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Item Ships From: Illinois
SPACES_24, Digital on Metal
Located in Yardley, PA
This is a digital artwork, printed by White Wall on an Ultra HD photo of Albon Dibond. This is one of the most professional and highest museum quality printing in the world. This ...
Category
2010s Abstract Illinois - Prints and Multiples
Materials
Digital
OM_Light_24M, Digital on Metal
Located in Yardley, PA
This is a digital artwork, printed by White Wall on an Ultra HD photo of Albon Dibond. This is one of the most professional and highest museum quality printing in the world. This ...
Category
2010s Other Art Style Illinois - Prints and Multiples
Materials
Digital
"Robe in Furnace" by Jim Dine
By Jim Dine
Located in Hinsdale, IL
Jim Dine
Robe in Furnace
Original etching in colors on copperplate deluxe paper
From the rare, limited edition impression 4 of 31
Hand signed by artist and numbered
Image Size 27...
Category
1980s Abstract Expressionist Illinois - Prints and Multiples
Materials
Etching
Theogonie Exhibition Poster by Georges Braque, Modernist Mourlot Lithograph 1959
By (after) Georges Braque
Located in Chicago, IL
"Galerie Maeght Theogonie" announces an exhibition of the drawings Georges Braque produced to illustrate "Theogony", the 7th century BCE work by Hesiod that narrates the birth of the...
Category
Mid-20th Century Cubist Illinois - Prints and Multiples
Materials
Lithograph
Flow - Black and White Etching of a Female with Long Hair, Matted and Framed
By Juan Barragán
Located in Chicago, IL
A woman tilts her head towards the viewer, one eye peaking around the edge of the frame in this small etching by Juan Barragán. It is enhanced by the bl...
Category
2010s Contemporary Illinois - Prints and Multiples
Materials
Etching, Archival Ink, Archival Paper
Artist's Society Salon Poster by Raoul Dufy, French Modernist Lithograph, 1959
By Raoul Dufy
Located in Chicago, IL
"29th Salon de la Société des Artistes Décorateurs et Salon de la Lumière" depicts a Parisian city scene. Created by Raoul Dufy as the poster for the combination exhibition of works ...
Category
1930s Illinois - Prints and Multiples
Materials
Lithograph
TnT - Surreal Nude Figure, Fine Point Graphite Drawiing, Matted and Framed
By Oliver Hazard Benson
Located in Chicago, IL
An overly exaggerated nude figure is the subject of Oliver Hazard Benson's drawing entitled "TnT". Upon closer look, the artist's fine hand is evident in the amazing detail in the f...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Giclée
Vintage Chinese Gold Bar Cigarettes Advertisement Poster, c. 1930
Located in Chicago, IL
This 1930s advertising poster for the Gold Bar Cigarettes company draws from a well known Chinese opera scene. It melds the meticulous detail of traditional Chinese painting with the craft of color lithography. These advertisements, influenced by the Art Deco movement in the west, recall the economic boom of early 20th century Shanghai, an international center of business and trade. Today, lithograph tobacco posters...
Category
Early 20th Century Art Deco Illinois - Prints and Multiples
Materials
Paper, Ink
Vintage Chinese Advertisement Poster, c. 1930
Located in Chicago, IL
This poster from the 1930s melds the meticulous detail of traditional Chinese painting with the craft of color lithography—and a side of risque. The poster features a young woman dressed in a fur-trimmed coat with Western accessories...
Category
Early 20th Century Art Deco Illinois - Prints and Multiples
Materials
Paper, Ink
Vintage Chinese White Horse Cigarette Calendar Advertisement Poster, c. 1936
Located in Chicago, IL
This calendar advertisement poster for White Horse cigarettes was produced by Hu Boxiang, a famous commercial advertising artist in Shanghai during th...
