Milan - Decorative Objects

Sculpture of a lady in majolica ceramic modeled and painted in polychrome, created by Tarcisio Tosin in the 1950s Ø 21 cm Ø 15 cm h 18 cm Tarcisio Tosin is a name that evokes a gol...

Sergio Asti for Venini Glass Large Ashtray. From the renowned DE'MODE'S series Designed on the occasion of the remodeling of the Bar Excelsior at the Excelsior Hotel Lido of Venice....

Masterfully handcrafted in Italy, Kazimir is not only a perfect divider for a Minimalist or Classic rooms, but also a symbolic bridge, linking design to art, functionality to decorat...

Side Table S in White Michelangelo and Black Marquinia marble Available also in the L version The hypnotic black and white stripes of the new Nova collection, designed by Jacopo Si...

Coppia di obelischi in marmo ambrato, realizzati negli anni '60 Ø cm 9,5 h cm 35 Gli obelischi erano originariamente costruiti dagli antichi egizi come monumenti religiosi per onor...

1960s Gorgeous Box in Onyx. Made in Italy. This box is in excellent condition. Dimensions: 5,31 x 3,74 x 1,96 H inches 13,5 x 9,5 x 5 H cm

Delivered in a custom box ready to be gifted, this perfume bottle makes a glamorous addition to a vanity desk adding both function and sophisticated style. The hand-engraved bottle o...

Made in Italy, 1940s- 1950s. This pitcher vase is made in hand embossed copper. Its minimal and classical, but still modern.+ It is a vintage piece, therefore it might show slight t...

Black Forest carved hazelnut wood sculpture depicting two birds framed by oak branches, leaves, acorns with a terminal shield. Germany late 19th century.

Sea monster Carrara marble mouth fountain Italy, late 16th century It measures 13.8 x 31.5 x 18.9 in (35 x 80 x 48 cm) State of conservation: some small evident gaps and widespread signs of wear due to outdoor exposure. The gray marks crossing it do not come from restoration, but are rather the natural veins of the marble. This work has some morphological characteristics typically associated with the iconography of the sea monster: an elongated muzzle, sharp teeth, protruding eyes, elongated ears, and a coiled serpent's tail. An in-depth series of studies on artistic depictions of the sea monster attempted to verify how this symbol evolved in antiquity in the European and Mediterranean contexts and how it gradually changed its image and function over time. The iconography itself is mutable and imaginative and its history is rich with cultural and artistic exchange, as well as the overlapping of ideas. This occurred so much that it is difficult to accurately pinpoint the "types" that satisfactorily represent its various developments. However, we can try to summarize the main figures, starting from the biblical Leviathan and the marine creature that swallowed Jonah (in the Christian version, this figure was to become a whale or a "big fish", the “ketos mega”, translation of the Hebrew “dag gadol”). Other specimens ranged from the dragons mentioned in the Iliad (which were winged and had legs) to "ketos” (also from Greek mythology), the terrifying being from whose Latinized name (“cetus”) derives the word "cetacean". See J. Boardman, “Very Like a Whale” - Classical Sea Monsters, in Monsters and Demons in the Ancient and Medieval Worlds, in Papers presented in Honor of Edith Porada, Mainz am Rhein 1987, pp. 73-84). In Italy the monster underwent yet further variations: it can be found in Etruscan art on the front of some sarcophagi representing the companion of souls, while among the Romans we find the “Pistrice” (cited by Plinio in Naturalis Historia PLIN., Nat., II 9, 8 and by Virgilio in Eneide: VERG., Aen., III, 427), which appeared in the shape of a stylized hippocampus or a very large monstrous cetacean and evolved into a hideous being with a dragon's head and long webbed fins. During the Middle Ages, the sea monster was the object of new transformations: at this time, it is often winged, the head is stretched like a crocodile, the front legs are often very sharp fins - sometimes real paws - until the image merges with dragons, the typical figures of medieval visionary spirituality widely found throughout Europe (on this topic and much more, see: Baltrušaitis, J., Il Medioevo fantastico. Antichità ed esotismi nell’arte gotica, Gli Adelphi 1997). In Italy during the 15th and 16th centuries, the revival of classicism - representative of the humanistic and Renaissance periods - led to a different reading of these "creatures". Indeed, the sea monster was also to find widespread use as an isolated decorative motif, especially in numerous fountains and sculptures where dolphins or sea monsters were used as a characterizing element linked to water (on this theme see: Chet Van Duzer, Sea Monsters on Medieval and Renaissance Maps, London, The British library, 2013). From the morphological point of view, the "sea monsters" of this period are mostly depicted as hybrid figures, in which the body of a mythological or real being (a hippocampus, a sea snake, a dolphin), is joined to a head with a rather indistinct appearance. It was usually characterized by large upright ears, an elongated snout, sharp teeth and globular, protruding eyes; a complex and indefinite figure, both from the symbolic point of view and from that of its genesis. The work we are examining is placed as a cross between the medieval sea serpent and the Renaissance dolphin, with stylistic features which recall the snake as often used in heraldry (such as the "snake" depicted in the coat of arms of the Visconti - the lords and then dukes of Milan between 1277 and 1447 - and which, for some, may be derived from the representations of the “Pistrice” that swallowed Jonah). In the search for sources, Renaissance cartography and in particular woodcuts should not be neglected. See for example the monsters of Olaus Magnus, from the editions of the “Historia de gentibus septentrionalibus” (“History of the peoples of the north”) and the natural histories of Conrad Gesner, Ulisse...

