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Item Ships From: England
Composition II, from: Freedom of Liberties, poems of Alain Jouffroy - Poetry
By Joan Miró
Located in London, GB
This original lithograph in colours is hand signed in pencil by the artist "Miró" at the lower right corner. It is also hand numbered in pencil from the edition of 125, at the lower ...
Category

1970s Abstract England - Abstract Prints

Materials

Lithograph

Clare Halifax, M is for Monkey, Animal Art, Alphabet Print, Monogram Print
By Clare Halifax
Located in Deddington, GB
Clare Halifax M is for Monkey Limited Edition 3 colour screen print Edition of 100 Sheet Size: H 38cm x W 37cm x 0.1cm Sold Unframed Hand printed by the artist onto somerset satin pa...
Category

21st Century and Contemporary Impressionist England - Abstract Prints

Materials

Paper, Screen

Black with No Way Out
By Robert Motherwell
Located in London, GB
15 x 38 ins (38.1 x 96.5 cms) Edition of 98 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; workshop chop mark lower right; work...
Category

1980s Abstract Expressionist England - Abstract Prints

Materials

Color, Lithograph

The Returned Seaman by Peter Lanyon, Lithograph on TH Saunders paper, 1973
By Peter Lanyon
Located in Kingsclere, GB
The Returned Seaman by Peter Lanyon, 1973 Additional information: Medium: lithograph on TH Saunders paper 63 x 70 cm 24 3/4 x 27 1/2 in signed in print; with numbering 19/90 in penc...
Category

20th Century England - Abstract Prints

Materials

Lithograph

Portrait Series A (4), screenprint by Robyn Denny
By Robyn Denny
Located in London, GB
Robyn Denny (1930-2014) Portrait Series A (4) Screenprint 80 x 58 cm Signed to the bottom right and blind stamped Numbered 27/30 ​‘No painting should reveal all it has to say ...
Category

1970s Abstract England - Abstract Prints

Materials

Screen

John Hubbard (1931-2017). 'Marrakech' colour lithograph
By John Hubbard
Located in Frome, Somerset
John Hubbard (1931-2017) American. 'Marrakech. Morroco coloured lithograph print on paper. Number 48 of 50 made by the artist. Signed lower right. Original glazed frame . John Hub...
Category

2010s Abstract Impressionist England - Abstract Prints

Materials

Printer's Ink

Four Knots
By Richard Smith
Located in London, GB
Edition of 50 71 x 76 cm (28 x 30 ins) RSE023
Category

1970s Abstract England - Abstract Prints

Materials

Etching

Sapphic Strophe 1 (from Sapphic Strophes: A Suite of Four Prints) relief print
By Julie Mehretu
Located in Bristol, GB
Relief print from letterpress plate on Italian mould-made Revere paper Edition 16 of 40 38 x 50.8 cm (15 x 20 in) Signed and numbered on the front Artwork in excellent condition....
Category

21st Century and Contemporary Abstract England - Abstract Prints

Materials

Paper, Ink

Moonlight
By Howard Hodgkin
Located in London, GB
Lithograph from four aluminium plates using tusche and washes, printed in transparent red, orange and a red to orange blend, with hand colouring in ivory black watercolour and blue and green gouache. On two sheets of buff BFK Rives mould-made paper (300 gsm) Hand-signed by artist, Signed with initials and dated 1980 in pencil, in the lower left on the left-hand sheet. Numbered in pencil in the lower right, verso Published by Bernard Jacobson Ltd. Exhibition History: 'Howard Hodgkin: Views. An Exhibition of Early Prints', Bernard Jacobson Gallery, London, 02 March - 02 April 2013; 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022 Literature: Pat Gilmour, 'Howard Hodgkin', The Print Collector's Newsletter, vol. 12, no. 1, March-April 1981, p. 5 (ill. front cover); Deborah Phillips, 'New Editions: Howard Hodgkin', ARTnews, vol. 80, no. 7, September 1981, p. 161; 'Prints by Six British Painters: Stephen Buckley...
Category

1980s Abstract England - Abstract Prints

Materials

Lithograph

Ezinor (Crystal): The Discourse on Method - Op Art Illusion Hungarian Descartes
By Victor Vasarely
Located in London, GB
This original screenprint in colours is hand signed in pencil by the artist “Vasarely” in the lower right margin. It is also hand numbered in pencil from the edition of 138, at the l...
Category

