Malmo - Decorative Objects

A beautiful stoneware bowl with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden. Excellent condition. Incised signatur...

Pair of Swedish Grace bronze candlesticks with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Great condition, with only some light scratches. Stamped 'BRONS' ...

Rare pair of candlesticks designed by Josef Frank. Produced by Svenskt Tenn in Sweden.

A beautiful bronze vase with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Good condition, with a few light scratches. Please note: it has an inscription (pic...

A beautiful faience bowl with amazing geometric pattern. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Excellent condition. Signed with the Gustavsberg studio hand...

Beautiful and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-41. Excellent condition. Impressed 'Rörstrand / ...

Pair of Swedish Grace bronze candlesticks with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Good condition, some wear to the patination and some light scratc...

A small but beautiful art deco vase designed by Just Andersen in 1930s and produced by his own company in Denmark. Made from Disko metal (an alloy of different metals invented by Jus...

A rare and beautiful stoneware vase with amazing blue glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1940s. Good condition. Factory second due to a glaze flaw on the rim, f...

A beautiful 'Swedish Modern' stoneware footed bowl with green glaze. Made by Wilhelm Kåge at Gustavsberg in Sweden, 1930s. Good condition. Factory second due to it being slightly a...

A beautiful and unique stoneware vase with amazing glaze. Made by Stig Lindberg in Gustavsberg Studio, Sweden. 1964. Excellent condition. Incised "Stig L" and Gustavsberg studio han...

A beautiful art deco bronze vase with amazing patina. Made by Bowi brons in Sweden, 1930s. Great condition, with some light scratches. Stamped 'BRONS' and 'BOWI'.

A beautiful 'Swedish Modern' stoneware vase with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg in Sweden, 1930s. Excellent condition. Impressed 'Gustavsberg / KÅGE / HANDDR...

A beautiful stoneware vase with amazing hare’s fur glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden. Excellent condition. Incised signa...

A set of four stoneware vases with amazing 'leopard' glaze. Made by Yngve Blixt, in his studio in Höganäs, Sweden, 1974-1975. Excellent condition. Incised Yngve Blixt, Höganäs. Yn...

A beautiful stoneware bowl with amazing glaze. Made by master thrower Berndt Friberg, in the artist's studio at Gustavsberg, Sweden, 1975. Great condition. Incised signature 'Fribe...

A beautiful stoneware vase with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1940s. Great condition. Incised with signature 'G.N.' and makers mark, Rörstrands th...

Glass Vase in Blue by Nanny Still, 1950's Additional Information: Material: Glass Style: Mid century, Scandinavian Produced by Riihimäen Laso Oy in Finland Dimensions (W x D x H): 6...

A beautiful stoneware vase with handle and amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Good condition. Marked as factory second due to it being slightly...

A stunning and unique stoneware rooster sculpture with amazing glaze. Made by Tyra Lundgren. Executed in her own studio in Sweden, 1955. Great condition, but with a couple of chips to the base (pictured). Signed by the artist in two places, and dated 1955-06-20. Provenance: bought from the estate of the artist in 1979. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

A beautiful stoneware art deco bowl with crackle glaze. Foot and mouth detailed in hand painted gold. Designed by Gunnar Nylund for ALP (Lidköpings Porslinsfabrik), Sweden, 1930s. G...

A beautiful stoneware art deco / Swedish grace vase with amazing glaze. Designed by Gunnar Nylund for Rörstrand, Sweden, 1930s. Great condition. I...

Set of 3 beautiful 'Våga' vases. Stoneware with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. 'Swedish Modern'. Excellent condition. Stamped 'Gusta...

A beautiful stoneware vase with amazing glaze. Made by Marianne Westman for Rorstrand, Sweden, 1960s. Excellent condition. Incised signature "MW" and "R" för Rörstrand. Marianne W...

Beautiful vase made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Carrara glazed stoneware. Excellent condition. Stamped 'Gustavsberg / CARRARA / 1132'. Wilhelm K...

A pair of beautiful stoneware vases with amazing glaze. Designed in 1942 by Gunnar Nylund for Rorstrand, Sweden. Great condition. Incised signature "G.N." and makers mark, Rörstran...

