Florida - Mixed Media

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in books from Horst P. Horst into her collages. Time past and time future are united in a perpetual possibility of change. She tries to capture the resonances of evolution in various types of representation. It is not about translating a world that already exists, but about an entrance into a different universe. A timeless, tactile world of sensation and overlapping memory. Materials and emotions converge: The surface holds synthetic binders consisting mainly of layers of inks, acrylics, watercolors, pigments, photographs from books and digital images. These are imbued with altered states of feelings and archetypal references. Combining Renaissance ideals and concepts with images taken from contemporary media, Natasha Zupan beautifully unites the old and the new in her collage work. Natasha combines the innovation of her elaborate technique with her charm for tradition and the inspiration of the great Masters. Her clear, bright brushstrokes and her play of light and shadow are both rhythmic and youthful. The female figures in her paintings have an undeniable Renaissance character at the time, but they are reborn in our understanding of contemporary aesthetics. Their classic faces become modern nymphs when combined with symbols of nature and beauty. Each figurative work harbors a unique and intricate personality. Powerfully expressive, they are at once pure, sensual, innocent and seductive. From the Series Homage Hort P Horst Collage on Paper...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies and transformation. Colleges allow emotions to converge with the material, the juxtaposition of the past and present in an atmosphere of no time. She seeks baroque minimalism. The work is informed by romance, desire, disillusion, torment, ecstasy, dream, and myth. Her best works are erotic displays of mental confusion, particularly concerning relationships. She usually works in series to emphasize repetition and obsession Combining Renaissance ideals and concepts with images taken from contemporary media, Natasha Zupan beautifully unites the old and the new in her collage work. Natasha combines the innovation of her elaborate technique with her charm for tradition and the inspiration of the great Masters. Her clear, bright brushstrokes and her play of light and shadow are both rhythmic and youthful. The female figures in her paintings have an undeniable Renaissance character at the time, but they are reborn in our understanding of contemporary aesthetics. Their classic faces become modern nymphs when combined with symbols of nature and beauty. Each figurative work harbors a unique and intricate personality. Powerfully expressive, they are at once pure, sensual, innocent and seductive. From the Series Eternal Recurrence One of a kind Photo collage...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

Windmill at Knokke, 2014 Caran d'ache, wood and acrylic paint on canvas in artist's frame Image size: 30 in H × 25 in W Frame size: 31 in. H x 26 in. W x 2 in D Hand-signed by artis...

Artist Philomena Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first...

Triptych Barcos Violeta, by Sergio Bazan Mix media on Canvas Image Size: 50 H x 150 W cm Unframed Signed by artist _______ Sergio Bazan was born in Buenos Aires in 1962. He was ar...

Close Before Striking VII, 2014 Image size: 20 in. H x 16 in. W Frame size: 24 in. H x 20 in. W x 1 in. D Collage, watercolor, and graphite Mounted on a white frame. _________________________________ Roberto Fonfría lives and works in Miami, Fl He was born in Caracas, Venezuela in 1969 Roberto Fonfría creates stories through a random mix of found images, photographs, drawings, and words. He combines these elements and builds layers and textures using acrylics, common objects, and collage. His work explores human behavior and social rules with a critic eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

Close Before Striking V, 2014 Image size: 20 in. H x 16 in. W Frame size: 24 in. H x 20 in. W x 1 in. D Collage, watercolor, and graphite Mounted on a white frame. _________________________________ Roberto Fonfría lives and works in Miami, Fl He was born in Caracas, Venezuela in 1969 Roberto Fonfría creates stories through a random mix of found images, photographs, drawings, and words. He combines these elements and builds layers and textures using acrylics, common objects, and collage. His work explores human behavior and social rules with a critic eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

Barco Violeta III, by Sergio Bazan Mix media on Canvas Image Size: 50 H x 50 W cm Unframed Signed by artist _______ The paintings of Sergio Bazán have a strong gesture and express...