1960s Op Art England - Abstract Prints

Materials

Screen

Untitled (5227C) by Wendy Pasmore, 1988
By Wendy Pasmore
Located in Kingsclere, GB
Bits and Pieces No.7 by Wendy Pasmore, 1988 Additional information: Medium: screenprint on heavy paper 18 1/4 x 20 1/8 in 46.2 x 51 cm signed with initials, dated and numbered 4/50 ...
Category

20th Century England - Abstract Prints

Materials

Screen

Gulls Landing, Limited edition art print, Landscape, Nature
By Rob Barnes
Located in Deddington, GB
I love the busy swirl of gulls around a harbour. It makes for a challenging composition and offers a chance to play with light and colour. I have tried to capture movement and a harb...
Category

2010s Contemporary England - Abstract Prints

Materials

Paper, Linocut

Image by Victor Pasmore, 1974
By Victor Pasmore
Located in Kingsclere, GB
Image by Victor Pasmore, 1974 Additional information: Medium: etching, aquatint and screenprint 92 x 65 cm 36 1/4 x 25 5/8 in signed with initials Victor Pasmore was a British pain...
Category

20th Century England - Abstract Prints

Materials

Etching

Galloping Race, from: Fables - French Urban Street Art Pop Art
By Jean Dubuffet
Located in London, GB
JEAN DUBUFFET 1901-1985 (Philippe-Arthur) 1901 Le Havre - Paris 1985 (French) Title: Galloping Race, from: Fables Course la galope: Fables, 1976 Technique: Original Hand Signed, D...
Category

1970s Post-War England - Abstract Prints

Materials

Screen

Red Sea I
By Robert Motherwell
Located in London, GB
105.4 x 74 cms (41 1/2 x 29 1/8 ins) Edition of 100 Paper: Arches Cover Signature: Signed "Motherwell" in pencil lower right Inscriptions: Numbered in pencil lower right; artist's c...
Category

1970s Abstract Expressionist England - Abstract Prints

Materials

Color, Etching, Aquatint

Swing IV by Herbert Oehm, 1972
By Herbert Oehm
Located in Kingsclere, GB
Swing IV by Herbert Oehm, 1972 Additional information: Medium: screenprint 72 x 72 cm 28 3/8 x 28 3/8 in signed and numbered 66/175 in pencil Herbert Oehm is a German Postwar & Con...
Category

20th Century England - Abstract Prints

Materials

Screen

In Between the Shadows
Located in London, GB
The series ‘In Between the Shadows’ consists of structural and geometric photographs that take their inspiration from the cubist movement. The works aim to challenge the conventional perception of depth within the medium of photography by showing different viewpoints at the same time and within the same space. The chiaroscuro lighting embraces shadows and light as juxta- positional tools to deconstruct familiar objects and transform them into surreal compositions. Sander Vos...
Category

2010s Cubist England - Abstract Prints

Materials

Photographic Paper, Black and White, Archival Pigment

H10-4 Suiko (from the Empresses)
By Damien Hirst
Located in Bristol, GB
Laminated Giclée print on aluminium composite, screen printed with glitter Edition of 3,310 39.3 x 39.3 in Signed on a label affixed to the back Mint. Minor imperfections may appear ...
Category

21st Century and Contemporary Contemporary England - Abstract Prints

Materials

Glitter, Giclée

Areas Contrasted, from A Poem for Alexander, Brown and White Abstract Print 1972
By William Scott
Located in Kingsclere, GB
Areas Contrasted, from A Poem for Alexander by William Scott, 1972 Additional information: Medium: screenprint 56.9 x 77.5 cm 22 3/8 x 30 1/2 in signed, dated and inscribed A/P in p...
Category

20th Century England - Abstract Prints

Materials

Screen

III by Kim Lim, 1991
By Kim Lim
Located in Kingsclere, GB
III by Kim Lim, 1991 Additional information: Medium: woodcut on paper 36 x 32.5 cm 14 1/8 x 12 3/4 in signed and dated in pencil verso Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making. On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
Category

