Europe - Dining Room Sets

Rare and very nice example of the "Bossche school" furniture by architect Jacques Uppelschoten, made for his own house at the Raffendonkstraat 20 in Oirschot. Dom Hans van der Laan s...

Art Deco Dining Room Set: - Long sideboard with dark lacquered doucine veneer finish, nickeled door handles, three doors and internal cedar wood dr...

The top with beautiful rich colour for which cherrywood is known figuring and the edge rounded. In four sections as cherry trees are slow growing. The frieze unusually moulded and ...

This charming late 19th to early 20th-century white-painted handwoven wicker dining room set features a traditional oval-shaped wicker table with a beautifully shaped wicker apron an...

A prestigious member of one of the most exclusive Gentlemen's clubs in London, Henry Portman, whose legacy is intertwined with the architectural heritage of London's Portman Estate. ...

Atelier S.L Prestige, Biot, France 2012. Set composed of a wrought iron and patinated iron table, chapped and speckled maple top accompanied by its two chairs. The thick iron bases a...

Discover the Cranston Dining Table from Davidson London - an Art Deco influenced dining table with a contemporary twist. The Cranston takes inspiration from 1930s celebrated furn...

Royal House Antiques Royal House Antiques is delighted to offer for sale this exquisitely designed, hand made in England occasional dining table with Celtic design top and three Geo...

An extending dining table by English manufacturer Schreiber Furniture. A wood grain Formica table top and solid beech tapering legs. Matched with 4 Mid-Century modern moulded bright...

Discover the Cranston Dining Table from Davidson London - an Art Deco-influenced dining table with a contemporary twist. The Cranston takes inspiration from 1930s celebrated furn...

We are delighted to offer for sale this very well made, solid English Oak Habitat refectory dining table and eight Potocco leather and oak dining chairs This is a lovely, lightly used suite...

Round dining table - Entrance table hallway - 120 diameter Offered for sale is a modern eclectic dining set, made with a set of four Monk chairs by Afra & Tobia Scarpa for Molteni ...

Dining Set by Goons Dimensions:   Table: W 130 x D 50 x  H 74 cm Chair: 35 x 40 x 95 cm Materials: Wood. Goons is located in Paris, France. All of their designs are made out of wood.

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

Tablecloth by Davide Medri Materials: mirror mosaic (silver) Also available in gold. Dimensions: H 90 x D 120 cm Davide Medri was born in Cesena on August 7th 1967 and graduated at ...

An Original & Rare Black Ash & Aluminium Arkana Circular Dining Table With Three Black & Orange Matching Tulip Model 115 Dining Chairs Engraved with mak...

French dining room set (table and chairs): - This stunning 1930s dining table, inspired by the renowned designer Jules Leleu, features exquisite diamond-shaped marquetry crafted. T...

studio Tetrarck design for Alberto Bazzani Italy in years 1970 complete set of the one table and four chairs original top glass of 0.6 inches tickness table measue 48 inches diamet...

A very imposing and good quality Regency period Mahogany triple pedestal dining table, with two extra leaves, having this wonderful figur...

Extraordinary dining set created by Rudi Verelst for Novalux in 1970s Belgium. The set features swivel dining chairs crafted from gleaming chromed steel wire, elegantly complemented ...

“Scuderia” dining table, designed by Carlo Scarpa and produced by the Italian manufacturer Bernini in 1977. Originally, Carlo Scarpa designed the table to restore the stable of Villa Valmarana in Vicenza in 1972. The table features a solid walnut structure. Available also five “Kentucky” dining...

Elegant and unusual outdoor/garden dining set, comprising a large square table and four large armchairs. The structure is made of hand-wrought iron, and the table top and chair seats...

Karen Chekerdjian expands her iconic Inside Out collection with the new Large Dining Table—a bold yet essential centerpiece for contemporary interiors. This new iteration introduces ...

