Hudson - Art

Hummingbird Augury (Circular Cobalt Blue Pastel Drawing of Golden Hummingbird and Stars on Indian Handmade Cotton Paper by Kahn & Selesnick) 11 inch diameter unframed pastel, conte c...

11.25 x 11.25 inches unframed Archival pigment print edition of 12 Some of David Halliday's most engaging works are those from his Box Series in which he merges traditional ideas about light and composition with contemporary experiments. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude. In this particular image, the bright yellow spiky petals of the zucchini's flower is gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting! About the work: The Past Still Present: A master of light, New Orleans photographer David Halliday produces lush and elegant images that are both classical and modern. Using window...

Archival digital print, edition of 25 (#274) 26 x 39 inches unframed 36 x 48 inch inches in simple black frame, 8-ply mat & AR non glare glass John Griebsch learned how to fly an ai...

Contemporary sepia toned photograph of New York City's High Line, the iconic raised walkway in Manhattan's west side neighborhood 'High Line: Column' by James Bleecker archival pigme...

"Sweet Gum" painted by Joy Taylor in 2022 28 x 22 inches, 37 x 29 inches framed acrylic on paper Custom Frame with White Wood Molding, Window Mat and Tru Vu AR Glass Joy Taylor’s paintings transform botany into a personal vision. Her recent series on canvas, playfully titled the “Boo-K” paintings, defy traditional still life depictions that often seek to tame and order the objects of the world. On the contrary, Taylor’s subjects are never still. Her floral forms have the crisp, clean qualities of cut paper; sharp, decisive lines slice through blocks of pure pigment to create defined edges of leaves, vines and blossoms. The colors are constructed as well as the form. Her exuberant palette of oranges, blues, magenta and green echo the complimentary colors favored by the Fauvists. Color is an element in and of itself in her work. This balance of sparkling color and form is irrepressible, at times disconcerting and even dangerous in its boldness. In a series of original paintings on paper, Joy pairs down the form by focusing on a single bloom or leaf. As a specimen under a microscope, Taylor dives into the crevices and details of each leaflet on this bright green Sweet...

Abstracted still life painting of a red flower with blue outlined petals against a white background "Red & Cerulean Rose" painted by Joy Taylor in 2021 35....

Barn with Birds, 2018 pigment print on watercolor paper, signed dated and numbered on face 13" X 16 1/4" edition #4/25 $1,500.00 21 x 27 inches framed - $1650 This Black and White ...

Contemporary food still life photograph of bread with assorted vegetables on a wood table Archival pigment print, ed. 9 of 25 Image size: 11 x 14 inches 17 x 21 inches with dark wood frame with non-glare glass and 8-ply white mat Halliday captures the beauty of a traditional still life with a contemporary spin. Here three loaves of bread are balanced on one another, beside blueberries, stones, squash, tomatoes, and legumes against a black background. The entwined green legumes and the bread's rough surface provides intriguing texture, while the delicately positioned white stones and blueberries lend brilliant color and shape. The contemporary still life is placed against a solid black background. The print #9 a limited edition of 25, is currently framed in a dark wood frame with non-glare glass and an 8-ply white mat. The artist's signature is located on the back and front. About the Artist: David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way, and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm colors and sepia tones he uses in his printing. More about the work: A master of light, David Halliday produces lush and elegant images that are both classical and modern. Celebrated for his ‘purist’ eye, he poetically captures the nude male body in a selection of sepia-toned prints from 1996. Rarely revealing the model's face, Halliday prefers to focus on the natural drape of limbs, soft folds of flawless skin, and curvature of the spine. Overall, a stunningly intimate portrayal of the male form done with elegance and charm. Resume: Born 1958, Glen Cove, New York Lives in Schodack Landing, NY EDUCATION 1998 Penland School of Crafts, Penland, North Carolina 1988 The Maine Photographic Workshops, Rockport, Maine 1976-79 Syracuse University, New York 1974-76 Wooster School Community Art Center, Danbury, Connecticut SELECTED SOLO EXHIBITIONS 2013 Threadbare/New Photographs, Arthur Roger Galley, New Orleans, LA McMurtrey Gallery, Houston, TX 2012 The Past Still Present, Ogden Museum of Southern Art, New Orleans, LA 2010 Arthur Roger Gallery, New Orleans, LA Wessel+O’Connor Fine Art, Lambertville, NJ Julie Heller Gallery, Provincetown, MA Graficas Gallery, Nantucket, MA 2009 Culinary Delights, San Antonio Museum of Art, San Antonio, TX Two Decades: David Halliday, Carrie Haddad Photographs, Hudson, NY 2008 Arthur Roger Gallery, New Orleans, LA Still-Life, Stephen Cohen Gallery, Los Angeles, CA Carrie Haddad Gallery, Hudson, NY Watermark Gallery, Houston TX Strange Fruit: David Halliday and Greg Kuharic...

