Florida - Sculptures

Stephen Graham constructs dazzling three-dimensional artworks from metal pins, each individually crowned with SWAROVSKI Crystals and, he says, the essential ingredient of negative sp...

This unique piece by Margulis is from his latest body of works and is part of an edition of 9. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paints t...

Interesting Latin American art collage/assemblage of images. bears elements of Arte Povera. it is mounted onto a wood construction. Signed verso and bears label from Stux Gallery. Well Known Brazilian political artist and collector. Showed at Stux Gallery (they showed Doug Anderson and then Mike and Doug...

Jacques Lerebourg hand made abstract metal sculpture in welded and polished metal with inclusion of a natural quartz or crystal mineral specimen. part of a distinguished group of Fre...

Has been in artist's private collection. Maquette hunting dog with training dummy.

Genre: Modern Subject: Abstract Medium: Other Surface: Paper Country: United States Dimensions w/Mat: 20" x 21" Bas relief on hand-made paper; Visual statement of society’s role in...

kinetic object, with mirror-polished stainless steel on painted stainless steel base, electrical system with electronic motor. published by Éditions Denise René, Paris Nicolas Sc...

The JUNONIA vase is a creation by the renowned Venetian glass master Afro Celotto. The dimensions of this artwork are 18.25" x 9" x 4.5". Every vase is hand signed at the bottom by...

Llovera, bronze Manuel Martínez Hugué (Barcelona, ​​1872-Caldas de Montbui, 1945) was a Spanish painter and sculptor, representative of the Catalan Noucentisme of the early 20th century. His work can be summarized as a synthesis of classicism and primitivism within modernity. He is widely cited under the colloquial name of Manolo. Born in Barcelona, ​​his bohemian and marginal life and his visits to the Els Quatre Gats café in Barcelona earned him the friendship of Santiago Rusiñol, Joaquín Mir, Isidro Nonell and Pablo Picasso, among other artists. In 1900 he moved to Paris, where he lived for ten years. There he met Jean Moréas and Guillaume Apollinaire, in addition to working on the design of jewelry and small pieces of sculpture, among which La Llobera (1911, Barcelona, ​​Museum of Modern Art, and Young Seated (1913, Paris, Center Georges Pompidou)). Driven by a dealer, Hugué moved to Céret in 1910, where he brought together a diverse group of artists, including Juan Gris, Joaquín Sunyer...

Part of artist's private collection. Abstract family of three.

Kate, (Wall Sculpture) by Hunter & Gatti From the series All is Flux Acrylic tridimensional wall sculpture Sculpted pigment print on Forex acrylic 64 in. H x 42 in. W x 9 in. D Uniqu...

Delicate depiction with special patina of female. Part of artist's private collection.

Salvador Dali (1904-1989) "Snail" 1979, Rosenthal plate in glass with polychrome painting, diameter 14.25 in (36.5 cm) Nr. 1886/3000, with certificate. Provenance: Daniel Meyer, Germ...

Has been in artist's private collection. Young girl with bow in her hair holding her favorite toy.

Has been part of artist's private collection. Sculpture named after book written by Margaret Stanger entitled, "That Quail, Robert."

La Escalera Azul, de la serie Sintesis 1979 Plexiglas and metal Ed 37 of 110 20 x 14 x 5 in Literature: Museo Guggenheim Bilbao. “Soto. The Fourth dimension”. Catalogue published on...

Original stainless steel sculpture. Incised "Leon Ferrari 1978" on a metal plaque affixed to the lower area of the sculpture. Certificate of Authenticity is included. Please do n...

A sweet woman who loved people (especially babies), animals and honeysuckle.

Beautiful Sculpture in white marble by the artist Agustin Cardenas. Signed on the base of the sculpture. Cárdenas was a descendant of african slaves from Senegal and Congo. He was b...

Magnificent sculpture on wood by Spanish artist CODINA CORONA. Sculpture of one piece of wood without pieces superposed Josep Maria Codina Corona (Igualada, 1935 - Barcelona, 2006) w...

GIGI HADID (Wall Sculpture) by Hunter & Gatti From the series All is Flux Acrylic tridimensional wall sculpture Sculpted pigment print on Forex acrylic 66 in. H x 42 in. W x 12 in. D...

horse. 19th century bronze sculpture measurements with the base are 37.5 x 17.5 x 31 cm

Mihail Mikhailovich Chemiakin (or Shemyakin, Russian: Михаил Михайлович Шемякин, born 4 May 1943) is a Russian painter, stage designer, sculptor and publisher, and a controversial re...

