Manhattan - Portrait Photography

Iman at King Peter’s Bay, Tobago wearing a Jane Cattlin bikini. British Vogue, May 1976 Iman at King Peter's Bay, Tobago. Vogue, May 1976 Silver gelatin p...

Woman Protestor, March on Washington, 1963 by Leonard Freed, is a 14" x 11" gelatin silver photograph, signed and stamped on verso (back of photo) by the estate, Brigitte Freed (wife of the photographer). The photo is in Leonard Freed's book “This Is the Day: The March on Washington'' (p. 50). Leonard Freed enjoyed documentary storytelling and as a "concerned photographer" his work demonstrated humanitarian concerns. The photographer travelled to New York, Washington, D.C., and throughout the South, capturing the daily life of African-Americans. Documenting the 1960s Civil Rights Movement from the East Coast to the Deep South, Freed’s photo essay culminated in the book Black in White America, which contributed to Freed's becoming one of the well-known documentary photographers of 20th Century America. After Freed’s death in 2006 his widow, Brigitte Freed was inspired to compile a book on the March on Washington from her late husband’s archive when she heard then-Senator former President Barack Obama remark to an audience of civil rights activists, “I stand here because you walked.” The March on Washington series is a powerful visual testimony, capturing protests that culminated in Dr. Martin Luther King Jr.’s “I Have a Dream'' speech, delivered at the base of the Lincoln Memorial. Provenance: Freed archive. *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian, a social documentary photographer. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department (1972-79). Freed's coverage of the American civil rights...

Painter Helen Frankenthaler and sculptor David Smith in Frankenthaler's studio in New York City, 1957 is a gelatin silver print, 20” x 16”, signed and stamped by the Glinn estate. Th...

Birmingham Children, 1963 by American photographer Leonard Freed is a 16" x 12" vintage gelatin silver photograph, signed verso (on back) by the photographer. A photo that depicts th...

Chromogenic print Signed, titled, dated, and numbered, verso 22.5 x 30 inches (Edition of 5 + 2 APs) 45 x 60 inches (Edition of 3 + 2 APs) This artwork is offered by ClampArt, loc...

HRH Princess Anne 1971 C print Estate stamped and numbered edition of 21 on verso Her Royal Highness Princess Anne sits in a car for a portrait to celebrate her 21st birthday, 1971....

Little Surma Boy, 1996 by Jean-Michel (JM) Voge, is a contemporary color photograph of a child from the Surma tribe in the Omo Valley in Ethiopia, Africa. The photograph is printed...

Nomad Princesses, 1996 by Jean-Michel (JM) Voge, is a contemporary color photograph 19" x 13" of two bare-breasted women with painted faces, enlarged ears, and tribal jewelry from th...

Robert Kennedy (RFK) and his wife Ethel Kennedy, campaigning in a small town in Indiana USA in 1968 is a color photograph, 16” x 24,” an archival pigment...

William Wegman is an American artist renowned for his iconic dog photographs featuring his Weimaraners, who he sees as "perfect fashion models", utilizing their elegant forms and abi...

Abaco Holiday, 1986 Chromogenic Lambda Print Estate edition of 150 College student Jan Woods relaxes in a hammock at the Abaco Inn on Elbow Cay, one of ...

Martin Luther King (MLK), 1964 by Leonard Freed is an iconic black and white documentary photograph, a portrait of one of the most influential African American personalities and civi...

Harlem, 1954 by Leonard Freed, is a 14” x 11” photograph from the photographer's Black in White America book (p. 91). The gelatin silver print from the estate is stamped verso (back ...

Slim Aarons A Relaxing Read, 1982 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity. Cheryl Tiegs...

Girl with Green Shawl 2002 C-Prints printed on FujiFlex Crystal Archive Super Gloss Paper 24 x 20 inches Signed and numbered edition of 44 of 60 with cert...

