Hudson - Art

Mounted archival pigment print photographs on pure cotton rag paper Artist made natural wood shadow box frames with AR non glare glass 63.5 x 24.5 inches hung vertically Editio...

Contemporary pigment print 36 x 45.5 inches unframed Japanese Kozo paper infused with encaustic on 4 panels, each panel is 36 inches x 11 inches edition of 12 Jeri Eisenberg's photographs, which capture nature's beautiful moments, are printed on panels of thin Japanese Kozo paper. The paper's translucent quality compliments the image with delicate sophistication. A thin layer of encaustic is applied on top of the photograph panels, creating a matte, smooth surface. Here, four blue and white panels...

Abstract digital print on black/white photo paper 25.5 x 21.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass Pairs well with Ref: LU2272395053 These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by painting with the photographic chemicals directly onto black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

Six color photographs railroad train cars are presented in a 24"x 98" grid. Each of the six 10"x30" photographs is signed on the reverse and is a limited edition of 10, mounted to pl...

Sepia Toned Silver Gelatin Photograph of Clothing Making Tools from Ancient Tonga 17 x 17 inches, edition of 25 signature on face Tonga was once at the center of a vast trading empire stretching...

Contemporary still life photograph of white flower with light pink, orange center Untitled- Number 74 (White) by Chad Kleitsch Archival pigment print on Hahnemuhle photo rag matte pa...

Color still life photograph of purple grapes with green vines on figurative olive branches against a white and beige background 'Walking Grapes', by David Halliday, 2017 archival pig...

Large panoramic landscape photograph of the Freedom Tower at night One World Trade Center #11 by James Bleecker 50 x 100 inch sheet size, edit...

2015 black and white archival inkjet print on watercolor paper 10 x 15 inches unframed 16.5 x 21.5 inches framed $1250 Photographed in Maine, this black and white archival pigment print by Betsy Weis captures white birch trees in rows. The ordered arrangement evolves into an organic complexity as the trunks spread out into branches. This photograph is available unframed. The image measures 10 x 15 inches. 16.5 x 21.5 inches framed $1250 Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Abstracted landscape photograph of clouds and blue sky on three panels Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 i...

20 x 16 inches Unique chromoskedasic monoprint on black and white photo paper with gloss finish This contemporary, abstract style chromoskedasic monoprint was created by experimenta...

Acrylic on paper 21.5 x 19.75 inches framed

Minimalist aerial landscape photograph of green ponds with a white barrier Archival digital print, Edition of 25 (#072) Image size 23.5 x 29 inches with 2 inch border, made to order Also available in the following sizes: Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs five green ponds above Batavia, New York. When seen from above, the stark white barrier that divides the green bodies of water resembles an abstract line on a minimalist abstract canvas. Artist statement: My aerial photographs present a sense of selective design applied to an extremely small and specific area of the vast landscape over which I fly. I find the need to make geographical sense of the earth, as well as the need to make visual sense of a photograph. I work with ambiguity of scale, the graphic quality of nature and with the hand of man upon the landscape. My images have an abstract and often painterly quality. They are at once factual and interpretive. Familiar landscapes take on a fresh context when airborne. The images require the confluence of several factors. There is the subject – a minuscule segment of the landscape that has captured my interest due to its sense of pattern, order or disarray. There is the essential contribution of light. There is the position and altitude of the airplane, and there is a need to capture the stillness and composition of the moment while moving over the subject at more than seventy miles per hour. My earliest aerial photographs were of ice and farmland, made close to home. The scope of the work opened up on solo flights across the continent in my vintage 1952 Cessna 170B. Those flights are made to find images of landscapes on a grander scale as well as unfamiliar opportunities to find images that take in a small detail. In my most recent work I’ve discovered what might be regarded as historical or documentary themes – some of the images of factories and quarries present relics of the country’s industrial past, while my newer images of the landscape and agriculture denote changes in the scale of farming and open space. The existing body of work, titled Aerias is comprised of more than two hundred images. Collections of my images have been placed in corporate and business settings and in private collections. I started photographing when I was twelve years old. My father taught me to fly when I was fourteen years old. Before taking off on my first solo flight, he admonished me not to go out of sight of the airport. I was soon out of his view and yet from where I was, the airport was always in sight. Such are the perceptions of a photographer who is airborne. More about the artist: Resume John Griebsch is an aerial photographer and pilot whose aerial landscapes depict natural and man-made landforms. His images of the American landscape have been made from his vintage Cessna 170, in which he has logged more than 100,000 miles. At present there are 300 images in his series of work, titled, AERIAS. Representation Iris Gallery, Boston & Great Barrington, Massachusetts, Aspen, Colorado Carrie Haddad Photographs, Hudson, New York The Art Registry, Washington, DC Chicago Art Source, Chicago, Illinois June Bateman Fine Art, New York, New York Estro Photographics, New York, New York Susan...

