Florida - Mixed Media

Hunter & Gatti wanted to pay tribute to the neo-expressionist Jane-Michel Basquiat's legacy by merging the celebrity portraits they had made in the past for fashion editorials and ca...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

The artistic duo was inspired by Jean-Michel Basquiat's neo-expressionist paintings. Their idea was to create a series of original hybrids that explore the limits of popular culture....

Dean Nimmer (American, b. 1935). "Untitled". 1995. Multi-media on paper. Hand signed, dated, Verso. Image: 17" x 10". Framed: 26" x 22". Dean Nimmer has exhibited his art in over 2...

The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The gla...

The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and origin...

Close Before Striking I, One of Kind Mixed Media on %100 Cotton Paper, 2014 Image size: 20 in. H x 16 in. W Frame size: 24 in. H x 20 in. W x 1 in. D Collage, watercolor, and graphit...

Galaxy Brain by Leobardo Huerta Mounted Mixed-media Vintage photograph drawn on with pen and acrylic paint Image size: 13.75 in. H x 10.75 in. W Shee...

These works are part of the MY WAY project, a trip with the actress Adria Arjona to Tokyo and Thailand, these paintings recover the essence of a series of traditional ceremonies live...

Series titled "Nothing Stays Still", where they keep questioning the fashion photography industry by creating a new visual identity of their images moving them away from their origin...

18 x 24 Framed Canvas Stencil and Spray paint on Canvas Rare portrait piece from the beginning of BD White's career as an artist

Natasha Zupan beautifully unites the old and new, combining the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work expl...

The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and origin...

Natasha Zupan beautifully unites the old and new, combining the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work expl...

Henry Mandell was born in New York City where he continues to live and work. He also maintains a studio is in the Pacific Northwest, with production facilities in New York City. Trai...

Desmond Mclean (1929-2015). Untitled, ca. 1960 Mixed media on paper. Sheet measuring 11 x 14 inches. Taped at corners to backing backing board measuring 17.5 x 21.5 inches. Unfr...

Close Before Striking VI, 2014 Image size: 20 in. H x 16 in. W Frame size: 24 in. H x 20 in. W x 1 in. D Collage, watercolor, and graphite Mounted on a white frame. _________________________________ Roberto Fonfría lives and works in Miami, Fl He was born in Caracas, Venezuela in 1969 Roberto Fonfría creates stories through a random mix of found images, photographs, drawings, and words. He combines these elements and builds layers and textures using acrylics, common objects, and collage. His work explores human behavior and social rules with a critic eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Natasha Zupan beautifully unites the old and new, combining the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work expl...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Natasha Zupan beautifully unites the old and new, combining the innovation of her highly crafted technique with her wonder for tradition and the great Masters. This body of work expl...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Mantras by Leobardo Huerta Mixed-media Vintage photograph drawn on with pen and acrylic paint. Sheet size: 15.75 in. H x 15 in. W Image size: 14 in. ...

The “visible” spectrum, is probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelengths between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

Soñar Que Tiene Las Manos Muy Grandes, 2014 Found images transferred to acetate film, collage, acrylics, and graphite. Mixed Media on %100 Cotton Paper Imag...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

The “visible” spectrum, is probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelengths between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

The “visible” spectrum, is probably the most well-known of human sensory limitations, as the human #eye is only capable of perceiving light at wavelengths between 390 and 750 nanometers. Of course, calling it the “visible” spectrum is a bit of a misnomer, as plenty of animals are capable of perceiving light with frequencies outside this relatively narrow band of electromagnetic radiation. Using infrared black and white...

These works are part of the MY WAY project, a trip with the actress Adria Arjona to Tokyo and Thailand, these paintings recover the essence of a series of traditional ceremonies live...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies and transformation. Colleges allow emotions to converge with the material, the juxtaposition of the past and present in an atmosphere of no time. She seeks baroque minimalism. The work is informed by romance, desire, disillusion, torment, ecstasy, dream, and myth. Her best works are erotic displays of mental confusion, particularly concerning relationships. She usually works in series to emphasize repetition and obsession Combining Renaissance ideals and concepts with images taken from contemporary media, Natasha Zupan beautifully unites the old and the new in her collage work. Natasha combines the innovation of her elaborate technique with her charm for tradition and the inspiration of the great Masters. Her clear, bright brushstrokes and her play of light and shadow are both rhythmic and youthful. The female figures in her paintings have an undeniable Renaissance character at the time, but they are reborn in our understanding of contemporary aesthetics. Their classic faces become modern nymphs when combined with symbols of nature and beauty. Each figurative work harbors a unique and intricate personality. Powerfully expressive, they are at once pure, sensual, innocent and seductive. From the Series Eternal Recurrence Original photo...