Dandy, 1996 by Jean-Michel Voge is a portrait of a colorfully painted boy with a feathered headdress from the Surma Tribe in Ethiopia, Africa. The photograph is printed by the artist on handmade Awagami Japanese paper. Signed on verso (back of photograph), and In an edition of 5. Available: 2/5. Provenance: JM Voge Archive *** Artist's Bio: Jean-Michel (JM) Voge (b. 1949) is a fine art photographer, formerly editorial freelancer for magazines, such as Madame Figaro (1982-2010), Le Figaro Magazine, Point of View, Marie France, Town and Country, European Travel and LIFE, Fortune Magazine, and AD Spain. The French photographer published a critically-acclaimed monograph on portraits of Europeans, "Figures of Europe," which include portraits of influential Europeans through 1990. Among JM's personal projects, he photographed the Surma tribe in the Omo Valley...

The black and white photograph from the 1950s captures beatnik hipster writer Jack Kerouac in dark glasses, wearing a beret and friend Barbara Ferrara. Beat Couple, 1959 by Burt Gl...

Gelatin silver print Signed, titled, dated, and numbered, verso 14 x 11 inches, sheet size (Edition of 5 + 2 APs) 20 x 16 inches, sheet size (Edition of 5 + 2 APs) From the series...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 15. CURRENT EXHIBITION - runs through October 30th, 2016. Any framed photographs purchased during the show wi...

Andy Warhol with Keith Haring, 1983 by Christopher Makos is an 8 x 10in vintage gelatin silver print on fiber paper of downtown New York celebrity artists Andy Warhol and Keith Haring. The photograph is stamped (black ink) on verso (photo back). Provenance: Private Collector *** Artist’s Bio: Christopher Makos (1948- ) is an American photographer and visual artist. He studied architecture in Paris and was an apprentice to Man Ray. Andy Warhol was Makos' good friend and frequent portrait subject. His photographs of Andy Warhol have been exhibited in galleries and museums, including the Guggenheim Museum in Bilbao,Tate Modern in London, Whitney Museum of American Art in New York, IVAM in Valencia (Spain), Reina Sofia Museum in Madrid, among others. Makos’ pictures have appeared in publications, including Paris Match and the Wall Street Journal. The visual artist is the author of numerous books, such as Warhol/Makos In Context (2007), Andy Warhol China...

Fashion Show, 1963, Harlem, USA by Leonard Freed, is a 11” x 14” gelatin silver print, which appears in the photographer's seminal Black in White America book (p. 104). The photograp...

Diane Sawyer Archival pigment print image size: 48 x 48 inches Signed and numbered edition of 25 William Coupon is an American photographer, born in New York City, known principally...

Andy Warhol Portrait of Roy Lichtenstein, 1975 Polaroid dye-diffusion print Authenticated by the Andy Warhol Foundation for the Visual Arts, bears the Foundation stamp verso Also acc...