Horizontal minimalist abstract acrylic painting in color fields of aqua, deep blue and black. oil and alkyd on canvas in a Larson Juhl black wood recessed framed Inspired by stones, stains from nature, erosion and artists such as Rothko and Sam Francis, Snow produces meditative fields of brilliant aqua, blue and black color by layering oil paints with a fast drying alkyd medium. The network of layers are bound to a complex under-painting with broad bands of pigment while the rapid drying alkyd allows Snow to continue the succession quite quickly, revealing beautiful boundaries of color. With his painting Snow strives for purity, seeking depth without illusion, using horizons of colors as a harmonious language to create chords, scales and tones. The artist has exhibited extensively in the New England region and has shown with Carrie Haddad Gallery for more than ten years. Surface texture of this painting is incredibly smooth due to the combination of paint and chemicals used. Palette is a brilliant aqua and...

These 4 oil on canvas paintings are in a set of 4 for $8000.00. “Friends of Friends” explores a playful world where dreams and reality meld together to create surreal moments. Whe...

Pictured is Edition #1/10 and is the framed price. This image is available also in the two other paper sizes unframed. British-born photographer Heal creates an image where her ...

Swept Away 4 ( Unique Gestural Abstract Camerless Photograph in Black and Pink) Abstract photograph, chromoskedasic monoprint 20 x 16 inches 28 x 24 inches framed, custom black wood,...

Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...

Encaustic on board 10 x 12 inches This monochromatic encaustic landscape on board was created by Hudson Valley-based artist Leigh Palmer. Once a hard edge realist painter, the artist eschews those details, letting the stroke of his brush and moody palette leave an abstract implication of the landscape. The main image is bordered by white to give the impression of a window. About the artist: In the Openings series, Palmer integrates the frame into the painting. This element contributes to the narrative, suggesting the viewer is inside looking out. We are not a part of the landscape, rather we are a peaceful witnesses to nature that will transcend even our own existence and continue to change with the seasons long after we have passed. We are romanced by Leigh Palmer's unique ability to pare down and find the true essence of the landscape, gently veiled through his own soul. We are proud to have exhibited his work since the inception of Carrie Haddad Gallery in 1991. Today, the artist continues to work with both encaustic and oil paint. He is currently developing a new series in his studio right across the street from the gallery. We hope to reveal his new work to the public sometime in 2021. Artist Statement: My paintings are based on observation of the landscape in the Hudson River Valley where I live, and are improvised in the studio; the images are found or discovered in my memory of familiar places and developed during the painting process. Human beings do not appear, but their presence is felt in the marks left on the ground (furrows, fence rows, roads), and sometimes in the air (smoke, haze). About the artist: In 1987, Leigh Palmer moved with his family from suburban Duxbury, Massachusetts, to Tivoli, New York, a quiet town on the Hudson River, north of New York City. His subject matter shifted to the sprawling hills and countryside of the Hudson Valley. “I wanted to respond to the new landscape I was seeing, to catch something of the feeling I had just before dark,” says Palmer. “I took a lot of photographs, but I was happier with the paintings I created from memory.” Leigh Palmer has been represented by Carrie Haddad Gallery in Hudson, NY for over 25 years. Resume: EXHIBITIONS 2013 - 2017 Carrie Haddad Gallery, Hudson NY 2011 Graficas Gallery, Nantucket MA 2010 Carrie Haddad Gallery, Hudson NY 2009 Bachelier-Cardonsky Gallery, Kent CT 2008 Bachelier-Cardonsky Gallery, Kent CT Four Starr Gallery, Stonington CT 2007 Carrie Haddad Gallery, Hudson NY 2005 Bachelier-Cardonsky Gallery, Kent CT 2004 Segalas Gallery, Bernardsville NJ 2003, 04 Bachelier-Cardonsky, Gallery Kent CT 2000, 01, 03 Carrie Haddad Gallery, Hudson NY 1999 Barbara Singer Fine Art, Cambridge MA 1999, 98 Carrie Haddad Gallery, Hudson NY 1997 The Main Street Gallery, Nantucket MA 1996 Randall Tuttle Fine Arts, Woodbury CT 1995 James Cox...

