Massachusetts - Abstract Paintings

Artist: Lloyd Martin Title: Indigo check Size: 60 x 44” Year: 2014 American artist Lloyd Martin, known internationally for his rhythmically constructed abstract painting, continues ...

33 x 30 oil on wood panel

"Seeing Red " Oil on Panel, 24 x 22 1/4 Inches. Vivid abstraction in brilliant red, yellow, blue, white and black. Susan Sharp is an outstanding abstract painter of biomorphi...

Painted in the early 1960’s, this landscape depicts a ruined mill dam on Cobb Brook at the Quinapoxet Reservoir in Princeton, MA. Herbert Barnett was an American artist whose life a...

Artist: Leestemaker, Luc Title: 60x60.Landscape.2008.05 Medium: Mixed Media Unframed Dimensions: 60x60 inches Edition: Unique

Skeleton Key by Joseph Conrad-Ferm, 2007- 2008. REP by Tuleste Factory Mixed Media 50 × 48 in 127 × 121.9 cm Mixed media abstract painting on archival watercolor paper by NY-based...

Michael Gloeckner American, 1915-1989 Cartagena, Columbia Oil on canvas 18 ½ by 24 ½ in, w/ frame 23 by 29 in Signed and dated 64 A painter of colorful abstractions, Michiel Gloeck...

Charlotte Gibbs’ "flag" and "star" paintings often reference the artist's interest in Pop art and sometimes incorporate 23 karat gold leaf in addition to oil paint, but not always. ...

"MAINE, LIVING THE DREAM" Flag of Maine Oil on Linen 24 x 48 Inches (Plus Artist's Wood Frame) Charlotte Gibbs’ "flag," "stars," and "text" paintings often reference the artist's interest in Pop art and sometimes incorporate 23 karat gold leaf in addition to oil paint, but not always. With its depiction of the bold slogan "MAINE LIVING THE DREAM" in white letters...

Artist Commentary: While living in Puerto Rico in 2004 I began painting an abstract image of web-like vertical drips. Soon after, I came across one of Old San Juan...

Holly Addi is an American painter living and working in Salt Lake City, Utah. In her most recent collection of works, Japandi, Addi’s abstracts (acrylic paint and charcoal on canvas)...

American, b. 1970 "Pitliuk has created a style that will endear him to those who venture into the collection of modern art; it challenges the intellect and tickles the funny bone at the same time." --Sharon Lorenzo - Art Historian "Artist Stephen Pitliuk introduces something bold to the island... [his] Pop Art stands out on an island inundated with landscape paintings." "Pitliuk, an island resident for [seven] years, comes to us from Miami, Florida. His work hangs in many private and corporate collections throughout the country... [The] vibrant colors and the rhythm of his native South Florida are definitely reflected in his work. His latest pieces, which burst through the prosaic treadmill of the New England art...

Sarah Alexander’s “Envelop” is a mixed media painting on canvas of golden spiraling coils, weaving in and out of textural, earthy browns and vivid turquo...

Signed lower left: "Polonsky". A Boston Expressionist with a wholly unique worldview, Arthur Polonsky, spent seven decades exploring man’s place i...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

Diane Ayott’s abstractions on paper, canvas, and panel are luxuriously physical objects resulting from the accrual of layer after layer of paint, color, and pattern, launched by imag...

Katherine Borkowski-Byrne’s “Fishing” is a colorful abstract oil painting, 20.5 x 16 inches, on paper with very thick texture and spontaneous brushwork in saturated reds, turquoises,...

"American Splendor" 23 Karat Gold Leaf and Oil on Linen, 26 x 50 Inches, is inspired by the American flag, elegant and whimsical, also reminiscent of American folk art and in the sp...

Sarah Alexander's 22 x 30 inch drawing "Brainstorm" is a weightless contemporary pen and ink drawing of floating disc-like shapes that resemble magnifying lenses. The crisp lines of ...

"Page 6" Small Abstraction of White, Black, Pink and Cream. Flashe on Canvas, 14 x 11 Inches. This painting has a very sophisticated sensibility in that ...

Artist: Maya Kabat Title: Super Spatial 18 Medium: Oil on Canvas on Panel Size: 34x20 in Year: 2020 Price: 3,800

Charlotte Gibbs’ "flag" and "star" paintings often reference the artist's interest in Pop art and sometimes incorporate 23 karat gold leaf in addition to oil paint, but not always. With its depiction of a graphically idealized American flag in black and taupe (could also be perceived as gray with a taupe cast) , "Black and White " is at once bold, lovely, Pop, and a sophisticated homage to the country's flag. The artist's simple slightly distressed white wood...