Side Table L in White Michelangelo and Black Marquinia marble Available also in the S version The hypnotic black and white stripes of the new Nova collection, designed by Jacopo S...

1970s Astonishing rare ashtray or catch-all by Daum Nancy in crystal. Made in France No chips or other, this item is perfect in excellent condition. The design of this piece is amazi...

Taxidermy marine natural Wunderkammer specimen, the common porcupine fish (Tetrodon Cutcutia). The Specimen is stuffed and mounted over a round fruitwoo...

This exquisite set of four 18th-century sterling silver Corinthian candlesticks, crafted by Richard Hodd & Son, showcases the finest English craftsmanship. Featuring beautifully detailed acanthus-decorated sconces with scroll supports, silver beading along the sconces and platforms, and terraced pedestal bases, these candlesticks are a true reflection of elegant Georgian design. The shaped wax...

Bust of young woman in white marble and alabaster with veining in shades of gray.

An ideal piece to accent coastal decors, this sophisticated design in fine matte white ceramic is simultaneously a vessel and a simply decorative anthropomorphic head. It showcases a...

An extraordinary work of art by Romanelli sculptors, this low relief is inspired by the celebrated Medusa Rondanini, a Hellenistic marble copy of the ...

This round low relief is a singular artwork crafted by sculptor Raffaello Romanelli in 1896 and exhibited in the monument for Donatello in the Saint Lawrenc...

This Antique French Provincial Tian bowl, dating back to the early 19th century and found in Provence, France, showcases a beautiful light yellow glaze with a time-worn patina. Tradi...

Bowl S in White Michelangelo and Black Marquinia marble Available also in the L version, and with a rotating mechanism The hypnotic black and white stripes of the new Nova collecti...

The Classic design of this porcelain vase comes back to life with retro decorations with a contemporary flavor. The coral reef of the Amami Islands, near Japan, inspires this design ...

Blue ceramic vase with white ribbon, made by Zaccagnini in the 1950s Ø cm 14 h cm 40 Ugo Zaccagnini is a name that resonates in the field of Italian ceramics, inextricably linked to the production of high quality majolica and ceramics. Born in 1868, Zaccagnini dedicated his life to the creation of unique works, characterized by technical mastery and refined aesthetic taste. Zaccagnini began his career at the famous Richard-Ginori manufactory, where he acquired a solid technical and artistic education. In 1905, together with other master ceramists, they decided to found their own factory, "Ugo Zaccagnini & Figli", in Sesto Fiorentino. The style of production is characterized by a strong link with the Tuscan tradition, with references to the Della Robbia ceramics...

1970s Gorgeous green vase by Industria Vetraria Valdarnese, mouth-blown glass and handmade. Made in Italy. Signed with the original label. This vase is in excellent condition. Made i...

Alfredo Barbini Vase

Antique figurative pocket knife, chiseled and guilloché, representing a rabbit lying down with its ears down. Brass handle plates with three rivets, spring and steel blade. Signed Th...

1960s Astonishing blue Jack in the Pulpit "Calla Lily" vase in Murano glass. Made in Italy. The item is in excellent condition. Dimension: diameter 3,93 x 12,99 H inches diameter cm ...

Made in Italy, 1960s. This vase is made in Sommerso Murano glass, which has been hand blown with three different colors: transparent, yellow and blue. It is a vintage item, therefor...

Italian modern yellow ceramic Vase ET1 by Ettore Sottsass for A. Sarri, 1990s Rare and elegant vase mod. ET1 with round base in ceramic painted in yellow and glazed in white. The st...

Hand-painted ceramic plate made by Ernesto Treccani in the 1970s. Ø cm 20 h cm 15,5 Ernesto Treccani was an Italian painter, engraver, and writer, a prominent figure in the Italian...

