Illinois - Still-life Prints
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Item Ships From: Illinois
Untitled from Wallflowers Series
By Donald Sultan
Located in Hinsdale, IL
Donald K. Sultan
(b. 1951)
Untitled, from Wallflowers
Screenprint in colors on wove paper, 2008
24-1/4 x 21-5/8 inches (61.6 x 54.9 cm) (sheet)
Ed. 53/190
Initialed, numbered, date...
Category
Early 2000s American Modern Illinois - Still-life Prints
Materials
Screen
Blumen in Vase
Located in New York, NY
Color woodcut on Japan paper. Signed, numbered 1/30 and inscribed by the artist.
Category
1910s Impressionist Illinois - Still-life Prints
Materials
Color, Woodcut
Skulls, 1976 (FS.II.159)
By Andy Warhol
Located in Greenwich, CT
Skulls (FS.II.159) is a screenprint on paper with an image size of 30 x 40 inches, signed 'Andy Warhol' and annotated lower left. From the edition of 60, numbered 50/50 (there were also 10 APs), and framed in a custom, closed-corner, gold-leaf frame.
Catalogue - Feldman Schellmann, #159 (II.159 Skulls 1976)
Andy Warhol’s Skulls from 1976 are part of the transition he began initially in 1972 with the Mao series – incorporating hand-drawn lines into the image – and with Ladies and Gentlemen and Mick Jagger in 1975 where he began the print process with his own photographs rather than appropriated ones. Additionally, in the 1975 prints, he began using collaged elements – torn paper, photographic elements, etc.
Donna de Salvo writes about the Skulls series, “Skulls (II.157 – 160) lies somewhere between the genres of still life and portraiture and is based on a photograph of a skull taken by Warhol’s studio assistant, Ronnie Cutrone. The theme of skulls became a major preoccupation for Warhol, and he produced numerous versions of it in paintings. In this image, Warhol combined all three pictorial forms...
Category
20th Century Pop Art Illinois - Still-life Prints
Materials
Screen
Set of Four Pressed Botanical Specimens, c. 1900
Located in Chicago, IL
These four botanical specimens from the herbarium of A. Brun were hand-picked, pressed and preserved in the late-19th century. Each plant specimen is elegantly presented within a fine hardwood frame and includes a hand-written taxonomy card with the plant’s scientific name, family, habitat, and date collected. Originally used to document the plant diversity of a particular geographic area, herbariums wonderfully preserve the beauty of nature, making them quite a captivating and charming addition to any wall.
From the collection of Frances and Gary Comer.
Category
Early 20th Century Illinois - Still-life Prints
Materials
Wood
Bouquet (peony, yellow, jade)
By Catherine Howe
Located in Bloomington, IL
"Bouquet (peony, yellow, jade)" is a unique collagraph print from a series published by Manneken Press in 2019. In collagraph printmaking the artist adds to the plate to create the image rather than carving into it, as in relief printing, or etching into it, as in intaglio printing. Howe painted the image of a bouquet of flowers in a vase with sweeping, fluid brushstrokes strokes, directly onto the plate, using a thick gel medium. Carborundum grit was added to create the texture necessary to hold the ink. Different colors were used for each impression printed from the plate, creating a series of unique but related prints.
Like all of Howe's works, her monotypes have a strong, vibrant, spontaneous energy and a sensuous sensibility. Referencing her personal garden located in the Hudson Valley, flowers dissolve into abstract flurries of brush marks and fields of commingled colors. The artist balances abstraction with representation in gestural prints which are process-based while retaining an affinity with the observed subject matter. Catherine Howe is widely admired for her painterly works that reference both the baroque and nature. Drawing from nature, Howe’s paintings is influenced by New York School abstraction, as well as rococo and 17th century Dutch still life paintings.
Catherine Howe received an MFA from SUNY Buffalo in 1983. Her paintings have been exhibited extensively in New York, and the United States, including solo exhibitions at New York Academy of Art, Winston Wächter...
Category
21st Century and Contemporary Contemporary Illinois - Still-life Prints
Materials
Monotype
Porcelain Vessels by Betty Woodman
By Betty Woodman
Located in Morton Grove, IL
Betty Woodman (American, 1930-2018)
Monoprint with gold leaf
image size - 11 x30''
frame size - 20 x 39 x 1.75"
1991
Impeccably framed!
signed “Betty Woodman, ‘91, AP1”
printed by SO...
