Italy - Chairs

Pair of vintage Pinstolar model chairs, mid-century Scandinavian design with rounded slats and solid wood seat. Pair of original Scandinavian chairs, model Pinstolar, an emblematic ...

Love is all around. Clench yours tight, hold it close, and bestow on it the shiny perch it so wishes it deserved. Love Chair for Ghidini 1961 provides a sumptuously soft landing for ...

Armchair made with a thin and elegant hand-welded steel frame whose curvature supports the precious leather, folded and sewn to act as a backrest and the same time as an armrest. Available in red, blue, black structure as per the full-grain leather backrest in Havana, natural and black which is destined over time to soften and accommodate the anatomy of the body...

Ossicle Marble Chair No. 1 -- Francesco Balzano x Giobagnara Available in a marble finish. For simple and sophisticated leather and marble products, look no further than the Francesco Balzano line. Born and raised in Paris, Francesco Balzano studied interior design and architecture before opening his own studio to design custom and limited editions of furniture pieces for galleries around the world. The influence of Venice, Rome, and Capri are omnipresent in many of Balzano’s products, which fashion simple elegance out of a carefully selected range of leather and marble colors and finishes. The monolithic seats, benches, and tables that comprise Balzano’s ossicle collection strike the perfect balance between organic and pure geometric shapes, thus offering contemporary luxury elevated by minimalism. The singularity of each design conceived as a sculptural piece is bound to stand the test of time. For nearly twenty years, the Giobagnara brand has combined traditional know-how and leading-edge technology to produce elegance of the highest standard. With luxurious creations available in a unique and virtually limitless color palette of leathers and suede, Giobagnara now boasts one of the most comprehensive offers of leather home accessories...

A fine set of six Italian, 18th century green-painted and parcel-gilt chairs.

Pair of Fanett chairs by Ilmari Tapiovaara, Danish production 1950s, with beech frame and original label. Original pair of Fanett chairs designed by Ilmari Tapiovaara, produced in D...

Set consisting of four iconic Chiavari (chiavarine) chairs in brass from the 1950s. The seats have been revisited in the upholstery now in rope made by hand by refined Salento artisans.

Chair with solid beech legs stained oak, walnut or black aniline. Shell upholstered in the listed fabrics. Here you are shown the Ali armrest chair in beech stained walnut base with ...

Inspired by the Northern California coastline, the Coast Chair’s design draws its influence from a landscape of wandering, golden hills and the meandering roads that intersect them. ...

Pair of 50's bentwood chairs Designer Carlo Ratti.

Scroll down and click "view all from Seller" to see more than 400 other unique products. (1.8) Harmony and lightness, solidity and comfort, are the distinguishing marks of AVA. The attention to detail and perfect symmetries, together with the peculiar shape of the back, guarantee comfort and ergonomic function. Designed by Michael Schmidt...

Pensando ad Acapulco (Thinking of Acapulco) is a tribute to the iconic Acapulco Chair of the Fifties. It gives shape to a new understanding of what a ch...

Inspired by 20th-century Austrian chairs, Brulla is a stackable wooden seat. Its defining aesthetic is given by the juxtaposition of curves and straight lines, creating a strong sens...

Set of four vintage sixties chairs, Italian manufacture. The chairs have a black iron structure with seat and back in red-bordeaux fabric with black do...

This three-legged armchair with a comfortable backrest is an invitation to relax, to enjoy the minutes slowly. The elliptical section of the leg emphasizes its elegant and solid supp...

Single chair from the 1950s in wood with backrest and seat in the original fabric of the time. Shows normal signs of wear, note how little it has been used. The seat is still prot...

Lacquered and gilded sitting room Age: XIX century Important living room of 1800, composed by six chairs, 2 armchairs, a sofa and a table. White lacquering with carved and gilded d...

Set of six 1950s Italian chairs in the style of Melchiorre Bega, featuring varnished birch wood and newly upholstered seats. All six chairs were so...

Group of 6 chairs, stained beech wood, foam seat with fabric cover.

The Tokyo-Pop collection marks, in 2002, the debut on the international scene by Tokujin Yoshioka, now considered one of the masters of contemporary design. The sofa, the armchair and especially the day-bed and the stool, forget the banality of rotational molding to become sculptures. Unforgettable and unusual shapes.The Tokyo-Pop collection marks, in 2002, the debut on the international scene by Tokujin Yoshioka, now considered one of the masters of contemporary design. The Driade Tokyo...

Pair of vintage Scandinavian chairs is an original design furniture realized in the half of 20th Century. Original upholstery. T...

Elegant set consisting of six chairs with velvet seat and wooden frame with slender back, attributable to Carlo De Carli Italian production late 1950s. The unique design of this mode...

Mammamia knows how to be chic, very chic, incredibly chic! Mammamia Diamond is definitely the most sophisticated chair in the Mammamia range and stems from the co-operation between O...

In the Katana sofa, Paolo Rizzatto, being the refined and expert designer he is, puts great care in the proportions of the structural elements of the produ...

Iconic medea chair designed in 1955 by Vittorio Nobili for Fratelli Tagliabue and winner of the Compasso D'Oro at the Industrial design biennale in Milan the following year (1956). C...

