Illinois - Prints and Multiples

This unique monotype print is one of several created during Jack Davidson's visit to Manneken Press in 2016. Simple forms, straightforward compositions and a carefully considered color palette are the hallmarks of these prints. In this print Davidson utilized stencils, metallic ink and Rorschach blots...

"Corner 7" is a unique monoprint. The artist's ink drawing made on translucent film was etched into a copper plate using the technique of photogravure, and the plate became a repeata...

"Replay 2" is a unique hand-painted monoprint. The artist's ink drawing made on translucent film was etched into a copper plate using the technique of photogravure. The plate became ...

"Benibana" is a color aquatint, and is one of the prints comprising Jill Moser's "Chroma Six" suite published by Manneken Press in 2019. In each of the "Chroma Six" prints, a dialogu...

"Tyre" is a color aquatint, and is one of the prints comprising Jill Moser's "Chroma Six" suite published by Manneken Press in 2019. In each of the "Chroma Six" prints, a dialogue ta...

"Gamboge" is a color aquatint, and is one of the prints comprising Jill Moser's "Chroma Six" suite published by Manneken Press in 2019. In each of the "Chroma Six" prints, a dialogue...

This unique monotype print is one of several created during Jack Davidson's visit to Manneken Press in 2016. Simple forms, straightforward compositions and a carefully considered color palette are the hallmarks of these prints. In this print Davidson utilized Rorschach blots...

This unique monotype print is one of several created during Jack Davidson's visit to Manneken Press in 2016. Simple forms, straightforward compositions and a carefully considered color palette are the hallmarks of these prints. In this print Davidson utilized stencils, metal leaf and Rorschach blots...

This unique monotype print is one of several created during Jack Davidson's visit to Manneken Press in 2016. Simple forms, straightforward compositions and a carefully considered color palette are the hallmarks of these prints. In this print Davidson utilized Rorschach blots...

"Flap 4" is a unique monoprint. It is the last print available from this series. The artist's ink drawing made on translucent film was etched into a copper plate using the technique ...

"Sideways 3" is a unique monoprint. The artist's graphite drawing made on translucent film was etched into a copper plate using the technique of photogravure, and the plate became a ...

"Upside 6" is a unique monoprint. The artist's graphite drawing made on translucent film was etched into a copper plate using the technique of photogravure, and the plate became a re...

"Upside 1" is a unique monoprint. The artist's graphite drawing made on translucent film was etched into a copper plate using the technique of photogravure, and the plate became a re...

"Replay 4" is a unique hand-painted monoprint. The artist's ink drawing made on translucent film was etched into a copper plate using the technique of photogravure. The plate became ...

"Replay 11" is a unique hand-painted monoprint. The artist's ink drawing made on translucent film was etched into a copper plate using the technique of photogravure. The plate became...

"Replay 9" is a unique hand-painted monoprint. The artist's ink drawing made on translucent film was etched into a copper plate using the technique of photogravure. The plate became ...

"Replay 7" is a unique hand-painted monoprint. The artist's ink drawing made on translucent film was etched into a copper plate using the technique of photogravure. The plate became ...

"Replay 6" is a unique hand-painted monoprint. The artist's ink drawing made on translucent film was etched into a copper plate using the technique of photogravure. The plate became ...

"Replay 1" is a unique hand-painted monoprint. The artist's ink drawing made on translucent film was etched into a copper plate using the technique of photogravure. The plate became ...

This print from Catherine Howe's "Tantric Flower" series is a unique monotype printed on sheer Habotai silk. The print is mounted on a wood stretcher which is faintly visible through...

"Violets" is a color aquatint, and is one of the prints comprising Jill Moser's "Chroma Six" suite published by Manneken Press in 2019. In each of the "Chroma Six" prints, a dialogue...

Sister Mary Corita Kent Passion is the Very Fact of God in Man screenprint on Pellon rice paper 30 x40" edition of 50 1963 signed *Slight condition issues due to aging.

Manneken Press’ first project with Arizona-based artist Matt Magee was released in June 2021. Hard-edged and drawn from art historical precedents, Magee conceived “Plugs”, “Bugs” and...

Lithograph of Josef Fenneker’s Expressionist poster design for the 1919 silent film Blonde’s Gift (“Poison Blonde”, referring to peroxide-dyed, platinum bl...

This print from Catherine Howe's "Tantric Flower" series is a unique monotype printed on sheer Habotai silk. The print is mounted on a wood stretcher which is faintly visible through...