Barco Violeta I, by Sergio Bazan Mix media on Canvas Image Size: 50 H x 50 W cm. Unframed Signed by artist _______ The paintings of Sergio Bazán have a strong gesture and expressio...

Fusion Series original collage by renown artist Cecil Touchon painting collage is 12 x 18 on 22 x 30 heavy watercolor paper signed verso Cecil To...

In 1790, with the invention of lithography, we began using paper based outdoor advertising posters. These posters not only communicated products and services but also community event...

Artist/Designer; Manufacturer: Jonathan (Jon) Pylypchuk (b. 1972) Marking(s); notes: 2002 (per gallery label) Country of origin; materials: Canadian; mixed media on panel Dimensions ...

"Untitled" mixed media artwork, including graphite, oil stick, acrylic paint, oil paint and oil pastels, on gallery-wrapped canvas by artist Jim Stella. Signed Jim Stella and dated 2...

"Untitled" mixed media artwork, including graphite, oil stick, acrylic paint, oil paint and oil pastels, on gallery-wrapped canvas by artist Jim Stella. Signed Jim Stella and dated 2...

"Untitled" mixed media artwork, including graphite, oil stick, acrylic paint, oil paint and oil pastels, on gallery-wrapped canvas by artist Jim Stella. Signed Jim Stella and dated 2...

Signed and inscribed copy of “Growing Up With Houdini” by David J. Muller 10” x 10”, 90 pages. Condition: New. See attached photos. Prologue On February 17, 1984, I interviewed in the bond trading...

"Infinity" archival print, oil paint and mixed media encased in resin by artist Raphael Mazzucco. Signed in front lower right corner.

Signed Screen Print and Acrylic on Canvas. Christopher Makos, American photographer and artist, apprenticed with photographer Man Ray in Paris and collaborated with Andy Warhol, whom he showed how to use his first camera. He introduced Warhol to the work of both Jean-Michel Basquiat and Keith Haring. Makos' work has been in the permanent collections of more than 100 museums and major private collections, including those of Malcolm Forbes, Pedro Almodóvar, and Gianni Versace. His photographs of Warhol, Haring, Tennessee Williams and others have been auctioned regularly at Sotheby's. Warhol called Makos the "most modern photographer in America". Chris Makos...

The artist finds inspiration in the exploration of various discarded materials, transforming them into three-dimensional sculptures full of transparency and life. She uses small piec...