Andy Warhol Nicola (Nicky) Weymouth, ca. 1976 Acetate positive, acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. Accompanied by a Letter of Provenance from the representative of Chromacomp Unique Frame included: Elegantly framed in a museum quality white wood frame with UV plexiglass: Measurements: Frame: 18 x 15.5 x 1.5 inches Acetate: 11 x 8 inches This is the original, unique photographic acetate positive taken by Andy Warhol as the basis for his portrait of Nicky Weymouth, that came from Andy Warhol's studio, The Factory to his printer. It was acquired directly from Chromacomp, Inc. Andy Warhol's printer in the 1970s. It is accompanied by a Letter of Provenance from the representative of Chromacomp. This is one of the images used by Andy Warhol to create his iconic portrait of the socialite Nicola Samuel Weymouth, also called Nicky Weymouth, Nicky Waymouth, Nicky Lane Weymouth or Nicky Samuel. Weymouth (nee Samuel) was a British socialite, who went on to briefly marry the jewelry designer Kenneth Lane, whom she met through Warhol. This acetate positive is unique, and was sent to Chromacomp because Warhol was considering making a silkscreen out of this portrait. As Bob Colacello, former Editor in Chief of Interview magazine (and right hand man to Andy Warhol), explained, "many hands were involved in the rather mechanical silkscreening process... but only Andy in all the years I knew him, worked on the acetates." An acetate is a photographic negative or positive transferred to a transparency, allowing an image to be magnified and projected onto a screen. As only Andy worked on the acetates, it was the last original step prior to the screenprinting of an image, and the most important element in Warhol's creative process for silkscreening. Warhol realized the value of his unique original acetates like this one, and is known to have traded the acetates for valuable services. This acetate was brought by Warhol to Eunice and Jackson Lowell, owners of Chromacomp, a fine art printing studio in NYC, and was acquired directly from the Lowell's private collection. During the 1970s and 80s, Chromacomp was the premier atelier for fine art limited edition silkscreen prints; indeed, Chromacomp was the largest studio producing fine art prints in the world for artists such as Andy Warhol, Leroy Neiman, Erte, Robert Natkin, Larry Zox, David Hockney and many more. All of the plates were done by hand and in some cases photographically. Famed printer Alexander Heinrici worked for Eunice & Jackson Lowell at Chromacomp and brought Andy Warhol in as an account. Shortly after, Warhol or his workers brought in several boxes of photographs, paper and/or acetates and asked Jackson Lowell to use his equipment to enlarge certain images or portions of images. Warhol made comments and or changes and asked the Lowells to print some editions; others were printed elsewhere. Chromacomp Inc. ended up printing Warhol's Mick Jagger Suite and the Ladies & Gentlemen Suite, as well as other works, based on the box of photographic acetates that Warhol brought to them. The Lowell's allowed the printer to be named as Alexander Heinrici rather than Chromacomp, since Heinrici was the one who brought the account in. Other images were never printed by Chromacomp- they were simply being considered by Warhol. Warhol left the remaining acetates with Eunice and Jackson Lowell. After the Lowells closed the shop, the photographs were packed away where they remained for nearly a quarter of a century. This work is exactly as it was delivered from the factory. Unevenly cut by Warhol himself. This work is accompanied by a signed letter of provenance from the representative of Chromacomp, Andy Warhol's printer for many of his works in the 1970s. About Andy Warhol: Isn’t life a series of images that change as they repeat themselves? —Andy Warhol Andy Warhol’s (1928–1987) art encapsulates the 1960s through the 1980s in New York. By imitating the familiar aesthetics of mass media, advertising, and celebrity culture, Warhol blurred the boundaries between his work and the world that inspired it, producing images that have become as pervasive as their sources. Warhol grew up in a working-class suburb of Pittsburgh. His parents were Slovak immigrants, and he was the only member of his family to attend college. He entered the Carnegie Institute of Technology (now Carnegie Mellon University) in 1945, where he majored in pictorial design. After graduation, he moved to New York with fellow student Philip Pearlstein and found steady work as a commercial illustrator at several magazines, including Vogue, Harper’s Bazaar, and the New Yorker. Throughout the 1950s Warhol enjoyed a successful career as a commercial artist, winning several commendations from the Art Directors Club and the American Institute of Graphic Arts. He had his first solo exhibition at the Hugo Gallery in 1952, showing drawings based on the writings of Truman Capote; three years later his work was included in a group show at the Museum of Modern Art for the first time. The year 1960 marked a turning point in Warhol’s prolific career. He painted his first works based on comics and advertisements, enlarging and transferring the source images onto canvas using a projector. In 1961 Warhol showed these hand-painted works, including Little King (1961) and Saturday’s Popeye (1961), in a window display at the department store Bonwit Teller; in 1962 he painted his famous Campbell’s Soup Cans, thirty-two separate canvases, each depicting a canned soup of a different flavor. Soon after, Warhol began to borrow not only the subject matter of printed media, but the technology as well. Incorporating the silkscreen technique, he created grids of stamps, Coca-Cola bottles, shipping and handling labels, dollar bills, coffee labels...

