Europe - Dining Room Sets

Made of steel and fabrics with original and unprecedented patterns, Locus Solus is a reissue of a collection designed by the unpredictable flair of Gae Aulenti in 1964. The retro des...

Mid-Century Modern Dining Set by Marco Zanuzo for Poggi, Italy, 1970s Chairs : 39x43x90 cm Sh 44cm

Amazing dining set designed by Jørgen Høj for Niels Vitsøe in 1962. Featuring a round ‘Model 54’ table with brushed aluminum cross-legs. Extendable from ø 115cm to a whopping ø 175cm...

Organic Modern Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspiration f...

Circa Mid 20thC Large English Oak Trestle Table with 6cm Thick Oak Top sku 878 (benches available separate listing) W240 x D72 x H76 cm F...

Striking brutalist dining set made of solid blackened ash in the 1960ties. The Set consists of 1 table and its 4 benches. The ensemble comes f...

Asnaghi make pieces of furniture that are far more than just that. They create real works-of-art of intrinsic value, Peerless in design and execution, and expected to become heirloom...

Original ‘Heart’ dining set designed by the godfather of Danish design, Hans J. Wegner in 1952. It consists of a 3 legged table (FH4602) with 6 stackable 'Heart' chairs (FH4103). The...

Here we offer a set of three Dan Wenger designs dining chairs and glass top table. The leather can be chosen in black, cognac, red and dark brown. Frame is lacquered in black. Chairs...

A superb dining room suite consisting of table and six chairs designed by Guido Faleschini for Hermes, France, circa 1970. Hermes barely needs any introduction: it is probably the most famous firm in the world known principally for its workmanship of leather goods of the highest quality. The French luxury goods manufacturer established in 1837 specializes in leather goods, lifestyle accessories...

An original 1970 vintage tulip dining set by Eero Saarinen for Knoll. Saarinen's tulip design combines grace with practicality. The rare Rio...

The dining table, designed by Karsten Lauritsen, features solid oak legs and a laminate surface in the color salsa linoleum. The table is in very nice condition and includes four add...

A magnificent Art Deco burr walnut dining table and chairs by Hille. This suite was made in England, it dates from around the 1920’s. The quality is exceptional, the table and chair...

Well this really is the piece de resistance in farmhouse kitchen dining A gorgeous extending oak refectory table with a matching set of 8 Windsor chairs The table extends by two extr...

TABLE: Frank Gehry, the ‘gratuitously eccentric’ architect behind the Guggenheim Bilbao gained attention in the 1970s with his ‘Easy Edges’ furniture series (1969-73). Constructed i...

Step into the epitome of mid-century modern sophistication with this exquisite dining set straight from the stylish era of 1970s Italy. The suite boasts a sleek chrome and glass dini...

We present Art Deco dining furniture that includes a table and four chairs. A set from 1940, designed by a famous Czech designer Jindrich Halabala, (a Czech designer ranked among the...

- Good original condition with some signs of use - Leather upholstery in good condition with some signs of use - The table dimensions : H: 74 W: 121 D: 77 cm

Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...

Locus Solus set is composed of four chairs with a structure in tubular steel a seat in padded leather and a table with a frame in tubular steel and a glass table top. The Locus Sol...

A bentwood table and four chairs designed by Czech architect Jan Bočan for the Czechoslovak Embassy in Stockholm. Designed in 1970 by Jan Bočan, Jan Šrámek, Zdenka Rothbauer and Jiř...

Original walnut extendable table, designed by Louis Majorelle, with 6 Art Deco chairs. The elegant walnut chairs have been renovated and upholstered with new beige fabric. The walnut...

Biloba dining table, contemporary collection, handcrafted in in Portugal - Europe by Greenapple. Designed by Rute Martins for the contemporary collectio...

Royal House Antiques Royal House Antiques is delighted to offer for sale this sublime designer Andrew Varah eight person extra large dining table with matching suite of carver armch...

This German Art Deco Wabi Sabi Naive Prison cell table and bench was made in the 1930s for a Berlin Prison. It is made out of brown oak and the tabletop h...

Organic Modern Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspira...

Handmade Walnut Dining Table Set with Matching Benches – Custom Solid Wood Furniture for Modern Dining Rooms A refined centerpiece for the contemporary dining room, this handmade wa...

Wonderful and unique wood dining set of unusual design, comprised of a table and four chairs. The chairs have curved cockfighting-style backs with an interesting geometric pattern...

Beautiful expandable Art Deco dining room table from France, circa 1930. Thuja / Cedar roots or burl veneer at the plate and legs with excellent clear lacquer surface. Wonderful L...

A prestigious member of one of the most exclusive Gentlemen's clubs in London, Henry Portman, whose legacy is intertwined with the architectural heritage of London's Portman Estate. ...

Sehr besonderes und seltenes Esszimmer Set vom niederländischen Designer Derk Jan De Vries für Maisa Di Seveso Mailand aus der „Samara“ Serie, bestehend aus einem quadratischen Essti...