This depicts a Crab, In Hebrew Mazel Sartan (the Zodiac symbol Cancer, June-July) all made by hand. woven and stitched. Kopel Gurwin (Hebrew: קופל גורבין‎) (1923–1990) was an Israeli tapestry wall hanging, painter and graphic artist. Kopel (Kopke') Gurwin (Gurwitz) was born and raised in Vilna, the capital of Lithuania. He spoke Yiddish at home, but simultaneously studied Hebrew at their school which was part of the Tarbut educational network. Kopel was active in the Hashomer Hatzair youth movement. In the 1930s, as a teenager, Kopel helped his parents with the home finances by working in a suit workshop, there he first encountered the art of sewing. With the outbreak of the Second World War and the German invasion of Vilna, the Jews were imprisoned in camps and ghettos. Kopel and his brother Moshe were separated from their parents and were put to work in coal mines and peat. Kopel's parents were taken to the Stutthof Nazi concentration camp where they died of typhus within a month of each other. Kopel's 12-year-old sister Chava was turned over to the Germans by a Polish family and murdered. The brothers were arrested by the Germans, but were saved thanks to the connections of Nina Gerstein, Kopel's drama teacher. They hid in an attic until they were discovered, fled and moved to Riga, where they were caught and sent to the Stutthof concentration camp where they were imprisoned until the end of the war. They were put to work maintaining and cleaning trains and took part in one of the death marches. In July 1946, Kopel and Moshe sailed to Helsingborg, Sweden, as part of operation "Folke Bernadotte", in which Sweden took in ill survivors for rehabilitation. Once he recovered, Kopel worked in a publishing house and later was appointed director of the local branch of the Halutz movement. In 1950 Kopel and Moshe made aliyah to Israel. Kopel worked as a survey for the Survey of Israel Company. In 1951, he enlisted to the Communication Corps and served as a military draftsman. There he won first prize for the design of the front cover of the Communication Corps bulletin. With his discharge from the army at 29 he started studying drawing and graphics at the Bezalel Academy of Arts and Design in Jerusalem. Among his teachers were Isidor Ascheim, Shlomo Vitkin, Yossi Stern and Jacob Steinhardt. At the end of his first year of study, Kopel won the Reuben and Sarah Lif Excellence Award in written studies. During his studies he also won additional prizes: In 1956 he won first prize from the Lethem Foundation in California for poster design. Later the same year, Kopel won the Hermann Struck prize for his drawing on the theme of Jerusalem. In 1957 he won an additional first prize from the Lethem Foundation and second place from the printing company Ortzel for a drawing for a Jewish New Year greeting card. In 1958 he won first prize in a competition to design a poster for Tel Aviv's jubilee. Two years later he won three other awards: First and third prize for designing a poster for Israel Independence Day, celebrating 12 years of the State of Israel. Also that year Kopel won first prize for a poster to mark the 25th Zionist Congress. In 1964 he entered the Independence Day poster competition on the theme of aliyah and won first and second prize. Four years later he again entered the competition on the theme of 20 years of Israel's independence and won first prize. The poster was styled like a Holy Ark curtain with two lions and a menorah at its centre. This poster appeared on the cover of the famous book Jewish Art and Civilization, edited by Geoffrey Wigoder as well as the record Voices of 20 Years, 1948-1968, edited by Yossi Godard. In April 1971 he won first prize in the Independence Day poster competition for the fourth time. Kopel's Folk Art tapestry won the Israeli Independence Day Poster Contest in 1968 With the completion of his studies at Bezalel Kopel moved to Tel Aviv and was hired by Shmuel Grundman's graphics and design studio. Grundman took him to Europe with him to design and supervise the construction of Israeli exhibition pavilions. During his time at Grundman's he discovered the fibrous felt from which he produced most of his wall hangings. At the 1964 Levant Fair exhibition he used felt stuck onto wooden panels for the first time. The first felt wall hanging that Kopel produced was intended for the American Cultural Centre in Jerusalem and its theme was the United States Declaration of Independence. The wall hanging, which measured 2.85 X 1.85 meters, was stuck on a wooden panel. Kopel ordered rolls of felt from France and began work on wall hangings based on bible stories. He used a needle, hand sewing small even stitches with black embroidery thread which framed and highlighted every detail in the work, as well as using appliqué. The interior designer, Alufa Koljer-Elem, introduced him to Ruth Dayan who managed the shop Maskit in September 1967 he opened his first solo exhibition at the Maskit 6 gallery, in which 12 wall hangings were displayed. In light of the exhibition at Maskit 6, Meira Gera, the director of artistic activity at the America-Israel Cultural Foundation, organized an additional exhibition of his works at the foundation's exhibition hall in New York City. The exhibition sparked immense press interest, and was also displayed for a few months at the New York Jewish Museum, from where it travelled throughout the United States. Followed by the exhibition at the Delson-Richter gallery in Old Jaffa, which was later also exhibited at the Jerusalem Theatre. Kopel's tapestry "The Time for Singing has Arrived" was printed on a UNICEF greeting card in 1978 and again in 1981. The Israeli Philatelic Service issued three stamps based on three of Kopel's holy ark curtains and one stamp based on an Independence Day poster he designed. Kopel's creations decorate a large number of synagogues, public buildings, hotels and private collections which were purchased in Israel and around the world. They have decorated, among others, the walls of the King David...