This photograph of Clint Eastwood taken by Eddie Adams is offered by CLAMP in New York City.

The photograph "Ginzan Spa, Yamagata, August 1976 from Fushikaden," is by Japanese photographer Issei Suda. The print is hand-signed by the photographer on ...

Nicole’s Silver Boots Stretched on Floor Studio 54, NY, NY June 1977 Signed, titled, dated, and numbered, verso Gelatin silver print 20 x 16 inches (Edition of 5 + 2 APs) $3000.00...

- Lifetime signed print. - Musician David Bowie shares a cigarette and a hug with actress Elizabeth Taylor in Beverly Hills in 1975. This photograph captures the first occasion that ...

Norman Parkinson Wenda and Ostriches, 1951 C print 20 x 16 inches Estate stamped and numbered edition of 21 on verso British fashion model Wenda Parkinson and ostriches, fashion by...

Through light and shadow, a gaze, a mindset, Bill Phelps fourth solo show at the Robin Rice Gallery VISITOR inspires the imagination. About life, about being, eye and heart his great...

Jean-Michel Basquiat 1987 (printed later) Archival pigment print 48 x 48 inches Signed and numbered edition of 40 William Coupon is an American photographer, born in New York City, ...

New York Python, Coney Island, 1991 by Roberta Fineberg is a 14” x 11” gelatin silver print - offered in 2025 to celebrate the Year of the Snake…. In the words of the artist: "I sho...

Vintage Polaroid print (Unique) Signed in pencil, verso This artwork is offered by ClampArt, located in New York City. Price includes framing. Jim French first began drawing and then photographing male erotica in the 1960s. Originally a successful fashion illustrator, French and an old army buddy partnered to open a mail order company in New York City they called Luger. French contributed homoerotic drawings of hyper-masculine types such as soldiers, cowboys, and bikers. Eventually he bought out his business partner, and by 1967, under the pseudonym Rip Colt, he founded the now infamous Colt Studio...

On the Sofa at the Real Dolls Factory, San Diego, 19 February 2015 Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Certificate of O...

Richard Corman Jean-Michel Basquiat 1984 (Red), 2020 Offset lithograph poster on color archival pigment paper Signed and numbered 2/100 by Richard Corman in silver sharpie on the fro...

Douglas Kirkland Brigitte Bardot, Mexico (Cards) 1965 Silver gelatin print Numbered and Signed by Douglas Kirkland Edition of 24 French actress Brigitte Bardot photographed on set o...

Drawn to street photography for her early work, Roberta Fineberg shot black-and-white film with a held-held 35mm camera in natural lighting in New York, Paris, and Moscow. Jazz City, New York, 1990 by Roberta Fineberg is a 10" x 8" black-and-white photograph of musicians...

Dogs, USA, Greenwich, CT is a 5" x 7" black and white photograph, stamped “vintage” by the Freed estate on verso (back) of gelatin silver press. Provenance: Freed archive. The photo...

Burt Glinn's The Sagrada Familia, Barcelona, Swing, 1959, is a gelatin silver print, 20 x 16, signed and stamped print, authenticated by the estate. A young girl swings carefree agai...

Untitled (Ben) Puerto Vallarta, Mexico 2017-2020 Signed and numbered, verso 40 x 30 inches, sheet 38 x 28 inches, image (Edition of 3) $4,500 28 x 22 inches, sheet 24 x 20 inches,...

Punctuated by documentary photo essays such as Black in White America, Fire Hydrant is one of Leonard Freed's most iconic in the Harlem series. In the image of Fire Hydrant, two chil...

Brigitte Bardot with dog, on set of Les Novices (Co-signed) Silver Gelatin Print Edition of 50 16 x 20 inches Signed and numbered edition of 50 (rare) French actress Brigitte Bard...

Gelatin silver print Signed, titled, dated, and numbered, verso 14 x 11 inches, sheet size (Edition of 5 + 2 APs) 20 x 16 inches, sheet size (Edition of 5 + 2 APs) From the series "A Tale of Two Cities...

