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Item Ships From: Illinois
The Swamp by Gustav Klimt, Das Werk lifetime landscape collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s The Swamp, painted in 1900. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Sta...
Category
Early 1900s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
"Angel More" from Mother of Us All by Robert Indiana
By Robert Indiana
Located in Hinsdale, IL
ROBERT INDIANA
Angel More
(Mother of Us All)
Screenprint in colors on Arches, 1977
Impression 14 of an edition of 150
Image Size: 18” x 14”
Signed, dated, and numbered in lower margin
Printed by Mourlot, Paris.
Intended for publication by Amiel, New York.
Sheehan 96-108.
The Mother of Us All, is an opera which imaginatively chronicles the story of Susan B. Anthony and the women's suffrage movement, written by Gertrude Stein and composed by Virgil Thompson in 1945. In 1976 Robert Indiana was hired to create the costumes and set design for the Santa Fe Opera Company’s production of The Mother to Us All. This collection of lithographs illustrates Indiana's costume designs for the Virgil Thomson-Gertrude Stein same-titled opera.
Robert Indiana is one of the most recognized names in Contemporary and Pop Art, his LOVE sculptures, paintings, and prints are by far his most iconic pieces. It all began in the summer of 1965, when The Museum of Modern Art commissioned Indiana to design its Christmas card. He submits LOVE in four color possibilities; the museum selects the red, blue, and green version. In 1967 he produces three serigraphs of LOVE, and two serigraphs of LOVE Wall. During the next two years, produces other serigraph variations on LOVE, with more following in 1972, 1973, 1975, 1982, and 1991. Indiana’s LOVE motif has since been translated into a US postage stamp...
Category
1970s Art Nouveau Illinois - Prints and Multiples
Materials
Screen
Thunderstorm (The Large Poplar II) by Gustav Klimt, Das Werk lifetime collotype
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Approaching Thunderstorm (The Large Poplar II), painted in 1903. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300.
Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts, a folio of collotypes representing Gustav Klimt’s most notable works leading up to 1913. Klimt’s original oil paintings were painstakingly reproduced as collotypes on a handmade, deckled-edge cream wove paper using a complex gravure process overseen by master technicians as well as the artist himself. Each image presented in the folio was assigned its own unique signet, which was designed by Klimt and struck below the image using a technique similar to letterpress. The signet corresponded to a matching signet in the justification page which detailed the piece’s size, location, and owner.
Published under the artist’s direct supervision, this series allowed Klimt, who had completely divorced himself from public commissions following the outcry from his University of Vienna paintings, to more effectively present his artworks to institutions and patrons across the world. A testament to the masterful design and printmaking demonstrated by Das Werk Gustav Klimts, Emperor Franz Joseph himself purchased the first copy of the folio.
Klimt’s The Swamp...
Category
Early 1900s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
London Series II: Untitled (Blue/Cream) by Robert Motherwell
By Robert Motherwell
Located in Hinsdale, IL
ROBERT MOTHERWELL
(1915-1991)
London Series II: Untitled (Blue/Pale Blue)
Screenprint in color on J.B. Green paper, c. 1971
Initialed and numbered by the artist, full ...
Category
1970s Abstract Expressionist Illinois - Prints and Multiples
Materials
Screen
H.O. Miethke Das Werk folio "Water Snakes II" collotype print
By Gustav Klimt & K.K. Hof-und Staatsdruckerei
Located in Chicago, IL
Water Snakes II, no. 9 from the fourth installment of Das Werk Gustav Klimts
The last painting Klimt exhibited with the Secession before resigning, Water ...