My Momen Diptych by Joseph Conrad-Ferm, 2022. REP by Tuleste Factory Mixed Media 64 × 130 in 162.6 × 330.2 cm Mixed media abstract painting on canvas by NY-based artist Joseph Con...

"Small Abstract #138," Oil on Canvas, 8 x 8 Inches, is a brilliantly colored, gorgeous and lush abstraction, very expressionist and fluid in style in shades white, blue, green and y...

"Crossroad," Oil on Linen, 30 x 30 Inches, is a vibrant and elegant geometric abstraction in saturated tones of yellow and two shades of blue/gray. Exquisitely crafted, there is a ...

Abstract ink and fibers on paper in black and white. I grew up in the United States and completed a BA in literature in Santa Barbara, CA, an MA in literature in Sydney, Australia, ...

Katherine Borkowski-Byrne’s “On the Cusp” is a colorful and painterly oil on canvas measuring 36 x 32 x 1.5 inches with thick and thin spontaneous brushwork in saturated red, blue, g...

Katherine Borkowski-Byrne’s “Building Promises” is a colorful abstract oil painting 40 x 30 x 1.5 inches on canvas with thick and thin spontaneous bru...

My Hometown II by Joseph Conrad-Ferm, 2023. REP by Tuleste Factory Mixed medium painting on canvas W 72" x H 60" Mixed medium painting on canvas by NY-based artist Joseph Conrad-Fer...

Signed at bottom edge: Don Joint 15. With label verso inscribed: Don Joint 2015-16 / After St. George Slaying the Dragon / By Carlo Crivelli. Signed ver...

Marcia Wise's 'Glass Heart' is a 24 x 12 inch abstract oil painting of a small glass heart-shaped bottle and stopper in soft pale yellows, oranges and purples. This series is a long ...

Marcia Wise's 'Relationships – Two Vases' is a 30 x 24 inch oil painting investigating light reflections on surfaces and forms. Blues and oranges dominate this 30 x 24 inch close-up ...

This abstraction by NY based artist Margo Margolis has a very sophisticated/playful sensibility with brilliant, intense color (chartreuse, turquoise, pink, green, red, gray, black and white), the significant attribute of the artist's flashe medium, a water based French paint. Consisting of multiple layers of underpainting and glazing, and frequent contrasts between hard and soft edges, these paintings not only have associations with Henri Matisse's palette and Alexander Calder's sculptural forms, but also share in these artists' complexities after initial straightforward first takes. Fresh and intelligent exploration into the possibilities for abstraction are Margolis's focus and these works achieve that rare quality of making abstraction feel new. Margo Margolis "Step" 2022 Flashe on Canvas 40 x 32 x 1.25 Inches This painting is unframed and framing is not necessary as the sides are painted white. To achieve accuracy for color some of the detail photographs shown below cause the background to appear slightly too gray. It is currently on view in an exhibition of the artist's work in Wellesley, MA where it is featured in a group of works of varying sizes, small, medium, and large: 24 x 20 inches, 40 x 32 inches, 72 x 60 inches, and works on paper measuring 30 x 22 inches. Also available are a series of earlier small canvases measuring 14 x 11 inches each which also work well as groupings. Margolis’s continuing commitment to abstract painting dates back to the early 1970s when she began exhibiting with the Brooke Alexander Gallery...

Born and raised in New York City, Jeannie Motherwell inherited a love of painting from her father, Robert Motherwell, and stepmother, Helen Frankenthaler, two pillars of mid-century abstraction. She studied painting at Bard College and the Art Students League in New York. Continuing with her art after college, she became active in arts education at the Bruce Museum in Greenwich, CT. Later, relocating to Cambridge, MA, she worked at Boston University for the graduate program in Arts Administration 2002 - 2015. She served on the Cambridge Arts Council Public Art Commission from 2004 – 2007 and is currently on the Provincetown Arts Magazine Board of Directors, an Honorary Art Advisor Member for Rochester Museum of Fine Arts (NH), and is on the Advisory Board for Joy Street Artists Open Studios in Somerville, MA. Her work has been featured in public and private collections throughout the US and abroad. Jeannie’s studio is in Somerville, MA. She is represented by the M Fine Arts Galerie...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

That Also Hits the Spot 30.0 x 30.0 x 1.5, 3.0 lbs Acrylic Painting Hand signed by artist Artist's Commentary: "Despite the chaos beneath, playful colors and measured circles can...