Category
1990s Contemporary Illinois - Still-life Prints
Materials
Gold Leaf
The Frontispiece from The Prodigal Son Suite, by J.J. Tissot
By James Jacques Joseph Tissot
Located in Hinsdale, IL
TISSOT, JAMES JACQUES JOSEPH
(1836 -1902)
L’enfant Prodigue: Frontispice (The Prodigal Son: Frontispiece)
Wentworth 57
Etching, c. 1882
Signed and dated in the plate lower rightIma...
Category
1880s Art Nouveau Illinois - Still-life Prints
Materials
Etching
Rare Untitled Monotype with Hand Coloring by Ed Baynard
By Ed Baynard
Located in Morton Grove, IL
Ed Baynard (American, 1940- 2016)
Untitled
Monotype with handcoloring on paper!
1981
28-1/2 x 36-3/4 inches (72.4 x 93.3 cm) (paper size)
Frame is included. Approx - 34.5 x 40.75...
Category
1980s Contemporary Illinois - Still-life Prints
Materials
Monotype
Les Marguerites
By (after) Georges Braque
Located in New York, NY
Boldly colored floral motif color aquatint. Signed and numbered 48/300 in pencil by Braque.
Category
1950s Modern Illinois - Still-life Prints
Materials
Color, Aquatint, Lithograph
Original vintage poster "Salon de Cent"
Located in Hinsdale, IL
CAZALS, FREDERIC-AUGUSTE
(1865 -1941)
"Salon des Cent"
Original Lithograph, c. 1894
Signed in stone, lower left; “F.A. Cazals, 94”
Printed by Bourgerie & Cie, Paris
Image size: 24...
Category
1890s Art Nouveau Illinois - Still-life Prints
Materials
Lithograph
Birdcage by Jonas Wood
By Jonas Wood
Located in Morton Grove, IL
Rare Jonas Wood print!
etching
2014
paper size- 15.75 x 13.75
frame size- 18.75 x 16.75 x 1.5"
signed and dated
SP2
*two small pinholes in the upper ...
Category
2010s Contemporary Illinois - Still-life Prints
Materials
Etching
Nile View by Betty Woodman(INV# NP3631)
By Betty Woodman
Located in Morton Grove, IL
Nile View (INV# NP3631)
Betty Woodman
color woodcut with chine collé
40.25 x 30”
1996
# P.P. 2/2, outside the edition of 30
signed
Category
1990s Contemporary Illinois - Still-life Prints
Materials
Driftwood
Pompeian Garden by Betty Woodman (INV# NP3632)
By Betty Woodman
Located in Morton Grove, IL
Pompeian Garden (INV# NP3632)
Betty Woodman
color woodcut
29 x 34.75”
1992
# P.P. 2/2, outside the edition of 15
signed
Category
1990s Contemporary Illinois - Still-life Prints
Materials
Woodcut
Kabuki Space by Betty Woodman (INV# NP3629)
By Betty Woodman
Located in Morton Grove, IL
Kabuki Space (INV# NP3629)
Betty Woodman
color woodcut
37 x 25”
# P.P. 2/2, outside the edition of 30
2000
signed
Betty Woodman (1930 - 2018) was a leading American ceramist whose dazzling inventions with form and color have moved beyond the traditional domain of craft and consistently challenged the limits of the medium.
Betty Woodman first became interested in crafts because her father was a woodworker. In high school, one ceramics course was sufficient to convince Woodman that she wanted to be a functional potter. Studying pottery at the School for American Craftsmen at Alfred University, she developed a strong interest in the history of ceramics. Her first job after graduating in 1950 was as a production potter, and that technical facility and experience were to be the foundation of her subsequent innovations. In 1952 Woodman traveled to Italy, where exposure to traditions such as majolica opened her eyes to the potential of clay.
It was not until the seventies that Woodman completely abandoned her functional approach. Collaborating with important figures in the Pattern and Decoration movement, such as Joyce Kozloff and Cynthia Carlson...
Category
Early 2000s Contemporary Illinois - Still-life Prints
Materials
Woodcut
Kimono Still Life Vase by Betty Woodman (INV# NP3630)
By Betty Woodman
Located in Morton Grove, IL
Kimono Still Life Vase (INV# NP3630)
Betty Woodman
color woodcut with chine collé
27.5 x 41.5
1992
# W.P. 1/2, outside the edition of 15
signed
Category
1990s Contemporary Illinois - Still-life Prints
Materials
Woodcut
Boardwalk Vase (INV# NP3628)
By Betty Woodman
Located in Morton Grove, IL
Boardwalk Vase (INV# NP3628)
Betty Woodman
color woodcut with chine collé
37.88 x 36.75”
1998
# P.P. 2/2, outside the edition of 30
signed
Betty Woodman (1930 - 2018) was a leading American ceramist whose dazzling inventions with form and color have moved beyond the traditional domain of craft and consistently challenged the limits of the medium.