Pedestal mount. No wall mount available. Goldfish orange metallic finish. 24"x19"x11". keywords; sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials...

"Chanel Pill Can (Mickey Double White Stitch) red and black" acrylic and silkscreen with diamond dust and stitching mixed media artwork on canvas by artist...

I think this one is the Chinese Premier on one side and fingerprints on the outside of the other side. wrapped in plastic. Tom Carapic (born 1939), full name Tomislav Sava Čarapić, is an artist who specialises in found object artwork. He also does street art. A prominent Outsider Artist he was a featured artist in the American Visionary Art Museum's End is Near Exhibit. His work was also featured in the exhibition catalog. His work has been sold at Slotin Folk Art. Carapic was born in Velisevac, Serbia (then Kingdom of Yugoslavia). He was educated at a military school in Herzegovina in the 1950s, and served as a sergeant in the Yugoslav People's Army. Afterwards he was denied a college education, possibly because he was not a member of the Communist Party, illegally crossed into Italy in 1961, and, from there, emigrated to the United States. In 1965, he began attending classes at the New York Art Students League, but dropped out soon afterwards, eventually attending the Wilfred Academy of Beauty Culture. He was unable, however, to find steady beauty parlor employment, and worked in menial labor while attending classes in Spanish Education at Manhattan Community College. Due to a problem with accreditation, he was forced to switch to classes in the field of studio art. There he experienced hallucinatory visions that explained his repeated failures to obtain a degree. In the late 1970s, Carapic began experiencing more hallucinatory visions; claiming that his degree problems were caused when "the evil marriage bureau massed the troops" against his college and proceeded with "an Air force bombardment" of the school. After receiving other visitations, he began making and showing his art. Most of his art is centered on found objects, most famously computer keyboards, especially those by IBM. Most of his art consists of these objects, marked with black Sharpie markers, and with green thumbprints and handprints along the objects. His most famous exhibit in New York City is "Big Bang Theory," a doomsday warnings painted on computer keyboards and shoes and construction debris. Bears similarity to the Art Brut movement made famous by Jean Dubuffet. He was inluded in The End is Near! an exhibit which included an unprecedented group of noted thinkers, from His Holiness the Dalai Lama and Stephen Jay Gould to Reverend Howard Finster and Apocalypse culture expert ,Adam Parfrey, visionary artists brought together by curator, Roger Manley, for an amazing exhibition at the American Visionary Art Museum, the world’s largest ever mounted on the subjects of Apocalypse, Millennium, and Utopia. The End is Near! featuredwork from the following visionary artists amongst others: William Adkins Z.B. Armstrong Bill Bruley Frank Bruno Harry Leroy Brunson Tom Carapic Pierre Carbonel Howard Finster Tim Fowler Mary Mac Franklin Victor Joseph Gatto Robert Gie Patrick Gimel Hugo Hempel Oskar Herzberg Vojislav Jakic Norbert Kox Charles Keeling Lassiter...