Chairs with armrests. Chromed steel and brown Vienna straw. Very good condition consistent with time and use In the Cesca chair by Marcel Lajos Breuer for Gavina you can find the t...

Italian modern Black chairs by Adalberto del Lago for Misura Emme, 1980s Black chairs in enamelled metal rod, with seat and high back in black leath...

Chiavarina in ottone, Italian production 1950-1959 Chiavari-brass-chair.

Bench in recycled polichrome marbles designed by Massimiliano Nocchi – Andrea Giacomo Tazzini Size: Bench Small cm 70 x 50 x 81 H Materials: Polichrome marbles.  

A rare original chair, largely reminiscent of English Arts and Crafts styles, it features a distinctive polygonal seat with an angular backrest. The backrest and armrests are support...

Set of six SE68 model chairs, with structures equipped with four legs in thin-section tubular steel, with a central support on the back, also in metal, to which the oval-shaped backr...

Iola lives design with an international approach, focusing on the ergonomics of shapes, while maintaining a refined and characterizing appearance. We gave the body the shape of a she...

The new Sunset bergère is made up of two distinct parts: the shell and the headrest for a specific reason: lighten the silhouette of the product by creating a visually harmonious line. The outdoor stretched and rigorous surface contrasts with an internal padded coat that is much softer, creating an original graphic design. The comfort of the seating area is accentuated by the reclining mechanism, available only in the variation with the headrest, whereas the base is equipped with a rotation mechanism both for the armchair and the bèrgere version. Sunset combines in an ideal way sophisticated design, maximum comfort and high-quality materials and techniques. Available with various upholstery on the aluminum star base. Completely removable covers. Structure: Shell and headrest are in plywood with variable-density polyurethane foam (40IP e 30IM) covered with velfodera coupled with resin 100gr/sqm. Feet: In polished or painted aluminum. The base is equipped with rotation mechanism both for the "armchair" version and for the "bergère" version. Only for the latter, it’s possible to add the tilt mechanism. Padding: The seat cushion is in variable-density polyurethane foam (50IP e 35IMM) covered with velfodera coupled with resin 150gr/sqm. Arms and lumbar cushions are polyurethane foam core 35IMM covered with velfodera coupled with resin 150gr/sqm. Additional information: Material: Polyurethane foam, upholstery, aluminum Upholstery: Cat. VIP, Avant Après...

Fanett dining chairs is a mid-century set chairs manufactured in 1949 by Ilmari Tapiovaara. Set of 6 wooden chairs, teak seat, feet and back ...

Liù Chair.

Liù Armchair.

Fabbrica Chair.

Afra & Tobia Scarpa "Dialogo" dining chairs with armrests for B&B Italia, leather, Italy, 1973, set of twelve. "Dialogo", in substance, is a return to the formal solution of the 121...

Italian midcentury set of two chairs with armrests from late 1950s.

The Via Veneto seat is inspired by the 1960s and recalls the atmosphere of the Roman “dolce vita”. The double symmetrical tubular structure in painted stain...

Scroll down and click "view all from Seller" to see more than 400 other unique products. The "Path" chair is characterized by curves and harmonious lines which create a contemporary...

Nua is extremely light, comfortable, visually striking and stackable. The metal structure was developed using the principle of the trestle where each welded steel-rod segment contrib...

Keywords: lacquered chair, double chair, hidden chair, Italian design, stackable chair, double seat, handcrafted chair, innovative furniture, vintage design, lacquered wood, lacquere...

Secreto is a little armchair to use with dining table or in a living room, modern and traditional at the same time. Inspired to the traditional Windsor chair with a clear brief brilliantly interpreted by duo Lorenz Kaz...

Secreto is a little armchair to use with dining table or in a living room, modern and traditional at the same time. Inspired to the traditional Windsor chair with a clear brief brill...

