France - Contemporary Art

Bas-relief panel entitled “Sortez du cadre !” in wood and oxidized copper, oak frame. Artist’s proof numbered I/IV. Unique object. Work of contemporary French artists. Dimensions:...

Very pretty, colorful and pop silkscreen print of Andy Mouse, Andy Warhol + Mickey Mouse, represents the famous mouse with a wig and sunglasses which are Warhol's distinctive attribu...

Large contemporary painting from Belgium, likely from the 2000s. Made of wood, its thick solid bamboo frame gives it a beautiful elegance. The slightly textured Klein blue paint brin...

Woolen Color studies in a recycled box Hand-spun woolen balls - gradient - wrapped in silk and cotton yarn Handmade, hand-spun wool objects in an old box Soft balls and shapes of woo...

Abraham habbah. “pop kitchen” 1970. Lithograph on arches paper. Signed and numbered in pencil. 49 X 66 cm. Published by: jacques putman - suite prisunic. Printed by: clot bramsen. Ed...

This extremely rare work on paper by Anselm Kiefer is the one and only silkscreen and signed edition on paper Anselm Kiefer ever made. Printed on a prestigious BKF Rives Paper (fines...

Antonia Dombrowsky Miranda Uranus 1 Color etching 1992 Dimension Print H 78 cm x W 55 cm Artist Antonia Dombrowsky Color Etching - Miranda Uranus I E.A. Etat Approve V / X ...

Unique piece. Rare drawing - Keith Haring - on a magazine page representing the American actress Kim Basinger. The drawing appears on the back of the page, which features a second ph...

Yaacov Agam - Star of David - Abstract Illusionism, 1979, Serigraph signed Signed and numbered by the artist edition 223 / 250 With frame Size of ...

Yvaral (Jean Pierre Vasarely) “So Shades of Blue” Screen printing Artist proof / 200 Ex Monkey in pencil Circa 1970 Frame 75 x 75 cm In perfect good condition

Scroll down and click "view all from Seller" to see more than 500 other unique products. (2) Limited and numbered portrait print with matte frame "Certifi...

Large contemporary curve concave yellow wall art piece, brass structure. Very special mat mercurization without silvering with no mirror reflects, Its ...

Silkscreen on canvas by Marylin Monroe after Andy Warhol. Marylin is painted red on a blue background. Photograph screen-printed in color on canvas, signed on the back. Signature in ...

With his series of “American” works, artist Myst-RZ plunges us into a world partly inspired by the works of Edward Hopper and David Hockney. In this series, the works stretch out lik...

Raphael Fenice infinity mirror in Lucite and led technology When the mirror is off looks like a real mirror. Mirror can be controlled ...

The Abel Collector Portrait exudes an elegant yet casual allure that immediately captivates the eye. This wall painting is adjustable to suit your preferences, adding a touch of uniq...

