Missouri - Color Photography

JoLynne Martinez Adaptive Athlete Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in...

Shannon Maltbie-Davis Bird’s Eye View of KC Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and fr...

Jeff Burk Under the Buck O’Neil Bridge Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed ...

Edition: 25 Signed, dated and numbered in ink on label affixed verso Other sizes available upon request COA provided In Sherman's photographs she is experimenting with groupings of ...

Title: "Top Floor View" Medium: Custom Archival Pigment Print on Archival Paper Date: 2019 Dimensions: 10 X 8 in. Signed, dated and inscribed on label COA provided Multiple Sizes Available (please inquire within) Framing Available (please inquire within) Born in Córdoba, Argentina, photographer Pablo Saccinto had a unique journey to discovering his passion for photography. Before he ever picked up a camera, Saccinto studied "Dramatic Arts" at the Royal Theatre, seminary by Jolie Libois and attended the National University of Cinema and Television whilst practicing figure skating as a hobby. However, Pablo wanted his dream to became a reality. In 2009 He decided to try out and audition for Disney On Ice. One year later, Saccinto became part of the magic. Since then He had the opportunity to participate in different productions of the company as Disney on Ice presents, “Toy Story 3", "Rockin’ ever after", "Let’s Celebrate", "100 years of magic", the big phenomenon "Frozen", and his current show "Dare to Dream", traveling to over 20 countries. Some of the roles Pablo portrayed were, Le Fou from Beauty and the Beast, Pinocchio, and Miguel from the movie Coco Disney/Pixar. It was through his career as a figure skater that Saccinto found new opportunities in his ever-changing surroundings. Traveling around the globe and seeing all the beauty that this world has to offer opened the door to pursue photography further. Traveling has opened his mind and inspires him to photograph different cultures and even allows him to get to know himself on a before unknown level. Contemporary, contemporary art, contemporary photography, travel photography, cities, Japan, Hiroshima, urban photography, street photography, fine art, architecture, architectural photography, black and white, black and white photography, nature, nature photography, photographers, travel, Edward Weston, William Eggleston, André Kertész, Frans Lanting, Berenice Abbott, Chris Burkard...

Title: "Passage" Medium: Custom Archival Pigment Print on Archival Paper Date: 2019 Dimensions: 10 x 8 in. Signed, dated and inscribed on label COA provided Multiple Sizes Available (please inquire within) Framing Available (please inquire within) Born in Córdoba, Argentina, photographer Pablo Saccinto had a unique journey to discovering his passion for photography. Before he ever picked up a camera, Saccinto studied "Dramatic Arts" at the Royal Theatre, seminary by Jolie Libois and attended the National University of Cinema and Television whilst practicing figure skating as a hobby. However, Pablo wanted his dream to became a reality. In 2009 He decided to try out and audition for Disney On Ice. One year later, Saccinto became part of the magic. Since then He had the opportunity to participate in different productions of the company as Disney on Ice presents, “Toy Story 3", "Rockin’ ever after", "Let’s Celebrate", "100 years of magic", the big phenomenon "Frozen", and his current show "Dare to Dream", traveling to over 20 countries. Some of the roles Pablo portrayed were, Le Fou from Beauty and the Beast, Pinocchio, and Miguel from the movie Coco Disney/Pixar. It was through his career as a figure skater that Saccinto found new opportunities in his ever-changing surroundings. Traveling around the globe and seeing all the beauty that this world has to offer opened the door to pursue photography further. Traveling has opened his mind and inspires him to photograph different cultures and even allows him to get to know himself on a before unknown level. Contemporary, contemporary art, contemporary photography, travel photography, cities, Japan, Hiroshima, urban photography, street photography, fine art, architecture, architectural photography, black and white, black and white photography, nature, nature photography, photographers, travel, Edward Weston, William Eggleston, André Kertész, Frans Lanting, Berenice Abbott, Chris Burkard...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------------------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveller through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations , but which lend themselves to his own work. In a similar way he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypcal and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylised, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing, and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modelled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys; and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights and soldiers. In the case of monsters, mythical creatures and robots, it is more about creating visions of the future and parallel worlds. Certainly since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This of course can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Hot Night in Shanghai Photographed from a fourth floor flat, Shanghai, China Archival Pigment Print Year: 2010 Size: 8" x 84" Signed by the artist

Wolff Buchholz Title: Manhattan in the evening Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Wolff Buchholz Title: Madison Ave Mirror Effect Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Michael Eastman Barcelona Interior, c.1990-2008 Color photograph Framed Dimensions: 30 1/2 x 24 inches

Vibrant colors in this 12 x 12 printed on-the-water boating image. It looks really nice matted and framed in a 20 x 20 frame. Location is Bodega Bay, C...

