Florida - Mixed Media

American Artist 1922 – 2012 Served his country as a Sergeant in World War II, both stateside and in the Philippines. After the war, native Chicagoan Ronald Ahlström graduated from the School of the Art Institute, He became a prominent Abstract Expressionist collage assemblage maker working in a style similar to some of the New York school assemblage artists such as Robert Goodnough. Utilizing cutout letters in a concrete poetry style. He frequently exhibited his collages and paintings in the Chicago and Vicinity exhibits of the 1950s and 1960s. He worked as the curator of the Tacoma Art Museum in Tacoma WA during the early 1960s. He showed at Exhibition Momentum in the ’60s, and was selected for the Corcoran Biennial. Together with his colleagues and fellow-abstractionists Robert Nickle, Morris Barazani, Harry Bouras, George Kokines, and George Waite, he exhibited at McCormick Place in an independently produced survey of contemporary Chicagoans, circa 1962, under the banner 12 Chicago Artists. An adept and sensitive painter, Ahlström’s most personal work is as an abstract expressionist collage maker. Using strips of paper, sometimes weathered and beaten into rough hewn surfaces, he creates immaculately layered, lively, gestural compositions. He was the recipient of many art awards and prizes throughout his long career. His works are part of numerous private, corporate and museum collections. His work was published in many national and international art publications including Who's Who in America and Who's Who in American Art. he taught art at both high school and college level. His other passions included history, literature and music. He was an accomplished base fiddle and guitar player and often played professionally in clubs during the late 1940s and 1950s. In 1958, he was awarded the William H. Bartels Prize of five hundred dollars at the Art Institute of Chicago. Education: Art Institute of Chicago University of Chicago DePaul University Exhibitions: Art Institute of Chicago Annuals, Corcoran Biennial in Washington DC, 12 Chicago Artists 50 Chicago Artists European Exhibit at the US Information Agency Collage and Construction, Hyde Park Art Center, Chicago Tacoma Art Museum, Washington Henry Gallery, University of Washington, Seattle 50th Northwestern Annual, Seattle Art Museum, Chicago Invitational, University of Illinois One Man Exhibits: Rockford College, Rockford Il. Barat College, Lake Forest Il. Rodger Wilson Gallery, Chicago, Il. Touchstone Gallery, New York, NY. Joseph Faulkner, Main Street Galleries, Chicago, Il. Zriny Galleries, Chicago Il. Awards: Clyde Carr Prize, Art Institute of Chicago William H. Bartels Prize, Art Institute of Chicago James Broadus Clark Prize, Art Institute of Chicago Alumni of Art Institute Prize Singer and Sons Prize, Navy Pier, Chicago Abel Fagan Prize, Festival of Fine Arts, Lake Forest, Il. Ford Foundation Purchase Prize, Seattle, Wa. Collections: Art Institute of Chicago Barat College Tacoma Art Museum, Wa. Phibrook Art Center, Tulsa, Ok. Blue-Cross Collection, Chicago, Il. Atlantic Richfield Collection Illinois Bell Telephone Collection Container Corporation of...

The iconic subject matter from Botke's oeuvre often features birds, particularly white peacocks, geese, egrets, and cockatoos. Women artists are on fire and very much in demand today...

wood assemblage by artist William Finlayson Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took ...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

There we 8 originals made in painted stencil on aluminum. This piece is 1 of 2 in red. Hand signed and dated on front . Hand signed, dated and numbered on verso. Artwork is in exc...

Painting on Canvas signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa Springs, Color...

A wondrous collection of Florentine botanicals lovingly gathered between 1905 and 1907 and presented under glass in a weathered window frame with nine panels, dated, categorized and ...

I, David Muller, am the son of the late Henry Muller (1930 – 2017), who was the founder, owner and curator of the Houdini Magical Hall of Fame in Niagara Falls, Canada. My father, in...

Known for her painting and sculpture as well as printmaking. Nancy Randall’s work is featured in collections at the Smithsonian Institution, the Walker Art Center, the Nelson Atkins ...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Frame size 18 x 15.5 inches. Artwork siz...

Fernanda Naman Fenix #10, 2016 40 x 40 inches 100 x 100 cm Edition of 9 C-Print Gold Leaf

Artist: Dan Lam Title: Blob Size: 33 x 29.5 x 7.5 Medium: Mixed Media made from polyurethane foam, resin, acrylic & vinyl Edition: Original Year: 2018 Notes: Signed by the a...

"Seabrush Romp" is a unique combination of precisely cut colored paper layered over painted wood. It is part of a recent series I call "wUNDERsea, which heralds the wondrous beauty ...