Category
Early 1900s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
Red Poppies, Gray Target
By Claire Lieberman
Located in Bloomington, IL
"Red Poppies, Gray Target" is an etching and woodcut in red and silver inks, printed on Hahnemühle Copperplate paper in an edition of 20. Artist's signature, title, date and edition ...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Aquatint, Woodcut
Silk Stocking Poppies
By Claire Lieberman
Located in Bloomington, IL
"Silk Stocking Poppies" is an etching and aquatint in orange and black inks, printed on Hahnemühle Copperplate paper in an edition of 20. Artist's signa...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Etching, Aquatint
One Man One Woman by Sister Corita Kent (INV# NP3567)
By Corita Kent
Located in Morton Grove, IL
Sister Corita Kent
One Man One Woman (INV# NP3567)
screenprint in colors
print: 16.5 x 15"
frame: 20 x 18.5"
1976
signed by artist
*Not examined out of frame
Category
1970s Contemporary Illinois - Prints and Multiples
Materials
Screen
E. Strache, Handzeichnungen folio, "Nursing Mother with Child" Collotype plate
By (after) Egon Schiele
Located in Chicago, IL
after Egon Schiele (1890 – 1918), AUSTRIA
“ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE
Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his mas...
Category
1920s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
Portrait of Charlotte Pulitzer, Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Portrait of Charlotte Pulitzer, oil on canvas, 1915. Published by Max Eisler and printed by Österreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, in an edition of 500.
In 1931, Max Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original...
Category
1930s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
Winter Clothing by Louis Rhead, Art Nouveau Victorian fashion lithograph, 1897
By Louis Rhead
Located in Chicago, IL
Louis Rhead’s 1897 Art Nouveau poster features a well-dressed man with a top hat, cane, and other late Victorian winter fashions.
“America was quick to reveal strong Art Nouveau vo...
Category
1890s Art Nouveau Illinois - Prints and Multiples
Materials
Lithograph
The Jockey
By Henri de Toulouse-Lautrec
Located in Chicago, IL
Color lithograph on Chine volant, 1899. Edition of aproximately 112. Printed by H. Stern, Paris. Published by Pierrefort, Paris.
Reference: Wittrock; 308-2nd edition, vol. 2, pg. 6...
Category
1890s Art Nouveau Illinois - Prints and Multiples
Materials
Lithograph
Church in Cassone by Gustav Klimt, Das Werk lifetime collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from Gustav Klimt’s Church in Cassone, painted in 1913. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300.
Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...
Category
Early 1900s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
Untitled by Ken Price
By Ken Price
Located in Morton Grove, IL
Ken Price
silkscreen on Arches 88 paper
14.875 x 12.375”
1981
edition of 150
stamped by Ken Price, SOMA Fine Art Press and Arabesque Books
Category
1980s Contemporary Illinois - Prints and Multiples
Materials
Screen
"The Star Thief" by James Rosenquist
By James Rosenquist
Located in Hinsdale, IL
James Rosenquist
(1933-2017)
Star Thief
Color lithograph on white wove paper, 1978-1986
Image size: 31.75” x 32”, full margins.
Impression 8 of edition of 25
Signed, titled, da...
Category
1980s Abstract Expressionist Illinois - Prints and Multiples
Materials
Lithograph
Partie de Campagne
By Henri de Toulouse-Lautrec
Located in Chicago, IL
Color Lithograph on wove paper, 1896. Artist's orange-red and black signature stamps, numbered in pencil (#12), from edition of 100 published by A. Vollard in the 2nd "Album des esta...
Category
1890s Art Nouveau Illinois - Prints and Multiples
Materials
Paper
Field of Flowers #2
By Judy Ledgerwood
Located in Bloomington, IL
"Field Of Flowers #2" is a unique watercolor monotype printed on Hanhnemühle Copperplate paper. The print is professionally framed: floated on museum board in lacquered maple, with a...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Watercolor, Monotype
Max Eisler Eine Nachlese folio "Italian Garden Landscape" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #23, Italienische Landschaft; blue-grey monochrome collotype after the 1913 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931.
2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight.
Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category
1930s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
"Portrait of Madame Georges Menier" By Helleu
By Paul César Helleu
Located in Hinsdale, IL
HELLEU, PAUL CÉSAR
(1859 - 1927)
MADAME GEORGES MENIER
Montesquiou XXI
Drypoint in colors, c. 1900
Signed in pencil, lower right
Printed on wove paper
Full Margins
22 1/4” x 13...
Category
Early 19th Century Art Nouveau Illinois - Prints and Multiples
Materials
Etching, Drypoint
Please, Not Now! Brigitte Bardot drive-in film poster, 1961
Located in Chicago, IL
Original 1961 poster for Roger Vadim's Please, Not Now! starring Brigitte Bardot. A masterful statement of modernist film poster design, this oversized drive-in poster was acquired d...
