelled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent.
Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group. His black stone and white marble mural...
Category
21st Century and Contemporary England - Abstract Prints
Materials
Lithograph
Forms in a Flurry, from Opposing Forms by Barbara Hepworth, 1969
By Barbara Hepworth
Located in Kingsclere, GB
Forms in a Flurry, from Opposing Forms by Barbara Hepworth, 1969
Additional information:
Medium: screenprint
77 x 57 cm
30 1/4 x 22 1/2 in
signed and numbered in pencil
Barbara Hep...
Category
20th Century England - Abstract Prints
Materials
Screen
Desert Forms, from Aegean Suite by Barbara Hepworth, 1971
By Barbara Hepworth
Located in Kingsclere, GB
Desert Forms, from Aegean Suite by Barbara Hepworth, 1971
Additional information:
Medium: lithograph with embossing
81 x 59 cm
31 7/8 x 23 1/4 in
signed
Barbara Hepworth was one of...
Category
20th Century England - Abstract Prints
Materials
Lithograph
Rangatira II, from Opposing Forms by Barbara Hepworth, 1970
By Barbara Hepworth
Located in Kingsclere, GB
Rangatira II, from Opposing Forms by Barbara Hepworth, 1970
Additional information:
Medium: screenprint
77 x 57 cm
30 1/4 x 22 1/2 in
signed and numbered in pencil
Barbara Hepworth...
Category
20th Century England - Abstract Prints
Materials
Screen
Julian and Alexis by Howard Hodgkin 1977-1978
By Howard Hodgkin
Located in Kingsclere, GB
Julian and Alexis by Howard Hodgkin 1977-1978
Additional information:
Medium: lithograph in colours with hand-colouring on Arches
70 x 102 cm
27 1/2 x 40 1/8 in
signed, dated and numbered 19/30 in pencil
Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54).
Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames.
In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1995–96 Hodgkin had an exhibition at the Metropolitan Museum of Art, New York, which travelled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent.
Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group. His black stone and white marble mural...
Category
20th Century England - Abstract Prints
Materials
Lithograph
Two Ancestral Figures, from Opposing Forms by Barbara Hepworth, 1969
By Barbara Hepworth
Located in Kingsclere, GB
Two Ancestral Figures, from Opposing Forms by Barbara Hepworth, 1969
Additional information:
Medium: screenprint
77 x 57 cm
30 1/4 x 22 1/2 in
signed and numbered in pencil
Barbara...
Category
20th Century England - Abstract Prints
Materials
Screen
Put Out More Flags by Howard Hodgkin, 1992
By Howard Hodgkin
Located in Kingsclere, GB
Put Out More Flags by Howard Hodgkin, 1992
Additional information:
Medium: etching with aquatint, printed to the edges
42 x 52.5 cm
16 1/2 x 20 5/8 in
signed with initials, dated and inscribed 'For Dave' in pencil
Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54).
Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames.
In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1995–96 Hodgkin had an exhibition at the Metropolitan Museum of Art, New York, which travelled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent.
Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group. His black stone and white marble mural...
Category
21st Century and Contemporary England - Abstract Prints
Materials
Etching
Six in Light Orange with Red in Yellow : April by Patrick Heron, 1970
By Patrick Heron
Located in Kingsclere, GB
Six in Light Orange with Red in Yellow : April by Patrick Heron, 1970
Additional information:
Medium: screenprint
71 x 101 cm
28 x 39 3/4 in
signed, dat...
Category
20th Century England - Abstract Prints
Materials
Screen
Squares and Circles, from Twelve Lithographs by Barbara Hepworth, 1969
By Barbara Hepworth
Located in Kingsclere, GB
Squares and Circles, from Twelve Lithographs by Barbara Hepworth, 1969
Additional information:
Medium: lithograph
58 x 80 cm
22 7/8 x 31 1/2 in
signed and numbered in pencil
Barbar...