Arturo Souto Feijoo (1901-1964) City Walls w/ Figures Original Mixed Media c.1950 Original pastel, watercolor and charcoal on paper. Housed in a simple f...

His & Hers, by Roberto Fonfría Acrylic, graphite, oil pastel, transfers on wood Image size: 47.6 in. H x 48 in. W Frame size: 48.6 in. H x 49 in. W x 1 in. D Mixed Media ___________...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Untitled, 2020 Mix media Image size: 24 in. H x 17.91 in. W Collage, image transfer on acetate film, nylon cables ties, oil pastel Wood panel One of a Kind _________________________...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Genre: Contemporary Subject: Abstract Medium: Mixed Media, Collage Surface: Paper Country: Spain Dimensions: 14" x 11" Dimensions w/Frame: 15" x 12" Alejandra Icaza Born in Bilbao, Spain in 1966. Lives and works in Madrid. Icaza studied at Saint Martins College in London (1985) and at The New York Studio School of Drawing, Painting and Sculpture in New York...

Barco Violeta II, by Sergio Bazan Mix media on Canvas Image Size: 50 H x 50 W cm Unframed Signed by artist _______ Sergio Bazan was born in Buenos Aires in 1962. He was artistical...

Diptych Barcos Violeta II & III, by Sergio Bazan Mix media on Canvas Image Size: 50 H x 100 W cm Unframed Signed by artist _______ Paintings- Mix media & works on paper. Sergi...

Natasha Zupan's body of work, 'Homage to Horst P. Horst', explores the manipulation of surface texture, light, and the interweaving of time. She has incorporated found images in book...