Seascape with mountain and boats in harbour. it is signed in hebrew and English. it is not dated. MORDECHAI AVNIEL Minsk, Belarus, b. 1900, d. 1989 Mordecai Dickstein (later Avniel) was born in 1900 in Minsk, present-day Belarus. He studied fine arts in Yekaterinburg, Russia (1913–19) and at the Bezalel Academy of Art and Design, Jerusalem (1923). Avniel immigrated to Palestine in 1921 where he first worked as a pioneer in citrus plantations near Petah Tikva. In 1923, at the urging of Boris Schatz, he went to Jerusalem to further his art studies at Bezalel. He later taught painting and sculpture at the school, and served a term as director of the Small Sculpture Section of the Sculpture Department (1924–28). From 1935 on, Avniel lived in Haifa. Avniel was also a lawyer and a founding partner of the Haifa firm Avniel, Salomon & Company. Avniel regularly showed his work in group exhibitions of the Painters and Sculptors' Association of Israel. He was awarded the Herman Struck Prize (1952), Tenth Anniversary Prize for Watercolours, Ramat Gan (1958), Histadrut Prize (1961), and First Prize Haifa Municipality (1977). He represented Israel at the 1958 Venice Biennale and the 1962 International Art Seminar at Fairleigh Dickinson University. Avniel was a member of the Artists' Colony in Safed and maintained a studio on Mount Carmel. Mordechai Avniel is best known for his deft and singular landscape work. His works are held in numerous museums and collections both in Israel and abroad, including the Metropolitan Museum, New York and the Carnegie Institute, Pittsburgh, PA. Avniel's manipulations of light and colour share much with those of compatriot artists Shimshon Holzman and Joseph Kossonogi. Education 1913-19 Art School of Katrinburg, Russia 1923 Bezalel School of Art, Jerusalem Selected exhibitions: 2004: Our Landscape: Notes on Landscape Painting in Israel, University of Haifa Art Gallery, Haifa (online catalogue) 1965: Mordechai Avniel Retrospective, Haifa Municipality Museum of Modern Art, Haifa 1964: Galerie Synthèse, Paris 1962: New York University, New York 1961: Rina Gallery of Modern Art, Jerusalem The Autumn Exhibition Rina Gallery, Jerusalem Artists: Dedi Ben Shaul...

Israel Hadany (Israeli, 1941-). A stainless steel maquette for sculpture "Three Tubes", currently installed at the University of Pennsylvania ...

Petite Vibration Brique et Noir (1966) Painted wood with a painted metal rod and nylon thread Edition Galerie Bischofberger, Zurich Ed. 16 / 35 20 x 18 x 18 in Provenance: Galerie Elke Dröscher, Hamburg Galerie Meißner, Hamburg (1976) Private collection, Baden-Württemberg Lempertz Auction. Contemporary Art...

Robert Arthur Goodnough (AMERICAN, 1917-2010) Untitled patina on steel with nuts and bolts Robert Goodnough (October 23, 1917 – October 2, 2010) was an American abstract express...

Jonathan Delmas began his wonderful work since his tenderest youth in contact with his father and grandfather, great founders of arts in Paris. His first movement, the Bear, born in...

Red Apple Artist signed, patinated bronze on ​marble base 8"x8" Randi Grantham was born and raised in Las Vegas, Nevada and now lives in South Florida. He is a self taught sculptor ...

it does not appear to be signed. it is numbered 1-4. it is a cast glass in a manner similar to works by Daum and Lalique. I am unsure who the maker is. it is quite thick. It does not...

Jonathan Delmas began his wonderful work since his tenderest youth in contact with his father and grandfather, great founders of arts in Paris. His first movement, the Bear, born in...

Bruno Mars (Wall Sculpture) by Hunter & Gatti From the series All is Flux Acrylic tridimensional wall sculpture Sculpted pigment print on Forex acrylic 40 in. H x 30 in. W x 7 in. D ...

My artwork has consisted of and has evolved into many forms throughout the years while always being influenced by the culture of South Florida. To portray my inspirations into my artform, my art pieces always consist of acrylic paints, vibrant colors, textured clay surfaces, uniquely shaped canvases, and decorative stone embellishments and accents. I have painted within many genres of subject matter, use a multitude of mediums, and am inspired by an array of subject matter. My experiences, inspirations, and artistic details are what enhance and add dimension to my artwork in the forms of murals, painted canvases, artistic furniture and home décor, and 3D art forms. I have developed my artwork into collections over the years that I always aspire to further enhance and creatively grow from. What makes my artwork unique creations is the attention paid to hand-crafted and clay designed accents I use to add layers of texture to my pieces. Medium of mirrors, stones, tiles, decorative cutouts, metallic foils, and other design elements make each piece unique and one of a kind. As well, use of resin helps to solidify and finish off the surfaces of most of my pieces. I love to use art...

Inspired by Picasso’s cubist era, metal sculptor Alexander Krivosheiw altered his signature fabrication style to create a fragmented, geometric portrayal of a dog called SCOOPS. The ...

My intense passion and extreme love of life is the foundation of my creativity. Elation, contentment and ultimate satisfaction are the feelings I experience when reaching the comp...