"Page 5," Small Abstraction in Cream, White, Black, Tan, Red and Green. Flashe on Canvas, 14 x 11 Inches. This painting has a very sophisticated sensibility in that it is purely a...

"Gardener" by Joseph Conrad-Ferm, Mixed Media on Canvas, REP by Tuleste Factory Abstract painting by artist Joseph Conrad Ferm. Muted colors on the back contrasted with vivid primar...

Vividly and brilliantly colored Abstract Expressionist painting in yellow, red, white, blue, turquoise, pale gray and black. "Sunday Splash" 2020 Oil on Canvas 36 x 36 Inches This...

"Converge" Oil and Acrylic on Panels (Diptych). Abstraction in shades of blues, green, orange, red, yellow, black. This painting consists of 2 panels which can be installed with a...

This abstraction by NY based artist Margo Margolis has a very sophisticated/playful sensibility with brilliant, intense color (dark green, bright green, orange, yellow, black and white) - the significant attribute of the artist's flashe medium, a water based French paint. Consisting of multiple layers of underpainting and glazing, and frequent contrasts between hard and soft edges, these paintings not only have associations with Henri Matisse's palette and Alexander Calder's sculptural forms, but also share in these artists' levels of complexity after initial relatively straightforward first takes. Fresh and intelligent exploration into the possibilities for abstraction are Margolis's focus, and these works achieve that rare quality of making abstraction feel new. Margo Margolis "White and Green" 2022 Flashe on Canvas 24 x 18 x 1.25 Inches This painting is unframed and framing is not necessary as the sides are painted white. It is currently on view in an exhibition of the artist's work in Wellesley, MA where it is featured in a group of works of varying sizes, small, medium, and large: 24 x 20 inches, 40 x 32 inches, 72 x 60 inches, and works on paper measuring 30 x 22 inches. Also available are a series of earlier small canvases measuring 14 x 11 inches each which also work well as groupings. Margolis’s continuing commitment to abstract painting dates back to the early 1970s when she began exhibiting with the Brooke Alexander Gallery in New York where she had several shows. In addition her work has been exhibited throughout the country at numerous galleries and institutions including The Pennsylvania Academy of Art, The Renaissance Society, The Munson-Williams Proctor Institute and Halls Walls, among others. In reviewing the artist’s 1993 exhibition in the Beth Urdang gallery for 'The Boston Globe' then chief art critic Nancy Stapen stated: “…eccentric, quasi-geometric forms and initial impression of simplicity belie this artist’s highly sophisticated grasp of paintings. These are multi- layered works concerned with the discipline’s core issues – transluscency and opacity, flatness and illusioinism, line and form, figure and ground, pattern and surface, structure and weightless pictorial space… these paintings may be analyzed up to a point. In the end, their process remains mysterious. Their appeal lies in their engagement with an inventive form language intrinsic to painting, as well as in their deft synthesis of quietude and quirkiness.” June 3, 1993 Current Chief Art Critic for 'The Boston Globe, ' Cate McQuaid, wrote of Margolis’ 2017 exhibition in the gallery: “Her marks grab at you as insistently as a toddler demanding attention. They’re like a language made purely of punctuation, rhythmic and emphatic, let out of the duty of modifying sentences, freed at last to express itself alone.” January 6, 2017 Works are included in numerous public collections including the Philadelphia Museum of Art, the Brooklyn Museum, Chase Manhattan Bank, Amerata-Hess Corporation, General Mills, Best Products, IBM, Estee Lauder, Miami-Dade College, Chemical Bank, and Wellington Management. She is the recipient of many awards including 2 grants from The National Endowment for the Arts, a New York State Council on the Arts Grant, and Yaddo and MacDowell Residency Grants. Margolis received a BS degree from Skidmore College and an MFA from Indiana University. She lives and works in New York. The artist recently retired as Chairman of the Tyler School of Art's (Philadelphia) Department of Painting. Statement by Margo Margolis: "While