Exceptional limited edition 1/2 tapestry "Pelops" with certificate from a private collection, 1964. Ateliers Pinton brothers in Felletin, under the supervision of Pierre Baudouin 2ex + 1EA Editor Aram Iynedjian. The tapestry will be sold with its certificate of authenticity from the gallery. From the 15th century, the name of Pinton was associated with the Aubusson tapestry. Since then, over the generations, the Pinton family has largely contributed to the development of this fabulous cultural heritage until the creation in the 19th century, of the Felletin factory, in the department of Creuse. Even today, in these workshops, the craftsmen execute the same correct gestures with the same attention to detail and thus extend the chain of the history of the tapestry of tradition but also contemporary. The hand of specialists, the eye of designers and dyers and the taste of the most demanding clientele find their meaning in the fabric of the carpets. The excellence of French know-how, a living heritage society and custodian of Aubusson's cultural heritage, has always collaborated with great artists. The works of Charles Le Brun, Charles Lapicque, Pablo Picasso, Jean-Michel Othoniel, and many other big names in the world of painting, architecture, design, fell into the looms and know-how ancestral of this unique Creuse creator. Editor Aram Iynedjian Aram Iynedjian, Lausanne gallery owner and editor of tapestries from Braque, Estève and Lapicque, the latter meets Pierre Baudouin, the most famous of the cardboard painters of the time. The one who translated the works of Le Corbusier, Calder or Picasso into tapestry then collaborates with Charles Lapicque and they will develop a work of great richness. Lapicque came to realize these two summits which are "Pélops" and "Diane et Actéon". I realize that you should never try to describe a work of art Let’s look at it. Let us admire the science of composition, linear purity, technical perfection, the beauty of color, the truth of the drama. Let us see, if we can, the implacable presence of genius. "We will now understand that after having based a painting on the love of tapestry, it was relatively easy, and very tempting, to build a tapestry faithful to my painting," explained the artist in the exhibition catalog. of the Galerie Verrière in 1970. It was not until 1961 that he began to produce cardboards both for the tapestry of the Lisse in Aubusson, but also at the Mobilier National, with the help of Pierre Baudouin Charles Lapicque (1898-1988) Born in 1898 in Theizé (Rhône) in a family practicing both the arts and the sciences, Charles Lapicque is no exception to the rule: gifted for music and drawing, he graduated from the École Centrale in 1921, works as engineer until 1928 before integrating in 1931 a laboratory at the Faculty of Sciences of Paris, where he carried out research on the perception of colors, crowned by the title of Doctor of Physical Sciences in 1938. He thus studies the reactions of the eye in front of an intense light source, at the origin of the formation of starry images which he will use in his works, and defines a theory of the staggering of colors in space which overturns the rules of the Renaissance: "I had shown that the Classic rule, that of Vinci, advocating placing the blues in the distance, the reds, oranges and yellows in the foreground, is a nonsense; it makes more sense, more favorable to do the opposite. "(In Red and blue in the arts, 1936) It was around 1920 that Charles Lapicque began to paint in Brittany where he spent every summer since his childhood, first on the motif and then in a workshop that his stepfather Jean Perrin, Nobel Prize in Physics, had him build in 1927 ; he then definitively adopted the work of memory, in accordance with the art of music which he deeply loved and the Bergsonian philosophy of knowledge: "It is up to us to give reality an appearance that it has no itself, a form, a figure (...). " His youthful production immediately reveals a great originality, oscillating between figuration and abstraction which sometimes intertwine: alongside synthetic paintings by their simplified drawing and their flat colors, he designs an Homage to Palestrina (1925), composed of a grid derived from Cubism, entirely abstract, relayed by a Christ with Thorns (1939), according to a principle that he will develop after 1939, in line with his optical discoveries. In fact, during the war years, an almost abstract period began, that of the tight blue framework, applied to backgrounds ranging from yellow to red and revealing a more or less identifiable world (Jeanne d'Arc crossing the Loire, 1940; Rencontres series, 1940-1945). Exhibited in 1929 by the gallery owner Jeanne Bucher, Lapicque abandoned his scientific career in 1943 to devote himself entirely to painting. He continued his work which resulted in 1946-1953 in white-frame structures; their much softer lines lead him to the system of either black or white interlacing which encloses areas of pure color, most often in solid color. With The Battle of Waterloo in 1949, Lapicque still uses optics - zooming in on a given area - to depict spaces with multiple perspectives and decomposed times. This new interest in the liveliness of color developed in the following period, which can be described as flamboyant or Baroque (1954-1963): illustrated in particular by the series of Breton lagoons and twilight or nocturnal views of Venice in the light. Stars, which the artist himself describes as “daring sweets”, it begins with the Raoul Dufy Prize of the Venice Biennale, awarded in 1953 to the artist who took the opportunity to give free rein to his passion for the Serenissima until July 1956. Another point in common with his elder brother is the expression of movement. Begun in 1949 in The Battle of Waterloo then in 1952 with Dimanche aux regates, it became an obsession from 1964, in the exploration of new themes, such as the different shots of tennis players captured on the fly (1965), the mythological scenes and sea storms. These dizzying years precede the artist's last period: as he comes of age, he discovers serenity, revealed by a painting now with acrylic paint, much more peaceful from 1974, which even borders on a childish naivety at the end. of his life. All of his work includes an astonishing diversity of themes, also nourished by his travels (Rome in 1957, Greece in 1964, Holland in 1974 ...), with a predilection for the sea, rocks, sailboats, music, tennis, horses, wild beasts, but also for history and mythology, as evidenced by knights, kings and ancient gods. It also deploys, in total creative freedom, a wide variety of styles and orientations. Having been one of the pioneers of non-figurative art, thus paving the way for artists like Manessier, Bazaine, Vieira da Silva, De Staël, etc. Owners of the new non-figurative Paris School of the Postwar period, Charles Lapicque then returned to figuration, in a "new interpretation" of appearance, even if he continued to rub shoulders with abstraction at times. "Drawing runs after color and color after drawing. " Heir to the Fauves, Charles Lapicque plays like them on pure colors, whose dissonances, associated with a totally free design and an overloaded composition in a multiple space, make him a precursor of the New Figuration in all its forms: the Narrative Figuration born in France in the early 1960s, represented in particular by Gérard Fromanger, Erró, Bernard Rancillac and Gérard Guyomard; Free Figuration born in the early 1980s, marked by Robert Combas, Hervé and Richard Di Rosa, Louis Jammes and François Boisrond, and which, in turn, influenced the American Bad Painting of a Jean-Michel Basquiat or a Keith Haring, deliberately neglected and Expressionist; Lapicque's “Classic subjects” were able to feed Cultivated Painting, which also appeared in the early 1980s with Jean-Michel Alberola, Patrice Giorda and Gérard Garouste...