"Chromatic Patterns After the Graham Foundation - Red" is a relief print with lithography and aluminum dust. It is one print from a suite of three that are closely related to Ledgerw...

"Chromatic Patterns After the Graham Foundation - Orange" is a relief print with lithography and aluminum dust. It is one print from a suite of three that are closely related to Ledg...

Alphonse Mucha's hand-colored pochoir illuminated manuscript plate of Forgive Us Our Trespasses As We Forgive Those Who Trespass Against Us from his masterpiece of mysticism, Le Pate...

Original 1968 poster for exploitation film legend Herschell Gordon Lewis's She Devils on Wheels. A masterful statement of 1960s graphic design, this oversized drive-in poster was acq...

Original 1922 collotype lithograph of a woman draped in fabric, created from Gustav Kilmt’s handzeichnungen (sketch). Published by Thyrsos Verlag, Leipzig and Vienna, in an edition o...

Jim Dine The First Woodcut Gate (The Landscape) Hand Embellished Woodcut, 1983 Size : 35.75” x 44.75” inches Edition number 27 of 49 with 7 APs Signed and dated in pencil Printed ...

Art Nouveau Cinderella theater poster by Dudley Hardy, published in 1897 by Imprimerie Chaix, Paris, the printing house known for publishing the works of Belle Epoque master Jules Ch...

Lucian Bernhard’s Object Poster advertisement for Priester Matchsticks, stone lithograph published by Hollerbaum & Schmidt, Berlin, circa 1910. “Lucia...

Original 1931 collotype created from Gustav Kilmt’s Portrait of Friederike Maria Beer, oil on canvas, 1916. Published by Max Eisler and printed by Österreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, in an edition of 500. In 1931, Max Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original oil paintings were painstakingly reproduced as collotypes on a handmade, deckled-edge cream wove paper. This world-class example of collotype captures the superb resolution and color-richness and ornamentation of the original 1916 oil painting. "Friederike-Maria suggested that Klimt should paint her in a Viennese Workshop dress; she wore these exclusively. She was also very proud of a fur coat she owned, particularly during the hardship of the First World War, and Klimt decided that she should wear the coat too, but inside out, so that the decorative lining, also by the Viennese Workshop, was visible. Klimt decided to make use of an imaginary oriental screen...

RENOIR, PIERRE AUGUSTE (1841 -1919) "La Danse à la Campagne", 2nd plate (The Country Dance (second plate)) Delteil 2, Stella 2 Soft-ground Etching in black ink, c. 1890 Only State on smooth wove paper With the stamped signature, as issued Image Size: 8 5/8” x 5 1/3” Fine strong and tonal impression with full margins The most famous etching...

DUYCK, EDOUARD (1872 -1897) CRESPIN, ADOLPH (1859 –1944) "Hippodrome des Art" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #6, 1894. Plate #28 Unframed Size:11 3/8 x 15 3/4” The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters due to cost. A very high quality of paper was used, where as the large format posters were printed on lesser quality newsprint, due to cost and a short expected life span. This explains why the quality of the printing, in the "Maitres de l'Affiche," usually far exceeds that of their larger counterparts. "...Posters were created by the team of Duyck & Crespin, whose close collaborative efforts garnered them the nickname 'the Siamese twins.' Between their first joint attempt at poster-making in 1885-1886 and Duyck's death in 1897, the duo produced a large corpus of works... as well as set designs and costumes for the theatre " (Brussels p.76) This is a Belgian poster for the Ferme de Frahinfaz, on the Hippodrome des Art road near Spa. "Accommodations for riders and pedestrians. Fork and knife lunches, fresh milk, real "Faro" beer from Brussels and English beers"

TOULOUSE-LAUTREC, HENRI DE (1864-1901) "FEMME AU TUB" (Woman with Tub) From the series, “Elles”, c. 1896 Wittrock 159, Adhemar 204 From the edition of 100; per Wittrock Original color crayon brush and splatter lithograph, five colors, printed on wove paper Printed without margins to deckled edge of paper Bearing Artist’s Monogram Stamp...

MORROW, ALBERT GEORGE (1863 -1927) "The New Woman" Original lithograph from "Les Maitres de L'Affiche" series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, c. 1897. Plate #79 Unframed Size: 11 3/8 x 15 3/4 ”The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The "Maitres de l'Affiche," were issued as separate numbered sheets, referred to as "plates". They were numbered, with the printers name "Imprimerie Chaix," in the margin at the bottom left hand corner, "PL.1" to "PL.240." In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret's. The smaller format and the fact the "Maitres" were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...