Category
1960s Modern Illinois - Prints and Multiples
Materials
Lithograph, Offset
Au Concert
By Henri de Toulouse-Lautrec
Located in Chicago, IL
Commissioned by The Ault & Wiborg Co., USA. Color Zincograph on wove paper, 1896. Hand-signed in black crayon. Wittrock C (of C) edition.
Reference: Wittrock; P28, vol. 2 pg 810.
...
Category
1890s Art Nouveau Illinois - Prints and Multiples
Materials
Paper
davidelvisandi
By Jack Davidson
Located in Bloomington, IL
In this woodcut, printed in cadmium red and black inks on Somerset Satin paper, the artist riffs on the famous photograph of David Bowie in an outfi...
Category
21st Century and Contemporary Abstract Illinois - Prints and Multiples
Materials
Woodcut
Old Glory
By Judy Ledgerwood
Located in Bloomington, IL
"Old Glory" is a unique monotype from a series of prints by Judy Ledgerwood published by Manneken Press in 2020. Rather than using ink, the artist painted directly on a sanded acrylic plate with watercolor paints. The impervious surface of the plate allowed the paint to flow, pool, settle and dry in ways that are distinct from painting in an unmediated manner on paper. When dry, the plate was printed onto damp Hahnemühle Copperplate paper; the moisture in the paper reactivated the watercolor paint and the pressure exerted by the press transferred the image, resulting in a one-of-a-kind monotype print. In "Old Glory" Ledgerwood alludes to the American flag in its rectangular format and red, white and blue color scheme. The artist's signature, title and date are verso, in pencil, and the Manneken Press blindstamp is impressed into the lower left corner of the print.
Since the 1980’s Judy Ledgerwood has been exploring light, color, and space in paintings that combine the formal vocabulary of concrete abstraction with influences from pop culture to create vividly colored compositions. She combines decorative patterning, elements of textile design and other traditionally female crafts, with bold color and assertive brush strokes, traits associated with the historically male-dominated tradition of gestural abstraction. Often using stereotypically “feminine” elements, such as pastel colors and stylized floral patterns, Ledgerwood merges formalist and feminist concerns in works that are both sensual and subversive, with the ability to resonate beyond their initial impact.
Judy Ledgerwood has received awards from The Richard H. Driehaus Foundation, National Endowment for the Arts; and Illinois Art Council. Ledgerwood has also received an Artadia Award and a Tiffany Award...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Watercolor, Monotype
Standing nude, Gustav Klimt Handzeichnungen (Sketch), Thyrsos Verlag, 1922
By (after) Gustav Klimt
Located in Chicago, IL
Original collotype lithograph of a figure drawing from Gustav Kilmt’s handzeichnungen (sketch) in 1922 by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is pr...
Category
1920s Vienna Secession Illinois - Prints and Multiples
Materials
Lithograph, Paper
Snowstorm
Located in Bloomington, IL
This image is printed in black ink on Hahnemühle Copperplate paper in an edition of 12 from a copper photogravure plate made from the artist's original 35mm camera negative. The scene was shot in New York City during a snowstorm. The camera's flash illuminated the falling snowflakes. The artist's signature, title, date and edition number are in pencil on the front, lower margin. This print is included in Volume 1 of "Toward What Sun?", the artist's ongoing series of photogravure prints. It is available singly or as part of the ten prints that comprise Vol.I.
Philip Van Keuren...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Photogravure
Max Eisler Eine Nachlese folio "Section of Jurisprudence" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #11, Aus den Bilde “Die Jurisprudenz”; brown-toned monochrome collotype after the 1900-07 painting in oil on canvas. The original was destroyed by fire in May 1945.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931.
2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight.
Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category
1930s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
Reaching/Uniting/Becoming Free by Judy Chicago
By Judy Chicago
Located in Morton Grove, IL
Judy Chicago
Reaching/Uniting/Becoming Free
1979
Silkscreen
artist proof from the edition of 100
signed
Very rare!