Hunter & Gatti wanted to pay tribute to the neo-expressionist Jane-Michel Basquiat's legacy by merging the celebrity portraits they had made in the past for fashion editorials and ca...

Artist: De La Nuez, Nelson Title: Life is Good Series: Sketches Date: 2022 Medium: Screenprint with hand applied acrylic Framed Dimensions: 42" x 42" Signature: Signed Edition...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

Abstract, 1987 Hand signed and dated verso Not sure of technique. this might be a monotype or monoprint with hand painting. The handmade paper is cut somewhat irregularly as per the ...

Artist: Anna Sweet Title: DotNuts Size: 18 x 12 Inches (45.7 x 30.5 cm) Medium: Mixed Media on Panel Edition: Original Year: 2022 Notes: Artist sticker label on verso. Inspire...

"THE WEIGHT OF THE WORLD" Wall Sculpture 16" x 55" x 12" in by Shawn Kolodny Medium: Stainless Steel Creating art to reflect the times we live in, Kolodny creates art for our short...

Sinuosity sculpture. Wall hanging in any direction, 360 degrees or pedestal mount. Goldfish Orange metallic finish keywords; #sinuous, focus on material, sculptural folds, Aldo Cha...

Born in 1918 in Budapest, Hungary, Engel began his professional career in animation as a color designer at the Walt Disney studio. Although his credits include work on such classics as Disney’s Bambi...

Michelle Fierro (born January 6, 1967) is an American artist. She went to college at California State University in 1992, and then Claremont Graduate school in 1995. She is well known for her pieces "American Myths (1996)" and "Once again: the birds (1997)". Fierro was featured in the book, "25 Women In...