Stone lithograph mandala plate of Forgive Us Our Trespasses As We Forgive Those Who Trespass Against Us from Alphonse Mucha’s masterpiece of mysticism, Le Pater. Printed by F. Champe...

Plate 37 from Alphonse Mucha's Figures Decoratives, a folio of forty color lithographic plates published by Librairie centrale des beaux-arts in 1905. Issued during a period of incr...

Sister Mary Corita Kent Celebration of the Ordinary 2 screenprint on Pellon rice paper 30 x 40" edition of 50 1963 signed *Slight condition issues due to...

Corita Kent Lovers Serigraph Print Image: 4.88 x 9" Frame:11.75 x 15.75 x .75" 1983 Signed in pencil and numbered to lower edge ‘ed 200 Corita’

Original 1922 collotype lithograph of a well-dressed woman in a hat and stockings, created from Gustav Kilmt’s handzeichnungen (sketch). Published by Thyrsos Verlag, Leipzig and Vien...

Color lithograph created from Gustav Kilmt’s sketch of a semi-nude figure on bedding. Edited by Alice Strobl and published in 1964 by Akademische Druck und Verlagsanstalt Graz in Vie...

TOULOUSE-LAUTREC, HENRI DE (1864-1901) "Yvette Guilbert – A Menilmontant de Bruant" Delteil 255, Adhemar 311 Lithograph printed in black with beige t...

Sister Mary Corita Kent Quaint Moonmarks (INV# NP3242) screenprint 30 x 40" edition 95 1963 signed

JAMES ROSENQUIST "Ten Days, from The New York Collection for Stockholm" Lithograph in colors on paper,1973 9 x 12 inches (22.9 x 30.5 cm) (sheet) Ed. 114/300 Signed, numbered, and d...

"Descriptions I have heard or read of my work, most of which either delight or offend me, are: allegorical, apocalyptic, provocative, prophetic, dream-like, surreal, fantastic, weird, frightening, disturbing, demanding, despairing, disgusting, irrelevant, inspiring, old, new-old, fascinating, morbid, medieval, bizarre, cathartic, mystery-plays (I like that), and well drawn." - David Becker David Becker Monuments etching & engraving 21h x 31w in 53.34h x 78.74w cm A.P. DB0022 This etching is matted and framed behind plexiglass. The frame and Plexi may show signs of wear. Contact gallery for detail report. David Becker Exhibitions 2017 Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

HELLEU, PAUL CÉSAR (1859 - 1927) "La Dame a la Toque" (Lady in Fur Hat) Drypoint printed in colors on pale cream wove paper, c. 1906 Signed in black crayo...

HELLEU, PAUL CÉSAR (1859 - 1927) "La Dame a la Toque" (Lady in Fur Hat) Montesquiou XXXVI, c. 1906 Drypoint printed in colors on pale cream wove paper Sig...

Gustav Mezey’s lithographic film poster for Hermann Wallbrück’s “social hygiene” film Schleichendes Gift (translated as Creeping Poison) shows a distressed woman encircled in the gri...

Belle Époque lithograph of Folies Bergère: Fleur de Lotus by Jules Chéret, published in 1896 by Imprimerie Chaix, Paris. While Fleur de Lotus ...

Even in its earlier years, the movie industry was based around spectacle. Exploitation posters, especially those depicting drug culture, were often design...

Lithograph from Carlos Schwabe’s series of hand-colored Symbolist fantasy illustrations for Catulle Mendès’ Hésperus, published in 1904 by Société de pr...

Original collotype lithograph of Gustav Kilmt’s Bust of a Woman, published in the 1922 Handzeichnungen portfolio by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. This art...

Original collotype lithograph of a well-dressed woman wearing a scarf around her face, leaving only her eyes exposed. This work was pubished from Gustav Kilmt’s handzeichnungen (sket...

Walter Schnackenberg’s most famous image, an extraordinary Toulouse-Lautrec homage promoting theatrical cabaret performance at the Deutsche Theater in Munich. The costume and poster designs of Walter Schnakenberg defined ballet and cabaret during Germany’s Weimar...

Wilhelm List, a friend and follower of Gustav Klimt, was a founder and leading member of the Vienna Secession and contributor to its official magazine, Ver Sacrum...