Manhattan - Collectibles and Curiosities

Brass Shabbat lamp, India, early 20th century. A circular Shabbat lamp, with seven spaces for hanging small oil cups. The lamp is suspended with three rod...

A uniquely shaped Hanukkah lamp crafted in a brutalist style by David Palombo. Impressively massive, this Hanukkah lamp intimates playful motives, both animalistic and anatomical in ...

Three languages iron and enamel street sign, circa 1920. The sign was made to Honor Bezalel who was the chief artisan of the Tabernacle and was in charge of building the Ark of the Covenant...

A stunning original Art Deco three-carat of cushion/european diamonds set in a neglige of two floral drops with smaller diamonds along the chain and bar set in platinum along a plati...

Flower Is… “is one of Frank’s great books (which means it is one of the greatest of photobooks), demonstrating magisterially, as he himself says in the boo...

18th century tin-glazed earthenware Passover plate, Delft, the Netherlands. Decorated with a foliate design in light blue, the Hebrew word "Pesach" (Pas...

Late 20th century silver Mezuzah case handmade by the artist Shuki Freiman. The base of the mezuzah case is adorned with floral engraving throughout, while the cylinder is decorated ...

Handmade silver Kiddush goblet, Poland, circa 1820. Large upper portion engraved with curtain decoration, set on a knobbed stem with skirt decoration on a round stylized base. Clearl...

Engraved in Hebrew “I will raise the cup of deliverance, and I shall invoke the Name of G-d” (Psalms 116:13). To signify where the beginning and end of this verse is, an eight-pointe...

Modern sterling silver Kiddush goblet designed by Hans Ettlinger. Hand hammered in Jerusalem, Israel, circa 1950. Stem embossed with...

Iron Shabbat candle holder crafted in brutalist style by David Palombo. Made for two candles, each of the holders is decorated with petals-like s...

The hanging back-walled Hanukkah Lamp is made of brass and consists of a row of oil containers, a back and sides wall, and a hanger. A row of eight rectangular spouted oil containers is attached to the back and side walls. The pointed arch openwork back wall is flanked by two hand shaped (Hamsa) finials and is divided into two parts. The rectangular lower part is composed of a row of eight architectural arches in Islamic gate (Michreb) design. The triangular upper part bears a floral decoration. The side walls are composed of an Islamic arch...

Handmade silver Torah finials, chased, pierced, engraved, and cast, France, circa 1860. The finials are constructed with large open-work decorated ball ...

Shabbat candle holder crafted in brutalist style by David Palombo. Made for two candles, this uniquely shaped holder appears to be almost anthrop...

A brass Hanukkah lamp made by Israeli Defense soldiers features nine bullet and shell cartridges in form of candleholders. The bullet cartridges are screwed onto a shell cartridge, i...

Cast brass made in Israel, circa 1950. Cast brass with green patina overlay. Jar in the middle depicts stylized patterns with gilded accents between two olive branches. Marked on the bottom "Made in Israel". The Hanukkah lamp commemorates the number of days that the Temple lantern...

Cast brass made in Israel, circa 1950. Hebrew word "Hanukkah" written across oil jug between two flames. Cast with green patina overlay with gilded accents. Marked on the bottom "M...

Hand forged, iron Shabbat candlesticks in the style known as "Brutalism," David Palombo, Jerusalem, Israel, circa 1955. David Palombo (1920-1966) was a sculptor and painter born ...

A unique book first edition print set on a circular format retains its original case.

Ze’ev Raban plaster -plaque made in Bezalel School, Jerusalem This image is of the “father who bought the goat for two zuzim”. Designed by Ze’ev Raban, made circa 1915-1920. Signed w...

Silver Charoset dish, Felix Horovitz, Frankfurt Am Main, Germany, circa 1905. The oval small dish is decorated with vine and grapes, the base is decorated with Stars of David and sma...

Handmade silver plated brass Hanukkah Lamp, the Netherlands, circa 1750. On four legs in bench form. Fronted with covered oil container, each oil section with hand wrought wick holder. Backplate hammered with reflective panel. Every item in Menorah Galleries...

This Surreal-looking object was made as a wig stand in mid-19th century France by Louis Danjard. It was probably in the legendary Folk Art collection of the important American sculpt...

English Silver Mounted Swirled Glass Perfume Bottle The glass Stevens and Williams (unmarked). The Victorian silver -Birmingham 1889 Makers: S...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Signed: Jaimal Odedra Each piece is modeled and cast by hand using a traditional Moroccan sand casting method.

Signed: Jaimal Odedra Each piece is modeled and cast by hand using a traditional Moroccan sand casting method.

Signed: Jaimal Odedra Each piece is modeled and cast by hand using a traditional Moroccan sand casting method.

A rare enamel, gold and rock crystal figure of Emperor Maximilian I by Reinhold Vasters, Aachen, In the Renaissance style, circa 1870. The g...