May Wilson (1905–1986) was an American artist and figure in the 1960s New York City avant-garde art world. A pioneer of the feminist and mail art movement, she is best known for her Surrealist junk assemblages and her "Ridiculous Portrait" photo collages. Wilson was born in Baltimore, Maryland, into an underprivileged family. Her father died when she was young. She was reared by her Irish Catholic mother, who sewed piecework at home. Wilson left school after the ninth grade to become a stenographer/secretary to help support her family. When she turned 20, she married a young lawyer, William S. Wilson, Jr., and give birth to her first child. She continued to work until the birth of her second child, after which she devoted her energies primarily to mothering and homemaking. In 1942, the couple had prospered enough to move to Towson, Maryland, where she began to take correspondence courses in art and art history from several schools, including the University of Chicago. In 1948, after the marriage of their daughter, the couple moved to a gentleman's farm north of Towson, where she pursued painting and gave private art lessons to neighbors. She exhibited her paintings, scenes of everyday life painted in a flat, purposefully primitive manner in local galleries and restaurants. In 1952 and 1958, she won awards for work submitted to juried exhibitions at the Baltimore Museum of Art. In 1956, her son, the writer Williams S. Wilson, gave to Ray Johnson, the founder of the New York Correspondence School, his mother's address. This began a friendship and artistic collaboration between Johnson and Wilson, which would last the remainder of her life. Wilson became an integral part of Johnson's mail art circle and was initiated into the New York avant-garde through letters and small works that she exchanged with Robert Watts, George Brecht, Ad Reinhardt, Leonard Cohen, Arman, and many others. When her marriage dissolved, she moved to New York City in the spring of 1966, aged 61, taking up residence first in the Chelsea Hotel and then in a studio next door, where she threw legendary soirées and became known as the "Grandma Moses of the Underground". By the time she arrived, Wilson was already working with photomontage collage techniques. Encouraged by Johnson, who had sent her magazines through the mail, she scissored patterns into images of pin-up girls and muscle men until they resembled doilies or snowflakes, as Wilson called them. She decorated her hotel room and later her studio on West 23rd Street with these and other manipulated, found object images. Around this time, she also began her series of neo Dada "Ridiculous Portraits", for which she would ride the subway to Times Square, where she made exaggerated faces in photo booths. She then would cut and paste her photo-booth face onto postcards, along with Old Master reproductions, fashion shoots, and softcore Playboy magazine pornography. Long before artists such as Cindy Sherman and Yasumasa Morimura embarked on similar critical projects, Wilson's "Ridiculous Portraits" sent up the ubiquitous sexism and ageism that exists in popular and fine-art images of women. At the age of 70, she converted a nude photograph of herself into a stamp that she pasted on envelopes. Her collages and humorous self-portraits were made as gifts and mail-art items for her friends and were not widely known until after her death. Her work was contemporaneous with the Arte Povera artists Jannis Kounellis and ‎Michelangelo Pistoletto. She was also an innovator of junk art assemblages that incorporated real objects, such as high-heel shoes, bed sheets, sauce pans, toasters, liquor bottles, ice trays, and wrapped baby dolls. Her sculptures were inspired by Surrealist and Dada practices and are similar in spirit to Yayoi Kusama's contemporary accumulations. Wilson was the subject of a 1969 experimental documentary by Amalie R. Rothschild, "Woo Hoo? May Wilson". Since her death, May Wilson's work has been featured in numerous exhibitions and retrospectives at the Baltimore Museum of Art, Maryland; Gracie Mansion Gallery, New York; the Morris Museum, Morristown, N.J.; the Pavel Zoubok Gallery, New York City; and The University of the Arts, Philadelphia. Selected Exhibitions 2010 "Seductive Subversion: Women Pop Artists, 1958-1968", University of the Arts, Philadelphia (traveling exhibition) 2008 "1968/2008: The Culture of Collage", Pavel Zoubok Gallery, New York, City 2008 "Ridiculous Portrait: The Art of May Wilson", Morris Museum, Morristown, New Jersey 2008 "Woo Who? May Wilson", Pavel Zoubok Gallery, New York City 1995 [Retrospective], The Baltimore Museum of Art, Maryland 2001 "May Wilson: Ridiculous Portraits and Snowflakes", Gracie Mansion Gallery, New York, City 2001 "Inside Out: Outside In-The Correspondence of Ray Johnson and May Wilson", Sonoma Museum of Visual Art, California 1991 "May Wilson: The New York Years", Gracie Mansion Gallery, New York City 1973 "Sneakers", Kornblee Gallery, New York City 1973 "Small Works: Selections from the Richard Brown Baker Collection of Contemporary Art", RISD Museum, Providence, Rhode Island 1971 Corcoran Gallery of Art, Washington, D.C. 1970 "Sculpture Annual 1970", Whitney Museum of American Art, New York City 1965 The Baltimore Museum of Art, Baltimore, Maryland 1962 The Johns Hopkins University, Baltimore, Maryland 1957 Bookshop Gallery, Baltimore, Maryland Public collections Whitney Museum of American Art (New York City) The Baltimore Museum of Art (Baltimore, Maryland) Brooklyn Museum (Brooklyn, New York) References William S. Wilson, "May Wilson: Constructing Woman (1905-1986)", in Ann Aptaker, ed., Ridiculous Portrait: The Art of May Wilson, ed. Ann Aptaker, Morristown, N.J.: Morris Museum, Camhi, Leslie, "Late Bloomer", Village Voice, December 18, 2001 Giles, Gretchen, "Cosmic Litterers: Artists Ray Johnson and May Wilson: Taking the Cake", "Northern California Bohemian," June 14–20, 2001 McCarthy, Gerard, "May Wilson: Homespun Rebel", Art in America, vol. 96, no. 8, September 2008, pp. 142–47 Sachs, Sid and Kalliopi Minioudaki, Seductive Subversion: Women Pop Artists, 1958-1968. Philadelphia: The University of the Arts, 2010, ISBN 978-0789210654 Wilson, William S. Art is a Jealous Lover: May Wilson: 1905-1986, andy warhol...