Rafael's studio practice engages with oil painting and drawing, plaster combined with pigments, bronze casting and utilizing industrial materials. Rafael's figure work uses simple b...

Approximately 10,000 U.S pennies.

Art Glass Candy With Red Dots Large hand blown green and red dot art glass candy sculpture by Studio Ahus Sweden signed and dated 1996, limited edition.

Approximately 15,000 U.S Nickels.

24k Gold plated U.S. pennies. Approximately 13,000 gold pennies on acrylic base.

Approximately 10,000 U.S. Pennies.

Approximately 2,000 U.S Dimes on a metal base. Mixed media.

Mixed Media from artist studio.

Approximately 350,000 pieces of Canadian pennies.

Approximately 10,000 U.S. pennies.

Mariko’s Fukuoka is an unique contemporary sandstone sculpture painted with red, purple, yellow, black and white enamel. The geishas collection of the artist expresses the various fa...

Approximately 3,000 U.S. Pennies and mixed media.

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

Maqueta las Toninas, 1944 BMY-022, 1970 Edition 1/25 Bronze 22 x 22 x 10 cm 8.6 x 8.6 x 3.9 in ABOUT THE ARTIST Narvaez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narvaez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narvaez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narvaez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narvaez’s public output continued with works such as the statue of Fermín Toro, La Educacion, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narvaez, Maderas, Piedras y Bronces” (Francisco Narvaez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narvaez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narvaez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narvaez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narvaez is a path: the path that Venezuelan sculpture...

Artist: Ryan Travis Christian Title: Face Time Size: (26 x 14 x 9 cm) Medium: Porcelain clock sculpture Black lacquered Edition: of 100 Year: 2019 Notes: Custom made screen pr...

This unique piece by Margulis is from his latest body of works and is part of an edition of 9. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paints t...

Sculpture by the Spanish artist AMANCIO GONZALEZ Artist well known for his large format works on the street. Iron and bronze. AMANCIO Gonzalez ( Leon 1965 ) Amancio González is a s...

Victor Vasarely (9 April 1906 – 15 March 1997), was a Hungarian-French artist, who is widely accepted as a grandfather and leader of the Op art movement. In 1928, he enrolled at Sán...

Wifredo Lam (1902-1982) "L’oiseau de Feu – L’oiseau de Fer" (Bird of Fire – Bird of Iron) 1970 Brass (1 polished + 1 chrome) Edition: 434/500A and 439/500B. 26 x 14 x 10 cm (10.2 x ...

Poly resin sculpture. Britto signature stamped on lower right. From the edition of 4000 (2nd edition). Comes in original box. Certificate of authenticity issued by our gallery is...

Florencio Gelabert Y Perez (Cuban, 1904-1995) Hand carved, signed; 1979 Materials: Cuban wood (mahogany?) Dimensions 23 X 4 X 4 inches Label affixed to underside: National Registry of Cultural Assets of the Republic of Cuba Ministry of Culture. Provenance: Art Master Collection, Miami, Florida. Florencio Gelabert, with a style reminiscent of Art Deco and Art Nouveau in a Latin American Expressionist stylization. Carved wood sculpture. Depicts a modernist stylized form of a man in a streamline moderne style. José Florencio Gelabert Pérez (Caibarien, 1904 - Havana, 1995) Cuban musician, sculptor, draftsman and teacher. He graduated from the San Alejandro National Academy of Fine Arts in 1934. He received numerous awards, mentions and recognitions in Fine Arts Halls and Circles. His works are in the permanent collection of the National Museum of Fine Arts. Florencio Gelabert is a renowned sculptor, who made more than twenty solo exhibitions beginning in 1929, several in the National Museum of Fine Arts, and participated in more than thirty collectives in Cuba, Spain and Brazil, the latter in the Sao Paulo Biennial. he traveled from Caibarién to Santa Clara in 1928 to audition to enter the famous San Alejandro Fine Arts School in Havana. He obtained one of the five vacancies. Already in the Cuban capital, he combined fine arts and music. When he graduated, he became a professor in San Alejandro and the academy’s principal in 1960. With a calling common to wood sculptors –which began with his primary school carving carpentry classes and the active life of his home town’s shipyards, his chisels and gouges feverishly turned mahogany, “ácana” and ebony into female heads with black African features dating back to 1930. In 1938 he used his savings to explore Europe: France (Paris, Marseilles), Italy (Naples, Rome, Florence, and Venice), Belgium (Malina). His encounter with the works by Aristide Maillol, Auguste Rodin, Ossip Zadkine, Constantin Brancusi and even with Wifredo Lam, who was also born in another Cuban coastal area, Sagua la Grande, and his encounter with the nude marble David sculpture...

Poly resin sculpture. Britto signature stamped on lower right. From the edition of 4000 (2nd edition). Comes in original box with Britto studio certificate of authenticity. Ar...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...