Betty Woodman first became interested in crafts because her father was a woodworker. In high school, one ceramics course was sufficient to convince Woodman that she wanted to be a functional potter. Studying pottery at the School for American Craftsmen at Alfred University, she developed a strong interest in the history of ceramics. Her first job after graduating in 1950 was as a production potter, and that technical facility and experience were to be the foundation of her subsequent innovations. In 1952 Woodman traveled to Italy, where exposure to traditions such as majolica opened her eyes to the potential of clay.
It was not until the seventies that Woodman completely abandoned her functional approach. Collaborating with important figures in the Pattern and Decoration movement, such as Joyce Kozloff and Cynthia Carlson...
Category
1990s Contemporary Illinois - Still-life Prints
Materials
Woodcut
After Mexico in Kyoto (INV# NP3627)
By Betty Woodman
Located in Morton Grove, IL
After Mexico in Kyoto (INV# NP3627)
Betty Woodman
color woodcut with chine collé
27.25 x 36.25”
1997
# P.P. 2/2, outside the edition of 30
signed
Betty Woodman (1930 - 2018) was a leading American ceramist whose dazzling inventions with form and color have moved beyond the traditional domain of craft and consistently challenged the limits of the medium.
Betty Woodman first became interested in crafts because her father was a woodworker. In high school, one ceramics course was sufficient to convince Woodman that she wanted to be a functional potter. Studying pottery at the School for American Craftsmen at Alfred University, she developed a strong interest in the history of ceramics. Her first job after graduating in 1950 was as a production potter, and that technical facility and experience were to be the foundation of her subsequent innovations. In 1952 Woodman traveled to Italy, where exposure to traditions such as majolica opened her eyes to the potential of clay.
It was not until the seventies that Woodman completely abandoned her functional approach. Collaborating with important figures in the Pattern and Decoration movement, such as Joyce Kozloff and Cynthia Carlson...
Category
1990s Contemporary Illinois - Still-life Prints
Materials
Woodcut
Bitch I Made This Pot by Theaster Gates
By Theaster Gates
Located in Morton Grove, IL
Lithograph, screen print and rubber stamp on Somerset
Last one left in the edition of 100, all the rest have sold out.
Very rare.
Comes with a the original signed certificate.
Theas...
Category
2010s Contemporary Illinois - Still-life Prints
Materials
Lithograph
VOTE by Jonas Wood
By Jonas Wood
Located in Morton Grove, IL
6-color screen print on Coventry rag paper
15.75 x 10 inches
Edition of 300
Signed, dated and numbered on recto in pencil
In originally packing and never removed.
Category
2010s Post-War Illinois - Still-life Prints
Materials
Screen
Untitled by Jonas Wood
By Jonas Wood
Located in Morton Grove, IL
screenprint
Signed and numbered in pencil by the artist
edition of 50
Beautifully framed!
provenance: The Nevica Project
Jonas Wood (American, b. 1977) is a Los Angeles based-artist. His paintings are most notable for their reconsideration of the golden era of 20th century American painting, drawing fine comparisons to artists such as Edward Hopper. Linda Yablonsky from the New York Times Style Magazine has said that, “Wood has one foot in Modernist cool and the other in vibrant Pop Art.” He paints what is around him in daily life, from basketball players to living rooms, and tries to preserve the beauty he sees in these subjects and share it with the viewer.
Jonas Wood was born in 1977 in Boston, Massachusetts. He graduated in 1999 from Hobart and William Smith Colleges, New York, and received his M.F.A. in 2002 from the University of Washington, Seattle. Murals and solo exhibitions include “Primitives: Chris Caccamise and Jonas Wood,” Cereal Art...
Category
2010s Contemporary Illinois - Still-life Prints
Materials
Screen
Untitled
By Jonas Wood
Located in Morton Grove, IL
Screenprint with colors
Edition of 50
Signed and numbered by artist in pencil
Very rare
Category
2010s Contemporary Illinois - Still-life Prints
Materials
Screen
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