Contemporary nautical seascape photograph of blue ocean waves 36 x 33 inches unframed Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches Je...

Unique chromoskedasic monoprint mounted on aluminum 40 x 25 inches Signed on reverse This contemporary, abstract style chromoskedasic monoprint was created by experimental photograp...

Baby Face (16 x 16), 2011 - Abstract Contemporary Painting on wood panel 16" X 16" , encaustic on board A pale blue encaustic painting with abstract white a...

Contemporary pigment print 36 x 34 inches unframed Japanese Kozo paper infused with encaustic on 3 panels, each panel is 36 inches x 11 inches edition of 12 Jeri Eisenberg's photo...

Rope and Plant Stand, 2017 43" X 17 1/2" mounted archival pigment print, ed. 1/5 This vertical sepia toned silver gelatin print still life of a Rope and Plant Stand was printed by...

Washington Square Arch pigment print on watercolor paper 13 x 16, edition of 25 $1500 20 x 24, edition of 25 $2500 40x50, edition of 15, $6,500 ...

image size: 8 x 10 inches Portrait of Tennessee Williams Unique Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in penci...

Quimby Farm, Marlborough, NY, 2018 pigment print on watercolor paper, signed dated and numbered on face 13 X 16 1/4 edition of 25 $1,500.00 24 x 20, edition of 25 $2500 This Black...

Kline Kill Road archival pigment print on watercolor paper 16 x 13, edition of 25 $1500 24 x 20, edition of 25 $2500 50x40, edition of 25, $6,500 This Black and White Sepia-toned print of a barn in upstate New York was taken by photographer, James Bleecker. The rural scene depicts a pond reflecting the nearby willow tree and barn. The sunlight breaks through the clouds, casting a heavenly glow to the idyllic country setting. Artist Statement: These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough). While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings. About the Artist: James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley. About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written, "James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty." Collections: Berkshire Museum Barry Diller...

Archival digital print, edition of 25 (#200) Image size 23.5 x 29 inches with 2 inch border $2000 Image size 31 x 39 inches with 2 inch border $3200 Image size 38.5 x 48 inches with 2 inch border $4500 The aerial photographs of pilot and photographer John Griebsch capture natural and man-made landforms from a bird's-eye view and turn them into art. Employing his mature and professional sense of composition, gained from a photography career that began at the age of 12, Griebsch here photographs the offloading gantry for a paper mill...

Archival digital scanograph 25 x 18 inches, edition of 150 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank, i...

Nautical color still life photograph of thick coiled rope on white background archival pigment print, edition of 10 20 x 20 inch paper size with 16 inch di...

C-type archival print, edition of 25 20 x 16 inches unframed 29.5 x 25 inches in ornate wood frame with engraved gold detail This Renaissance inspired photograph was created by London based photographer Nick Simpson in 2005. It is based off of the c. 1540 painting "Venus, Cupid, Folly and Time" by Forentine painter Agnolo Bronzino...

10 x 10 inch image on 11 x 17 inch paper, $900 unframed All editions are printed on Hahnemuhle Photo Rag Matte Paper with Epson archival quality inks available in editions of 25 in...

Acrylic on 3 wood panels Each panel measures 6 x 24 x 2 inches Suggested installation is 1-2 inches between panels, which can be oriented in any direction Overall measurement for pic...

sepia toned archival pigment print, edition 1 of 10 50 x 40 inches, 53 x 43 inches framed This modern, sepia toned landscape print was made by artist, David Halliday in 2000. The se...

Archival digital print 40 x 40 inches, edition of 15 Additional sizes available This contemporary, archival digital print was made by fine art photographer, Lisa Frank, in 2017. The...

Vertical charcoal drawing on Arches paper 18 x 13 inches unframed 25 x 20 inches in black metal frame with AR non-glare glass & 8-ply mat This contemporary, abstract charcoal drawin...

11.25 x 11.25 inches unframed Archival pigment print edition of 12 Some of David Halliday's most engaging works are those from his Box Series in which he merges traditional ideas about light and composition with contemporary experiments. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude. In this particular image, the waxy texture of a solid hunk of salty parmesan cheese and its crumbles is gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting! About the work: The Past Still Present: A master of light, New Orleans photographer David Halliday produces lush and elegant images that are both classical and modern. Using window...

5" X 30" X 1", six panels, each panel is 5 x 5 x 1 inches each acrylic on panel monochromatic painting, multi-panel abstract painting, grid, small panel painting, green and blue ...

Lisa Pressman earned her BA in Art from Douglas College, Rutgers University and an MFA from Bard College. Her work has been exhibited extensively throughout the U.S. and abroad, incl...