Provenance-
- The Nevica Project, Chicago IL
Born Judy Cohen in...
Category
1970s Abstract Illinois - Prints and Multiples
Materials
Screen
Allee II
Located in Bloomington, IL
This image is printed in black ink on Hahnemühle Copperplate paper in an edition of 12 from a copper photogravure plate made from the artist's original 35mm camera negative. The artist's signature, title, date and edition number are in pencil on the front, lower margin. This print is included in Volume 1 of "Toward What Sun?", the artist's ongoing series of photogravure prints. It is available singly or as part of the ten prints that comprise Vol.I.
Philip Van Keuren...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Photogravure
Venetian 8
Located in Bloomington, IL
"Venetian 8" is a unique monoprint on Arches Cover paper. The chandelier form is printed in silver ink over a deep blue ground. Gary Justis’ monoprints utilize the forms of various c...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Monoprint
Big Butterfly
By Claire Lieberman
Located in Bloomington, IL
"Big Butterfly" is a cast paper multiple made in an edition of 5. The graphic image is in black paper pulp over a white hand-formed sheet of cotton fiber...
Category
21st Century and Contemporary Minimalist Illinois - Prints and Multiples
Materials
Handmade Paper
Gall
Located in Bloomington, IL
This image is printed in black ink on Hahnemühle Copperplate paper in an edition of 12 from a copper photogravure plate made from the artist's original 35mm camera negative. The scene was photographed on an Amsterdam street. The artist's signature, title, date and edition number are in pencil on the front, lower margin. This print is included in Volume 1 of "Toward What Sun?", the artist's ongoing series of photogravure prints. It is available singly or as part of the ten prints that comprise Vol.I.
Philip Van Keuren...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Photogravure
Vintage Deco Fashion Advertisement, Ink on Paper, 1920
Located in Chicago, IL
In tandem with a growing number of newspapers and periodicals, print advertising proliferated during China’s Republic Era. A bathing beauty is the star attraction of this print ad fr...
Category
1920s Art Deco Illinois - Prints and Multiples
Materials
Ink, Paper
Inner Vision
By Judy Ledgerwood
Located in Bloomington, IL
This group of nine monotypes is collectively titled "Inner Vision". Each impression is a unique watercolor monotype printed on Hanhnemühle Copperplate paper. The "Inner Vision" prin...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Monotype
Rococo 20
Located in Bloomington, IL
Gary Justis’ monoprints utilize the forms of various chandelier profiles to explore color, form and seriality in the print medium. He began the series in 2011 with Baroque, Venetian ...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Monoprint
Murano 8
Located in Bloomington, IL
Gary Justis’ monoprints utilize the forms of various chandelier profiles to explore color, form and seriality in the print medium. He began the series in 2011 with Baroque, Venetian ...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Monoprint
Fountain
Located in Bloomington, IL
This image is printed in black ink on Hahnemühle Copperplate paper in an edition of 12 from a copper photogravure plate made from the artist's original 35mm camera negative. The scene was captured in New York City's Central Park. The artist's signature, title, date and edition number are in pencil on the front, lower margin. This print is included in Volume 1 of "Toward What Sun?", the artist's ongoing series of photogravure prints. It is available singly or as part of the ten prints that comprise Vol.I.
Philip Van Keuren...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Photogravure
Baroque 2
Located in Bloomington, IL
Gary Justis’ monoprints utilize the forms of various chandelier profiles to explore color, form and seriality in the print medium. He began the series in 2011 with Baroque, Venetian ...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Monoprint
Rococo 9
Located in Bloomington, IL
Gary Justis’ monoprints utilize the forms of various chandelier profiles to explore color, form and seriality in the print medium. He began the series in 2011 with Baroque, Venetian ...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Monoprint
Rococo 17
Located in Bloomington, IL
Gary Justis’ monoprints utilize the forms of various chandelier profiles to explore color, form and seriality in the print medium. He began the series in 2011 with Baroque, Venetian ...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Monoprint
Modern 8
Located in Bloomington, IL
Gary Justis’ monoprints utilize the forms of various chandelier profiles to explore color, form and seriality in the print medium. He began the series in 2011 with Baroque, Venetian ...
