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Chuck ElliottFlow / turquoise base2018
2018
About the Item
Flow / turquoise base is a ten colour archival pigment print on 305gsm, 100% cotton, Hahnemühle fine art paper.
The work can be supplied unframed, or framed and ready to hang. I tend to use fairly minimal glazed and painted tulipwood frames, and set the work ‘straight in’ under the fillets, without a window mount. If you’d like to discuss other framing choices to suit your space please do get in touch.
Individually signed and numbered
From an edition of 24 prints, plus 2 APs
Image size ⋅ 66cm H x 90cm W
Sheet size ⋅ 78cm H x 102cm W
.
A fair while after I made the original Flow series, I started looking at the idea of creating a new more saturated variation, with a fairly solid colour base, and after some considerable exploration, came up with this turquoise and copper palette.
As is often the way with much of the work, I then put it to one side and ignored it for several years.
In the summer of 2018 however, a good friend of the family turned 18, and so I offered him a print for his birthday, and after much deliberation, we decided to try out this study as a pigment print.
To my eye the gouache like quality of the pigments make the colours really sing, so I then editioned the study to sit alongside the earlier silvered and black C type works.
I hope it makes for a good addition to the series.
- Creator:Chuck Elliott (1967, British)
- Creation Year:2018
- Dimensions:Height: 30.71 in (78 cm)Width: 40.16 in (102 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Bristol, GB
- Reference Number:1stDibs: LU158128454622
Chuck Elliott
Chuck Elliott (b. 1967, Camberwell, London) is a pioneer of digitally generated art. He claims to have used the first Apple Macintosh imported to the UK in 1984, the same year Apple launched the computers with their now infamous Orwellian advertising campaign. Acquiring his own machine in 1989, he has been drawing, sculpting, editing and compositing digitally ever since. Graduating in 1992, he founded a succession of small, successful studios in London. In 2005 he moved to Bristol, where he now works full time on his sublime, fluid studies in light, colour, motion and liquid geometry. Delighting in the machines' ability to hone and craft sculptural drawings, render, edit, mix, cut, paste, sculpt, and re edit, colour spaces are manipulated, light levels finely tuned, and a myriad of images and series of derivations are produced, using processes analogous to the way in which modern music is realised. Chuck Elliott is reinterpreting the essence of abstract fine art printmaking for the digital age. Pure logical progression.
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Established in 1995
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