Bronze Sculpture by Pipin Henderson, 1950's Additional Information: Material: Bronze Style: Mid century, Scandinavian Produced in Denmark Dimensions (...

Beautiful stoneware vase made by master ceramists Erich and Ingrid Triller. This piece was created at their workshop in Tobo, Sweden, 1950s. Excellent condition. Signed on the base with their customary "Triller Tobo" signature. The ceramists Erich and Ingrid Triller were educated in Germany 1929-32, married in 1934 and moved to Sweden the same year. Together they ran the Tobo stoneware...

A set of three beautiful stoneware vases with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1940s. Great condition. Incised signature "G.N." and makers mark, Rörs...

Dark Blue Glass Vase by Vicke Lindstrand, 1960's Additional Information: Material: Glass Style: Mid century, Scandinavian Produced by Kosta in Sweden ...

A beautiful and rare stoneware bowl with amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Excellent condition. Incised signature 'G.N.' and makers mark 'R' ...

Beautiful vase made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Celadon glazed stoneware. Excellent condition. Impressed 'Gustavsberg / CELADON / KÅGE / HANDDREJAD...

A beautiful stoneware vase with amazing glaze. Made by Stig Lindberg in Gustavsberg Studio, Sweden. 1950s. Excellent condition. Impressed "Stig L.", "Drejargods" and Gustavsberg s...

A beautiful stoneware vase with handle and amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Great condition. Incised signature "G.N." and Rörstrands three cr...

A set of beautiful bronze vases with amazing patina. Designed by Sune Bäckström in Malmoe, Sweden, 1920s. Great condition. The colors differ slightly. Stamped 'BRONS', model numbe...