Category
20th Century England - Abstract Prints
Materials
Lithograph
Street Palm by Howard Hodgkin, 1990-91
By Howard Hodgkin
Located in Kingsclere, GB
Street Palm by Howard Hodgkin, 1990-91
Additional information:
Medium: intaglio print with carborundum from three aluminium plates printed in green, green and yellow (mixed), ultramarine blue and white (mixed), with hand-colouring in vermillion red egg tempera
160 x 137 cm
63 x 54 in
signed with initials, numbered and dated
Hodgkin was born in London and grew up in Hammersmith Terrace. During World War II he was evacuated to Long Island, New York, for three years. In the Museum of Modern Art, New York, he saw works by School of Paris artists such as Henri Matisse, Édouard Vuillard, and Pierre Bonnard, which he could not easily have seen then in London or Paris. Back in England in 1943, Hodgkin ran away from Eton College and Bryanston School, convinced that education would impede his progress as an artist, though he encountered inspiring teachers at both schools. He then attended Camberwell School of Arts and Crafts (1949–50) and Bath Academy of Art, Corsham (1950–54).
Hodgkin never belonged to a school or group. While many of his contemporaries were drawn to Pop or the School of London, he remained independent, initially marking his outsider status with a series of portraits of contemporary artists and their families. His first solo exhibition was at Arthur Tooth and Sons in London in 1962. Two years later he first visited India, following his interest in Indian miniatures, which began during his time at Eton. Collecting Indian art would remain a lifelong passion, which he initially supported by dealing in picture frames.
In 1984 Hodgkin represented Britain at the Biennale di Venezia. His exhibition Forty Paintings reopened the Whitechapel Gallery, London, in 1985, and he won the Turner Prize the same year. In 1995–96 Hodgkin had an exhibition at the Metropolitan Museum of Art, New York, which travelled to the Modern Art Museum of Fort Worth, Texas; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; and Hayward Gallery, London. His first full retrospective opened at the Irish Museum of Modern Art, Dublin, in 2006 and traveled to Tate Britain, London, and Museo Nacional Centro de Arte Reina Sofía, Madrid. In the autumn of 2016 Hodgkin visited India for what was to be the last time, completing six new paintings before his return to London. These works were shown at England’s Hepworth Wakefield in 2017, in Painting India, a show that focused on the artist’s long-standing relationship with the Indian subcontinent.
Starting in the 1950s, Hodgkin maintained a parallel printmaking practice, translating his visual language into works on paper. Exploring the interactions of color and space on a grander scale, he produced theatrical set designs for Ballet Rambert, the Royal Ballet, and the Mark Morris Dance Group. His black stone and white marble mural...
Category
20th Century England - Abstract Prints
Materials
Intaglio
Untitled
By Anish Kapoor
Located in London, GB
Anish Kapoor, born in Mumbai, India, in 1954, is a globally renowned contemporary artist known for his groundbreaking sculptural works that explore form, color, and the manipulation ...
Category
2010s Contemporary England - Abstract Prints
Materials
Etching
Skorpion - Scorpio By A.R. Penck
Located in London, GB
Skorpion - Scorpio
By A.R. Penck
A.R. Penck, born Ralf Winkler in Dresden, Germany, in 1939, was a trailblazing artist who made indelible contributions to the Neo-Expressionist mo...
Category
1990s Contemporary England - Abstract Prints
Materials
Paper, Screen
Rose Horizontal -- Screen Print, Stripes, Patterns, Op Art by Bridget Riley
By Bridget Riley
Located in London, GB
BRIDGET RILEY
Rose Horizontal, 2018
Screenprint in colours, on Fabriano 5 paper
Signed, titled, dated and numbered from the edition of 75
Printed by A...