Alberto Biasi - Rilievo Ottico Cinetico. Double screen printing. Kinetic art Signed and numbered 44 / 100. Size with frame : 68cm x 68 cm. Size unfr...

Abstract green Serigraphy by Geneviève Claisse Signed by the artist in pencil and numbered 28/40 Stamp of the publisher circa 2014 Dimensions : 60 x 66 x 1 cm Price : 390 € ...

Domenico "Mimmo" Rotella Italian visual artist 1918 - 2006 It was in Rome that Rotella tore down his first posters, which were to serve as the basis for a technique that worked in...

Robert Combas, Color lithograph titled Alchimikum Liberatum, 1991 Enhanced and dedicated in silver ink in the margins. "EA 6/25 Combas 91 For Attali Merry Christmas" Plate taken fro...

ABOUT THE WORK NGAPA DREAMING In her paintings, Julie Nangala represents “Pirlinyanu”, her father's land of which she is the custodian, close to Mina Mina, a rocky land rich in deep-...

Christian Legier - Recreation - The Beatles Painting, collage Unique work I create the expansion of the vinyl sleeve, adapting it to my world. There's a jack in the painting, so yo...

With his series of “American” works, artist Myst-RZ plunges us into a world partly inspired by the works of Edward Hopper and David Hockney. In this series, the works stretch out lik...

Modulation or, Reda Amalou, 2019 Silkscreen print with 2 colors on Arches vellum rag paper, 400g (Gold ink and dark blue ink) 1st Edition. Limited edition, numbered and hand signed...

ABOUT THIS ARTWORK In this painting, Maringka Baker depicts the land of her childhood. She depicts a Dream, that of the creation of the hills by two female dogs, represented on the ...

Lithograph signed and numbered "fish And pyramids" by Alexander Calder 1976 Edition of 150 copies Perfect condition

We are pleased to present this wall ceramic artwork by Asano Masaru. This ceramic plaque shiws remarkable craftsmanship: the clay is hand-formed, carved, and then painted, resulting...

DOMENICO "MIMMO" ROTELLA Italian visual artist 1918 - 2006 It was in Rome that Rotella tore down his first posters, which were to serve as the basis for a technique that worked in...

THIS ITEM CAN BE PICKED UP FROM LONDON OR PARIS OR SHIPPED FOR FREE IN THE TWO CITIES. "Interiorite" by French contemporary artist Andie Grande. Beautiful mixed media painting, oil ...

Agam - AMERICAN FLAG 1976 Work realized on the occasion of the bicentenary of the United States! Silkscreen on mirror / Agamograph Signed in felt-tip 22/75 " ARTISTE PROOF". Di...

For this series of ceramic wall sculptures Franck Scala invites us on a journey by re-appropriating the reliefs of certain emblematic natural landscapes. ...

"Derrière le Miroir" is a French art magazine created in 1946 and published by the Maeght Gallery until 1982. "Derrière le Miroir Miro Sculptur...

Miyanaga Rikichi, Miyanaga Tozan III, The Blue Corridor, 1992 This rare wall plaque, titled The Blue Corridor and created in 1992 by Miyanaga Tozan III (Rikichi), reflects the artis...

Pierre Soulages Screenprint n°15 from 1981. Printed by Michel Casa. Printed in 250 copies. Edited by Circle Fine Arts Inc. à Chicago Signed and numbered by hand. 105 x 72.4 cm w...