20th Century England - Abstract Prints

Materials

Woodcut

Murmuration - Unique Abstract Colour Print, Custom Framed
Located in London, GB
Murmuration, 2024 Hand printed C-Type Print, Float mounted in custom made frame, finished with antireflective art glass Print size: 20 x 25 cm, Framed: 35.5 x 37.5 cm (as seen on 1st...
Category

2010s Abstract England - Abstract Prints

Materials

Archival Paper, C Print, Color, Photographic Paper

The Waves: Squid
By Frank Stella
Located in London, GB
Silkscreen, lithograph, linoleum block with hand-colouring, marbling and collage, 1989, on T. H. Saunders and Somerset paper, signed, dated and numbered from the edition of 60, publi...
Category

1980s Abstract England - Abstract Prints

Materials

Lithograph, Screen

Mediterranean Light
By Robert Motherwell
Located in London, GB
Lithograph on white Tyler Graphics Ltd. (TGL) handmade paper 32 1/2 x 76 in. (82.6 x 193 cm) Edition of 40
Category

1990s Abstract Expressionist England - Abstract Prints

Materials

Color, Lithograph

Drawing Boards I (red / yellow)
By Richard Smith
Located in London, GB
Edition of 60, Set of 5 74.9 x 56.5 cms (29.5 x 22.25 ins)
Category

1980s Abstract England - Abstract Prints

Materials

Etching

Red and Blue Rouge et bleu - Surrealism Spanish
By Joan Miró
Located in London, GB
This original lithograph in colours is hand signed in pencil by the artist "Miró" at the lower right margin It is also hand numbered in pencil, from the edition of 100 at the lower l...
Category

1960s Surrealist England - Abstract Prints

Materials

Lithograph

Florist, Mandala - collage of dead flowers
Located in London, GB
‘Florist’ originally called ‘dead flowers’, was created using the flowers from my girlfriends ‘Zoom’ backgrounds over the space of several months. Usually scanned the moment she considered them to be wilted. About the series: " 'Detritus' series was born from the twin frustrations of lockdown halting all planned projects, yet litter still somehow being dropped in abundance on my street. With no idea of the final output, or indeed the hygiene implications, I started to collect, scan, and record what I found. When I realised these colourful misshapen objects could be turned into something beautiful, the frustrations left me and I began looking for other sources of Detritus. Florist, 2020 Series: Detritus Archival Pigment Print, Mounted on Dibond in custom made Frame; with Black Stained Oak and antireflective UV protective museum standard Art Glass Print 60 x 60 cm / Framed: 62 x 62 cm/ 24.5 x 24.5 inches approx. Edition of 8 + 2AP About the Artist George McLeod...
Category

2010s Abstract Geometric England - Abstract Prints

Materials

Archival Ink, Photographic Paper, Color, Archival Pigment

Untitled
By Sam Francis
Located in London, GB
Sam Francis Untitled Circa 1960 Lithograph, Edition of 40 71.9 x 50.8 cms (28.3 x 20 ins) SF17686
Category

1960s Abstract England - Abstract Prints

Materials

Lithograph

Octavio Paz Suite: Nocturne VI
By Robert Motherwell
Located in London, GB
Lithograph and chine appliqué 64.5 x 54 cms (25 3/8 x 21 1/4 ins) Edition 50 Paper: Arches paper; Japanese Gampi handmade paper Other Collaborators: Image transferred from Mylar to...
Category

1980s Abstract Expressionist England - Abstract Prints

Materials

Handmade Paper, Color, Lithograph

Ahab, from The Waves Series
By Frank Stella
Located in London, GB
Screenprint, lithograph and linocut in colours with collage, marbling and hand-colouring, 1989, on T. H. Saunders and Somerset papers, signed and dated ‘88’ in pencil, numbered 'AP I...
Category

1980s Abstract England - Abstract Prints

Materials

Lithograph, Screen

Composition (trompe l'oeil collage) -- Lithograph by Peter Blake
By Peter Blake
Located in London, GB
Composition (trompe l'oeil collage), 1956 Peter Blake Lithograph in colours, on wove laid on support card Signed and dated in pencil Sheet: 17.6 × 22.5 cm (7 × 8.9 in) An early li...
Category

1950s Abstract England - Abstract Prints

Materials

Lithograph

Lithograph for the Boxes Exhibition - Surrealism Spanish 1965
By Joan Miró
Located in London, GB
This original lithograph in colours is hand signed in pencil by the artist "Miró" at the lower right margin. It is also hand numbered in pencil, from the edition 38 of 75, at the low...
Category