Sturdy and handcrafted dining set with a bench and three high back dining chairs. This striking design and 'rough' hand made brutalist style is really standing out. The entire set...

Beautiful Scandinavian dining room set by Finnish designer Ilmani Tapiovaara from the 1950s for Laukaan Puu. It is composed of a dining table and four chairs model "Pikka". The struc...

Circa 1950’s Mid century English Cane/Wicker conservatory set. x4 Armchairs and matching table. Great form Price for the set Table W74 x D74 x...

Dining table designed by Alvar Aalto, circa 1960 Special commission, unique piece of measure: 246 x 140 x73 cm Wood legs and structure. In original condition, with minor wear consi...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Dining set, France, around 1920. Very good condition. Wood: oak dimensions table height 78 cm length 129 cm length after unfolding 240 cm depth 100 cm chairs height 10...

Atelier C. Demoyen, dining table with six dining chairs, solid elm, France, 1970s Atelier C. Demoyen (Claude de Moyen) gained prominence as a workshop recognized for crafting, among...

Gijs Bakker is actually best known for his jewelry. This ‘Strip’ table and 6 Chairs is one of the few known pieces of furniture that he designed. Perhaps that is also the reason wh...

Mid-century Modern Dining Table and Chairs Set by Afra e Tobia Scarpa Italy 1970 Add timeless Italian elegance to your home with this vintage dining set. Renowned designers Afra and...

Exceptional rationalist set including: - a sideboard with mirror H99.5X243Xp53 mirror H152. - bar sideboard with riser H99.5X202Xp53 with riser H.120. - a table H80.5X191X91 - 4 Chai...

We are delighted to offer for sale this exquisite heavily carved Art Deco Burr Walnut dining table with six sculptural dining chairs A beautiful example of this kind of work, the ...

6 chairs covered with red leather with matching table original leaves missing from the set but the table could be extended.

Dining room set consisting of a table and six chairs, pine, Italy, 1960s The substantial size, peculiar material use, and superb carvings, combine to form an exceptional ensemble pe...

THE FOUR CARDINAL POINTS Rosenthal Kunstmöbelreihe This noteworthy design is the work of Bjørn Wiinblad. The furniture pieces were produced in a limited edition of 300 in 1976. E...

Stunning walnut dining table and six matching dining chairs by Pier Luigi Colli, handmade by the famed 'Fratelli Marelli' atelier in Cantu, Italy circa 1950. The dining table is ...

Stylish and elegant mid century modern Jatoba Arne Vodder dining room set. Elegant early 1960s dining room table and chairs, model 422, designed by Arne Vodder for Sibast Denmark. T...

Antique Art Deco Dining Table with 6 Chairs (circa 1935) Description: This exquisite dining set, consisting of a table and six chairs, embodies the elegance and craftsmanship of th...

Outstanding elegant dining set designed by Pier Luigi Colli. Composed by; - Dining table with finely carved and painted legs decorated with acanthus leaves. Dark red glass...

Sturdy and handcrafted dining chairs with matching table produced by Depuydt Kunstmeubelen in Belgium. The entire set is made out of solid oak. It's rare to have the chairs and...

Dining room set containing Børge Mogensen for Fredericia Stolefabrik set of six dining chairs with Angelo Mangiarotti for Skipper 'Eros' dining table Børge Mogensen for Fredericia ...

Mobichalet, set of table, chair, and stool, oak, beech, Belgium, 1950s This rustic set will come forward nicely in a relaxing atmosphere, like a patio or a studio space. The brutali...

We present dining set including a table and four chairs made in 1960 by a Czech designer Szuman Highly recommended item will be perfect complementation of the rooms in not only ...

Rosewood table and chairs model 31 by Kai Kristiansen. Furniture in very good condition, after professional renovation. The seat and back of...

Inspired by Mies Van der Rohe's iconic Barcelona Pavillion, the Rivington Dining Table is a striking ode to European 20th-century design through its bold use of asymmetric shapes and contrasting materials. The smooth curvature of the pedestals is complimented by an angular table top, distinguishing itself as a minimalist and contemporary counterpart to some of Davidson's classic designs. The Barcelona Pavillion is a harmonic exploration of contrasting shapes and colours, echoed here through the similar contrast between Sycamore Silk and Sycamore Black wood finishes. Able to accommodate any number of guests, this handcrafted dining table is available as an 8, 10 or 12-seater. Elegant and innovative, the Rivington Dining Table sets the aesthetic tone for a design-forward and luxurious dining room.

- Four dining chairs, two armchairs, adjustable dining table, coffee table - Dimension of chairs: 78 x 42 x 43, dining table: 78 x 120-170 x 80, coffee table: 58 x 105 x 50 - Made ...

Dining room set consisting of Angelo Mangiarotti for Bernini table model 302 with set of six dining chairs model 634 by Carlo De Carli for Cassina Angelo Mangiarotti for Bernini, d...

Stunning dining set by Leomardo Fiori in teak wood and metal, pro ISA Italy 1950, composed by Measures: 1 table: 140 x 75 cm H 73 cm 6 chairs: 42 x 48 x 84 cm.