Category
21st Century and Contemporary Modern Illinois - Prints and Multiples
Materials
Monoprint
Untitled by Ken Price
By Ken Price
Located in Morton Grove, IL
Ken Price
silkscreen on Arches 88 paper
14.875 x 12.375”
1981
edition of 150
stamped by Ken Price, SOMA Fine Art Press and Arabesque Books
Category
1980s Contemporary Illinois - Prints and Multiples
Materials
Screen
Baroque 5
Located in Bloomington, IL
Gary Justis’ monoprints utilize the forms of various chandelier profiles to explore color, form and seriality in the print medium. He began the series in 2011 with Baroque, Venetian ...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Monoprint
Original "Lilies" by Donald Sultan
By Donald Sultan
Located in Hinsdale, IL
Donald K. Sultan
(b. 1951)
"Lilies"
Screenprint in colors on arches 88 wove paper, 1998
Sheet size 24 x 20 inches
Ed. 47 of 70
Initialed, numbered, dated, and titled in pencil alo...
Category
1990s Abstract Expressionist Illinois - Prints and Multiples
Materials
Screen
Three Eye
By Claire Lieberman
Located in Bloomington, IL
"Three Eye" is a cast paper multiple made in an edition of 5. The graphic image is in black paper pulp over a white hand-formed sheet of cotton fiber paper....
Category
21st Century and Contemporary Minimalist Illinois - Prints and Multiples
Materials
Handmade Paper
Female semi-nude on bedding, Gustav Klimt Handzeichnungen (Sketch), 1922
By (after) Gustav Klimt
Located in Chicago, IL
Original collotype lithograph of Gustav Kilmt’s Female semi-nude on bedding, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity.
Klimt’s mastery of depth is most evident in the gentleness of his linework. Without the aid of shadow or the subtlety of values, the gestures of line allow the viewer a sense of a three-dimensional person or object. The meticulous lithographic process used to create Klimt’s Handzeichnungen portfolio ensures exceptionally crisp markings bearing a strong resemblance to the original sketches. This series showcases the quintessence behind Klimt’s signature visual style. This artwork arrives accompanied by a certificate of authenticity.
Century Guild has curated collections of Gustav Klimt’s printed...
Category
1920s Vienna Secession Illinois - Prints and Multiples
Materials
Lithograph, Paper
Space Hibiscus
By Claire Lieberman
Located in Bloomington, IL
Claire Lieberman's "Space Hibiscus" is a linoleum cut printed in black ink on Fabriano Artistico paper. It is printed in an edition of 20. The artist's signature in pencil is on the ...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Linocut
BB
By Claire Lieberman
Located in Bloomington, IL
"BB" is a cast paper multiple made in an edition of 5. The graphic image is in black paper pulp over a white hand-formed sheet of cotton fiber paper. Though Lieberman's primary mediu...
Category
21st Century and Contemporary Minimalist Illinois - Prints and Multiples
Materials
Handmade Paper
Grenade With Flowers
By Claire Lieberman
Located in Bloomington, IL
"Grenade With Flowers" is a relief print with piercing printed in black ink on handmade Korean paper. This unique paper has natural fiber inclusions which were placed into the pulp d...
Category
21st Century and Contemporary Minimalist Illinois - Prints and Multiples
Materials
Linocut
Max Eisler Eine Nachlese folio "Portrait of Baroness Wittgenstein" collotype
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler Plate #4, Bildnis Baronin Wittgenstein; dark grey monochrome collotype after the 1905 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931.
2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight.
Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category
1930s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
Max Eisler Eine Nachlese folio “Sunflowers” collotype print
By (after) Gustav Klimt
Located in Chicago, IL
After Gustav Klimt, Max Eisler #3, Sonnenblumen; multi-color collotype after 1908 painting in oil on canvas.