1960s Surrealist England - Abstract Prints

Materials

Lithograph

Trevor Frankland (1931-2011) - 20th Century Linoprint, Reflections II
Located in Corsham, GB
Signed in graphite to the lower right and inscribed with the print number 3/75. On Japanese paper.
Category

20th Century England - Abstract Prints

Materials

Screen

One Two Three (Cobalt Blue) by Robert Goodnough, 1968
By Robert Goodnough, 1917-2010
Located in Kingsclere, GB
One Two Three (Cobalt Blue) by Robert Goodnough, 1968 Additional information: Medium: screenprint 56 x 76 cm 22 1/8 x 29 7/8 in signed, dated and numbered in pencil Robert Goodnoug...
Category

20th Century England - Abstract Prints

Materials

Screen

V by Kim Lim, 1991 - Minimalist Tonal Print, Beige, White, Neutral
By Kim Lim
Located in Kingsclere, GB
V by Kim Lim, 1991 Additional information: Medium: woodcut on paper 36 x 32.5 cm 14 1/8 x 12 3/4 in signed and dated in pencil verso Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making. On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
Category

20th Century England - Abstract Prints

Materials

Woodcut

Blue Nude II & III Spring (Framed)
Located in Manchester, GB
Henry Matisse, Blue Nude II & III Spring (Framed) Following surgery for stomach cancer in 1941, Henri Matisse was left bed-bound and could no longer paint or sculpt. With the help o...
Category

2010s Contemporary England - Abstract Prints

Materials

Giclée

Flow / turquoise base
By Chuck Elliott
Located in Bristol, GB
Flow / turquoise base is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper. The work can be supplied unframed, or framed and ready to hang. I ten...
Category

21st Century and Contemporary Abstract Geometric England - Abstract Prints

Materials

Archival Pigment

III, from Thomas Suite by Robyn Denny, 1975
By Robyn Denny
Located in Kingsclere, GB
III, from Thomas Suite by Robyn Denny, 1975 Additional information: Medium: screenprint 90 x 64 cm 35 3/8 x 25 1/4 in signed, dated and numbered in pencil Robyn Denny was one of a ...
Category

20th Century England - Abstract Prints

Materials

Screen

January 1973, Plate 17
By Patrick Heron
Located in Bournemouth, Dorset
Patrick Heron January 1973, Plate 17, 1973 Screen print, Artist’s Proof Image: 68.0 x 93.2 cm Frame: 88.0 x 111.0 cm Signed and dated Patrick Heron (30 January 1920 – 20 March 199...
Category

1970s England - Abstract Prints

Materials

Screen

I Am The Last Of My Kind
Located in Manchester, GB
Tracey Emin, I Am The Last Of My Kind, 2020 Published for the Royal Academy show 2019/2020 Offset lithograph 31 1/2 × 23 3/5 in (80 × 60 cm) Tracey Emin is a notable and prolifi...
Category

2010s England - Abstract Prints

Materials

Lithograph

The Beautiful Paintings Medium Square (H12-7)
By Damien Hirst
Located in Manchester, GB
Damien Hirst, Unique Print from The Beautiful Paintings Medium Square (H12-7) 1/1 of Full Edition of 230 - Canvas Print 40 × 40 cm (Medium) The ...
Category

2010s Contemporary England - Abstract Prints

Materials

Giclée

Plate No. 256 - Human Figure, Portrait, Landscape, Print
By Johanna Goodman
Located in Brighton, GB
Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...
Category

2010s Contemporary England - Abstract Prints

Materials

Archival Ink, Archival Paper, Giclée

IV by Kim Lim, 1991
By Kim Lim
Located in Kingsclere, GB
IV by Kim Lim, 1991 Additional information: Medium: woodcut on paper 36 x 32.5 cm 14 1/8 x 12 3/4 in signed and dated in pencil verso Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making. On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...
Category

20th Century England - Abstract Prints

Materials

Woodcut

Full Sail! - An Abstract Colour Print in custom made frame (options available)
Located in London, GB
Mike G Jackson, 'Full Sail!', 2024 Archival Pigment Fine Art Print mounted on aluminium and custom framed finished with antireflective Art Glass, 35 x 23.5 inches (90 x 60 cm approx....
Category