Category
2010s Op Art England - Abstract Prints
Materials
Screen
Cage Grid I (Complete Set)
By Gerhard Richter
Located in London, GB
Gerhard Richter (b. 1932)
Cage Grid I (Complete Set)
signed with initial and numbered ‘4/16 R.’ (on the reverse of panels A-O); signed and numbered ‘4/16 Richter’ (on the reverse of
...
Category
2010s Contemporary England - Abstract Prints
Materials
Giclée
Untitled
By John Chamberlain
Located in London, GB
Monoprint in colors on two sheets, 1988, signed in silver ink, from Salty Water/Fan Mail, on Arches wove paper, with the blindstamp of the publisher, Novak Graphics, Toronto.
Category
1980s England - Abstract Prints
Materials
Monoprint
Paroles peintes III: Untitled
By Robert Motherwell
Located in London, GB
Open-bite etching printed in dark, brownish black on fibrous Japan paper. Signed "R. Motherwell," or "Motherwell" in pencil, lower right. Numbered in pencil, lower right. Paper size:...
Category
Mid-20th Century England - Abstract Prints
Materials
Etching
The Clock (V)
By Marc Vaux
Located in London, GB
Hand-coloured etching
Category
Late 20th Century Abstract Geometric England - Abstract Prints
Materials
Etching
À la Gloire de l'Image et Art Poétique (To the Glory of the Image & Poetic Art)
By Zao Wou-Ki
Located in London, GB
Zao Wou Ki
À la Gloire de l'Image et Art Poétique (Ågerup 271-285), 1976
with the artist’s printed signature and date
The portfolio, comprising 15 lithographs printed in colours on A...
Category
1970s England - Abstract Prints
Materials
Lithograph
Le Loup - Henri Matisse, Jazz, Pochoir prints, Fauvism, Artist's books
By Henri Matisse
Located in London, GB
Pochoir printed in colours, 1947.
From: Jazz, Plate VI. From the book edition of 270.
Printed on Arches paper by Edmond Vairel, Paris.
Published by Teriade, Paris.
(Duthuit Livre...
Category
1940s Fauvist England - Abstract Prints
Materials
Stencil
Trace sur la Paroi I - Joan Miró, Etching, Aquatint, Abstract Prints, Surrealist
By Joan Miró
Located in London, GB
Signed in pencil, numbered from the edition of 75.
Printed on Mandeure rag paper by Arte Adrien Maeght, Paris.
Published by Maeght editeur, Paris.
(Dupin 440).
Category
1960s Abstract England - Abstract Prints
Materials
Etching, Aquatint
Judgements: Blitz
By Roberto Matta
Located in London, GB
Plate 1 from 'Judgements'.
Signed in pencil, from the edition of 100.
Printed on Arches wove paper by Atelier Georges Visat, Paris.
Published by Blue Moon Gallery, New York.
Plat...
Category
1960s Surrealist England - Abstract Prints
Materials
Etching, Aquatint
Aimera bien qui aimera le dernier
By Roberto Matta
Located in London, GB
Signed in pencil, from the edition of 85.
Printed on Lana wove paper and published by Georges Visat, Paris.
Plate: 42 x 32.7 cm.
(Sabatier 194).
Category
1960s Surrealist England - Abstract Prints
Materials
Etching, Aquatint
Droites Libérées: Plate 9
By Roberto Matta
Located in London, GB
From 'Droites Libérées', a series which illustrated a poem by Henri Michaux.
Signed in pencil, numbered in Roman numerals from XXV.
From the suite on Japon nacré paper (the total e...
Category
1970s Surrealist England - Abstract Prints
Materials
Etching, Aquatint
Concordia - Eduardo Chillida, Abstract Art, Contemporary Art, Prints, Lithograph
By Eduardo Chillida
Located in London, GB
Signed in pencil, numbered from the edition of 150.
Printed by Atelier Maeght, Levallois.
Published by Maeght, Paris.
(Koelen 60002).
Category
1960s Abstract England - Abstract Prints
Materials
Lithograph
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