The beautiful Arizona desert in northern Scottsdale lead to a photo story called Desert Dreamscape. This image of Saguaro cactus is part of that story. These cactus have inspired t...

Saïdou Dicko I see my way, Ouaga - Paris, 2019 Hand painted archival pigment print; digital collage without retouching Framed Dimensions: 31 1/2 x 23 1/2 inches (80 x 59.7 cm) Imag...

Composing non-living objects is completely different- especially when it comes to birds. I know it can maybe seem macabre at first, but I love photographing both living and non-livin...

Composing non-living objects is completely different- especially when it comes to birds. I know it can maybe seem macabre at first, but I love photographing both living and non-livin...

Composing non-living objects is completely different- especially when it comes to birds. I know it can maybe seem macabre at first, but I love photographing both living and non-livin...

Miles Aldridge Kristen, Painting by Chantal Joffe (from Kristen series), 2010 Lambda print on photographic wove paper Framed Dimensions: 23.62 x 19.69 x ...

Phyllis Galembo Deer and Bull, Mexico, 2012 Fujiflex 19 x 19 inches (48.3 x 48.3 cm) Edition 2/6

Renell Medrano Untitled, 2019 Archival pigment print 30 x 24 1/4 inches (76.2 x 61.6 cm) Edition 2/5

Nicole A. Williams Day Lily, 1999 Photograph 21 1/2 x 17 1/2 inches (54.6 x 44.5 cm)

Katherine Simone Reynolds Ask Her How She's Doing: Wendi, 2015 Film photography 30 x 40 inches (76.2 x 101.6 cm) Edition 1/3

Susan Sterner Mama ya se fue, 2009 Archival pigment print Framed Dimensions: 14 3/4 x 17 3/4 inches (37.5 x 45.1 cm) Image Dimensions: 7 x 10 inches (17.8 x 25.4 cm) Edition 1/10

Image size 12 x 12 with white matte printed on Fine Art Matte paper 308 gsm archival ink signed and dated 2/25 certificate of authenticity :: Photograph :: Color :: This piec...

Barbara Crane Private Views, 1980-4 Polaroid type 59 Framed Dimensions: 14 1/4 x 12 1/4 inches (36.2 x 31.1 cm) Image Dimensions: 4 1/2 x 5 1/5 inches (11.4 x 13.2 cm) Edition 1/1

Farm Wives at Play- Illinois State Fair, Springfield, 1972, 1972, printed 1975 Chromogenic print 11 x 14 inches (27.9 x 35.6 cm) Edition 5

Ondrea Barbe Confetti Poppies, 2017 Dye sublimation print mounted on metal 20 x 30 inches (50.8 x 76.2 cm) The lower left corner of the artwork is bent. See photos.

Gavin Bond Untitled 6, 2009 Chromogenic print 60 x 40 inches (152.4 x 101.6 cm) 1 AP

Ann Ray The Girls Who... Silver gelatin print Framed Dimensions: 22.13 x 17.13 inches (30 x 40 cm) Image Dimensions: 11.81 x 15.75 inches (30 x 40 cm) Edition 2/50

Ann Ray Blast Off Silver gelatin print Framed Dimensions: 22 1/8 x 17 1/8 inches (56.2 x 43.5 cm) Image Dimensions: 11.81 x 15.75 inches (30 x 40 cm) Edition 3/50

Hassan Hajjaj Abdel Legs, 2014/1435 Metallic lambda print on 3mm dibond with acrylic painted tire frame Framed Dimensions: 36 3/4 x 27 inches (93.3 x 68.6 cm) Image Dimensions: 29.5...

Katherine Simone Reynolds Ask Her How She's Doing: The Emotions of a Young Woman, 2015 Film photography 30 x 40 inches (76.2 x 101.6 cm) Edition 2/6

Katherine Simone Reynolds Ask Her How She's Doing: Cynnamon in the Bushes, 2015 Film photography 30 x 40 inches (76.2 x 101.6 cm) Edition 1/6

Katherine Simone Reynolds Ask Her How She's Doing: Woman at the Church, 2015 Film photography 30 x 40 inches (76.2 x 101.6 cm) Edition 1/6

Paul Liebhardt Cow on Wall Photograph Framed Dimensions: 33 1/4 x 27 1/4 inches (84.5 x 69.2 cm) Image Dimensions: 21 x 14 1/4 inches (53.3 x 36.2 cm)

Heather Bennett Anniversary, 2012 Digital print on Somerset Velvet paper 28 x 42 inches (71.1 x 106.7 cm) Edition 1/3