Vertical photo-realist painting on canvas of pale pink ball with steel colored hook on a bright sky blue background 72 x 36 x 1.5 inches oil on canvas, thin wood stripping signed "Richards" on bottom right corner in yellow paint wire is installed on the back for easy hanging This precisely detailed photo-realist painting was made by Joseph E. Richards in 1981. The artist painted this piece when he was 60 years old during a successful career painting trains, cargo ships, and industrial machinery. Richards served in the US Navy during WWII and went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia before showing with Ivan Karp of O.K. Harris Gallery in NYC. The artist moved upstate to Hillsdale, NY for the later years of his life. This painting captures one of Richards' most beloved subjects, close up views of industrial equipment against a vivid blue sky. With a photo-realist approach to the subject, Richard was able to capture detailed changes in light and shadow, shape and form. The pale pink colored ball and steel colored hook, down to each screw and bolt, is completed with extreme focus and precision. One could easily confuse this painting with a photograph since it was completed with a very smooth application of paint, with no texture built upon the surface. It is not until you examine the painting up close, do you realize the artist's calculated brushwork. The painting is framed with natural wood stripping. The work is lightweight and easy to hang with wire installed on the back.The artist's signature is located on the front and back of the canvas. About the artist: Joseph Richards’ precisely painted canvases of giant cranes, cargo booms, propellers and train engines are fueled with a fascination like that of a six-year old boy. Working directly from photographs, Richards unites light and color together as one element, evident in the reflective surfaces of steel. The otherwise mundane signs of corrosive wear are magnified; rust stains glow on the canvas and yellow painted pulleys radiate like beacons against a bright, blue sky. Richards finds beauty in their dramatic color, resilient texture, definitive form and functionality. Richards paints sections of these objects in grand scale, with canvases up to 6 feet long and eye-popping color, calling attention to their massive proportions and exceptional strength. Richards had solo exhibits in New York City, Scottsdale AZ, and Washington DC, and his work is found in private and corporate collections here and abroad, e.g., the Tucson Museum of Fine Arts, Mobil Oil, Lankenau Hospital in Philadelphia, and E. Jean Belloni in Geneva, Switzerland. Resume: Born in 1921 in Des Moines, Iowa, Joseph Richards left for Chicago after high school to pursue a career in art. After serving in the U.S. Navy from 1942 – 1945, he went on to study at the American Academy of Art in Chicago and the Pennsylvania Academy of Fine Arts in Philadelphia. He eventually settled with his wife, Betty, in New York City. In 1969, longtime dealer Ivan Karp opened The OK Harris Gallery on West Broadway in Manhattan’s SoHo. Karp was at the forefront of the Photorealism movement, showing artists such as Duane Hanson and Manny Farber...

Acrylic on canvas This suite of artworks expands upon Dixon’s unwavering commitment to the possibilities and power of abstraction. Eighteen features recent paintings inspired by his...