Robin Winters (American, born 1950), Untitled (Red Face) from "Cherry Block Series" 1986, monotype, pencil signed and dated lower right, plate: 6"h x 8.5"w, overall (with frame): 22.25"h x 18.25"w. Provenance: Property from a Private Collection, San Francisco. Winters was invited to make monotypes at Experimental Workshop in San Francisco, (they printed Richard Bosman, Sam Francis, Claire Falkenstein, Deborah Oropallo and Kenneth Noland and many more greats). Winters chose to paint on wood blocks rather than the more usual metal plates in order to capture the organic quality of the natural material. He exploited a salient characteristic of the monoprint in Ghost Story by adding new painted elements onto the increasingly faint ghost images that result from successive impressions from a single block. In so doing he achieved the effect of transparent layers of color and shadow imagery. Winters's brightly-colored monotypes portray an array of figures and landscapes (and an occasional still-life) that, although can be seen in the context of a general trend away from abstraction that has marked the 1980s, defy strict stylistic categorization. They are neither realistic nor abstract, psychological self-examinations nor narrative fictions, but they contain elements of all of these approaches. Like Jonathan Borofsky, Winters derives much of his subject matter from dreams, believing that through his private fears and obsessions he can touch similar emotions in others. Although at first glance Winters's images look as if they could have been made by a child, closer attention reveals sly art historical references to Jackson Pollock and Pattern Painting (the drip and splatter backgrounds), Mark Rothko (the three-part horizontal compositions) and Minimalism (the gridded Cherry Block Series: Bread Beat). Robin Winters (born 1950 in Benicia, California) is an American conceptual, multi-disciplinary, artist and teacher based in New York. Winters is known for creating solo exhibitions containing an interactive durational performance component to his installations, sometimes lasting up to two months. Winters first emerged in the burgeoning Soho NYC art scene of the 1970s. An early practitioner of the Relational Aesthetics (social interaction as an art medium) Winters also created in works through sculpture, installation, performance, painting, drawing and prints. His art maintains a whimsical spirit, and he often returns to ongoing themes involving faces, boats, cars, bottles, hats and jesters or fools. Winters has incorporated such devices as blind dates, double dates, dinners, fortune telling, and free consultation in his performances. Throughout his career he has engaged in a wide variety of media, such as performance art, film, video, writing prose and poetry, photography, installation art, printmaking, drawing, painting, ceramic sculpture, bronze sculpture, and glassblowing. Winters was born in Benicia, California in 1950 to lawyer parents. As a child his hobby was collecting glass bottles found on the beach and under old buildings, which would later influence him as an artist. In 1968, Winters had his first durational performance, entitled Norman Thomas Travelling Museum. The artist drove a Volkswagen bus decorated in collage, many of the images relating to current events and politics. Inside was what the artist described as a “reliquary” containing many objects, including a bottle collection. Winters took the van to shopping centers and even as far as Mexico. That same year, Winters opted not to register for the military draft. Although he was deemed fit to serve, Winters refused. In 1975 the resulting legal proceedings finally came to a close after it was proven that the artist had been harassed by the local draft board. In his teens and early twenties, Winters became acquainted with several local artists who helped shape his aesthetic, most notably Manuel Neri and Robert Arneson. By the early 1970s, Winters was studying at the San Francisco Art Institute (SFAI) and had relocated to San Francisco. At this time Winters became friends with the Bay Area conceptual artists Terry Fox and Howard Fried, and participated in several of Fried's performance works. In 1972 Winters was accepted into the Whitney Independent Study Program in New York City. After coming to New York City, Winters helped support himself by working for various artists, among them the performance artist Joan Jonas and sculptor Donald Judd. In 1974, Winters performed The Secret Life of Bob-E or Bob-E Behind the Veil eight hours a day, five days a week for a month in his studio apartment. Behind a one-way mirror the audience could watch Winters play the character of Bob-E, whose goal was to make a monument for everyone in the world in the form of blue and yellow rubber top hats. By the end of the month the artist had constructed 262 hats. The following year, Winters was invited to take part in the Whitney Museum's 1975 Biennial Exhibition. Entitled W.B. Bearman Bags a Job or Diary of a Dreamer. Winters was traveling in 1975 and 1976, spending time in North Africa and in Europe. At a time when most young American artists were unaware of their European counterparts, Winters met and was influenced by such artists as Sigmar Polke and Marcel Broodthaers (with whom Winters worked on an installation) and also had a one-person exhibition, at the Konrad Fischer Gallery in Dusseldorf. Returning to New York in 1976, Winters teamed up with a group of artists to form Collaborative Projects (Colab), a rather anarchistic organization dedicated to artistic collaboration and the creation of art that questioned social values.. Also in 1976, Winters formed the partnership “X&Y” with fellow artist Coleen Fitzgibbon that would last two years. Together they performed a series of shows in the Netherlands, most notably a show entitled Take the Money and Run. Performed at De Appel in Amsterdam, the show involved the artists robbing their audience. The following day the audience was given an apology, as well as the opportunity to retrieve any valuables and participate in a lottery to win the artists’ services. They also made a Super 8 film in NY called Rich-Poor, in which they asked people on the streets their thoughts on the rich and poor. In 1980 Winters participated in The Real Estate Show and in Absurdities at ABC No Rio. That same year he and artists Peter Fend, Coleen Fitzgibbon, Peter Nadin, Jenny Holzer, and Richard Prince also formed The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters. This short-lived collective was based out of an office on lower Broadway and offered “Practical Esthetic Services Adaptable to Client Situation”, as stated on their business card. Their goal was to offer their art as “socially helpful work for hire”. In June of that year Winters participated in The Times Square Show, Colab's most well-known exhibition. The month-long show took place in a four floor building on West 41st Street and was densely packed with art. To cap off a busy year, Winters also became one of the first artists to join the Mary Boone Gallery, showing a successful solo exhibition in 1981. His work was shown in the New York/New Wave show in 1981 at MoMA PS1 along with Jean-Michel Basquiat, Roberta Bayley, William S. Burroughs, David Byrne, Sarah Charlesworth, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Peter Fend, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Marcus Leatherdale, Christopher Makos, Robert Mapplethorpe, Elaine Mayes, Frank Moore, Kenny Scharf and others. In 1982, Winters had his first solo exhibition in Los Angeles at the Richard Kuhlenschmidt Gallery. At the Mo David Gallery in 1984, Winters created an installation piece that consisted of a floor of plaster tiles. Underneath each tile, hidden from view, was a drawing. He designed the stage sets for the musician Nico, and assisted French artist Orlan, American artist Stuart Sherman, and American poet Gregory Corso. Two years later Winters was invited to take part in Chambres d’Amis (In Ghent there is Always a Free Room for Albrecht Durer) in Ghent, Belgium. In it, 51 artists created installations in 50 different sites, mostly private homes. Winters chose the home of a local art historian. The artist made 90 drawings based on images found in the large collection of art books in the home's library. He made two copies of each drawing and placed the originals in the books themselves. One set of copies was exhibited in the sponsoring museum, Museum van Hedendaagse, as "The Ghent Drawings". The drawings were also on display at Winters’ solo exhibition at Luhring Augustine & Hodes Gallery in New York City in 1987. In 1986, Winters had a solo exhibition at Maurice Keitelman Gallery in Brussels, Belgium, and the following year a solo exhibition at the Centre Régional d'Art Contemporain Midi-Pyrénées in Toulouse, France. Also in 1986, Winters' Playroom was held at the Institute for Contemporary Art in Boston, Massachusetts. The exhibition was part of Think Tank, a retrospective of Winters' work which traveled to the Stedelijk Museum in the Netherlands, the Centre Regional d’Art Contemporain in France, and the Contemporary Arts Center in Ohio. Winters spent a month in 1989 working with students at the San Francisco Art Institute. Never having worked with ceramics, he spent the month making numerous ceramic pieces, which were then shown in the aptly named One Month in San Francisco. Other components of the piece included Winters’ childhood bottle collection and a video showing each piece in the show filmed briefly next to a ruler.[ Also that year, Robin served as a visiting artist at the Pilchuck Glass School, where he met artist John Drury, who was then working as the school's artist liaison. In the summer of 1990, Winters interviewed fellow artist Kiki Smith for her eponymous book, which was published later that year. That same year (1990), Winters was invited by the Val Saint Lambert glass factory in Belgium to create glassworks in their facility. Winters, artists John Drury and Tracy Glover...