text and image combine to tell the story, it is the drawing around the narrative, the space between text and image that I find compelling. In my work, it is the space between, on the periphery, in the margins that has become the foreground. It is the charged environment that has become the subject. Equally significant and transformative have been innovations in process that have evolved. Discrete marks are de-contextualized, reassembled and photocopied. They are further manipulated by exaggerations in scale, repetition and excessive layering. I have introduced 'printerly' processes (carbon tracking and stencils) that combine with marks that are hand-drawn, hand-painted. These are layered over and under transparent veils of paint. The incorporation of printing methods has been critical both formally and conceptually. These processes underline the fact that this is a system based on a 'ready-made' language. They create an identity distinctly different from action painting, gestural painting or any notion that the artists' stroke is assumed to reveal his/her psyche. These are distanced marks and frozen gestures. In combination with what is handmade, they reveal an alternate translation. Importantly, these processes, in allowing direct reproduction point to the semantic mutability of the language. However, most important is the process of building, excessive layering, and the continual dissolution and re-materialization of form. The paintings have a physicality and material presence that affirms the medium and is in contrast to their graphic impact." MARGO MARGOLIS EDUCATION B.S. Degree 1970, Skidmore College, Saratoga Springs, New York MFA Degree 1972, Indiana University, Bloomington, Indiana SOLO EXHIBITIONS 2022 Beth Urdang Gallery, Wellesley, Massachusetts 2019 Beth Urdang Gallery, Boston, Massachusetts 2016 Beth Urdang Gallery, Boston, Massachusetts 2007 Beth Urdang Gallery, Boston, Massachusetts 2001 Beth Urdang Gallery, Boston, Massachusetts 1997 Esso Gallery, New York, New York 1993 Beth Urdang Gallery, Boston, Mass. 1991 Beth Urdang Gallery, Chicago, IL. 1989 Beth Urdang Gallery, Boston, Mass 1987 Richard Green Gallery, New York 1980 Brooke Alexander Gallery, New York 1979 University of Southern Florida, Tampa, Florida 1979 Miami-Dade College, Miami, Florida 1978 Brooke Alexander Gallery, New York 1977 Connecticut College, New London, Ct. 1977 Brooke Alexander Gallery, New York SELECTED GROUP EXHIBITIONS 2016 Fabulous You, Tiger Stikes Asteroid, Brooklyn, New York 2011 Twin, Twin, Pierogi Gallery, Brooklyn, New York 2010 Spring Editions, Pelavin Editions, New York 2010 Group Exhibition, Beth Urdang Gallery, Wellesley, Massachusetts 2004 Analog Click-Click, Temple Gallery, Philadelphia, Pa. 2002 Snapshots, Arcadia University Gallery, Glenside, PA, Aldrich Museum of Contemporary Art, Ridgefield, CT 1999 Tenth Anniversary Exhibition, Beth Urdang Gallery, Boston, MA 1998 Accrochage in the Gallery, Esso Gallery, New York 1998 Brad Kalhammer, Nicholas Rule, Margo Margolis, Solo Voices, North Dakota Museum of Art, Grand Forks, ND 1998 Art Exchange Show, New York 1998 Works on Paper, Galeria Martano, Turin, Italy 1998 Paintings and Monoprints, Cheryl Pelavin Gallery, New York 1997 Esso Gallery in Torino, Villa Buttino, Torino, Italy 1997 Art Exchange Show, New York 1996 Objects by Some Artists and Architects, Beth Urdang Gallery, Boston, MA 1996 The Art Exchange Show, New York 1994 Abstract Painting, Carolyn Roy Gallery, New York 1995 Wayne C. Brown DePonton d”Amecourt Collection, Colby College, Waterville, ME 1994 Contemporary Prints, Quartet Gallery, New York 1992 Mentors, Vox Populi Gallery, Philadelphia, PA 1991 Presenze, Artisti Stranieri in Italia Oggi, Rocca Paolina, Perugia, Italy 1990 Contemporary Painting, Langman Gallery, Philadelphia, Pa. 1989 Very Special Arts Benefit, Christies, New York 1989 Ground Work, Valencia College, Valencia, FL 1989 Group Show, Shea Beker Gallery, New York 1989 Drawings, Lorence Monk Gallery, New York 1989 Monoprints, University of Maine, Orono M 1989 Inadmissible Evidence, SUNY Purchase, New York 1988 Group Show, Bernard Jacobsen Gallery, New York 1986 Mutual Respect, Vanguard Gallery, Philadelphia, PA 1984 Nature As Image, OIA, New York 1983 Works on Paper, Bucknell University, A 1982 Group Show, Brooke