Big Little #146 (Small, Square Abstract Painting with Linear Patterns) by Vincent Pomilio acrylic, pigmented plaster, and wax on wood panel 12 x 12 inches, unframed signed, verso Th...

“Friends of Friends” explores a playful world where dreams and reality meld together to create surreal moments. When engaging with Piussi's work, we enter an arena where we are imme...

Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...

Archival digital print 18 x 13 inches, edition of 225 Additional sizes available This contemporary, archival digital scanograph floral still life was made by fine art photographer, ...

Figurative chalk drawing of colorful feathers and blue wave on vintage collaged book pages 'The Third Grade Reader- Feathers on Water' by Louise Laplante in 2022 pastel on collaged v...

Edition # 1/4 This is the framed, varnished giclee print on Museo wax price listed. The photograph is only available for purchase framed. Quiescence - 2009 A mixture of portraits ...

Contemporary landscape painting of Monserrate in South America, neutral palette with light white mist over a dark green mountain 36 x 60 inches oil on canvas, unframed (thin wood stripping only) Painting is wired on the back for installation Magnificent contemporary landscape painting of "Monserrate", a mountain near Bogota in Columbia that rises 3.152 meters above sea level. All downtown Bogotá, south Bogotá and some sections of the north of the city are visible facing west, making it a popular destination for watching the sun set over the city. Bill Sullivan expertly paints wispy clouds that settle down around the mountain's peak. About the work by John Ashbery: With only a tinge of irony, Bill Sullivan makes new the vast spaces and swooning optimism of nineteeth-century Luminist painting. Reaffirming the contemplation of nature as its own reward, he also sets new tasks for painting and undertakes them with compelling eagerness. While there has been a tendency among some contemporary artists to present a revisionist view of the "great outdoors" of nineteenth-century landscape painters, Sullivan has no satirical agenda. After spending several years in South America amid the landscapes that attracted Frederic Edwin Church and Martin Heade, among others, he refined and strengthened this awesome imagery after returning to New York. A certain surreality floats though these vaporous visions of Columbia, though this may just be the result of Sullivan's careful documentation of scenes that looked unreal to begin with. About the Artist: Sullivan attended Silvermine College and earned an M.F.A. from The University of Pennsylvania, where he studied with Fairfield Porter, Neil Welliver, Jane Freilicher, John Button and Rudy Burckhardt. He also studied privately with Josef and Annie Albers. In the late 1960s, Sullivan joined Bowery Gallery, an artist-run gallery that was dedicatedto figurative art. Later, when the Alliance of Figurative Artists was starting, Sullivan organized weekly panels and discussions at The Educational Alliance. Sullivan's first solo show at Bowery Gallery in 1970 included paintings depicting people, New York cityscapes and still lifes. After this show, Sullivan developed an interest in landscape painting. New York City, the Hudson River and Manhattan's West Side highway became his main subjects. He had several shows of these paintings at Bowery Gallery and continued to paint the Hudson River until the end of his life. At one of these shows he met art collector G. W. Einstein, who became his friend and represented him for many years. Sullivan had his first solo show at G. W. Einstein Company in 1978. In 1977, Sullivan met Colombian writer Jaime Manrique; they traveled to Colombia, where Bill painted the places that Frederick Edwin Church and Martin Johnson Heade had painted in the 1850s. In Colombia he had a solo show in the Bogotá Museum of Modern Art in 1978. The years following his return from South America