Set of six 605 Quinta chairs with a black steel rod frame seat and back in bent perforated sheet metal. Designed by Mario Botta for Alias in 1985 (This chair is no longer in production). The Quinta chair it's an architecture you can sit on, this design clearly shows the inspiration of iconic designer as Le Corbusier, Louis Kahn, and Carlo Scarpa, an exemplary of this iconic chair is also exhibited at the Museum of Modern Art. Mario Botta was born in 1943 in Mendrisio. After working as an apprentice draughtsman for the Lugano-based architect Tita Carloni, he moved first to Milan and then to Venice, where he enrolled at the department of Architecture at the IUAV. He completed his degree in 1969 with a thesis tutored by Carlo Scarpa – after having met Le Corbusier and Louis Kahn, who were later to be sources of inspiration – and returned to Switzerland to open his own professional firm, which at the time dealt mainly with detached family private homes. These included the villas in Riva San Vitale (1971-1973), Ligornetto (1975-1976) and Morbio Superiore (1982-1983), in which Botta treated the theme of the home as a refuge, which protects and reassures its inhabitants. These were buildings with a character that was ironic and, in a certain sense, monumental, obtained for example (in the case of Morbio) through rigorous symmetrical compositions and a particular use of raw concrete blocks set in a linear pattern and alternated with strips of silvered brick which, on the contrary, were set at 45 degrees. Partially dug into the hillside, the villa was also characterised by a theme which was particularly dear to Botta and which had already been explored in Riva San Vitale; the net distinction between solids and voids, the latter appearing to have been dug out of the building. Between 1980 and 1990, Botta associated with artists and intellectuals from all walks of life and took numerous long trips abroad. Together with Gabriele Basilico and Edoardo Sanguinetti, he published “La Casa Rotonda”, and he became friends with Max Huber, Nicki de Saint Phalle, Dante Isella, Harld Szeemann, Robert Frank and Alberto Flammer. In 1986, the MoMA in New York dedicated a solo exhibition to his work, and the Swiss architect received his first contracts for public buildings and from abroad, debuting with the Cultural Centre in Chambéry (1984-1987). In Japan, on a challenging triangular lot of only one hundred and sixty square metres, a space which remained from the opening of a new highway, Botta built a small building which, with its clarity and strength of image, attempted to stand out in the midst of the chaos that surrounded it, thanks to a thick masonry curtain raised on the main façade, in which slabs of grey marble are crossed with horizontal fissures which erode the angles and cancel the perception of the number of floors which make up the museum. The church of Mongo, on the other hand, was the first step in a long series of places of worship, including designs for the churches of Pordenone (1987-1992) and Sartiana (1987-1995), for the cathedral of Evry (1988-1995), for the basilica of Santa Maria degli Angeli on Mont Tamaro (1990-1996, for the Giovanni XXII church in Seriate (1994-2000) and for the Cymbalista synagogue in Tel Aviv (1996-1998). In each of these, light plays a predominant role as a prime generator of space and a measure for the definition of time that passes with the various phases of the day, the months and the seasons. Light is, however, the main symbolic element, representing through its variations the uneasiness of humankind in the face of divine perfection. In this same period, the scheduling for the construction of a new School of Architecture, the Mendrisio Academy, took place. Inaugurated in 1996, it offered an alternative approach to teaching in contrast to the Swiss University system, in which an important role is played by humanistic subjects and by a copious group of well-known international professors: from Rykwert to Benevolo, Burkhart, Campos Baeza, Dal Co, Frampton, Mendes da Rocha...

Iola shows off design with an international approach, focusing on the ergonomics of the form, ensuring a careful look, one with character. We have given the body the shape of a shell...

Italian mid-century modern Yellow wood folding chair Tric by Achille and Pier Giacomo Castiglioni, 1960s Folding chair mod. Tric entirely made of wood painted in bright yellow. The ...

In the Katana sofa, Paolo Rizzatto, being the refined and expert designer he is, puts great care in the proportions of the structural elements of the produ...

Inspired by the Northern California coastline, the Coast Chair’s design draws its influence from a landscape of wandering, golden hills and the meandering roads that intersect them. Blending refined architectural elements with fluid gestures, the chair’s form brings surprising design moments to a functional, everyday object. The controlled, geometric legs provide a strong foundation for the more expressive upper section. The backrest appears to float using discreet joinery, and is framed by a brass arc, which acts as both a touch-point to move the chair and a resting place for a coat or bag. The Coast Chair welcomes you to sit back and stay awhile...

Inspired by the Northern California coastline, the Coast Chair’s design draws its influence from a landscape of wandering, golden hills and the meandering roads that intersect them. ...

The Diamond Chair is an astounding study in space, form and function by one of the master sculptors of the last century. Like Saarinen and Mies, Bertoia found sublime grace in an ind...

This three-legged armchair with a comfortable backrest is an invitation to relax, to enjoy the minutes slowly. The elliptical section of the leg emphasizes its elegant and solid supp...

Secreto is a little armchair to use with dining table or in a living room, modern and traditional at the same time. Inspired to the traditional Windsor chair with a clear brief brilliantly interpreted by duo Lorenz Kaz...

Secreto is a little armchair to use with dining table or in a living room, modern and traditional at the same time. Inspired to the traditional Windsor chair with a clear brief brill...

Italy, 1956 Manufactured by RIMA - Mario Rinaldi Steel, leather upholstery Literature: Giuseppe e Jacopo Drago, Gastone Rinaldi. Designer alla Rima, Ita...

Bokken upholstered chair in black stained beechwood, silver leaf backrest and padded seat covered with a top quality Rubelli velvet. Pure Italian quality! An essential chair in the form, yet precious in colors. Tapered and elongated, the legs of the seat are inspired by the bokken, a wooden replica of the Japanese sword...

Bokken upholstered chair in black stained beechwood, silver leaf backrest and padded seat covered with a top quality Rubelli velvet. Pure Italian quality! An essential chair in the form, yet precious in colors. Tapered and elongated, the legs of the seat are inspired by the bokken, a wooden replica of the Japanese sword...

Bokken upholstered chair in black stained beechwood, silver leaf backrest and padded seat covered with a top quality Rubelli velvet. Pure Italian quality! An essential chair in the ...

Four "Leggera" chairs model 646 by Gio Ponti for Cassina. White wood frame and blue velvet seating.