A portrait of Helen Frankenthaler (1925-2011) in her studio in New York. Glinn captures the celebrated artist, Frankenthaler, in the process of making art - surrounded by paint, mate...

Jean-Michel Basquiat 1987 (printed later) Archival pigment print 48 x 48 inches Signed and numbered edition of 40 William Coupon is an American photographer, born in New York City, ...

Mounted chromogenic print (Edition of 25) Accompanied by a certificate of authenticity signed and numbered by the artist This artwork is offered by ClampArt, located in New York City.

Celia Hammond wearing goggles, for Queen magazine, 1964 Celia Hammond wearing goggles, for Queen magazine, 1964 C print Estate stamped and numbered edition of 21 on verso with certi...

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 20. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

Bride, Naples, Italy, 1958 by Leonard Freed is a black and white contemporary photograph, cinematic in nature. This is a gelatin silver, signed by the photographer, lifetime print, 24" x 20" from the Freed archive. LITERATURE: W. A. Ewing, N. Herschdorfer, and W. van Sinderen, Worldview, Leonard Freed, Steidl, 2007, p. 73 and back cover. Leonard Freed discovered Little Italy in New York...

Museo Archeologico II, Napoli, 2018 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. 39.5 x 47.5 inches 47.5 x 59 inches 71 x 88.5 inches The p...

Policeman with Puppet and Gun, New York City, USA 1979 by Leonard Freed is a black and white limited edition photograph from Freed's Policework series. The photograph, 13" x 19" is an archival pigment print with the photographer's copyright stamp and estate signature by the photographer's widow, Brigitte Freed. The print is in an edition of 10. Available: 1/10, 10/10. Provenance: Freed Estate *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian, a social documentary photographer. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department (1972-79). Freed's coverage of the American civil rights...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, loc...

Film star Joan Collins relaxes with her pink poodle on her pink bed. Estate stamped and hand numbered edition of 150 with certificate of authenticity fro...

World Series Win, New York City, 1954 by Leonard Freed, is a 14" x 11" gelatin silver later ("lifetime") print, signed on verso (back of print) by the ...

Yeshiva Boys, 1954 is a black-and-white photograph of two young studious boys behind a glass door, an entrance to a Brooklyn brownstone in New York City. A gelatin silver lifetime pr...

Liu Ye in his studio with muse, Beijing, 16 May 2007 X Photographed by Jonathan Becker Contemporary 44" x 44.5" Archival Pigment Print Edition Nº 1 of 9 Cert...

Ted Williams Martin Luther King Motorcade, 1964 Silver gelatin print 16 x 20 inches Estate stamped and numbered edition with certificate of authent...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) 50 x 60 inches (Edition of 3) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Luke Smalley was an American artist known for his photographic work, which pairs a coolly minimalist aesthetic with a retro nostalgia. Images from his early in his career were inspired by fitness manuals and yearbooks c. 1910. This is not surprising since Smalley graduated with a degree in sports medicine from Pepperdine University and worked for a number of years as a model and personal trainer. Smalley shot the bulk of his photographs in his home state of Pennsylvania, using real high school athletes as models. “Exercise at Home” is Luke Smalley’s second major body of work. Shot in and around the tiny Pennsylvania town the artist called home, Smalley revisits themes of adolescent growing pains acted out under the guise of earnest athleticism. Teenagers engage in simple yet strange competitions meant to establish their standings amongst one another. Two youths practice boating safety...

Lace curtains, Morocco, 1980 by Jean-Michel (JM) Voge, is a contemporary color photograph, an archival pigment print on handmade Awagami Japanese paper. ...

Digital C-print Signed, dated, and numbered, verso 15 x 15 inches, image (Edition of 25) 22 x 22 inches, image (Edition of 15) 31 x 31 inches, image (Edition of 15) This artwork is offered by ClampArt, located in New York City. A stylistic precursor of such artists as Pierre et Gilles and David LaChapelle, James Bidgood revolutionized gay male...