was the period when Sullivan's work was most in display in New York City. Sullivan remained in New York City until 2001 where he had several solo shows. In 2002, he settled in Hudson, New York, where his two nineteenth-century heroes, Frederick Church and Sanford Robinson Gifford, had lived. He painted many of the sites Church and Gifford rendered on canvas. Resume: 2009 Carrie Haddad Gallery, Hudson, NY 2008 BCB Gallery, Hudson, NY 2007 BCB Gallery, Hudson, NY 2006 The Autobiography of Bill Sullivan: A Landscape Retrospective, The Albany Institute of History and Art, Albany, NY 2005 Roxbury Art Group, Roxbury, NY Hudson River Views, Bonnie Andretta Fine Arts, Hudson, NY 2004 Indelible, Gallery 2/20, New York, NY Workshop Exhibition, Dannette Koke Fine Art, New York, NY 2003 The Gallery at The St. Charles, Hudson, NY Paintings of South America, Hudson, NY Painted City, Carrie Haddad Gallery, Hudson, NY Juried Art Show, Columbian Council on the Arts, Hudson, NY Made In Hudson, Artwalk, Hudson, NY 2002 Musselman Gallery, Hudson, NY 2001 HHA Gallery, Riverdale, NY The Landscape That Changed America, The Albany Institute of History and Art, Albany, NY 1999 Silas-Kenyon Gallery, Provincetown, MA Greenwoods and Crystal Waters: The American Landscape Tradition, Philbrook Museum of Art, Tulsa, OK 1998 Suitcase Will Travel, Conductor’s Gallery, London, UK 1997 House/Scene, Kunsthaus, Hamburg, Germany Selected Prints, Atrium Gallery, Long Island City, NY Contemporary Selections, Albany Institute of History and Art, Albany, NY 1996 Uptown Gallery, New York, NY Eight Realists: Realism Then and Now, K & E Gallery, New York, NY Recent Acquisitions, Albany Institute of History and Art, Albany, NY Pencilvanians Drawn to New York, Pennsylvania Alumni Exhibition, Roger Smith Gallery, New York, NY New Acquisitions, Museum of the City of New York, New York, NY 1995 Five Aspects of American Landscape Painting, Creiger Dane Gallery, Boston, MA New York City Views, Owen Gallery, New York, NY Increased Visibility, Leslie-Lohman Gallery, New York, NY American Realism, Gallery Bijutsu Sekai, Tokyo, Japan Group Show, G.W. Einstein Co., New York, NY 1994 25th Anniversary Exhibition, Bowery Gallery, New York, NY Pride in Our Diversity, 24 Hours for Life Gallery, New York, NY Paint Props and Process, Castle Gallery, College of New Rochelle, New Rochelle, NY 1993 Celebration, G.W. Einstein Co, Inc., New York, NY Far Away Places Artists Who Travel, SSC&B Lintas Worldwide, New York, NY Group Show, John Szoke Gallery, New York, NY Art & Fantasy, Amos Eno Gallery and The Puck Building, New York, NY Organization of Independent Artists Benefit, Brook Alexander Gallery, New York, NY 19th & 20th Century Works of Art, Friends of OLANA Benefit, Hudson, NY 1992 New York Icons, Michael Ingbar Gallery, New York, NY Group Show, John Szoke Gallery, New York, NY Shanti Foundation Benefit Exhibition, Tatistcheff Gallery, Santa Monica, CA Contemporary American Landscape, World Art Collection in conjunction with Quatre Pieces Gallery, Yokohoma, Japan The Scarf, Bergdorf Goodman, New York, NY 1991 Urban Icons, Klarfeld Perry Gallery, New York, NY City Edge of Night, The Muckenthaler Cultural Center, Fullerton, CA Spirit of Place Dada Gallery, Fukuoka, Japan Group Show, Tatistchieff, Santa Monica, CA Group Show, John Szoke Gallery, New York, NY American Images, Crane Art Gallery, Tokyo, Japan; World Art Collection, Yokohama, Japan; Daimon Art Gallery, Sapparo, Japan; Beersheba Gallery, Osaka, Japan 1990 Susan Schreiber Gallery, New York, NY Tatistcheff Gallery, Santa Monica, CA Invitational Exhibition, American Academy of Arts and Letters, New York, NY Plein Air Painting: Capturing the Moment, Tatistcheff Gallery, Santa Monica, CA Land/Sea/Air, Steven Scott Gallery, Baltimore, MD Penn Prints: 30 Years of Printmaking at the University of Pennsylvania, Arthur Ross Gallery, University of Pennsylvania, Philadelphia, PA A Little Night Music...