Category
Early 20th Century Art Deco Illinois - Prints and Multiples
Materials
Paper, Ink
"Sculpteur au Travail" from Sable Mouvant by Pablo Picasso, 1964
By Pablo Picasso
Located in Hinsdale, IL
PICASSO, PABLO
(1881 – 1973)
"Sculpteur au Travail; from Sable Mouvant"
Bloch 1183, Baer 1152
Etching and aquatint on tissue-thin japon paper c. 1964
Bearing a watermark “LB – Louis Broder”
Signed in Pencil, lower right numbered X/XX, from the edition of 20 in Roman numerals on Japanese paper (there was also the edition of 50 in Arabic numerals on Japanese paper; the edition of 10 in Roman numerals on Auvergne wove paper; and the book edition of 255).
Printed by Atelier Crommelynck, Paris
Plate Size: 15.187” x 10.875”, Sheet Size: 21” x 16.18”.
Published by Louis Broder
Picasso illustrated these etching and aquatints as homage to the fascinating poem by Pierre Reverdy. Sable Mouvant (quicksand) is set in the desert and relates to a number of psychological struggles and hallucinations. The works by Picasso elegantly depict Reverdy’s intentions and remove the viewer from reality to expose the inner turmoil of a helpless man and his surroundings. Pablo Picasso was born in Malaga, Spain on October 25, 1881. By the age of 15 he was already technically skilled in drawing and painting. Picasso’s highly original style continuously evolved throughout his long career, expanding the definition of what art could be. In addition to painting, he would explore sculpture, ceramics and other art forms, and become one of the most influential artists of the 1900s. Paintings from Picasso’s blue period (1901-1904) depict forlorn people painted in shades of blue, evoking feelings of sadness and alienation. After his move to Paris in 1904, Picasso’s rose...
Category
1960s Cubist Illinois - Prints and Multiples
Materials
Etching
Vintage Chinese Advertisement Poster, c. 1930
Located in Chicago, IL
This commercial advertisement poster from 1930s Shanghai melds the meticulous detail of traditional Chinese painting with the craft of color lithography. Large companies often presented posters such as this to their clients to commemorate the Chinese New Year. This poster depicts a young woman luxuriously...
Category
Early 20th Century Art Deco Illinois - Prints and Multiples
Materials
Paper, Ink
Vintage Chinese Hatamen Cigarette Calendar Poster, c. 1931
Located in Chicago, IL
The famous commercial advertising artist Hu Boxiang created this advertisement calendar poster for the British American Tobacco Company in 1931. Unlike other poster artists, Hu was k...
Category
Early 20th Century Art Deco Illinois - Prints and Multiples
Materials
Paper, Ink
Alphonse Mucha's "Figures Decoratives" 1905 Art Nouveau Lithograph, Plate 30
By Alphonse Mucha
Located in Chicago, IL
Plate 30 from Alphonse Mucha's Figures Decoratives, a folio of forty color lithographic plates published by Librairie centrale des beaux-arts in 1905.
Issued during a period of incr...
Category
Early 1900s Art Nouveau Illinois - Prints and Multiples
Materials
Lithograph
Vintage Chinese and Western Medicine Pharmacy Advertisement Poster, c. 1920
Located in Chicago, IL
This advertising calendar poster dated from 1920 for the "Chinese and Western Medicine Pharmacy" melds the meticulous detail of traditional Chinese painting with the craft of color lithography. Compared to other Western influenced advertisements of the era featuring seductive women, posters like this one captivated consumers with the latest fashion trends. We see a woman with a Western hair cut...
Category
Early 20th Century Art Deco Illinois - Prints and Multiples
Materials
Paper, Ink
Vintage Chinese Cigarette Advertisement Poster, c. 1930
Located in Chicago, IL
This poster, an advertisement calendar for Excel Cigarettes from the 1930s, melds the meticulous detail of traditional Chinese painting with the craft of color lithography. This advertisement depicts a fashionable woman in traditional Chinese dress...
Category
Early 20th Century Art Deco Illinois - Prints and Multiples
Materials
Paper, Ink
Vintage Chinese Poster, c. 1930
Located in Chicago, IL
This vintage poster from the 1930s melds the meticulous detail of traditional Chinese painting with the craft of color lithography. The serene landscape print depicts a young woman d...