"Superman Package" acrylic on canvas inside polystyrene toy package case mixed media artwork by artist Skyler Grey. Front includes text reading Superman, Warning: Viewing May Lead to Increase in Happiness and Pop Art Society and Skyler Grey logos. Back depicts Superman flying and Superman logos over Superman comic...

Alfred Ortega (American, 20th C.) Abstract Monoprint with wash Ghost of Champs-Élysées (Paris, France) Born in Philadelphia, Alfred Ortega studied painting and sculpture at the Pennsylvania Academy of the Fine Arts. Ortega’s work is currently represented by the Atlantic Gallery, Nantucket; the Ligne Roset Gallery, New York; Millésimé, Philadelphia; and CSM Art, New Jersey. Ortega has exhibited at the Woodmere Museum and Knapp Gallery in Philadelphia. The artist’s work is represented in the permanent collection of the Pennsylvania State Museum and in private collections. Noted for his bold use of color, Ortega’s paintings and oil prints emanate primal energy. His prominent, Abstract Expressionism, large canvases reveal a dynamic world populated with vibrant forms and figures barely contained within their frames. A master monoprint maker, Ortega’s vivid oil prints of abstracts...

Saturday Afternoon in the Shoe (1997) Charles Fazzino 3-D Pop Art limited edition Assembled entirely by hand, each piece is hand cut, then hand glued to its corresponding part to c...

"Coco x Olive Oyl Chanel Dream in White" acrylic and silkscreen on canvas mixed media artwork by artist Skyler Grey. Text on canvas reads "Dream Today."

Mini. Black Cherry Metallic keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculptu...

Milton Glaser creates a brilliant graphic symbolizing a pathway to success and more. Original art Cut Paper collage and colored pencil 19 1/2 x 13 5/8 Signed to lower edge ‘Milton ...

William Haendel framed 16.75 X 17 paper 11.5 X 12.5 Bas relief on hand-made molded, cast, paper; Visual statement of modernist society’s role in conformity of the individual and acquiescence to nationalism. Toy Soldiers in tin, lead or plastic, cast into the paper. Bill Haendel...

Paper and Adhesive collage by Wayne Timm. Image or mat opening measures 11.75x 16 in. In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lichtenstein, Rauchenburg an...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Frame size approx 18.25 x 15.75 inches. ...

Reginald Wilson was born in 1909 in the small town of Butler, Ohio. Determined from boyhood to be an artist, he arrived at the Art Students League of New York when he was twenty. He studied with John Stuart Currie, among others, meanwhile making a living with odd jobs like that of office boy or night watchman. He was an easel painter in the Federal Art Project and served for three years as an airplane mechanic in the US Army Air Force during World War II. He and the artist Carolyn Haeberlin were married in 1942, moving in 1945 to where they made their home in a 200-year-old farmhouse. Wilson’s paintings and works in other media were exhibited widely beginning in the 1940’s, in New York City and in major museums and universities across the country. In Woodstock he showed at a number of galleries including that of the Woodstock Artists Association where he won the 1973 Sally Jacobs-Phoebe Towbin Award. His mid-Twentieth century contemporaries included Karl Fortess...

"Bubble Bliss" Abstract Sculpture 52" x 15" x 15" in by Shawn Kolodny Medium: Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates art for our sho...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

This unique and marvelous art piece is textured with 10 year seasoned slaked lime and Italian marble powder, Cadmium and pyranthronorange, Lapis lazuli from Chile, indigo and Prussia...