ELAINE LUSTIG COHEN (b. 1927) is an artist, dealer, and designer. She founded the gallery Ex Libris with her husband, publisher and author Arthur Cohen. Cohen’s recent work concentrates on collage using found photographs and ephemera. Elaine Lustig Cohen is the pioneering female graphic designer who incorporated the aesthetic vocabulary of European modernism into American graphic design, during the 1950s and 1960s. After training as a painter, she developed her design skills working with Alvin Lustig (whom she married in 1948). Following Lustig's premature death in 1955, she took control of the studio and between 1955 and 1961 produced a distinctive series of covers for publishing houses Meridan Books and New Directions. With their strong concepts, abstract forms and typographic invention, they represented a break from the prevailing tradition of pictorial illustration in book-jacket design. Her ability to summarize the content of text in the cover design was further aided when, working for architects including Eero Saarinen and Philip Johnson she produced signage schemes intended to express a building's character. She designed many posters and catalogues for New York-based arts organizations, including the American Center for the Arts, the Lincoln Center, the Whitney Museum of American Art and the Jewish Museum. She married Arthur A. Cohen, publisher of Meridian Books; in 1973, they established Ex Libris, New York, a bookshop and gallery specializing in rare volumes of the European avant-garde. In 1995 her contribution to graphic design was acknowledge by an exhibition at the Cooper Hewitt, National Design Museum, New York." (Livingston, 2003, 51). She continues to paint and create dynamic graphic collage-based work and is represented by Julie Saul Gallery, New York. Elaine Lustig Cohen donated her collection to RIT in 2008. Lustig Cohen, the subject of a joint retrospective in 2007 at Julie Saul Gallery and Pavel Zoubok Gallery, has exhibited widely since the 1970s. Her work is found in the collections of the Whitney Museum, Los Angeles County Museum of Art, and Boston Museum of Fine Arts, among many others. A retrospective of her graphic designs was held at the Cooper-Hewitt in 1995. Ex Libris, which she ran together with her husband Arthur Cohen, was highly regarded for its exhibitions of 20th century avant garde books and ephemera...

In LIVE FOREVER, the all-new series of acrylic and oil pastel on pigment print, Hunter & Gatti engage with the discursive and artistic discoveries of two major pillars of contemporar...

In LIVE FOREVER, the all-new series of acrylic and oil pastel on pigment print, Hunter & Gatti engage with the discursive and artistic discoveries of two major pillars of contemporar...

In LIVE FOREVER, the all-new series of acrylic and oil pastel on pigment print, Hunter & Gatti engage with the discursive and artistic discoveries of two major pillars of contemporar...

In LIVE FOREVER, the all-new series of acrylic and oil pastel on pigment print, Hunter & Gatti engage with the discursive and artistic discoveries of two major pillars of contemporar...

Crescendo Gray Abstract Mixed media on canvas acrylic, silver paste, marker, collage. Malgosia Kiernozycka was born in Wroclaw, Poland. She graduated high school at the School of Fine Arts and received a scholarship from the Minister of Culture and Art for the University of Fine Arts in Wroclaw. She studied glass design under Prof Witkowski and painting under Prof Wanda Golkowska. She received her master’s degree along with an award. In 1986 she moved to Germany and studied screen design at the Multimedia Academy in Mainz, and worked as guest speaker at the Academy of Fine Arts in Wiesbaden. In 1989 she participated in an art exhibition for the best Diploma works in Munich, Germany, and was invited to present her pieces at an exhibition in Osaka, Japan, due to her outstanding work. In 1990 she was a laureate at OB ART...

Mixed media (acrylics and ink)contemporary vibrant floral painting on a gallery wrap canvas. Color and line work offer a subtle nod to Matisse playful use of color and shape. Varnish...

Series titled "Nothing Stays Still", where they keep questioning the fashion photography industry by creating a new visual identity of their images moving them away from their origin...

Third Eye Chakra #6 Mixed Media on archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He ...

Celebrates Darine Stern's (first African American women to pose on the cover of Playboy magazine) originality, drive and ambition to follow her passion even though the general public...

EMANUEL SCHARY Israel, b. 1924, d. 1994 A lively affection for humanity characterizes the work of the Israeli-American artist Emanuel Schary (1924-1994). Working in a range of media,...

Genre: Avant-Garde Subject: Abstract Medium: Mixed Media, Collage Surface: Paper Country: United States Dimensions: 14" x 19" Dimensions w/Frame: 19.25" x 25.5" About Nama: In his s...

Titled: Pop (Samuel Rothbort) in our living room. Bears estate stamp of his father, famed American folk artist Samuel Rothbort. one of only about 10 in total large scale mosaics that...

This one of a kind art piece is textured with slate and marble powder. It has natural oxidation, Mars red pigment, pigment from Lares Peru. It is truly beautiful and intriguing.