Untitled III, 2017 by Ana Seggiaro From the series "Durero" Embroidery on printed cloth 120 cm H x 100 cm W Unframed Ana Seggiaro's training as an engraver awakens her fascination f...

Hunter & Gatti wanted to pay tribute to the neo-expressionist Jane-Michel Basquiat's legacy by merging the celebrity portraits they had made in the past for fashion editorials and ca...

Close Before Striking IX, 2014 Image size: 20 in. H x 16 in. W Frame size: 24 in. H x 20 in. W x 1 in. D Collage, watercolor, and graphite Mounted on a white frame. _________________________________ Roberto Fonfría lives and works in Miami, Fl He was born in Caracas, Venezuela in 1969 Roberto Fonfría creates stories through a random mix of found images, photographs, drawings, and words. He combines these elements and builds layers and textures using acrylics, common objects, and collage. His work explores human behavior and social rules with a critic eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

Untitled by Kelly Breez Size: 15.75 in. H x 13.25 in. W x 2 in. D Acrylic on wood 2016 ______________ Kelly Breez – (b. 1985, Lake Worth, FL) Graduate ...

Close Before Striking III, 2014 Image size: 20 in. H x 16 in. W Frame size: 24 in. H x 20 in. W x 1 in. D Collage, watercolor, and graphite Mounted on a white frame. ________________...

The Beach Ball 2025 Mixed Media on linen canvas, collage, acrylic paint. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of w...

Close Before Striking X, 2014 Image size: 20 in. H x 16 in. W Frame size: 24 in. H x 20 in. W x 1 in. D Collage, watercolor, and graphite Mounted on a white frame. _________________________________ Roberto Fonfría lives and works in Miami, Fl He was born in Caracas, Venezuela in 1969 Roberto Fonfría creates stories through a random mix of found images, photographs, drawings, and words. He combines these elements and builds layers and textures using acrylics, common objects, and collage. His work explores human behavior and social rules with a critic eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

Close Before Striking II, 2014 Image size: 20 in. H x 16 in. W Frame size: 24 in. H x 20 in. W x 1 in. D Collage, watercolor, and graphite Mounted on a white frame. _________________________________ Roberto Fonfría lives and works in Miami, Fl He was born in Caracas, Venezuela in 1969 Roberto Fonfría creates stories through a random mix of found images, photographs, drawings, and words. He combines these elements and builds layers and textures using acrylics, common objects, and collage. His work explores human behavior and social rules with a critic eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

In LIVE FOREVER, the all-new series of acrylic and oil pastel on pigment print, Hunter & Gatti engage with the discursive and artistic discoveries of two major pillars of contemporar...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

Traces of lived experiences appear in On Hansen's works, exploring the possibilities of formal abstraction and seeking an organic experience between space an...

Rita Boley Bolaffio (née Luzzatto; Trieste, Italy, 7 June 1898 - New York City, United States, 20 May 1995. Surrealist Rooftops. Collage on fabric, measures 19 x 34 inches framed. Ar...

A Better Life or Your Money Back, 2014 Found images transferred to acetate film, collage, acrylics, and graphite. Mixed Media on %100 Cotton Paper Image size: 15 in. H x 11 in. W ...

San Francisco shoes, 2013 Image size: 47.6 in. H x 48 in. W Acrylic, graphite, oil pastel, and paper & transferred on tempered wood pegboard Mix Media ______________________________...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda; Quisqueya Henriquez...

In LIVE FOREVER, the all-new series of acrylic and oil pastel on pigment print, Hunter & Gatti engage with the discursive and artistic discoveries of two major pillars of contemporar...

this is a bright vibrant abstract wall hanging tapestry by Calman Shemi. I believe the material is wool with a linen backing but i am not positive. it can also be used as a floor rug...

Soñar Con Pistola, 2014 Mixed Media on %100 Cotton Paper Frame size: 21 in. H x 28 in. W Image size: 18 in. H x 24 in. W Found images transferred to acetate film, collage, acrylics, ...

Faded Polaroids, 2017 Mixed Media on 100% Cotton Paper Image size: 30 in. H x 22 in. W Frame size: 34 in. H x 26 in. W x 1 in. D Found images transferred to acetate film, collage, a...