Dining Table in Rosewood by Ole Wanscher, 1945 Additional Information: Material: Rosewood Style: Mid century, Scandinavian Produced by cabinetmaker A.J. Iversen in Denmark Dimension...

Rectangular Dining Table "Andrè" with Chairs - Design classic from the 1960s Discover the charm of the 60s with this beautiful dining table and chair set, designed by Tobia Scarpa for Gavina Knoll. An example of timeless design, this set adds a touch of vintage elegance to any interior. The sturdy chrome-plated metal frame, combined with a thick glass top, provides a durable and stylish dining experience. Despite some signs of use over the years, the set is in good overall condition, ready to take center stage in your dining room. Advantages: Authentic design by Tobia Scarpa from the 1960s. Sturdy and durable with a metal frame and thick glass top. Includes 4 matching chairs with comfortable fabric seats. Adds a vintage charm to any dining space. Good to know The table measures 200cm in width, 74cm in height and 100cm in depth. The chairs have a width of 45cm, a height of 80cm, a depth of 50cm and a seat height of 45cm. Some signs of use are visible, which contributes to the authentic character of this set. Resume Vintage design by Tobia Scarpa for Gavina, 1960s. Stylish and durable with chrome-plated metal frame and thick glass top. Includes 4 matching chairs, perfect for any dining room. This vintage dining table and chair set...

Set of 2 Belenus and La Luna tables by Gisbert Pöppler Dimensions: D L 240 x W 101 x H 73 cm (Belenus) / D 167 x W 101 x H 73 cm (La Luna) Materials: High gloss lacquered wood, smoked oak A Referencing the Latin Moon and the Celtic Sun, this extendable dining table duet comes in two connecting pieces of smoked oak coated in high gloss lacquer. Like perfectly paired lovers, each piece can stand on its own, while also fitting harmoniously together with its partner. The Belenus table stands on solid rounded legs and connecting oval shaped feet that are a contemporary take on outré Nordic design, complete with a playful Viking feel. Its oxblood red tabletop offers a gently curved shape that, when locked up with its extension, creates a noticeable “waistline” where the two pieces meet. In contrasting petrol blue La Luna, with its folding half-moon shape, functions as an abstract sideboard...

Very rare dining room set by Gaetano Pesce featuring 6x chairs model Dalila and a table model Sansone I. Made by Polyurethane and urethane resin, pre -...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

A graphic and beautifully detailed solid pine ‘Trybo’ dining set designed by Edvin Helseth (1925-2017) in 1965. The set features a dining table with two large gate-leg extension leav...

Art Deco table with clean, rational lines. The rosewood base gives way on the front to green aniline-stained maple. The top is made of rosewood feather laid open. The piece showcases...

1970s Bamboo Dining set Product Details Glossy-finish pressed bamboo table + 4 chairs and 2 armchairs, complete with cushions. Chair dimensions: 50 W x 101 H × 50 D cm Table dimensio...

The OOMA table reflects Reda Amalou’s search for a perfect balance between a pure line and the attention to detail. The proportions of the very thin elegant marble top, with its subt...

Pedini Fano 60's table and chairs set, curved and shaped beech plywood, light oak laminate, chairs edges profiled in brown rubber and connected to the bas...

There are many details that make this Venetian style dining table very luxurious. From solid wood, soft ivory color, to cabriole legs with intricately handcrafted wood carvings on th...

Hansen Sorensen Dining room table with 6 chairs, 1970 Denmark The Hansen Sorensen dining room table with 6 chairs from 1970 is a beautiful additio...

This gorgeous dining set is produced by Glostrup Mobler from Denmark. The chairs are beautiful sculptured. The back of the chair and the joints has some beautiful details. It´s solid oiled scandinavian pine wood. The dining table has an ellipse shape. Unfortunately the extension top is missed so you can´t use the extension, only the normal measures. It contents 4x dining chairs...

Kaare Klint dinning table in mahogany. Executed by Rud. Rasmussen. Underside with manufacturer's paper label RUD. RASMUSSENS/SNEDKERIER/45 NØRREBROGAD/KØBENHAVN, pencilled serial nu...