Category
Early 20th Century Art Deco Illinois - Prints and Multiples
Materials
Paper, Ink
Vintage Chinese Victory Cigarettes Advertisement Poster, c. 1930
Located in Chicago, IL
This 1930s advertisement for Victory Cigarettes melds the meticulous detail of traditional Chinese painting with the craft of color lithography—and a side of risqué. Posters like this one, influenced by the Art Deco movement in the West, recall the economic boom of early 20th century Shanghai, an international center of business and trade. Today, lithograph tobacco posters...
Category
Early 20th Century Art Deco Illinois - Prints and Multiples
Materials
Paper, Ink
Vintage Chinese New York Cigarettes Advertisement Poster, c. 1930
Located in Chicago, IL
This 1930s advertisement poster from Shanghai melds the meticulous detail of traditional Chinese painting with the craft of color lithography. Larg...
Category
Early 20th Century Art Deco Illinois - Prints and Multiples
Materials
Paper, Ink
Vintage Chinese Advertisement Poster, c. 1920
Located in Chicago, IL
This poster from the 1920s melds the meticulous detail of traditional Chinese painting with the craft of color lithography. The poster depicts two young girls gathered by an ornate stool...
Category
Early 20th Century Art Deco Illinois - Prints and Multiples
Materials
Paper, Ink
Vintage Chinese Hatamen Cigarettes Advertisement Poster, c. 1933
Located in Chicago, IL
This framed advertising poster for Hatamen Cigarettes from the late 1920s melds the meticulous detail of traditional Chinese painting with the nuanced color and fine resolution of color lithography. Ensconced in a filigree frame, a woman peers out alluringly, caressing the fur trim of her luxurious robe. Discreetly positioned on the lower corners, an open pack of Hatamen cigarettes makes a more subtle appeal to the senses. These advertisements, depicting fashionable women and influenced by the Art Deco movement in the west, recall the economic boom of early 20th-century Shanghai, an international center of business and trade. Today, these lithograph tobacco posters...
Category
Early 20th Century Art Deco Illinois - Prints and Multiples
Materials
Paper, Ink
Vintage Chinese Advertisement Poster, c. 1930
Located in Chicago, IL
This advertising poster from the 1930s melds the meticulous detail of traditional Chinese painting with the craft of color lithography that was popularized in China during the econom...
Category
Early 20th Century Art Deco Illinois - Prints and Multiples
Materials
Paper, Ink
Of Night
By Jill Moser
Located in Bloomington, IL
"Of Night" is a color aquatint and woodcut by Jill Moser, printed on Somerset Velvet Soft White paper in an edition of 20. The artist's signature, year and edition number are all in pencil below the image. The Manneken Press blind stamp is impressed into the lower left margin. The subtle brushstrokes in the horizontal orange block and the textured ink quality of the narrow pink strip...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Aquatint, Woodcut
H.O. Miethke Das Werk folio "Danaë" collotype print
By Gustav Klimt & K.K. Hof-und Staatsdruckerei
Located in Chicago, IL
Danaë, no. 2 from the fourth installment of Das Werk Gustav Klimts
Danae originates from Greek mythology. She is the daughter of the King of Argos. Because a...
Category
Early 1900s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
Rogue
By Jill Moser
Located in Bloomington, IL
"Rogue" is a color aquatint and woodcut by Jill Moser, printed on Somerset Velvet Soft White paper in an edition of 20. The artist's signature, year and edition number are all in pen...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Aquatint, Woodcut
Echolocation Blue-Green
By Anna Kunz
Located in Bloomington, IL
"Echolocation Blue-Green" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper.
Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works.
"Echolocation Blue-Green" is a unique monotype, 22" x 20"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame.
Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023.
Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Monotype
Echolocation Four
By Anna Kunz
Located in Bloomington, IL
"Echolocation Four" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper.
Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works.
"Echolocation Four" is a unique monotype, 30" x 27"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame.
Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023.
Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Monotype
Echolocation Seven
By Anna Kunz
Located in Bloomington, IL
"Echolocation Seven" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper.
Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works.
"Echolocation Seven" is a unique monotype, 30" x 27"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame.
Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023.
Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Monotype
Echolocation Five
By Anna Kunz
Located in Bloomington, IL
"Echolocation Five" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper.
Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works.