Music Sonata In A Shadow Box 2023 Mixed Media, artist signed, front Plexiglas. This sculpture is perfect for the wall or a coffee table. This 3D music diorama found its home in a drawer from an antique Tansu Chest. Some of the 3D elements were made by Erikson. Antique materials achieve a vintage and interesting aesthetic. The depth of the case creates a stage like atmosphere as sort of a visual guide for the viewers eye. The overlapping and juxtaposition of the elements creates a intriguing and appealing composition. Very often Erikson art echoes and fuses antiquity and modernity. Erikson’s central imagery concerns itself with intrigue and a sense of surprise. His body of work is often dispersed with visual, tactile and intellectual delights that lead the viewer on their own form of discovery. Erikson’s awareness of the aesthetic in sending things back in time is a result of studying the Renaissance and other periods of art history. This infusion of historical art references has had a vital effect on his body of work. Heavily influenced by the well known New York art dealer Allan Stone (who represented, among other giants, Joseph Cornell, and Willem de Kooning, Erikson has never departed from Stone’s insistence that “surprise” should remain with a piece of art no matter how long it is viewed. The discipline of archeology decodes messages of the past to find meanings of objects and classify them. This observation takes the viewer on a deeper understanding of the interplay. As a curator of his own “museum cases” in other work, Erikson’s personal vocabulary evokes images of extreme preciousness combined in miniature settings. Despite its minute scale his work commands presence and a sense of vastness. In his body of work, Erikson attempts to introduce sculpture to painting as a way of integrating the second and third dimensions. Exhibited: Allan Stone Gallery - New York, New York Elaine Baker Gallery - Boca Raton, Florida Renata Fine Arts Gallery - West Palm Beach, Florida Winfield Gallery...

This work by John Marin depicts an image of lower Manhattan which was Marin's more iconic subject matter. The work has a stellar provenance as well. Provenance: Kennedy Galleries Richard York Gallery ACA Galleries...

"Mickey Lagerfeld Package (White)" acrylic on canvas painting by artist Skyler Grey inside a polystyrene toy package case. Canvas is signed Skyler Grey © 20. Depicts Mickey Mouse as ...

Mixed Media painting on wood panel with pink yellow purple red Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting...

signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa Springs, Colorado. Co-founder of ...

"We Will Rise" acrylic, ink and aerosol on round canvas mixed media work by artist Skyler Grey. Signed Skyler Grey © on left side of beam, center left recto. Depicts Spider-Man.

Piece celebrates the positive side; energy, color and culture of Cuba. Collage materials (magazine cut outs, foil, base photograph), acrylics, spray paints on canvas and resin cover...

Desmond Mclean (1929-2015). Untitled, 1959 Mixed media on paper. Sheet measuring 14.75 x 20.25 inches. Unframed. Born: Ireland Studied: Heatherly School of Art, London; Amer...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 19.5 x 21 inches. Artwork size 12 x 13.50 inche...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Frame size 18 x 15.5 inches. Artwork siz...

In 1790, with the invention of lithography, we began using paper based outdoor advertising posters. These posters not only communicated products and services but also community event...

David Banegas (July 4, 1975) is a Bolivian born artist, specializing in action painting. David is best known for his colorful portraits of Hollywood’s historic and contemporary A-lis...

Hand cut color-aid paper by renowned cut paper artist specializing in Brooklyn Coney Island themes. Ms. marano started her career working with Robert Indiana

Purvis Young (1943 - 2010) Warriors Together, 1987 Mixed Media house paint on cardboard and thin wood 17.50 x 48 in

Using imagery from the movie, The Untouchables, Al Capone, played by Robert De Niro leaves the viewer with a sense of boldness, toughness, confidence, attitude and order. Punk rock a...

"Flag" signed mixed media artwork by artist Raphael Mazzucco.

Desmond Mclean (1929-2015). Untitled, ca. 1960's. Mixed media on heavy wove paper. Sheet measures 14.5 x 20 inches; 19.25 x 25 inches in old matting. Unframed. Born: Ireland ...

"Vietnam, Untitled" mixed media artwork by artist Raphael Mazzucco.

"LOVE in the Streets" Wall Sculpture 24" x 48" x 1" inch by Shawn Kolodny Resin, Wood, Acrylic paint Creating art to reflect the times we live in...

Collage: Hand cut color-aid paper on gessoed heavyweight watercolor paper framed in a flat gray painted wood frame with plexi. Philomena is a daughter of Brooklyn. She holds a BFA fr...

CAR SERVICE Hand cut paper on heavy weight gessoed watercolor paper, framed in flat gray painted wood & plexi. Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...

LUNA'S TIRE SHOP : Hand cut paper on heavy weight gessoed watercolor paper, framed in flat gray painted wood & plexi. Ms. Marano is a daughter of Brooklyn...