A contemporary mixed media painting on cloth, plaster and board created by listed Texas artist Jacques Lamy (French/American, 1946 – 2016). The piece uses a combination of woven and printed cloth, plaster, burlap, textured board and paint to depict a rural farm landscape under blue skies. The work is signed by hand to the lower right. Born in Paris in 1946 and raised in the heart of an idyllic French countryside near the Loire Valley, Jacques Lamy began painting at a very early age. Jacques completed his formal artistic training at the prestigious Ecole Nationale Superieur des Arts Decoratifs (Paris) in 1971. While there, he received the highest peer recognition in European Arts; the coveted Prix de Rome award for painting. Jacques Lamy’s career as an artist, designer and art teacher took him from his native France to life abroad in Spain, Africa, and the United States. His broad artistic interests and his classic training in art and design have enabled him to enjoy a wide variety of artistic experiences from designing furniture, lamps, tapestries, and elegant garden statuary to creating large scale murals for public viewing and enjoyment. in addition to his renowned mural work, Jacques received international recognition for his decorative fresco paintings. Jacques personal artistic style is very much a melding of old and new – a merging of a classically trained artist with a modern artistic vision. The medium is multi-media and the composition has a modern, abstract quality but the Old World training in design and composition lends the whole an air of classical grace. Examples can be seen in his studio-gallery in Dallas, Texas. ​Art Education Ecole National Superieure des Arts Decoratifs – Paris Art Teaching Casa de Velasquez – Madrid, Spain. National Institute of Art, Dakar, Senegal. Has taught art in France, Spain, and Africa Art Awards Prix de Rome de Peinture – Casa de Velasquez - 1971 Silver Medal for Industrial Creation - 1981 ​Museums Musee D'Art Roger Quillot, Clermont-Ferrand, France Jesuit Art Museum – Dallas, TX Exhibits 2012-current Represented by Wall Gallery – Dallas, TX, USA 2004 Jesuit Art Museum – Dallas, TX, USA ​ 2001-current Galerie Fine Art – Nantes, France 2000 City Hall, Chamalieres – France 1998 Ivanffy – Uhler Gallery – Dallas, TX 1994-1996 Jacques Lamy Fine Art Gallery 1995 Neiman Marcus- Dallas and Atlanta 1981-1984 Gallery Frederic Mechiche...

Sacrifice Of The Rose 2015 Mixed Media on archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and in...

This hand-painted ceramic tile is a unique work of art infused with Saraiva's signature style. Type: Hand-painted ceramic tile Dimensions: 14 × 14 × 01 cm Year: 2018 Edition: Limited edition of 100 + 10 Artist Proofs (AP) Signed and numbered by the artist Andre Saraiva...