"Echolocation Five" is a unique monotype, 30" x 27"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame.
Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023.
Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...
Category
21st Century and Contemporary Abstract Geometric Illinois - Prints and Multiples
Materials
Monotype
Echolocation Six
By Anna Kunz
Located in Bloomington, IL
"Echolocation Six" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper.
Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works.
"Echolocation Six" is a unique monotype, 30" x 27"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame.
Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023.
Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...
Category
21st Century and Contemporary Abstract Geometric Illinois - Prints and Multiples
Materials
Monotype
Echolocation One
By Anna Kunz
Located in Bloomington, IL
"Echolocation One" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper.
Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works.
"Echolocation One" is a unique monotype, 30" x 27"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame.
Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023.
Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Monotype
Echolocation Two
By Anna Kunz
Located in Bloomington, IL
"Echolocation Two" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper.
Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works.
"Echolocation Two" is a unique monotype, 30" x 27"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame.
Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023.
Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Monotype
Echolocation Green
By Anna Kunz
Located in Bloomington, IL
"Echolocation Green" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper.
Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works.
"Echolocation Green" is a unique monotype, 22" x 20"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame.
Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023.
Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Monotype
Echolocation Pink
By Anna Kunz
Located in Bloomington, IL
"Echolocation Pink" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper.
Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works.
"Echolocation Pink" is a unique monotype, 22" x 20"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame.
Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane...
Category
21st Century and Contemporary Abstract Geometric Illinois - Prints and Multiples
Materials
Monotype
Echolocation Blue
By Anna Kunz
Located in Bloomington, IL
"Echolocation Blue" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper.
Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works.
"Echolocation Blue" is a unique monotype, 22" x 20"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame.
Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023.
Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Monotype
Little Echo (Ghost)
By Anna Kunz
Located in Bloomington, IL
"Little Echo (Ghost)" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper.
Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works.
"Little Echo (Ghost)" is a unique monotype, 22" x 20"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame.
Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023.
Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...
Category
21st Century and Contemporary Abstract Geometric Illinois - Prints and Multiples
Materials
Monotype
Echolocation Brown
By Anna Kunz
Located in Bloomington, IL
"Echolocation Brown" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper.
Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works.
"Echolocation Brown" is a unique monotype, 22" x 20"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame.
Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023.
Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Monotype
Echolocation Light Blue
By Anna Kunz
Located in Bloomington, IL
"Echolocation Light Blue" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper.
Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works.
"Echolocation Light Blue" is a unique monotype, 22" x 20"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame.
Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023.
Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Monotype
Seated woman with shawl, Gustav Klimt Handzeichnungen (Sketch), 1922
By (after) Gustav Klimt
Located in Chicago, IL
Original collotype lithograph of Gustav Kilmt’s Seated woman with shawl, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity.
Klimt’s mastery of depth is most evident in the gentleness of his linework. Without the aid of shadow or the subtlety of values, the gestures of line allow the viewer a sense of a three-dimensional person or object. The meticulous lithographic process used to create Klimt’s Handzeichnungen portfolio ensures exceptionally crisp markings bearing a strong resemblance to the original sketches. This series showcases the quintessence behind Klimt’s signature visual style. This artwork arrives accompanied by a certificate of authenticity.
Century Guild has curated collections of Gustav Klimt’s printed...
Category
1920s Vienna Secession Illinois - Prints and Multiples
Materials
Lithograph, Paper
Echolocation Three
By Anna Kunz
Located in Bloomington, IL
"Echolocation Three" is a monotype that Anna Kunz created during her visit to Manneken Press in November 2022. The prints in this series were made using oil based inks and paint sticks and hand-printed on Arches Cover paper.
Anna Kunz continues to draw inspiration from the ocean; its hypnotic, cyclical movement and sense of mystery, which she has referred to as, “the most abstract space in nature.” This group of works is titled after the principle referred to as Echolocation, used by marine mammals as an extension of sight, to steer space and identify objects. In these works the artist has played with the idea of exchanging the animal behavior of using echoing sound as a means to navigate and locate, with vibrational hues as a way to compose, lead the viewer’s eye into unfamiliar relationships, and to materialize the unknown. Focusing on the elements of simple geometric forms and color, she imbues her compositions with energy through a process of intuitive call and response, suggesting a way for the viewer to enter and navigate the compositional spaces. The saturated colors in Kunz’ vocabulary are both opaque and transparent, choreographed in porous fields of the paper, and lead to symphonic compositional structures. While working on the "Echolocation” prints at Manneken press, the studio was filled with the ambient music of Brian Eno which created another kind of sonic inspiration for the echoing forms and colors found in the works.