A beautiful stoneware bowl with amazing glaze. Made by Tyra Lundgren. Executed during the artist's time spent at Sèvres, between 1934-1939. Excellent condition. Impressed with artist's name and maker's marks. Tyra Lundgren (1897-1979) was one of the most multifaceted artists and modernists of the twentieth century. She was a painter, drawer, sculptor, ceramist, glass- and textile designer, as well as an author and an art critic. She was the first woman who designed glass for Paolo Venini at Murano in Venice and she also served as the artistic leader at Arabia in Helsinki at a time when men tended to hold those kinds of positions. Tyra Lundgren grew up in Djursholm, near Stockholm. Her parents were John Petter Lundgren, professor at Veterinärinstitutet (institute of veterinary sciences) in Stockholm, and Edith Lundgren née Åberg, who was a housewife and raised their six children. The bourgeois home also comprised a nanny and a female cook. The family were very socially active, travelled often, and enjoyed the outdoor lifestyle. Tyra Lundgren’s schooling began at Djursholm coeducational school, where her teachers included Natanael and Elsa Beskow and Alice Tegnér. Her school friends included Greta Knutson-Tzara, Stellan Mörner, and Ingrid Rydbeck-Zuhr. Tyra Lundgren knew from the time she was five years old that she wanted to be an artist. She first became aware of the profession through Axel Fahlcrantz, who rented a studio on the plot of land where she lived with her family. In 1913 she began to attend Högre konstindustriella skolan (HKS, now known as Konstfack, college of arts, crafts and design) where she studied decorative art as well as handicrafts in various forms until 1917. One of her fellow students and friends there was Estrid Ericson, who later founded Svenskt Tenn AB in 1924. Whilst attending HKS Tyra Lundgren also took painting lessons at the Althin school of painting. In 1917 she was accepted as a candidate at the Royal Swedish Academy of Fine Arts where, apart from breaks during which she undertook studies abroad, she remained until 1922. She spent a couple of months taking lessons from Anton Hanak in Vienna and from 1920–1923 she was a student of André Lhote in Paris. Tyra Lundgren was primarily active in four countries: Sweden, Finland, France, and Italy. She spent much of her professional life travelling and considered herself to be a European. Greece and Mexico also formed important centres in her artistic life, as did the USA. She had an extensive social network which included focal individuals within twentieth century-European and American artistic and cultural circles. Tyra Lundgren’s main artistic motifs were birds, fish, and people which she depicted through different techniques and materials. Her artistic expression involved a variety of different directions and styles. She was a pioneer of the 1920s Swedish Grace style, the name of which had been coined by the art critic Morton Shand at the Stockholm Exhibition of 1930. This was a Swedish Art Deco style, characterised by elegance and traditional art which contrasted with the current artistic ideals of functionalism. Tyra Lundgren made her debut at a group exhibition held at Kungliga Akademien för de fria konsterna in 1921. She went on to show her work at various exhibitions throughout the 1920s. After that period she only very rarely exhibited her paintings. Tyra Lundgren’s painted output can be divided into different periods or stylistic directions. The first of these, and the most extensive, was her post-Cubist period which began in 1920 on her arrival in Paris. Her paintings from this time and right up to the mid-1930s typically comprise portraits, self-portraits, live-model painting, still-lifes, interiors, and landscapes in the Cubist style. Many of the great number of self-portraits she painted were produced in the New Objective style, displaying broad variation in terms of clothes, poses and techniques. Two of these – Huvud med vit duk and Självporträtt both from 1921 – can be seen at Moderna Museet in Stockholm, although the majority of these works are at Gotlands Museum. Tyra Lundgren’s second artistic period comprises the years of 1927 to 1929 and is characterised by the New Objective style inspired by medieval techniques and materials (Giotto, Piero della Francesca). Her motifs were still-lifes and landscapes. At this point she was living in Rome and was close to the circle involved in the Valori plastici: rivista d’arte art journal. This period saw a breakthrough in her development as a painter. From the 1950s through the 1970s her work can almost be described as belonging to the Concrete style. Using light pastel colours her paintings sought light in a sometimes non-figurative expression, but often depicting abstract bird-shapes or other nature-inspired imagery. Her paintings from this period are outsized and display powerful colours, in yellows, reds, and blues. Tyra Lundgren maintained a constant production of drawings, both in terms of individual artworks and sketches for patterns and designs. She also produced the illustrations for her book Fagert i Fide. Årstiderna på en gammal gotlandsgård, published in 1961. During her early years she also produced advertising illustrations. She spent the final years of her life primarily working with lithographs which were printed at Galleri Prisma and depicted images of doves, swallows, magpies and crows. Tyra Lundgren is meanwhile best known for her work as a ceramist and in this sphere she was one of Sweden’s leading exponents. She worked in the porcelain industry as a designer and as an artisan and ceramic sculptor. Her first job was at St Eriks Lervarufabrik in Uppsala from 1922–1924, she then worked at Arabia from 1924–1937, and at Rörstrand and Lidköping Porslinsfabrik. She was the artistic leader at Arabia ahead of the 1930 Stockholm Exhibition and she exhibited her work at the World’s Fairs. During the 1934–1938 period she was connected to the Manufacture nationale de Sèvres porcelain factory in Paris. Tyra Lundgren was a pioneer when it came to giving ceramic art a public space in Sweden. She produced around 20 outsized reliefs in stoneware, so-called monumental reliefs. One of these is Märkeskvinnor, from 1947, for the former girls’ school at Bohusgatan in Stockholm. From the 1940s onwards Tyra Lundgren produced sculptural objects in Chamotte clay and stoneware, with various glazings. Her small birds are well-known and popular with many. When her ceramic efforts became too much for her during the 1970s she then produced models for sculptures in bronze. There are six of these in various places around the globe, including Solfågel in Almedalen, Visby. Tyra Lundgren began to work as a glassware designer at Moser in Karlsbad in 1922 where she designed new table services and modernised older ones. She also worked freelance for Riihimäki factory in Finland during the 1924–1929 period. From 1934 to 1938 she was employed by Kosta glass factory where she mainly designed thick-walled bowls and vases, engraved with classical motifs. She was introduced to the glassmaker Paolo Venini at Murano during the Triennale di Milano of 1936 and they began a collaboration that lasted into the 1950s. As part of this collaboration Tyra Lundgren became the first woman to design glassware and, in conjunction with the glassblower Arturo Biasutto, she developed new techniques of glass production. Her motifs at this point were birds, fish, snail-shaped designs and leaf-patterned bowls using traditional techniques as well as in new designs. It was during this time that she created the so-called tissue-shaped bowls and it remains unclear as to who specifically came up with the design but Tyra Lundgren claimed it was of her making. Tyra Lundgren was active as textile designer for Licium (now HV Licium), the sacred textiles...