GUSTAV KLIMT EINE NACHLESE (GUSTAV KLIMT AN AFTERMATH), a portfolio of 30 collotypes prints, 15 are multi-color and 15 are monochrome, on chine colle paper laid down on heavy cream-wove paper with deckled edges; Max Eisler, Editor-Publisher; Osterreichischer Staatsdruckerei (Austrian State Printing Office), Printer; in a limited edition of 500 numbered examples of which: 200 were printed in German, 150 were printed in French and 150 were printed in English; Vienna, 1931.
2018 marks the 100th anniversary of Gustav Klimt’s death. It is a fitting time to reflect upon the enduring legacy and deep impact of his art. Recognizing this need for posterity with uncanny foresight, the publication of Gustav Klimt: An Aftermath (Eine Nachlese) provides a rare collection of work after Klimt which has proven to be an indispensable tool for Klimt scholarship as well as a source for pure visual delight.
Approximately 25 percent of the original works featured in the Aftermath portfolio have since been lost. Of those 30, six were destroyed by fire on 8 May 1945. On that fateful final day of WWII, the retreating Feldherrnhalle, a tank division of the German Army, set fire to the Schloss Immendorf which was a 16th century castle in Lower Austria used between 1942-1945 to store objects of art. All three of Klimt’s Faculty Paintings: Philosophy, Medicine and Jurisprudence (1900-1907), originally created for the University of Vienna, were on premises at that time. Also among the inventory of Klimt paintings in storage there was art which had been confiscated by the Nazis. One of the most significant confiscated collections was the Lederer collection which featured many works by Gustav Klimt such as Girlfriends II and Garden Path with Chickens...
Category
1930s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
Embody I
By Brenda Hope Zappitell
Located in Bloomington, IL
Brenda Zappitell is a painter known for her use of exuberant colors and vigorous brushwork. Zappitell synthesizes her observations of nature, the concept of Mindfulness or awareness ...
Category
21st Century and Contemporary Abstract Expressionist Illinois - Prints and Multiples
Materials
Monotype
Premise II
By Brenda Hope Zappitell
Located in Bloomington, IL
Brenda Zappitell is a painter known for her use of exuberant colors and vigorous brushwork. Zappitell synthesizes her observations of nature, the concept of Mindfulness or awareness ...
Category
21st Century and Contemporary Abstract Expressionist Illinois - Prints and Multiples
Materials
Monotype
Cuties
By Claire Lieberman
Located in Bloomington, IL
"Cuties" is a cast paper multiple made in an edition of 5. The graphic image is in black paper pulp over a white hand-formed sheet of cotton fiber paper. Though Lieberman's primary m...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Handmade Paper
Blam
By Claire Lieberman
Located in Bloomington, IL
"Blam" is a cast paper multiple made in an edition of 5. The graphic image is in black paper pulp over a white hand-formed sheet of cotton fiber paper. Though Lieberman's primary med...
Category
21st Century and Contemporary Pop Art Illinois - Prints and Multiples
Materials
Handmade Paper
Italian Garden Landscape, Gustav Klimt An Aftermath collotype, 1931
By (after) Gustav Klimt
Located in Chicago, IL
Original 1931 collotype created from Gustav Kilmt’s Italian Garden Landscape, oil on canvas, 1913. Published by Max Eisler and printed by Österreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, in an edition of 500.
In 1931, Max Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original...
Category
1930s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
Beethoven Frieze (detail) by Gustav Klimt, Das Werk collotype, 1908-1912
By Gustav Klimt
Located in Chicago, IL
Original collotype created from a detail of Gustav Klimt’s Beethoven Frieze. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an e...
Category
Early 1900s Vienna Secession Illinois - Prints and Multiples
Materials
Paper
Bubbles
By Claire Lieberman
Located in Bloomington, IL
"Bubbles" is a cast paper multiple made in an edition of 5. The graphic image is in black paper pulp over a white hand-formed sheet of cotton fiber paper. Though Lieberman's primary ...
Category
21st Century and Contemporary Pop Art Illinois - Prints and Multiples
Materials
Handmade Paper
Likeness Of Being
Located in Bloomington, IL
This is a color reduction woodcut printed on Natsume paper, a handmade Japanese kozo paper, with a deckle on all four sides. The artist made this pri...
Category
21st Century and Contemporary Contemporary Illinois - Prints and Multiples
Materials
Woodcut
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