Alexander Gallery, New York 1981 Abstract Painting, Womens Caucus of the CAA, New York 1981 Ten Years Later, Skdmore College, Saratoga Springs, New York 1981 Exchanges III, Louis Abrons Center, New York 1981 Group Show, Brooke Alexander Gallery, New York 1981 Sign and Symbol, Jeffrey Fuller Gallery, Philadelphia, PA 1981 Five Abstract Painters, Brooke Alexander Gallery, New York 1981 Group Show, Marion Locks Gallery, Philadelphia, PA 1980 New York, New, Work,”Delahunty Gallery, Dallas, Texas 1979 Group Show, Brooke Alexander Gallery, New York 1978 Diamond, Margolis, and Ripps, Brooke Alexander Gallery, New York 1978 Contemporary Drawings, Pennsylvania Academy of Fine Arts, Philadelphia, PA 1978 Drawings, Pratt Graphics Center, New York 1978 Thick Paint, Curated by Carter Ratcliffe, Renaissance Society, University Of Chicago, Chicago, IL 1978 New Editions, Brooke Alexander Gallery, New York 1978 Three New York Painters,” Alice Simsar Gallery, Ann Arbor, MI 1978 Six Contemporary Painters,”curated by Marcia Tucker, Kirkland College Clinton York 1977 Works on Paper, Alice Simsar Gallery, Ann Arbor, MI 1977 Critics Choice,” Joe and Emily Lowe Gallery, Syracuse University, Syracuse, New York, Munson-Williams Proctor Institute, Utica, New York 1977 New Abstract Objects,” Halls Walls, Buffalo, New York 1977 Diamond, Jacquette, Margolis and Ripps-New Work, Brooke Alexander Gallery, New York 1977 Painting ’75,’76,’77, Sarah Lawrence College, Bronxville, New York; American Federation for the Arts, Miami, FL; Contemporary Art Center, Cincinnati, O 1977 Works on Paper, Vick, Klaus, and Rosen Gallery, Philadelphia, PA 1976 Group Exhibition, Towson State College, Towson, MD 1976 “Contemporary Approaches to Painting,” University Museum, University of California at Santa Barbara 1976 “Four Young Artists,” Bykert Gallery, New York 1976 Invitational, OK Harris Gallery, New York PUBLIC COLLECTIONS Philadelphia Museum of Art, PA Brooklyn Museum, New York IBM Corporation, New York Fidelity Investments, Boston, MA Prudential, New York Rosenthal and Rosenthal, New York Chase Manhattan Bank Collection, New York Ivan Chermayeff, New York Lehman Brothers, New York Miami-Dade College, Miami, FL Amerada-Hess Corporation, New York American Can Company, Greenwich, CT Estee Lauder Corporation, New York General Mills, Minneapolis, MN Freed, Frank, Shriver, New York Chemical Bank, New York Delahunty Gallery, Dallas, TX Best Products, Richmond, VA Skadden, Arps, New York Stephen Paine, Boston, MA Davis, Polk, Wardwell, New York Roger Sonnabend, Boston, MA Fabric Workshop and Museum, Philadelphia, PA Zimmerli Archives, Rutgers University, New Brunswick, NJ GRANTS AND AWARDS Temple University Study leave, 1980, 1987,1994, 2002 Visual Arts Fellowship, National Endowment for the Arts, 1987 Visual Arts Fellowship, National Endowment for the Arts, 1980 New York State Council for the Arts, 1977 Yaddo Residency Grant, 1976 MacDowell Residency Grant, 1976 Indiana University Fellowship, 1970 CATALOGUES Painting ’75,’76,’77 Critic’s Choice Contemporary Drawing, Philadelphia Thick Paint Margo Margolis, Miami Dade College Exchange III Nature as Image Ground Work Presenze Chemical Bank: An Art Collection in Perspective Margo Margolis, Esso Gallery BIBLIOGRAPHY Richard Lorber, Arts Magazine, September 1976 Art Week, October 23, 1976 Henry J. Seldis, Los Angles Times David Rush, "Paintings with a Sculptural Character," Art Week, October 30, 1976 Allen Ellensweig, Arts Magazine, April 1977 Richard Brugin, New York Arts Journal, September 1977 Mary Delahoyd, "Painting '75, '76, '77" (catalogue essay) 1977 Hayden Herrera, "Critics' Choice," Joe and Emily Lowe Art Gallery, Syracuse, New York and Munson-Williams-Proctor Institute, Utica, New York (catalogue essay) 1977 John Russell, New York Times, June 1978 Carter Ratcliffe, "Thick Paint" University of Chicago, IL (catalogue essay) 1978 Ann Percy, "Contemporary Drawings, Philadelphia," Pennsylvania Academy of Fine Arts (catalogue essay) 1978 Alexandra Anderson, Village Voice, March 26, 1979 Peter Frank, "In One Medium, Out the Other," Village Voice, April 9, 1979 Thomas Lawson, Art in America, October 1979 Karen Valdes, Margo Margolis, Miami-Dade Community College, (catalogue essay) 1979 Print Collector's Newsletter, Spring 1979 Lee Edwards...

