Missouri - Color Photography

Jason Dailey Green Grain Bins Archival Pigment Print Year: 2024 Visible Size: 9.5 x 9.5 inches Framed: 12.875 x 12.875 inches Signed: On Label COA provided *White frame with standar...

Jason Tajchman Main Street Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal...

Brian Hanes City Market Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted...

Brian Hanes Westport Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal black...

Erin Eggerman Betty Rae’s and the Streetcar Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and fr...

Deanna Dikeman Donna in her Garden Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a...

Paula Holmes Beacon Hill Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal ...

Lisa Healey Getting Out before the Storm Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to...

Lisa Healey 2 Strangers Meet in a Diner Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed...

Shirley Harryman A Splash of Life Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a ...

Elise Gagliardi Piano Room Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal...

Jason Dailey West Bottoms Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal...

Anne Clark Overland Park II Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minima...

Julia Bartlett Main and 43rd Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a mini...

Julia Bartlett Nelson Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal bla...

Beverly Ahern Late Fall Zinnias Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a mi...

Brian Wicklund TWA Moonliner II Replica Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed...

Erin Rockers City Market Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matte...

Shannon Maltbie-Davis Bird’s Eye View of KC Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and fr...

Nick Vedros DC III Runway Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA provid...

Nick Vedros Gnome Darts Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 10x18in Edition: 12 Signed, dated and numbered by hand on label Stamped COA provide...

Edition: 25 Signed, dated and numbered in ink on label affixed verso Other sizes available upon request COA provided In Sherman's photographs she is experimenting with groupings of ...

Title: "Fushimi Inari-taisha" Medium: Custom Archival Pigment Print on Archival Paper Date: 2019 Dimensions: 8 x 10 in. Signed, dated and inscribed on la...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Hot Night in Shanghai Photographed from a fourth floor flat, Shanghai, China Archival Pigment Print Year: 2010 Size: 8" x 84" Signed by the artist

Wolff Buchholz Title: Madison Ave Mirror Effect Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Wolff Buchholz Title: Manhattan in the evening Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches

Composing non-living objects is completely different- especially when it comes to birds. I know it can maybe seem macabre at first, but I love photographing both living and non-livin...

Composing non-living objects is completely different- especially when it comes to birds. I know it can maybe seem macabre at first, but I love photographing both living and non-livin...

archival pigment print

archival pigment print

Michael Eastman Barcelona Interior, c.1990-2008 Color photograph Framed Dimensions: 30 1/2 x 24 inches

archival pigment print

archival pigment print

archival pigment print

archival pigment print

archival pigment print

archival pigment print

archival pigment print

archival pigment print

Angela Strassheim Untitled (Danielle), 2005 Chromogenic print Framed Dimensions: 27.375 x 30.875 x 1.5 inches (69.5325 x 78.4225 x 3.81 cm) Image Di...

archival pigment print

archival pigment print

Susan Sterner Mama ya se fue, 2009 Archival pigment print Framed Dimensions: 14 3/4 x 17 3/4 inches (37.5 x 45.1 cm) Image Dimensions: 7 x 10 inches (17.8 x 25.4 cm) Edition 1/10

Barbara Crane Private Views, 1980-4 Polaroid type 59 Framed Dimensions: 14 1/4 x 12 1/4 inches (36.2 x 31.1 cm) Image Dimensions: 4 1/2 x 5 1/5 inches (11.4 x 13.2 cm) Edition 1/1

archival pigment print

archival pigment print

archival pigment print

archival pigment print

archival pigment print

archival pigment print

Image size 12 x 12 with white matte printed on Fine Art Matte paper 308 gsm archival ink signed and dated 2/25 certificate of authenticity :: Photograph :: Color :: This piec...

The beautiful Arizona desert in northern Scottsdale lead to a photo story called Desert Dreamscape. This image of Saguaro cactus is part of that story. These cactus have inspired t...

Vibrant colors in this 12 x 12 printed on-the-water boating image. It looks really nice matted and framed in a 20 x 20 frame. Location is Bodega Bay, C...

Farm Wives at Play- Illinois State Fair, Springfield, 1972, 1972, printed 1975 Chromogenic print 11 x 14 inches (27.9 x 35.6 cm) Edition 5

Bert Stern Here's To You, Marilyn Monroe, 1962, 1978 Photograph Framed Dimensions: 33.25 x 32.25 inches (84.5 x 81.9 cm) Artwork: 20.5 x 19.25 inches (52.1 x 48.9 cm) Edition of 250

Katherine Simone Reynolds Ask Her How She's Doing: Wendi, 2015 Film photography 30 x 40 inches (76.2 x 101.6 cm) Edition 1/3

Cornell Capa Marilyn Monroe on the set of 'The Misfits', 1960 Gelatin silver print Framed Dimensions: 16.5 x 20.25 inches (41.9 x 51.4 cm) Image Dimensions: 12.25 x 8.25 inches (31...