Acrylic on canvas This suite of artworks expands upon Dixon’s unwavering commitment to the possibilities and power of abstraction. Eighteen features recent paintings inspired by his...

Bay Light II pastel on paper 6 x 6inches 12 x 12 inches 2023

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover...

Acrylic and oil pastel on canvas

Edition 2 of 25. Shipping time depends on method of shipping. ABOUT Robin Rice is an accomplished Gallerist in The West Village. Her eye manages to capture the bliss of small sing...

Allison Green was born in Philadelphia and grew up in a nearby rural suburb. Throughout her childhood Green lived on the periphery of a lush forest, an experience that has greatly im...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 7. If the exhibition piece is sold or the customer orders a different print size, the photograph is produ...

The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...

Artist Bio: Carole Eisner was born and raised in New York City and received a BFA from Syracuse University. She has had eight solo shows in New York City at David Findlay Gallery, E...

Signed and dated "Biederman 4-35" lower right. About this artist: Charles Joseph Biederman was a twentieth century abstract American artist best known for his constructivist, cubist...

The Missing Suitors is a limited edition 13 color hand-pulled Serigraph by artist Josh Agle aka SHAG. Hand signed and numbered 214/300 by the artist. Comes with a Certificate of authenticity (C.O.A.). Shag is an American born painter, designer and illustrator working in Southern California. His distinctive artistic style draws from commercial illustration and has an attitude and sly sense of humor which is unmistakably of our time. His paintings celebrate consumerism and consumption on vividly colored sharply rendered panels; the characters drink, smoke and eat in lavish, stylish surroundings. Shag's work is categorized as lowbrow art...

Mixed media on paper. Framed: 15" x 18" My work comes from observation, memory and imagination. Collective daydreams that make another world out of this world--the experience of ‘in...

The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. As a photographer, Boaz defies a traditional approach to perspective and instead situates himself quite literally in the sky above. The resulting work is breathtaking and arresting. Each image captured by Boaz offers his audiences a rare composition of both nature and civilization in all their complexity. Originally a recording studio owner and music producer in New York City, Boaz became an avid aerial photographer almost entirely by accident after he won a “doors off” helicopter ride over Manhattan that opened his eyes to a new realm of experience. The oddity of what he saw sparked a deep fascination that led Boaz to return again and again to the cramped cockpits of such helicopters until he found in them a studio at 1000 feet above. Flying well away from the world below, Boaz holds an eye in the sky. With it, he surveys terrain and develops concepts in real time as colors and textures flood into sight during each ride. Working under the throbbing sounds of the propellers overhead, Boaz directs the pilot over radio and creates spontaneous images of calm amidst chaos. In speaking of his method, he explains, “I seek out sound in my photos; I look to find those symbiotic patterns and fast-changing colors that play together in rhythm, similar to the layers that make up a beat.” Through this unique process, Boaz discovers a synesthetic harmony in each photograph just as he would if he was visualizing music on a track. As a result, the 13 large-format dye sublimation prints of Hawaii, Israel, Arizona, California and Key West in this exhibition hold a lingering tranquility as they flow throughout the gallery. The exhibition’s invitational image “Desert Isle” shows the tides of an emerald green ocean washing over sunbeam yellow sands to form a vibrant ripple green that coalesces into an S-shaped coastline where distant row boats and sunbathers appear like ants. His visionary approach to expanding how audiences see the everyday is reminiscent of Andreas Gursky who did the same in Rhine II (1999) which captured the magnificence of the Rhine River with virtuoso ease. Gifted with a sight of the world top down, Boaz’s aerial photography evokes a cosmic awareness of humanity as a tiny dot in the universe which borders on the surreal. He credits his influences to be Joan Miro, Christopher Nolan, Andreas Gursky, Annie Leibowitz...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...

Acrylic and oil pastel on canvas

This mixed media collage has a geometric stylistic look of Futurism and Art Deco, created with handpainted metallic colors. ink, watercolor, origami paper, patternmaking paper, foil....

oil on canvas stretched over wood panel

8" x 10" photograph 7" x 7" image Tree, Black and White, Nature, Writing, Still Life, Love, Forest

Milled wood, crayon and acrylic. Joe Sultan started sculpting later in life after building a home in the Hudson Valley in 2012. He trained, worked as an architect and led his own f...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Collage, paper and paint on paper

This piece is featured in Bruckner’s 2024 solo exhibition at Susan Eley Fine Art titled, “Keeping Memories”. Artist Biography: Karin Bruckner was born in Zurich, Switzerland and...

Listing is for UNFRAMED print. Inquire within for framing. Edition 3 of 25 After 30 years on West 11th Street, The Robin Rice Gallery celebrates its first ever exhibition for Robin...

Oil and graphite on canvas

Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a...