Heather Bennett Jeanne On the Road, 2013 Digital print on premium luster 28 x 42 inches (71.1 x 106.7 cm) Edition of 3

Jarmo Pikkujamsa Deep IX - Babacar, 2019 Photograph on Hahnemuhle Gloss Baryta archival paper 35.04 x 19.69 inches (89 x 50 cm) Edition 1/10

Jarmo Pikkujamsa Deep I - Isalee, 2018 Photograph on Hahnemuhle Gloss Baryta archival paper 19.69 x 19.69 inches (50 x 50 cm) Edition 1/10

Jarmo Pikkujamsa Deep III - Meissa, 2018 Photograph on Hahnemuhle Gloss Baryta archival paper 19.69 x 19.69 inches (50 x 50 cm) Edition 1/10

Ruth Ossai Akatakpa and Ozor masquerade. Ovoko-Nsukka, Nigeria, 2019 Archival pigment print 26 1/2 x 40 inches (67.3 x 101.6 cm) Edition 1/5, 2

Fabrice Monteiro The Missing Link, Joe, 2014 Chromogenic print mounted on dibond 33.46 x 47.24 inches (85 x 120 cm) Edition 9/10

Marilyn Minter Nail Biter, 2010 Color photograph 20 x 24 inches (50.8 x 61 cm) Edition 12/20

Chen Man Nao Nao: Alien, 2016 Acrylic print 74 x 118 inches (188 x 299.7 cm)

Joshua Kissi Gerewol , 2019 Archival pigment print 24 x 14 3/4 inches (61 x 37.5 cm) Edition 1/5

Justin Solomon "Wrestling Under the Sunset," sounds very romantic, 2018 Archival pigment print 26 1/2 x 40 inches (67.3 x 101.6 cm) Edition 1/5

Susan Sterner Mama ya se fue, 2009 Archival pigment print Framed Dimensions: 14 3/4 x 17 3/4 inches (37.5 x 45.1 cm) Image Dimensions: 7 x 10 inches (17.8 x 25.4 cm) Edition 4/10

Jona Frank Untitled, from the series High School, 2004 Chromogenic print Framed Dimensions: 24 3/4 x 21 3/4 inches (62.9 x 55.2 cm)

Hassan Hajjaj Lovers Diptyk, 2000 Giclee print with acrylic painted tire frame Framed Dimensions: 24 x 18 inches (61 x 45.7 cm) Edition 2/10

Ruben Natal-San Miguel Good Friday (Easter Weekend Frenzy) 2019 Melrose, Bronx, NYC, 2019 Kodak endura metallic chromogenic photograph 19 3/4 x 15 3/4 inch...

Marilyn Minter Loop-de-Loop, 2013 Chromogenic print (c-print) on Kodak matte paper 14 x 11 inches (35.6 x 27.9 cm)

Hassan Hajjaj Fendi Girl, 1999/1420 Giclee print with acrylic painted tire frame Framed Dimensions: 20 x 16 inches (50.8 x 40.6 cm)

Hassan Hajjaj Mali Kid Legs, 2014 Metallic Lambda print on 3mm dibond 40 3/10 x 31 inches (102.4 x 78.7 cm) Edition 2/5

Hassan Hajjaj Love Maroc, 2010/1431 C-type on Fuji Crystal 39 x 52.25 inches (99 x 132.7 cm) Edition 3/7, 3

Artist : David K. Pugh Title : Residential Beauty Series No.4 Grimes, Iowa Materials : Archival Pigment Print Date : 2019 David has been a photographer for 10 years. After having p...

Artist : David K. Pugh Title : Pattern Series No.8 Materials : Archival Pigment Print Date : 2019 David has been a photographer for 10 years. After having photographed a magnolia t...

Artist : David K. Pugh Title : Pattern Series No.5 Materials : Archival Pigment Print Date : 2019 David has been a photographer for 10 years. After having photographed a magnolia t...

Artist : Gary Hodson Title : Bicycle Presentation Materials : Archival Pigment Print Date : 2014 Dimensions : 11 x 17 in. Gary Hodson’s subject matter remains diverse and includes ...

Angie Jennings "Walk to the Moon II", 2010 Archival Pigment Print Year: 2019 Dimensions: 23" x 24" inches Unframed “Shanghai Blue” is a chapter in Angie Jennings’ series “Modern Streets of an Ancient Empire...

Gary Hodson "Gppe Pellegrini", 2014 Archival Pigment Print Year: 2019 Dimensions: 12" x 17" inches Unframed Gary Hodson’s subject matter remains diverse and includes humor, irony, c...