Foldable winemaker's table in solid oak Wear consistent with age and use. Circa 1940s - Rustic - Nice patina Measures : Ø 110,5cm H:70,5cm Material : Wood

When an avant-garde tubular steel design meets a classic refectory table, the result is the double X. A large but elegant table whose X-shaped supports ensure optimal rigidity. Like ...

1970's Italian dining set by Renato Zevi! Dining table in chrome and brass, very thick glass top. Six brass dining chairs upholstered in soft supple Italian leather. Stamped with th...

Set Of 5 Corian Steel Dining Table And Seating by Pol Quadens Limited Edition Of 8+4 Pieces. Dimensions: D 76 x W 250 x H 74 cm. Materials: Lacquered steel. Pol Quadens was born in...

Medea dining circular table, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of teak iron and brass, excellent vintage condition. Reported at “Compasso d’Oro Prize...

Royal House Antiques Royal House Antiques is delighted to offer for sale this lovely vintage English Pine refectory dining table and eight Winsor chairs Please note the delivery fe...

Elegantly described as the bastion of Portuguese luxury, the sophisticated Cortez Dining Table exhales the splendor of the uniqueness of the kings ...

Mid-Century Modern; Hollywood Regency; Dining Room Set; Dining Area; Dining Chairs; Dining Table; Italian Design; 1970s, Vivai del Sud Inspired; Wood; Glass; Geometric Shape; 1950s; ...

We are delighted to offer for sale this sublime designer Andrew Varah 12-14 person, Satinwood with Mother of Pearl inlay, extra large Dining table Corinthian pillar legs which is part of a suite Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price. I have in total a huge dining table...

Beautifully crafted dining table and six chairs with rush seats and backs. Very well assembled. The table has a thick slab top with a soft, rounde...

Curved chocolate lacquered classe bar by MOWEE Dimensions: D100 x W100 x H115 cm Material: Polyethylene and stainless steel. Weight: 31 kg Also available in different colors, whe...

1970s dining set by Rainer Daumiller, crafted entirely from solid pine. This timeless ensemble comprises a robust round dining table and four accompanying stools, each bearing the un...

For sale is a good quality antique Queen Anne style burr walnut dining suite, consisting of an eight seat dining table, matching sideboard and set of 6 walnut chairs. The sideboard h...

Danke Galerie is pleased to present the latest creation from cabinetmaker Vincent Vincent, a round table in burnt solid wood, entirely handmade in Lyon. ...

19th century Flemish carved oak dining table and benches circa 1890. Excellent quality green man trestle dining table and matching benches.  Simple plain oak top with moulded edges,...

The OOMA table reflects Reda Amalou’s search for a perfect balance between a pure line and the attention to detail. The proportions of the very thin elegant marble top, with its subt...

Attributed to GAUTHIER-POINSIGNON & Cie, Dining room furniture in walnut and elm burl veneer decorated with fruits and plane tree leaves (Platanus orientalis) and bronze ornamentatio...

Oak dining chairs, Dutch Art Deco era, Hague school, 1928. Minimalist and modern for its time. Truly an Avant-Garde item. Certainly an inspiration for later Scandinavian Modern desig...

Palace set boulle We present the salon set Boulle, a living room set consisting of a table, 2 armchairs and 2 additional armchairs, The set isinlaid with copper and pearlmass, The se...

Rare set of 1960s Italian table and six chairs with elaborately detailed backs, in the design of a sheaf of wheat. Raised on gorgeous slim legs with X-stretchers, Classic Italian gil...

We are delighted to offer for sale this stunning perfect condition David Linley Newlyn collection solid sycamore wood with marble insert Hayrake Dining table RRP £14,500 A very good looking and well made table, the marble insert is great for resting very hot and cold plates on, as apposed to the timber it won’t mark. This table is based on the Hayrake tables...