"Crossing Over" Oil and Acrylic on Panels Susan Sharp is an outstanding abstract painter of biomorphic and linear forms, flat planes, vivid color and...

"SILENCE," 23 Karat Gold Leaf and Oil on Canvas, 4 1/2 x 19 3/4 Inches Inches, is one of a series of paintings by the artist which whimsically addresses POP art's vocabulary of verbal associations and also is a riff on the 'Silence is Golden...

Babyl by Joseph Conrad-Ferm, 2023. REP by Tuleste Factory Mixed medium painting on canvas W 60" x H 34" Mixed medium painting on canvas by NY-based artist Joseph Conrad-Ferm. Shipp...

Artist Commentary: In this painting I chose to play with fluctuating greys on a field of contrasting yellow and magenta. The yellow is composed of a yellow-orange and a lime green to...

"Splash" 2019 Oil on Canvas 36 x 36 Inches Vividly colored Abstract Expressionist painting filled with light and energy, primarily in white, turquoise, chartreuse, light yellow, or...

"Day's End," Oil on Panel, 24 x 24 Inches. Abstraction in pink, salmon, turquoise, orange, yellow ochre, black and red. On view in the artist's one-person exhibition in Boston from...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

Elmhurst by Joseph Conrad-Ferm. REP by Tuleste Factory H 48"x W 164" Mixed medium painting on canvas by NY-based artist Joseph Conrad-Ferm. "I set out to paint a timeline of my life...

"Balancing Act" 2018, Acrylic and Gouache on 2 Panels, 24 1/2 x 36 inches (Diptych) Abstraction in shades or orange, red, blue, cream, and brown. This painting consists of 2 pan...

Quotations in Green, 2017, Oil on Found Wood 5 x 49.5 x 1.5 Inches. This painting is currently on view in a one-person exhibition of the artist's works at the Beth Urdang Gallery ...

"Spiral Leap" 2020, Acrylic and Gouache on Panels, 48 x 48 x 1 inches (Diptych) Abstraction in shades bright red, blues, white, and black. This painting consists of 2 panels whic...

Veil by Joseph Conrad-Ferm, 2022. REP by Tuleste Factory Mixed Media 72 × 56 in 182.9 × 142.3 cm Mixed media abstract painting on canvas by NY-based artist Joseph Conrad-Ferm. Ship...

"Green Fields" 2019 Oil on Canvas 48 x 36 Inches Vividly colored Abstract Expressionist painting filled with light and energy, primarily in white, chartreuse, blue, turquoise, burgu...

Vivid Abstract Expressionist painting with brilliant color and energy in orange, lavender, teal, yellow ochre, and white. "New Beginnings" 2020 Oil on Canvas 36 x 36 Inches This ...

Periscope, 2017, Oil on Wood, 12 x 12 Inches. This painting is currently on view in a one-person exhibition of the artist's works in the Beth Urdang Gallery in Boston. Jean Feinber...

"Brilliantly Colored Grid of Small Abstract Expressionist Paintings," Oil on Canvas, 64 x 64 Inches, is a lush abstraction, very...

"Small Abstract #135," Oil on Canvas, 8 x 8 Inches, is a brilliantly colored, gorgeous and lush abstraction, very expressionist and fluid in style in shades of white, greens, red, o...

"Map Voice #1,2" Gouache on Yupo, 35 x 23 inches each panel, 35 x 46 inches. Yupo is a thin, plastic coated sheet. Abstraction in shades of bright blue, white, green, chartreuse, ...

The painting has a built up surface on Belgium linen and on an aluminum stretcher bar which makes warping impossible It’s in excellent condition. The paint surface had built up are...