2010s Abstract England - Abstract Prints

Materials

Photographic Paper, C Print, Color, Archival Pigment

Beautiful, Once Stiflingly Active, Soul-Piercing Vapor Painting By Damien Hirst
By Damien Hirst
Located in London, GB
Beautiful, Once Stiflingly Active, Soul-Piercing Vapor Painting By Damien Hirst Damien Hirst is a British contemporary artist known for his provocative and often controversial wor...
Category

2010s Contemporary England - Abstract Prints

Materials

Canvas, Cotton, Plywood, Giclée, Stretcher Bars

Composition IV, from: The Pine Tree of Formentor - Poetry Majorca Pine Forests
By Joan Miró
Located in London, GB
This original etching and aquatint in colours is hand signed in pencil by the artist “Miró” in the lower right margin. It is also hand numbered in pencil from the edition of 50, in ...
Category

1970s Surrealist England - Abstract Prints

Materials

Etching, Aquatint

Elegy Study
By Robert Motherwell
Located in London, GB
Lithograph on Twinrocker handmade paper 1979 64.1 x 95.3 cm (25 1/4 x 37 1/2 inches)
Category

1970s Abstract England - Abstract Prints

Materials

Lithograph

Yves Klein’s Cat with Mezzotint on Paper, Print by Mychael Barratt
By Mychael Barratt
Located in Deddington, GB
Yves Klein’s Cat by Mychael Barratt [2022] Yves Kleins Cat is a limited edition hand made print by artist Mychael Barratt featuring this brilliant shade of blue taking inspiration ...
Category

21st Century and Contemporary Abstract England - Abstract Prints

Materials

Mezzotint

Landscape with Adam and Eve with an angel
Located in Llanbrynmair, GB
’Landscape with Adam and Eve with an angel’ By Arthur Boyd Medium - Etching with colour on wove. Signed - Yes Edition - Artist Proof Size - 640mm x 820mm Date - 1986 Condition - 8 Colour of print may not be accurate when viewed on a monitor. Arthur Merric Bloomfield Boyd AC OBE (24 July 1920 – 24 April 1999) was a leading Australian painter...
Category

1980s Contemporary England - Abstract Prints

Materials

Etching

Feathers - A selection of birds feathers, Geometric Tribal Mandala, Framed
Located in London, GB
“Feathers are more than pretty; they contain a whole host of spiritual and cultural meanings.... It symbolises trust, honour, strength, wisdom, power, and freedom” Naturally shed feathers, none of them were dyed, all natural colours. Birds’ feathers included in this artwork: Blue Jay Pheasant Woodcock Blue Mallard Homing Pigeon Teal Duck Partridge Han Mallard Magpie Red Kite Blue & Gold Maccaw Red and Green Maccaw Peacock Guinea Fowl Parrot Leopard Spotted Argus Pheasant Lady Amherst Pheasant Ringneck Pheasant Golden Reeves Pheasant Tragopan Pheasant Oriental Bay Owl Scarlet Ibis Feathers, 2022 Series: Detritus Archival Pigment Print, Mounted on Dibond in custom made Frame; with Black Stained Oak and antireflective UV protective museum standard Art Glass Print 100 x 100 cm / Framed: 102 x 102 cm/ 40 x 40 inches approx. Edition of 5 + 2AP About the Artist George McLeod...
Category

2010s Tribal England - Abstract Prints

Materials

Pigment, Archival Pigment, Glass, Giclée, Color, Pigment, Photographic P...

Plate 180 from Imaginary Beings - Giclée Print on Archival Paper
By Johanna Goodman
Located in Brighton, GB
Giclée print on Archival Matte Paper with Archival Pigment Ink. In 2017 she was awarded the New York State Council for the Arts/New York Foundation for the Arts Fellowship grant for...
Category

2010s Contemporary England - Abstract Prints

Materials

Archival Ink, Archival Paper, Giclée

The Basque Suite: Untitled
By Robert Motherwell
Located in London, GB
Colour screenprint on J.B. Green paper 104.1 x 71.7 cms (41 x 28 1/4 ins) Edition of 150
Category