"Echolocation Three" is a unique monotype, 30" x 27"; a bleed print (the image extends to the edges of the paper). The front, lower right margin carries the artist's initials and date in pencil; the title is on the back. The Manneken Press blindstamp is impressed into the lower left margin. The print is sold unframed. Framing recommendations: float mounted on museum board or floated within an 8-ply window mat, in a quality, contemporary gallery frame.
Anna Kunz lives and works in Chicago. Her work is represented by Alexander Berggruen New York; Mc Cormick Gallery, Chicago; and Galleri Urbane in Dallas. Her upcoming exhibition entitled "The Tide" can be seen at Berggruen San Francisco in February and March 2023.
Kunz has been awarded numerous artist residencies, including the Golden Family Foundation Residency, Edward Albee Foundation Residency, the Space Program at Marie Sharpe Walsh Foundation and the Roger Brown Artist...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Monotype
Portrait of Lady in Red and Black by Gustav Klimt, Das Werk collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Portrait of Lady in Red and Black. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300. Collotype on chine colle paper laid down on heavy deckled-edge cream-wove paper.
Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category
Early 1900s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
Fruit Trees by Gustav Klimt, Das Werk lifetime landscape collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Impressionist Fruit Trees landscape, painted in 1901. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300.
Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category
Early 1900s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
"Teeny" lithograph by Henri Matissse
By (after) Henri Matisse
Located in Hinsdale, IL
HENRI MATISSE
(1869 – 1954)
Teeny
Duthuit-Garnaud 723
Linocut, c. 1938
From an edition of 1500
Image Size: 12.2” x 9.5”
Published in The Homage to Henri Matisse
Published by Galerie d’Art Contemporain de Paris
Matisse's striking linocut shows Alexina "Teeny" Duchamp, the second wife of artist and pioneer of the ready-made, Marcel Duchamp. She was married to Pierre Matisse, Henri Matisse's eldest son, first and they had three children, Jacqueline, Paul and Peter. They separated in 1949 but Matisse was incredibly fond of his daughter-in-law until his death in 1954.
Henri Matisse (French, 1869-1954) is primarily known as the founder of the Fauvist movement, a result of Impressionism, whose works fundamentally altered the course of Modern Art in the late 20th Century. Innovative in his original treatment of the human figure and an expressive use of color, Matisse forged his own pictorial language. Matisse's career can be divided into several stylistic periods, but he remained focused on discovering “the essential character of things” through his art.
Matisse considered his drawing to be a very intimate means of expression. The method of artistic execution — whether it was charcoal, pencil, crayon, etcher’s burin, lithographic tusche or paper cut — varied according to the subject and personal circumstance. His favorite subjects were evocative or erotic — the female form, the nude figure or a beautiful head of a favorite model.
Matisse’s etchings...
Category
1930s Fauvist Illinois - Prints and Multiples
Materials
Linocut, Lithograph
Farm Garden Sunflowers by Gustav Klimt, Das Werk lifetime collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Farm Garden With Sunflowers, painted in 1913. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300.
Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category
Early 1900s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
"The Four Seasons" by Marc Chagall
By Marc Chagall
Located in Hinsdale, IL
MARC CHAGALL
The Four Seasons.
Color lithograph, 1974.
940x640 mm; 37x26 inches (sheet), full margins.
The deluxe edition of 100.
Signed and numbered 65/100 in pencil, lower mar...
Category
1970s Surrealist Illinois - Prints and Multiples
Materials
Lithograph
Vintage Chinese Lithograph Print, c. 1920s
Located in Chicago, IL
This advertising poster from the 1930s melds the meticulous detail of traditional Chinese painting with the craft of color lithography. These advertisements, influenced by the Art De...