Variation (1380-18) - One of a Kind. Abstract painting created in 2018 by French contemporary artists Pascal & Annie LENIAU. Colorful composition and abstract matter. Mixed media on paper laminated on wood panel with its frame, dim. 60 x 80 cm. Signed and dated on the back. --- Pascal & Annie LENIAU Since their meeting in 1978, Pascal and Annie...

Salvador Dali Portfolio expo Prague 1967 Complete Excellent condition . Original exhibition poster 97 x 67 cms . 40 litho fac similes of original drawings 33.5 x 24 cms 1967 690 ...

Serigraph by Alex Foxton, 2021: This captivating serigraph by Alex Foxton is part of a 2001 series entitled 'Frankenstein'. This magnificent artwork on vellum paper, signed and num...

Antonine de Saint Pierre, signed and numbered. Decorative panel entitled “Folklore”, in black lacquered metal. Black painted oak frame. Fren...

A wall ceramic sculpture by Clementine Dupré with black- green (anthracite) glaze decoration. Perfect original conditions. Signed. Unique piece. 2...

"Architectural Delusion 1" Gouache on paper Measures: 68 x 53 cm, frame included (Signed on the back) Bauhaus style and geometric abstraction style. Geometric shapes in b...

An exceptional wall ceramic installation by Cathy Coëz. This installation is composed of 217 pieces. This piece was exhibited at the Art Decorat...

Oil on panel, small size, by the Swiss painter Guy Dessauges. Made in 1978 using his technique of superimposing "glazes" which gives the painting exceptio...

Oil on panel by the Swiss painter Guy Dessauges. Made in the 70's using the artist's typical "glazing" technique which gives the painting a beautiful dept...

Mirror: " Rêve astral" Number of stones : 306 Semi precious stones Type of stones: Malachite, Obsidian, Black onyx, Tiger eye, Shungite, Labradorite, Black tourmaline, Tourmaline q...

Pop Art Pol Mara, mix-media on paper (pencil, aerograph, watercolor, pastel) framed.' Dimension for drawing only: 70 x 50cm, signed and dated '74. (there are reflections that are not...

multiple on metal by Victor Vasarely Geometric composition Signed France 1970 Geometric composition on metal engraved signature and numbered 45/160 Good condition, some light scratch...

Oil on panel small size by the Swiss painter Guy Dessauges. Made in the 70's according to his technique of superimposing "glazes" which gives the painting...

Vintage lithography, numbered and signed by the french artist Jean Marais (1913-1998)

Château Mouton Rothschild label Unpublished creation by Agam 1984 Dimensions : L 27 cm x h 32 cm Without frame : 17 cm x 11 cm Price : 190€ fo...

"Kamut" by Bruno Chavanne (1957), 2012: Oil on canvas. Certificate of Authenticity provided by the gallery. Measures: 97 x 130 cm 38.2 x 51.2 inches ...

Wood sculpture by Gaetano Pesce Cassina Edition Circa 1969 H 38x W 37x D 3 cm Signed and dated Ref: Price : 790€

Jim Bird - tribute to Vasarely Photolithography Circa 1970 Signed Paper size : 68×68 Image size : 61×61 Perfect condition Published by Poligrafa, Barcelona.

The moon mirror is a color mirror disc, suspended in a frame. This defines the space of the object that is no longer constrained. Wood, lacquer and glass are superimposed to create an object on the border between art and design, both a plastic work and a design object, creating an ethereal reflection of reality through color. Reda Amalou...

Clems Give me your money Acrylic on canvas Signed on the front 2024 80 x 80 cms 2900 euros

"Luna IV" by Jean François Reboul, colored concrete sculpture with gold leaf finishing for wall. This creation expresses simplicity, moderation and harmony. "Certificate of Authenti...

"Interstellar" by Denis Perrollaz : Glycero paint, liquid tqr and resine on an old steel traffic sign. 2013, signed by the artist. "Certificate of Aut...

Variation (2170-19) - One of a Kind. Abstract painting created in 2019 by French contemporary artists Pascal & Annie LENIAU. Colorful composition and abstract matter. Mixed media on paper laminated on wood panel with its frame, dim. 60 x 80 cm. Signed and dated on the back. --- Pascal & Annie LENIAU Since their meeting in 1978, Pascal and Annie...