1970s Abstract Expressionist England - Abstract Prints

Materials

Color, Screen

Pieces of Eight (ochre square)
By Richard Smith
Located in London, GB
Edition of 35 48 x 100 cms (19 x 39.5 ins)
Category

1970s Abstract England - Abstract Prints

Materials

Lithograph

Untitled No. 127
By Zao Wou-Ki
Located in London, GB
ZAO WOU-KI 1921- 2013 Beijing 1921 -2013 Switzerland (Chinese) Title: Untitled No. 127, 1960 Technique: Original Hand Signed, Numbered and Dated Lithograph in Colours on Wove Paper...
Category

1960s Abstract England - Abstract Prints

Materials

Lithograph

Set of 4 Signed Gordon House Limited Edition Etchings 27/30
By Gordon House
Located in Brecon, Powys
Signed, inscribed and dated number 27/30 1998 Originally distrbuted by Alan Cristea Gallery London Each Frame 11.5" x 9.75" Gordon House produced many of his own prints first at K...
Category

1990s Abstract England - Abstract Prints

Materials

Etching

Put out all Flags
By Robert Motherwell
Located in London, GB
Aquatint, lift-ground etching and aquatint on German Etching paper 53.3 x 73.7 cms (21 x 29 ins) Edition of 50
Category

1980s Abstract England - Abstract Prints

Materials

Etching, Aquatint

Modern British art, Scottish Modernist print
By Robert Colquhoun
Located in Harkstead, GB
These wonderful lithographs from the imagination of the Glasgow artist Robert Colquhoun are full of colour and dynamism. Robert Colquhoun (1914-1962) Poems of Sleep and dream Three ...
Category

Mid-20th Century Modern England - Abstract Prints

Materials

Paper, Lithograph

Hunting the Fields, Limited edition art print, Landscape, Nature
By Rob Barnes
Located in Deddington, GB
We have an owl box in the garden and have had owlets in some years. The Barn Owl will often hunt the field in the afternoon. Barn owls are silent hunters and provide drama and grace ...
Category

2010s Contemporary England - Abstract Prints

Materials

Paper, Linocut

Kawsbob (Black)
By KAWS
Located in Bristol, GB
Screenprint in grey and black on BFK Rives wove paper Edition 95 of 100 50.8 x 50.9 cm (20 x 20 in) 64 x 64 x 3 cm, 25.2 x 25.2 1.2 in Signed and numbered on the back Window-mounted ...
Category

21st Century and Contemporary Contemporary England - Abstract Prints

Materials

Screen

Summer Sign
By Robert Motherwell
Located in London, GB
Carborundum on Whatman paper Edition of 38 84.1 x 78.7 cms (33 1/8 x 31 ins)
Category

1990s Abstract Expressionist England - Abstract Prints

Materials

Color

#396, The Self Representation of Light, Unique Luminogram, Drawn by Light
Located in London, GB
#396, 2016 Silver Gelatin Luminogram Print, Framed (classic museum style white book mount board and black frame) Image size: 40.6 x 30.5 cm Framed: 58 x 49 cm Unique Series: The Self Representation of Light Signed and dated in pen on verso © Michael Jackson The Luminograms are made from the most simple of procedures - directing light onto silver gelatin photo paper. However, it is that simplicity that allows Jackson to adapt his own way of thinking into the making of the finished piece. As he says, it's as close as he can get in photography to painting. After moving to Wales in 2007, Michael Jackson spent the next eight years creating an extensive study of a single local beach - Poppit Sands. After years of examining the beach, he realised that in effect he was studying himself and his reaction to the beach - rather than the physical landscape. He then started looking at the beach as simply a way of dividing up the camera frame - the lines and curves and focal points. It was during the long period of producing Poppit Sands prints in the darkroom that he discovered how to start making luminograms. "I feel strongly that the luminograms represent a form of moulded light. You use your process to direct and mould the light and the paper receives it in its own magical way and translates that into a form that seems fantastical but also it has one foot in reality. The piece itself so often seems like a photograph of a sculpture, when it fact it is neither. I imagine that I am taking something that you cannot feel and I am making it appear in a seemingly three dimensional form that is balanced and controlled. Just like sculpting clay." Michael G Jackson...
Category

2010s Abstract England - Abstract Prints

Materials

Photographic Paper, Black and White, Photogram, Silver Gelatin

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