Sepia Toned Still Life of Wooden Antique Headrest from Tonga 17 x 17, edition 5 of 25 Silver Gelatin Print, unframed David Halliday's series consists of sepia-toned still lives of antique objects from Tonga, a Polynesian sovereign state and archipelago comprising 169 islands, of which 36 are inhabited. Tonga was once at the center of a vast trading empire stretching...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of light brown, beige, and gray Acrylic on 3 panels Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

Abstract Deconstructionist watercolor painting of a rural landscape with a cool grey blue palette and earth tones "Mindscape 10", painted by Susan Hope Fogel in 2020 22 x 30 inches ...

18 x 12 inches 24.25 x 18.25 in. framed ($950 price includes frame) John Griebsch learned how to fly an airplane when he was just fourteen years old. Since then he has combined his ...

Moon Noon (Figurative Painting of Young Woman Reaching to Cloudy Yellow Sky) by Annika Tucksmith 2024 oil on panel 16 x 20 inches, unframed With the occasional exception, the subjec...

Minimalist gestural abstract drawing on paper with black ink "Energy Clearing #1", by Jeanette Fintz, 2019 22 x 30 inches, 28 x 35.5 inches in natural wood frame Wire and d-rings for...

"Big Little #144" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and white palette acrylic, ...

Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...

Square Table, 1992 Still Life Photograph of Antique Table by David Halliday Sepia toned silver gelatin print, edition of 15 Custom brown wood shadow box frames, no mat with AR non g...

Robert Jacobson Danish, 1912–1993 Abstract Composition, 1950 Wool tapestry/Carpet 108 L x 71 W in. Multicolored hues to the obverse. Signed Woven by Danish Ege Axminster

Oil on linen.

Abstract Figurative city landscape painting of Tompkins Square in Manhattan "Tompkins Square" painted by William Clutz in 1960 Oil on canvas, signed at bottom 30 x 25 inches, 30.5 x...

Archival pigment print Interior Still Life Photograph of a Wardrobe full of Clothing and Books 25 1/2 × 20 in; 64.8 × 50.8 cm, 40.5 x 33 inches framed Edition of 10 In this series, Halliday captures the interiors of his home and studio in his restored home in New Orleans, Louisiana. This intimate portrait is of the artist's own wardrobe; oxford button up shirts in blue, coral and white hang on the inside. The items displayed represent objects from the artist's daily life and gives a glimpse into his personality. The peeling wallpaper...

"Big Little #142" (Contemporary Abstract Geometric Painting) by Vincent Pomilio Colorful abstract painting on panel made with mixed media in a bright red and blue palette acrylic, p...

unique chromoskedasic monoprint on B&W photo paper 14 x 11 inches unframed 20 x 16 inches in black metal frame with non-glare glass This contemporary, abstract style chromoskedasic ...

60 x 72 x 1.5 inches acrylic on canvas being offered by Carrie Haddad Gallery located in Hudson, NY. Large, horizontal abstract painting with a palette of bright green, yellow and o...

Abstract ceramic tile painting of striped and polka dot teal birds against a black background with teal and green mosaic accents. 18 x 18 inches...

Graphic Abstract mixed media collage of black and white shells with pops of peach, yellow, and marbled paper "Shell 1", by David Dew Bruner, 2020 Mixed Media on paper in a white pain...

Impressionist style en plein air landscape painting on linen of a rural country barn with a bright yellow sunset and earth toned plowed farm fields #3991 Warren's Barn, painted by Ha...

Color landscape photograph of urban skyline and ferry in Double Bay in Sydney, Australia "Double Bay Ferry", by Keith Loutit, printed in 2008 in part of the artist's 'Small Worlds P...

Abstract print of an aerial view of a baseball park with a distant landscape 24 x 12 inch image on 30 x 22 inch Rives BFK paper, unframed Rives BFK paper is made of cotton, has dec...