A bronze Art Deco candelabra with amazing patina. Made by LYFA, Denmark, early 1930s. Good condition, only a few light scratches. Stamped with makers mark.

Ceramic Floor Vase by Arthur Andersson, 1950's Additional Information: Material: Ceramic Style: Mid century, Scandinavian Produced by Wallåkra in Sweden Dimensions (W x D x H): 30 x...

Pair of bronze Swedish Grace candlesticks with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Great condition. Stamped 'BRONS' and makers mark.

A beautiful faience bowl with amazing geometric pattern. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Excellent condition. Signed with the Gustavsberg studio hand...

A beautiful stoneware urn with amazing relief pattern in the form of birds in trees. Designed by Gunnar Nylund for Rorstrand, Sweden, 1940s. Good condition. Factory second due to ...

A grand and beautiful lidded vase. Hand painted faience on glazed stoneware. Scandinavian Modern / Swedish Grace. Designed by Eva Jancke-Björk for Bo Fajans, Sweden, 1940s. Great co...

Set of 7 beautiful stoneware vases with amazing black-brown glaze. Designed by Carl-Harry Stålhane at Rörstrand, Sweden, 1950s. Excellent condition. Signed 'CHS' and makers mark 'R'...

A beautiful stoneware vase with 'Carrara' glaze. The fascinating design is a combination of two of Kåge’s best known lines of stoneware, “Surrea” from 1940 and “Våga” from 1949. Exc...

Set of 2 beautiful vases by Anna-Lisa Thomson at Gefle / Upsala Ekeby, Sweden, 1930s. Excellent condition. Signed 'Thomson' on the side of the vase and impressed 'TB' underneath. ...

A beautiful faience vase with amazing geometric pattern. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Excellent condition. Signed with the Gustavsberg studio hand...

A beautiful 'Karneval' faience vase. Designed by Stig Lindberg in Gustavsberg Studio, Sweden, 1950s. Excellent condition. Signed with the Gustavsberg studio hand. Stig Lindberg and...

A unique and beautiful stoneware vase with amazing glaze. Made in 1950 by Carl-Harry Stålhane at Rörstrand, Sweden. Excellent condition. Signed 'CH Stålhane -50' and makers mark 'R'...

Beautiful 'Våga' bowl. Stoneware with white 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Swedish Grace. Great condition. Some metal marks. Impresse...

A large and rare dish with amazing lustre glaze and hand painted gold details. Scandinavian Grace / Art Deco. Made by Josef Ekberg at Gustavsberg, Sweden, 1930s. Great condition. Th...

Beautiful and rare stoneware vase designed by Gertrud Lönegren. This studio piece was created at Rorstrand in Sweden between 1936-41. Excellent condition. Impressed 'Rörstrand / ...

A beautiful 'Swedish Modern' stoneware vase with 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg in Sweden, 1930s. Great condition. Stamped 'Gustavsberg / CARRARA' and impres...

A beautiful stoneware vase with handle. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Great condition. Incised signature "G.N." and Rörstrands three crowns. Gunnar Ny...

A set of two beautiful 'Våga' bowls. Stoneware with white 'Carrara' glaze. Made by Wilhelm Kåge at Gustavsberg Studio in Sweden, 1940s. Swedish Grace. Great condition. Stamped with...

Set or 5 beautiful stoneware vases and a bowl with amazing and rare glaze. Designed by Carl-Harry Stålhane at Rörstrand, Sweden, 1950s. Excellent condition. Signed 'CHS' and makers ...

A set of 2 beautiful bronze vases with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Great condition, with a few light scratches. Stamped 'BRONS' and makers m...

A beautiful abd rare vase by Anna-Lisa Thomson for Upsala Ekeby, Sweden, 1940s. Excellent condition. Impressed 'EKEBY' and '18'. Anna-Lisa Thomson (1905-1952) was born in the sout...

A beautiful stoneware vase with handle and amazing glaze. Designed by Gunnar Nylund for Rorstrand, Sweden, 1950s. Great condition. Incised signature "G.N." and Rörstrands three cr...