American Artist 1922 – 2012 Served his country as a Sergeant in World War II, both stateside and in the Philippines. After the war, native Chicagoan Ronald Ahlström graduated from the School of the Art Institute, He became a prominent Abstract Expressionist collage assemblage maker working in a style similar to some of the New York school assemblage artists such as Robert Goodnough. Utilizing cutout letters in a concrete poetry style. He frequently exhibited his collages and paintings in the Chicago and Vicinity exhibits of the 1950s and 1960s. He worked as the curator of the Tacoma Art Museum in Tacoma WA during the early 1960s. He showed at Exhibition Momentum in the ’60s, and was selected for the Corcoran Biennial. Together with his colleagues and fellow-abstractionists Robert Nickle, Morris Barazani, Harry Bouras, George Kokines, and George Waite, he exhibited at McCormick Place in an independently produced survey of contemporary Chicagoans, circa 1962, under the banner 12 Chicago Artists. An adept and sensitive painter, Ahlström’s most personal work is as an abstract expressionist collage maker. Using strips of paper, sometimes weathered and beaten into rough hewn surfaces, he creates immaculately layered, lively, gestural compositions. He was the recipient of many art awards and prizes throughout his long career. His works are part of numerous private, corporate and museum collections. His work was published in many national and international art publications including Who's Who in America and Who's Who in American Art. he taught art at both high school and college level. His other passions included history, literature and music. He was an accomplished base fiddle and guitar player and often played professionally in clubs during the late 1940s and 1950s. In 1958, he was awarded the William H. Bartels Prize of five hundred dollars at the Art Institute of Chicago. Education: Art Institute of Chicago University of Chicago DePaul University Exhibitions: Art Institute of Chicago Annuals, Corcoran Biennial in Washington DC, 12 Chicago Artists 50 Chicago Artists European Exhibit at the US Information Agency Collage and Construction, Hyde Park Art Center, Chicago Tacoma Art Museum, Washington Henry Gallery, University of Washington, Seattle 50th Northwestern Annual, Seattle Art Museum, Chicago Invitational, University of Illinois One Man Exhibits: Rockford College, Rockford Il. Barat College, Lake Forest Il. Rodger Wilson Gallery, Chicago, Il. Touchstone Gallery, New York, NY. Joseph Faulkner, Main Street Galleries, Chicago, Il. Zriny Galleries, Chicago Il. Awards: Clyde Carr Prize, Art Institute of Chicago William H. Bartels Prize, Art Institute of Chicago James Broadus Clark Prize, Art Institute of Chicago Alumni of Art Institute Prize Singer and Sons Prize, Navy Pier, Chicago Abel Fagan Prize, Festival of Fine Arts, Lake Forest, Il. Ford Foundation Purchase Prize, Seattle, Wa. Collections: Art Institute of Chicago Barat College Tacoma Art Museum, Wa. Phibrook Art Center, Tulsa, Ok. Blue-Cross Collection, Chicago, Il. Atlantic Richfield Collection Illinois Bell Telephone Collection Container Corporation of...

Title: Guide 32 color screenprint on 100% rag handmade, shaped deckle edged paper. with applied glitter. hand signed in pencil, stamped and numbered from edition of 33. Sandy Kinnee...

Delve into the captivating world of contemporary art with "Roby Dwi Antono: Epos," a visually stunning and thought-provoking exploration of the artist's profound and evocative creati...

Larger than mid sized. Purple Metallic Pedestal mount keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled,...

Together Apart is a collaboration between artist Andy Rementer (USA) and Case Studyo (Belgium). This colorful and playful handwoven kilim rug is produced in an edition of 50. The rug...

The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The gla...

The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and origin...

Series titled "BLUE", where they keep questioning the fashion photography industry by creating a new visual identity of their images moving them away from their origin, as a vehicle ...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