USA (The Sciences), 2019 : Abstract Colored Pencil & Postage Stamp by Andrea Moreau 11" X 11" paper size colored pencil and postage stamp on paper 15 x 15 x 1 inches framed This co...

Framed flower still life photograph of a pale pink rose on a solid black background “Untitled 11” by Chad Kleitsch, this image is part of the...

Archival digital print 15.25 x 11 inches, edition of 225 Additional sizes available This contemporary, archival digital scanograph floral still life was made by fine art photographe...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

Framed flower still life photograph of a white and pale yellow peony on a solid black background “Untitled 18” by Chad Kleitsch, this image i...

Abstracted landscape sepia toned photograph of clouds and sky on 3 panels Japanese Kozo paper infused with encaustic on 3 panels, each panel is 3...

I'm interested in the physicality of the painting process, and how this physical process connects me to the messy processes of paint application and decision-making. I'm interested i...

36 x 72 inches with thin wood frame $8,500 Modern, horizontal landscape oil painting of a large volcano in the Ecuadorian Andes. The oil painting is very colorful with highly sat...

Two Buildings in Covington, Tennessee (Oil Painting Pink/Green Building) Made in 2023 by Berkshire based artist Margaret G. Still Oil on Canvas, 14 x 18 inches The desaturated tones...

Sepia Toned Photograph of Five Ceremonial Canes from Tonga ed. 4/25 17 x 17 inches silver gelatin print on archival paper, unframed Tonga was once at the center of a vast trading empire stretching...

Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...

Bowl of Cherries Contemporary Still Life Cyanotype Photograph of a bowl of cherries Image is 20 x 16 inches, paper size is 24 x 18 inches, ed of 5 Unframed David Sokosh is a storyteller with a unique ability to internalize, synthesize, and recollect. If one of his tenderly photographed stills lifes was a tiny window into the workings of his mind, then on the other side you would discover a trove of collected treasures. Vintage teacups...

Acrylic on canvas Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ab...

Contemporary color photograph of the interior of an abandoned power station 35 x 25 inches unframed 41.5 x 31.5 inches in white wood frame with AR non-glare glass This contemporary photograph of an abandoned theater interior was captured by New York based photographer, Elliott Kaufman, in 2005. Here the artist highlights the beautiful crumbling interior of the Glendale Power Station in Yonkers, NY. The photograph is complimented with a custom white wood frame measuring 41.5 x 31.5 inches. There is wiring on the back for installation. About the series: Elliott Kaufman conveys the haunting magnificence of forgotten buildings in the Abandoned series. Architectural marvels once home to heartbreaking operas, spectacular gatherings, or a loving family now sit vacant and linger in fading memories of the past with each new crack of paint, crumbling brick, or falling beam. Through his lens, Kaufman captures the remnants of these majestic structures, romanticizing what once was for viewers in the present day. This series won 2nd place in the ASMP National Competition. Exhibitions: 2014 Carrie Haddad Gallery: Water Pictures : December 18th thru January 2015. 2014 International Center of Photography, Juried Group Faculty Show: Photographs in the Social Landscape 2013 Carrie Haddad Gallery, Hudson, NY. Group Show: Street Dance Series 2012 Carrie Haddad Gallery, Hudson, NY. Group Show : Time Transformations 2012 The Hudson Studio, Hudson, NY.: Solo Show : Abandoned Architecture. 2011 Garrison Art Gallery, Juried Group Show 2010 Alan Klotz Gallery, Group Show on the 400th Anniversary of the Hudson River. 2009 Through the Eyes of Others Photographs of India...

Iris (Contemporary Abstract Geometric Painting, Diptych in Oil) by Ricardo Mulero 24 x 24.5 x 1.75 inches Oil on Two Panels No frame necessary Signed on bottom left corner Contemporary Hard Edge Abstract Geometric Origami painting...

graphite on paper, drawing measures 5.5 x 4 inches Vintage frame is 12.5 x 9 x 2 inches with beautiful floral carved detail and fabric inlay. This graphite work on paper was inspire...