Jonas Wood

Birdcage by Jonas Wood

2014

Pompeian Garden (INV# NP3632) Betty Woodman color woodcut 29 x 34.75” 1992 # P.P. 2/2, outside the edition of 15 signed

Kimono Still Life Vase (INV# NP3630) Betty Woodman color woodcut with chine collé 27.5 x 41.5 1992 # W.P. 1/2, outside the edition of 15 signed

After Mexico in Kyoto (INV# NP3627) Betty Woodman color woodcut with chine collé 27.25 x 36.25” 1997 # P.P. 2/2, outside the edition of 30 signed Betty Woodman (1930 - 2018) was a leading American ceramist whose dazzling inventions with form and color have moved beyond the traditional domain of craft and consistently challenged the limits of the medium. Betty Woodman first became interested in crafts because her father was a woodworker. In high school, one ceramics course was sufficient to convince Woodman that she wanted to be a functional potter. Studying pottery at the School for American Craftsmen at Alfred University, she developed a strong interest in the history of ceramics. Her first job after graduating in 1950 was as a production potter, and that technical facility and experience were to be the foundation of her subsequent innovations. In 1952 Woodman traveled to Italy, where exposure to traditions such as majolica opened her eyes to the potential of clay. It was not until the seventies that Woodman completely abandoned her functional approach. Collaborating with important figures in the Pattern and Decoration movement, such as Joyce Kozloff and Cynthia Carlson...

Nile View (INV# NP3631) Betty Woodman color woodcut with chine collé 40.25 x 30” 1996 # P.P. 2/2, outside the edition of 30 signed

Boardwalk Vase (INV# NP3628) Betty Woodman color woodcut with chine collé 37.88 x 36.75” 1998 # P.P. 2/2, outside the edition of 30 signed Betty Woodman (1930 - 2018) was a leading American ceramist whose dazzling inventions with form and color have moved beyond the traditional domain of craft and consistently challenged the limits of the medium. Betty Woodman first became interested in crafts because her father was a woodworker. In high school, one ceramics course was sufficient to convince Woodman that she wanted to be a functional potter. Studying pottery at the School for American Craftsmen at Alfred University, she developed a strong interest in the history of ceramics. Her first job after graduating in 1950 was as a production potter, and that technical facility and experience were to be the foundation of her subsequent innovations. In 1952 Woodman traveled to Italy, where exposure to traditions such as majolica opened her eyes to the potential of clay. It was not until the seventies that Woodman completely abandoned her functional approach. Collaborating with important figures in the Pattern and Decoration movement, such as Joyce Kozloff and Cynthia Carlson...

Kabuki Space (INV# NP3629) Betty Woodman color woodcut 37 x 25” # P.P. 2/2, outside the edition of 30 2000 signed Betty Woodman (1930 - 2018) was a leading American ceramist whose dazzling inventions with form and color have moved beyond the traditional domain of craft and consistently challenged the limits of the medium. Betty Woodman first became interested in crafts because her father was a woodworker. In high school, one ceramics course was sufficient to convince Woodman that she wanted to be a functional potter. Studying pottery at the School for American Craftsmen at Alfred University, she developed a strong interest in the history of ceramics. Her first job after graduating in 1950 was as a production potter, and that technical facility and experience were to be the foundation of her subsequent innovations. In 1952 Woodman traveled to Italy, where exposure to traditions such as majolica opened her eyes to the potential of clay. It was not until the seventies that Woodman completely abandoned her functional approach. Collaborating with important figures in the Pattern and Decoration movement, such as Joyce Kozloff and Cynthia Carlson...

Original color aquatint and etching, 1980. Edition of 30 signed and numbered impressions on Arches paper. Kyu-Baik Hwang is contemporary painter and printmaker, from South Korea. He served in the military during the Korean War, and after the war he began to paint. Latter, he traveled across Europe and America and got inspired by many of their cultures and artists. Displacing ordinary objects from their original environments, typical for his works is often compared to surrealist’s art from the 20th-century. Unlike surrealists, who rejected mind control and try to show the world of the unconscious, Hwang stimulates viewers’ imagination. He presents an extra-ordinary, imaginary world through ordinary spaces and objects, using different methods from printmaking to painting. The Bois de Boulogne...

Amsterdam IX is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is both ...

Amsterdam VIII is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is bot...

Amsterdam VI is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is both ...

Amsterdam III is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is both...

"O. Phalenopsis 2" is a contemporary hand-painted intaglio print by Wisconsin artist Mark Brueggeman. Printed with black ink onto white paper, the pri...