Marty Greenbaum (1934-2020) ''Brooklyn Local in Wisconsin'' Lithograph, with hand-coloring, blind stitching, stitching, burning, tape collage and paint with Jewish, Hasidic, Sleepy Moishy character. Marty Greenbaum (1934-2020) was an American painter, mixed media assemblage and book artist. Greenbaum is best known for his mixed media assemblage, painting and artist books. Greenbaum appeared in three films: Hallelujah the Hills in 1963 by Adolfas Mekas, Life Dances On, in 1980 by Robert Frank, and The Present in 1996 by Robert Frank. Between 1962 and 1965 he took part in happenings by Allan Kaprow and experimental dance by Yvonne Rainer. Greenbaum authored his own happenings, i.e. Coney Island Carny, including artists such as Eddie Barton, Remy Charlip, Paul Kaplow, Paul Krasner, Al Hanson, Ed Blair, Allen Ginsberg, John Hammond, Eddie Rabkin, Lou Gossett, Renee Renee, Allan Kaprow, Phyllis Yampolsky, Thomas Hoving, Jackie Ferrara, Peter Schumann, Jim Bell, Bill Marshall, Corla Lopez, Bruce Waite, and Mark di Suvero, as well as organizing the Hall of Issues with Phyllis Yampolsky at The Judson Memorial Church. Greenbaum had several teaching positions in the New York City public school system and was a member of the Creative Artists Public Service program twice, he also participated in various exhibitions with book objects. His work is in several public collections including The Art Institute of Chicago, Artists' Books, The Brooklyn Museum Collection, The Chrysler Museum, Norfolk, VA, Citibank, NYC, Colgate University, Hamilton, NY, Jacksonville Art Museum, Jacksonville, FL, Madison Art Center, Madison, WI, SUNY at New Paltz, NY and more. Books as Objects "Greenbaum, an early conceptualist, burned books in the 1960s, exhibiting the remains as 'corpses.' Today, he makes fetishistic notebooks filled with colored paper and scribbled equations, accretions of feathers and Rhoplex." "Marty Greenbaum and Barton Lidice Benes destroy texts to create sculpture: Benes 'Bound Book,' a literal rope and wax imprisonment, and Greenbaum's 'Cutting Up,' a mixed media paste over of muted colors." Some of his most notable artist books include: "Batman" 1963-67, "In '84 Returned in 2004". Two stories about Marty from James Pernotto: we met at William Weege print shop in 1974 when he drove out from NYC with Alan Shields and Paco Grande and I was a lithography printer hired to work with them. Alan recalled on the trip out that Marty was working on his altered books and putting airplane glue on the pages and lighting it with a match. Enough said. I printed for Marty. Solo exhibitions 2007 Two Artists, Windsor Whip Works, Windsor NY 2001 Pacifico Fine Art, NYC 1972, 1979, 1985 Allan Stone Gallery, NYC 1977 Picker Art Gallery, Colgate University, Hamilton NY 1963, 1964, 1965 Stryke Gallery, NYC Group and Traveling exhibitions 2019 One Plus One Equals Three, curated by Roger Winter, Kirk Hopper Fine Art, Dallas, TX Collage and assemblage by Romare Bearden, Roy Fridge, Marty Greenbaum, David McManaway, Robin Ragin, Nancy Willis Smith, and Roger Winter. 2017 Sorcery & Craft, Allan Stone Projects, New York, NY 2008 8 Artists 8 Books, 5 + 5 Gallery, Brooklyn, NY 1999 Talent, Allan Stone Gallery, New York, NY 1998 Artist Books, Bound & Unbound Gallery, New York, NY 1992 Fetishism, Allan Stone Gallery, New York, NY Salon of the Book, Caroline Corre, Paris, France; Artists; Books, Centre Georges Pompidou, Paris, France 1979 "Book Makers: Center for Book Arts First Five Years", Arthur A. Houghton, Jr. Gallery, The Cooper Union, NYC 1978 The Detective Show MoMA, PS1, Queens, NY (with Richard Artschwager and Gordon Matta Clark...

Color lithograph with color paper collage, 1987. Pencil signed lower right and dated, and numbered lower left 5/24. Litho depicts a poem titled "Ariadne" by T. Weiss. Published by ...

Mixed media monotype or monoprint works with hand painting, chine colle, applied glitter. From Cheryl Pelavin Editions NYC. Helen Oji (American, born 1950) Born in Sacremento, CA. Helen Oji was highlighted in the early 1980s New York City art scene as an artist with a distinctive vision. She has exhibited her paintings, works on paper and prints including mixed media monotype or monoprint works with hand painting, chine colle, applied glitter etc. in numerous exhibitions in New York, nationally and Europe. In addition to her artwork, she collaborated with a range of performers/writers in creating set designs that were presented in New York City, London, and across the US. and in various corporate and private collections. Awards and honors include: Creative Artists Public Service Program, Ariana Foundation for the Arts, Inc. Mixed Media Grant , The Jane Voorhees...

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by...

Title: Non Scientific Time 32 color screenprint on 100% rag handmade, shaped deckle edged paper. hand signed in pencil, stamped and numbered. Sandy Kinnee is known for paper making...