Category
1920s Art Deco Illinois - Prints and Multiples
Materials
Lithograph, Paper
Farmhouse in Buchberg by Gustav Klimt, Das Werk lifetime collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Farmhouse in Buchberg (Upper Austrian Farmhouse), painted in 1911. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300.
Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category
Early 1900s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
Die Prostitution by Josef Fenneker, Weimar silent film poster, Anita Berber 1919
By Josef Fenneker
Located in Chicago, IL
Original lithograph of Josef Fenneker’s German Expressionist poster design for the 1919 silent film Die Prostitution starring Anita Berber ...
Category
1910s Expressionist Illinois - Prints and Multiples
Materials
Lithograph
Art Deco Antique Poster "Eugene - Ondulation Permanente"
Located in Hinsdale, IL
FOSSEY (DATES UNKNOWN)
EUGENE / ONDULATION PERMANENTE. 1926.
Shee Size: 35 1/4x22 1/2 inches, 89 1/2 x 57 cm. C. Courtois, Paris.
This is a gorgeous example of art deco artwork...
Category
1920s Art Deco Illinois - Prints and Multiples
Materials
Lithograph
Bonbonnière & Eremitage by Walter Schnackenberg, German cabaret poster, 1920
By Walter Schnackenberg
Located in Chicago, IL
Walter Schnakenberg’s 1920 poster promoting the decadent (and likely debaucherous) Munich cabaret Bonbonnière & Eremitage.
The costume and poster designs of Walter Schnakenberg defined ballet and cabaret during Germany’s Weimar...
Category
1920s Illinois - Prints and Multiples
Materials
Lithograph
Malcesine on Lake Garda by Gustav Klimt, Das Werk landscape collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Malcesine on Lake Garda, painted in 1913. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300.
Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category
Early 1900s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
Schloss Kammer Lake Attersee II by Gustav Klimt, Das Werk collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Schloss Kammer on Lake Attersee II (Das Werk Gustav Klimts), originally painted in 1909. Publishe...
Category
Early 1900s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
Houses at Unterach on the Attersee, Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Houses at Unterach on the Attersee, oil on canvas, c. 1916. Published by Max Eisler and printed by Österreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, in an edition of 500.
In 1931, Max Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original...
Category
1930s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
Hass by Josef Fenneker, Weimar German Expressionist silent film poster, 1920
By Josef Fenneker
Located in Chicago, IL
Original lithograph of Josef Fenneker’s German Expressionist poster design for the 1920 silent film Hass (Hate) directed by Manfred Noa.
J...
Category
1920s Expressionist Illinois - Prints and Multiples
Materials
Lithograph
"Bénédictine" Original 1898 Lithograph, Alphonse Mucha
By Alphonse Mucha
Located in Chicago, IL
Published by F. Champenois, Paris.
"Bénédictine shows two girls pressing flowers amid book leaves, to remind us of the herbs that go into making the liqueur; the bottom part of the poster has a panorama of the Fecamp Abbey where the drink originated. Around 1510, one of the monks, Dom Bernardo Vincelli, prepared a liqueur using local wine and native herbs found in nearby woods, together with a few imported ingredients including muscat, ginger, clove and cardamom" (Wine Spectator, 70).
As with all poster this size, the lithograph was made, in color, on two panels and joined at the center.
Alphonse Mucha was a painter and decorative artist best known for the sensual Art...
Category
1890s Art Nouveau Illinois - Prints and Multiples
Materials
Lithograph
Wednesday
By Richard Hull
Located in Bloomington, IL
Hull's etching "Wednesday" depicts a figure viewing itself in a mirror, the funky and undulating frame of which has become part of the figure itself. The print is densely drawn, text...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Etching, Aquatint
Tuesday
By Richard Hull
Located in Bloomington, IL
Hull's etching "Tuesday" depicts a figure viewing itself in a mirror, the funky and undulating frame of which has become part of the figure itself. The print is densely drawn, textur...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Etching, Aquatint
Death and Life by Gustav Klimt, Das Werk lifetime collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Death and Life, painted in 1908. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und St...
Category
Early 1900s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
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