Made in Italy, 1980s. This fish is made in polychrome Murano glass and features its original label. It is a vintage piece, therefore it might show slight traces of use, but it can be...

This playful and elegant bowl will be a sophisticated addition to any decor and will bring a splash of color into a classically decorated room. Whether used in an entryway or living room to store everyday objects, or on the dining table or even the bathroom, this piece will enliven any environment. Its silver body has a golden finish inside and two birds legs...

Italian Mid-Century Modern round red wall clock by Lorenz, 1970s Round wall clock in red painted metal with white dial and black numbers. Made by Lorena...

This handmade work is a reproduction of a piece currently housed in the British Museum in London. The bust of the young, Ancient Greek hero Antinous is fa...

Imagine stepping back in time to the opulent 19th century, where a magnificent French clock in gilded bronze takes center stage, a breathtaking tribute to the Sun King himself, Louis...

This exquisite vase combines the timeless beauty of green alabaster with the refined touch of satin brass. Its cylindrical shape enhances its minimalist elegance, making it a sophist...

Victorian-era silver plate wunderkammer inkwell that presents in the center of the tray a palm tree from the cut trunk on which rests reclining on four palm leaves an Australian e...

This exquisitely round basket is part of the Demetra collection and offers sturdy yet elegant storage for magazines, media, and more. This elegant piece is made entirely of handwoven...

Ronzan “stile” Jaguar ceramic, 1950, Italy.

This sculptural vase results from the fresh and visionary approach of ceramist Patrizia Italiano. Part of a series dedicated to Sicilian street vendors, this anthropomorphic piece in...

Opaline vase in red Danish glass, made by Holmegaard in the 1990s. Ø cm 14 h cm 17 Holmegaard is a renowned Danish glassmaking company with a rich history dating back to 1825. Kno...

Gabriella Crespi circular brass and burl wood picture frame, Italy 1970s Signed Gabriella Crespi.

Bianco Arabescato Amaltea by Ivan Colominas Dimensions: 36.5 x 10 cm Materials: Bianco Arabescato Also available: different marbles. The collection is a tribute to one of It...

Made in Germany by Brockwitz, 1930s - 1940s. This rare bowl / centerpiece is made in amber blown glass with parts that are satined. It is a vintage piece, therefore it might show sl...

Sleek and functional, this basket is handcrafted with meticulous care and made of handwoven leather that is 100% eco-friendly, durable, and easy to clean, suitable for both indoors a...

Flavio Poli.

1970s Astonishing space age silver plated vase by Sassetti with 3 asymmetrical tubes of different heights. Handmade. Made In Italy. This vase is in excellent condition and is signed ...

Zaccagnini brontolo ceramic 1950 snow white and the seven dwarfs.

ESSEVI - Sandro VACCHETTI - Ceramica dipinta a mano raffigurante una lavandaia, datata 1937 - Torino - Made in italy. Bellissima qualità e in perfetto stato di conservazione.

This striking vase has a simple, rectangular shape, highlighted with a brass strip at the bottom and two different solid finishes, one large strip in pink and a vivid red top. The pi...

Gilt and burnished bronze sculpture depicting tamer with horse. On the base engraved signature of the author. Posthumous copy.

Natural specimen from Wunderkammer Stuffed bird (Aythya marila) gray duck small plunger mounted on a wooden base with cartouche Specimen for laboratory an...

This ultra-elegant fountain pen is distinguished by a black body in UltraResin, a special material developed by Pineider mixing nacre and resin for enhanced weather-resistance and du...

Walking stick: handle, made out of bronze depicting two acrobates. Ebony wood shaft. Metal ferrule. France 1900 ca.

From a luxury villa at Como Lake a stunning pair of early 19th century Empire four-light gilt bronze figural candelabras, of French origin, dating back to circa 1810, measure: 31.50 ...

An agate table switch featuring a small terrier dog. The switch is carved and sculpted entirely in agate and carnelian. The body of the switch has a hexagonal base, the profile rises...

A natural specimen from Wunderkammer: a crocodile skull. The wooden column base is decorated on the upper edge. A metal bar supports the crocodile skull. Italy circa 1870.

Winged Putto Sculpture of Italian origin from the 1750s depicts the Face of Angel In Carved Wood from a liturgical ornament to which it was attached with two nails, holes can still ...

1970s Astonishing red Tulppaani (#1513) by Tamara Aladin for Riihimaki/Riihimaen Lasi Oy. The item is in excellent condition. Made in Finland. This vase is a sculpture and is part of...